Dear Mr. Barton, I cannot put into words how helpful your tutorial was/is and will always be. I had just stumbled upon this piece in a collection of pieces and recognized the beautiful melody dispite my reckless interpretation. Your thoughtful guidance and suggestions have given hope to these 60 year old hands that began learning the piano 9 years ago, I am confident that this Liszt piece is within my grasp for which I am eternally grateful.
You FINALLY helped me grasp the polyrhythms. I’ve played Scriabin and had no problem with the 2 over 3, but the melodic line of this piece to me is rhythmically deceptive! I’m now looking at the bass as more of triplet figures and it’s finally working. Thanks so much!
Thanks Mr. Barton, I learn so much from your lessons, and I've been playing for 35 years. There is no limit to learning. Everything is always so easy with you:)
6:36 i remember one time some pianist i met told me it was "wrong" to not play 1+5 indefinitely for every octave lol. I said exactly what you say here paul and he told me i was an asshole 😂 Btw this is the best tutorial ive seen for this piece
Hi Paul!!!! You ARE simply the most amazing and inspiring "youtuber" I have ever met!!!!!! Many thanks for your wonderful videos and keep on doing what you do !!!!! You are about to save the world!!!!!!!! Thanks man!!!!!!!!!! Lots of love from Jens from Denmark
Very helpful. I'm playing this in an upcoming solo program (organ and piano), and this is just what I needed to take confidence to the next level. Much appreciated.
Bonjour, je tiens à vous remercier pour votre cours et votre explication. J'ai réussi à jouer la polyrythmie et ce magnifique morceau de Liszt grâce à votre excellente leçon.
i wish i have a teacher like you. i don't have a teacher but adventure to learn by myself ,seeing your teaching technique , i learn so much. thank you very much. also inspiring for me to learn in the absence of a teacher.
Thank you Mr.Paul Barton ...mais je suis français et comprends mal l'anglais. Pouvez vous traduire en français votre tutorial ?. Je suis pianiste amateur depuis 5 ans et je travaille sans relâche. Je voudrais bien apprendre le Consolation 3. Merci de votre aide. J'ai 73 ans et veux devenir un vieillard prodige.
Thank you, thank you, thank you!!!!! I had no idea how to even begin - this is an amazing explanation!! I'm so in love with this music, I simply must learn it.. Can't wait to start practicing. You're an amazing teacher!
this is brilliant! next time a student asks me to teach them this piece! (which is all the bloody time!) ill direct them to your video!! i get easily annoyed when people dont play cross rhythms correctly, such as 8ths over triplets etc and i think you really hit the nail on the head with your explaination!, also while im here i think ill be selfish and request you do a tutorial on etude 25 5 (wrong note) as i love ur etude tutorials :P
such a wonderful and useful tutorial video for both students and teacher!!! A good teaching that must contain certain quantities of technical explanation such as controlling of muscle movements, relaxation of wrist and arm, cooperation of both hands and so on. feel so lucky to look into your channel! Thank you very much! subscribed!
Cool, I'm currently playing this piece for my piano exam and competition in Asia. Just a perfect time to have some final suggestions to play better.. Thx Paul! Again!
Wow, finally could play the 22nd bar after 2 hours of repetition...It’s weird, I dont feel like I’m making any progress but suddenly I can hear the triplets in the left hands at the same time as the quavers in the right hand, and i got it..
I was stumped by the cadenza because it looked like two bars condensed into one. And then because the following bars slow down to ritardando it kind of flows together eventually. But counting those notes does show eight beats in that bar.
I am an amateur who loves classical music but doesn't read sheet music yet. I've started to learn a tiny bit of this piece but i feel it's rhythmically far too complex for a beginner like me... But since i really love this piece i'm willing to put alot of effort into it. What should i do, learn something more easy? My level is not very good...
+Powerslider I think you should first learn to read sheet music. It's very easy, much easier than reading text. The more you try, the easier it'll become. When time progresses, you'll recognize the notes faster. Trust me, it's not that hard. Also, I think you picked a way too difficult for a beginner. How about some of Chopin's preludes? op28 no 15 is fairly simple, it would be a better start.
@@PianoScenesMoviesandSeries I would also suggest Chopin Prelude in E-Minor. I believe it to be a wonderful piece. I recently learned it. I am not a great piano player but I did post the video on my TH-cam channel. Reading music is very essential. But playing a classical piece is much more than hitting the notes in time. It is about feeling and expression. Good luck with your musical adventure.
@@PianoScenesMoviesandSeries I've learned to read sheet music now, and also learned Chopin's 15th prelude. I'm finishing 2 other preludes of Chopin and after that i'm considering to learn the Consolation n3. Oh yes i'm also finishing Chopin's nocturne in C-sharp minor Post H. I really needed ALOT of work to get sheet music down. But i'm glad i did cos the world of classical feels at my feet now! Cheers!
Surely, counting it as 12/8 time is an easier way in. For example, in bar four, think of the semi-quavers in the treble clef as coinciding with 7, 8 and half, 10 and 11 and half in the left hand 12/8 flow.
A lot of really good tips, esp for an amateur with er, experience of life! I can't help feeling that Liszt meant the fours to be played at a different speed to the left hand triplets, in any interpretation. IMO the notation difference indicates sparkling flourishes, surely not moments for tailored sentiment?
Paul, thanks a lot for this tutorial. It's really helpful. I'm a beginner and I have a (stupid) question: Is it really necessary to use an octave legato fingering from bar 19 to 26, considering that the pedal is already bonding the notes?
Yes they are played together 😊👍 once you've cracked the rhythm it follows a pattern throughout most of the piece, there are a couple of bars which do seem to stray so be wary. This is definitely a left handed players dream... Requires a lot of patient right hand work x
I have a question (sorry if you actually mentioned this, i need to practice so I don't have time to watch the whole video) so should i take the bass notes as a separate voice or as a part of other left hand? (Can't really explain if in English since I'm Estonian)
![โอ้มายก๊อด! ไม่ถึงชั่วโมงหมดเป็นแสน 😅 [cc] แดนแพทตี้ SS2 | EP.42 |](http://i.ytimg.com/vi/OH2ShXfO6tA/mqdefault.jpg)
You are the dream teacher everyone wants
Dear Mr. Barton, I cannot put into words how helpful your tutorial was/is and will always be. I had just stumbled upon this piece in a collection of pieces and recognized the beautiful melody dispite my reckless interpretation. Your thoughtful guidance and suggestions have given hope to these 60 year old hands that began learning the piano 9 years ago, I am confident that this Liszt piece is within my grasp for which I am eternally grateful.
Paul, you are an extraordinary pedagogue, teacher, instructor, etc. Very very good.
It was so helpful to mark the notes to be played at the same time with color ! Thanks
Stunning! Accenting strong beats helps a lot to obtain muscle memory . Absolutely amazing professor Paul!
You are a great teacher, a real master. Thanks for all your videos, greetings from Lima, Perú.
I love this piece and dream to be able to play it... Thank you 😉
You FINALLY helped me grasp the polyrhythms. I’ve played Scriabin and had no problem with the 2 over 3, but the melodic line of this piece to me is rhythmically deceptive! I’m now looking at the bass as more of triplet figures and it’s finally working. Thanks so much!
Thanks Mr. Barton, I learn so much from your lessons, and I've been playing for 35 years.
There is no limit to learning.
Everything is always so easy with you:)
Excellent! I love all your videos... including these tutorials. THANKS PAUL!!!!
You have given me revelation on how to practice! Thank You 💗
Thank you so much for this tutorial! It has allowed me to learn this piece in less than half the time! Such great advice!
6:36 i remember one time some pianist i met told me it was "wrong" to not play 1+5 indefinitely for every octave lol. I said exactly what you say here paul and he told me i was an asshole 😂
Btw this is the best tutorial ive seen for this piece
Thank you so much for your videos! Youve gotten me back into piano after 8 yrs sans keys 🎹
Excellent! Thank you.
I found that this approach works just as well for Chopin's Nocturne op 27 no. 2.
Thank you very much, Paul.
Thats great to know! I'll first learn this Consolation, and later move to 27-2. Thanks!
excellent teaching. Thank you!
Thank you sir. This is very helpful for my studies!
Hi Paul!!!!
You ARE simply the most amazing and inspiring "youtuber" I have ever met!!!!!! Many thanks for your wonderful videos and keep on doing what you do !!!!! You are about to save the world!!!!!!!! Thanks man!!!!!!!!!!
Lots of love from Jens from Denmark
Very helpful. I'm playing this in an upcoming solo program (organ and piano), and this is just what I needed to take confidence to the next level. Much appreciated.
Bonjour, je tiens à vous remercier pour votre cours et votre explication. J'ai réussi à jouer la polyrythmie et ce magnifique morceau de Liszt grâce à votre excellente leçon.
i wish i have a teacher like you. i don't have a teacher but adventure to learn by myself ,seeing your teaching technique , i learn so much. thank you very much. also inspiring for me to learn in the absence of a teacher.
Thank you Mr.Paul Barton ...mais je suis français et comprends mal l'anglais. Pouvez vous traduire en français votre tutorial ?. Je suis pianiste amateur depuis 5 ans et je travaille sans relâche. Je voudrais bien apprendre le Consolation 3. Merci de votre aide. J'ai 73 ans et veux devenir un vieillard prodige.
Dear Mr Barton, this was a brillant tutorial!! Thank you so much.
This is definitely on my list of considerations for future learning. Thanks for the tutorial. :)
Thanks so very much for posting this wonderful lesson!
Thank you very much! You're such a gifted teacher... It just inspires me.
Class as usual and what insight you provide! Thank you for all your work!
Absolutamente FANTÁSTICO. Algún día la tocaré completa y preciosa! Mil gracias por el Tutorial!
Thank you, thank you, thank you!!!!! I had no idea how to even begin - this is an amazing explanation!! I'm so in love with this music, I simply must learn it.. Can't wait to start practicing. You're an amazing teacher!
I am in love with it too. I could practice it for hours!
@@0532phillipjoy took me a loooong while to learn😂😂😂 but got there in the end! 👍
i love this piece its always been one of my faves along with liebestraum and un sospiro
Thank you so much ❤
Thank you Paul
Thank you so much! This really helped, beautiful piece
this would be so much easier to sight read if the left hand was notated with triplets..
Yeah but Liszt wanted to indicate continuity visually.
This would also be easier to sight read if I had a bigger brain. Hehe
to see the sheet music while you play is terrific. thanks!
This is a brilliant piece to play and I love your tutorial of it!
Wow. I have had this piece "taught" to me a couple of times before, but never like this. You have a real talent!
This is pure gold.
this is brilliant! next time a student asks me to teach them this piece! (which is all the bloody time!) ill direct them to your video!! i get easily annoyed when people dont play cross rhythms correctly, such as 8ths over triplets etc and i think you really hit the nail on the head with your explaination!, also while im here i think ill be selfish and request you do a tutorial on etude 25 5 (wrong note) as i love ur etude tutorials :P
Thank you for a very interesting and helpful lesson! Just started to try the Consolation, I will continue to do it together with you!!
Very uselful tips - I just started to learn this piece
U are a verry talented man paul...keep it up...its always a day brightner watching your videos...thanx
Barton you r so good. Tutorial is very useful.
Thanks again, Paul, for another great tutorial!
Thanks for this atomised analysis. Very useful indeed.
such a wonderful and useful tutorial video for both students and teacher!!! A good teaching that must contain certain quantities of technical explanation such as controlling of muscle movements, relaxation of wrist and arm, cooperation of both hands and so on. feel so lucky to look into your channel! Thank you very much! subscribed!
Thank you Paul! Helped me tremendously
All your tutorials are great!!!
Cool, I'm currently playing this piece for my piano exam and competition in Asia. Just a perfect time to have some final suggestions to play better.. Thx Paul! Again!
This is just what I have been looking for! Great channel!
great well thought our tutorial. Thank you!
Excellent tutorial. I am sure many will benefit from this.
it gonna help me a lot in mixing the two rithyms (left and right)
Amazing tips thank you!
Thank you so much Paul ❤️
Most interesting and useful, Paul!
This is a GREAT tutorial....Wow
Wow, finally could play the 22nd bar after 2 hours of repetition...It’s weird, I dont feel like I’m making any progress but suddenly I can hear the triplets in the left hands at the same time as the quavers in the right hand, and i got it..
So helpful. Thank you very much!
Great tutorial, had not heard of this piece before.
Been struggling with this one. You've been a big help
I’m 14 years old and I just started to learn this piece, and this video really helped!
Wonderful!
THANK YOU SO MUCH FOR THIS TUTORIAL
Another excellent video. Thanks.
This is so helpful! Thank you so much!
excellent
I was stumped by the cadenza because it looked like two bars condensed into one. And then because the following bars slow down to ritardando it kind of flows together eventually. But counting those notes does show eight beats in that bar.
Great lesson, thank you so much, Paul for your generosity and devotion to these videos.
Thank you, very helpful
Thank you for your help here.....
I like it! Good idea.
Muchas gracias
paul you are second best piano player in the world next to this i guy i know named paul barton
I am an amateur who loves classical music but doesn't read sheet music yet. I've started to learn a tiny bit of this piece but i feel it's rhythmically far too complex for a beginner like me... But since i really love this piece i'm willing to put alot of effort into it. What should i do, learn something more easy? My level is not very good...
+Powerslider I think you should first learn to read sheet music. It's very easy, much easier than reading text. The more you try, the easier it'll become. When time progresses, you'll recognize the notes faster. Trust me, it's not that hard. Also, I think you picked a way too difficult for a beginner. How about some of Chopin's preludes? op28 no 15 is fairly simple, it would be a better start.
+Léon Ruhe Thanks so much for some healthy guidance! I will do what you say and see how it goes from there! Have a good day.
@@PianoScenesMoviesandSeries I would also suggest Chopin Prelude in E-Minor. I believe it to be a wonderful piece. I recently learned it. I am not a great piano player but I did post the video on my TH-cam channel. Reading music is very essential. But playing a classical piece is much more than hitting the notes in time. It is about feeling and expression. Good luck with your musical adventure.
@@PianoScenesMoviesandSeries I've learned to read sheet music now, and also learned Chopin's 15th prelude. I'm finishing 2 other preludes of Chopin and after that i'm considering to learn the Consolation n3. Oh yes i'm also finishing Chopin's nocturne in C-sharp minor Post H. I really needed ALOT of work to get sheet music down. But i'm glad i did cos the world of classical feels at my feet now! Cheers!
@Li Fuweiyu Thanks! Now that i can read sheetmusic, it's so much fun to work on my projects.
Que buena explicación!!!
Amazing Channel !!!
Surely, counting it as 12/8 time is an easier way in. For example, in bar four, think of the semi-quavers in the treble clef as coinciding with 7, 8 and half, 10 and 11 and half in the left hand 12/8 flow.
A lot of really good tips, esp for an amateur with er, experience of life! I can't help feeling that Liszt meant the fours to be played at a different speed to the left hand triplets, in any interpretation. IMO the notation difference indicates sparkling flourishes, surely not moments for tailored sentiment?
I couldn't keep up with the speed of the lesson. It was hard for me. Paul is a genius.
can you do a tutorial for liszt's liebestraum no 3.pls.
Nice tutorial.
Paul, thanks a lot for this tutorial. It's really helpful. I'm a beginner and I have a (stupid) question: Is it really necessary to use an octave legato fingering from bar 19 to 26, considering that the pedal is already bonding the notes?
Thank you.
Question! On bar 15 it seems as if there are no poly rhythms , all the notes are lined up together. Or am I wrong?
btw that is probably the most fantastic sounding yamaha upright i've ever heard. most of the ones I play don't sound as warm as yours.
Agreed. Wondering if it is a U3.
Yes they are played together 😊👍 once you've cracked the rhythm it follows a pattern throughout most of the piece, there are a couple of bars which do seem to stray so be wary. This is definitely a left handed players dream... Requires a lot of patient right hand work x
Thank you
You want to approach La Campanella but you were watching a tutorial on Consolation 3. On TH-cam! Come on!
your really great! your alertness makes this interesting! You should have a show or something lol
the first hurdle in my case would be reading the notes... but thank you, you played it so well it was a soul massage.
Thanks!! Friend :)
@PaulBartonPiano hello paul, do you maybe have also access to the violin arrangement of liszt consolation no 3 in d-flat?
Thank you for the breaking up play so I can learn to play by ear
Thankyou.
......gracias...
THANK YOU MASTER, yOU ARE REALY GREAT TEACHER.
GRACIAS, ADVICE ME THE HOW AND THE BETER WAY FOR FIND
DEFINITIVE SOLUTION!
GRACIAS!!
I have a question (sorry if you actually mentioned this, i need to practice so I don't have time to watch the whole video) so should i take the bass notes as a separate voice or as a part of other left hand? (Can't really explain if in English since I'm Estonian)
Thank you very much for the great lesson. Would you please give any suggestion on Listz's La capanella ? >_
preciso !!!
What's your name piano ?☺