I'll listen to Oistrakh any time of day, any day of the week, any week of the month, any month of the year, any year of the decade, and any dang old decade of the century, baby!
Оистрак и Ричтер!!! Dios santo, que equipo tan perfecto y majestuoso para tocar la última sonata violín-piano del Júpiter de Bonn. Спасибо, gracias, merci, grazie, Danke, thanks, obrigado.
Wunderschöne live Aufführung dieser perfekt komponierten Sonate im angemessenen Tempo mit seidigen Töne der Violine und klaren Klänge des Klaviers. Die intime und perfekt synchronisierte Mitwirkung zwischen den beiden unvergleichlichen Virtuosen ist immer noch unübertrefflich. Alles ist wunderbar!
That picture 's -unique! The audience 's (Leningrad's compositors-Basner,Tischenko & theory's professors) also.... they sitting ON the stage of Smoll filarmoni Hall.....end of 60х...
Everything is Russian in this recording except Beethoven. David Oistrakh and Sviatoslav Richter recorded this splendid sonata in Moscow during 1969. Beautiful sound, good recording, two of the best soloists in the world during the XX century. Majestic.
This sonnata is rather strange. Berhoven went very far frpm trafition with its pevious sonata, the famous "Kreurtzer" one. He was on the way to his "third manner". Ane however, yhis sonata sounds in a very classical if not consevative way. Nedless to say, there are always a lot of thongs to admire in a sonata from Beerhoven. But here, ot os not the innovation inspiration which draws our attention.
It was written for Pierre Rode in 1812 and with his playing style in mind. From Wikipedia:: Shortly before completing the work, Beethoven wrote to the Archduke Rudolph “… I did not make great haste in the last movement for the sake of mere punctuality, the more because, in writing it, I had to consider the playing of Rode. In our finales we like rushing and resounding passages, but this does not please R and - this hinders me somewhat.” A masterpiece interpreted by two masters who have given us the elegance that Beethoven intended. (The tempos are clearly chosen with that in mind).
Sonata #10 does not get played nearly as often as #9....probably because it lacks a *CUTE* nickname.. 1) This is the 10th sonata. The Greek for "ten" is "Deca". Call it the Decadent Sonata?
I guess you didnt see Gould and Menuhin version, and Hilary Hahn had just played this 10th along with Kreutzer. She is the reason im here, to listen to this epic version by two Russian titans (cz i cant hear she plays).
I'll listen to Oistrakh any time of day, any day of the week, any week of the month, any month of the year, any year of the decade, and any dang old decade of the century, baby!
N'en fait pas trop quand même hein!
two giants giving us this master performance... how thankful i am for this technology, which enables so many of us to enjoy this jewel
welche Klarheit und Bravo Bravissimo
Beethoven's less popular works are often his most interesting. This is thoroughly charming.
and more than charming !!!!!!
Genius to no end.
Оистрак и Ричтер!!! Dios santo, que equipo tan perfecto y majestuoso para tocar la última sonata violín-piano del Júpiter de Bonn. Спасибо, gracias, merci, grazie, Danke, thanks, obrigado.
Wunderschöne live Aufführung dieser perfekt komponierten Sonate im angemessenen Tempo mit seidigen Töne der Violine und klaren Klänge des Klaviers. Die intime und perfekt synchronisierte Mitwirkung zwischen den beiden unvergleichlichen Virtuosen ist immer noch unübertrefflich. Alles ist wunderbar!
Allegro moderato 0:00
Adagio espressivo 10:11
Scherzo. Allegro 16:19
Poco allegretto 18:16
That picture 's -unique! The audience 's (Leningrad's compositors-Basner,Tischenko & theory's professors) also.... they sitting ON the stage of Smoll filarmoni Hall.....end of 60х...
I don't know why this is almost considered cute. A major work by Beethoven who should not fool you with its charm.
Beautifully played!
... (No words are enough)
I love this photo!
Everything is Russian in this recording except Beethoven. David Oistrakh and Sviatoslav Richter recorded this splendid sonata in Moscow during 1969. Beautiful sound, good recording, two of the best soloists in the world during the XX century. Majestic.
Stradivarius is Italian and music is crossing all borders :)
@@arekkrolak6320 the piano is american. Oistrakh is jewish. Richter is german
the composer is Dutch, the instruments are Italiian and German, the performers are Jewish and German. The school is Soviet...
@@tadcotadco6344 Thanks for your comments. I guess music transcends frontiers.
@@tadcotadco6344 musical academy school comes to Soviets from Europe as well
Ravishing slow movement!
Ludwig van Beethoven:10.G-dúr Hegedűszonáta Op.96
1.Allegro moderato 00:00
2.Adagio espressivo 10:11
3.Scherzo:Allegro 16:19
4.Poco allegretto 18:16
David Ojsztrah-hegedű
Szvjatoszlav Richter-zongora
🙏🙏🙏🙏💚💚💚💚💚💚💚💚💚💚💚💚
le mouvement lent c'est vraiment pour l'ile désserte !!!!
Shostakovich was still alive when this was recorded. Maybe he was there
Fun and fickle.
This sonnata is rather strange. Berhoven went very far frpm trafition with its pevious sonata, the famous "Kreurtzer" one. He was on the way to his "third manner". Ane however, yhis sonata sounds in a very classical if not consevative way. Nedless to say, there are always a lot of thongs to admire in a sonata from Beerhoven. But here, ot os not the innovation inspiration which draws our attention.
It was written for Pierre Rode in 1812 and with his playing style in mind. From Wikipedia:: Shortly before completing the work, Beethoven wrote to the Archduke Rudolph “… I did not make great haste in the last movement for the sake of mere punctuality, the more because, in writing it, I had to consider the playing of Rode. In our finales we like rushing and resounding passages, but this does not please R and - this hinders me somewhat.” A masterpiece interpreted by two masters who have given us the elegance that Beethoven intended. (The tempos are clearly chosen with that in mind).
Sonata #10 does not get played nearly as often as #9....probably because it lacks a *CUTE* nickname..
1) This is the 10th sonata. The Greek for "ten" is "Deca". Call it the Decadent Sonata?
That's Greek to me! Lol
....VERY seldom,because it's VERY difficult! Bethoven' s spetial joking.....nothing of decadent......
Harry Andruschak Three Blind Mice.
yes, auf Dutch: 'ver gezocht' !
I guess you didnt see Gould and Menuhin version, and Hilary Hahn had just played this 10th along with Kreutzer. She is the reason im here, to listen to this epic version by two Russian titans (cz i cant hear she plays).
Но мой любимый скрипач -- Уто Уги !!! Ойстрах играет как-то уж очень старательно, быстро утомляет.
фортепьяно озвучено громко по отношению к скрипке, это звучит плохо
What ARE you talking about???
@@jamesnickoloff6692 переведи и поймёшь
Ludwig van Beethoven:10.G-dúr Hegedűszonáta Op.96
1.Allegro moderato 00:00
2.Adagio espressivo 10:11
3.Scherzo:Allegro 16:19
4.Poco allegretto 18:19
David Ojsztrah-hegedű
Szvjatoszlav Richter-zongora