Find Oscar's video courses here: courses.underdog.brussels 🖤🖤🖤 Join the Underdog Discord channel: discord.gg/z5N9CTA 👾👾👾 Sign up to the mailing list here: tinyurl.com/yy92sx5u 💌💌💌 Pledge to the Patreon: www.patreon.com/underdogmusicschool 🌱🌱🌱
You're one of the few producers who has the humility to just frankly explain the concept, instead of overcomplicating it and making it super abstract. Thanks.
Wow. Literally the very first tutorial I followed after installing Ableton and getting used to the UX. I don’t think I could have started in a better place. Drawing in sidechain effects ‘swells’ can be used for so much more than just drums and reverb. Thanks so much.
I've been producing for decades, long ago more so, more as a hobbyist these days and definitely have learned a bunch of new tricks for sure! This is definitely a cool one!
Excellent video on this topic. Sidechaining from the dry sound is so obvious now you say it! Easier than messing with hysterisis and works on gates without this function, so much better in this application.
I’ve been making my own music for 4 months and i currently have 2 songs finished and during this time I almost watched all of your videos and applied so much things i’ve learned from you in those songs, i think this is the most underrated channel in youtube and deserves much more subs and attention. Keep up the good work!
I like that in fl studio's convolution reverb plugin, you just have to shape the volume automation line to gate your reverb impulse. It's so fast and precise :)
Yo this was honestly the best tutorial on TH-cam! So many people don't make advanced tutorials for us who have been in the game a little longer. It's awesome to see things in different complexities to get a better perspective on it. Please do more videos like these!!
You are a content producer that I love very much because the information you share is very high quality, thank you for sharing this beautiful information, I am looking forward to new videos and new topics. 9:25 very nice very pretty groove
Honestly, explained very quickly and clearly a concept which I had a bit of trouble with. I basically only knew how to make a gated reverb at what you would call level 1 complexity, but in 10 minutes I got to making a much better-sounding gated reverb. Thanks 🙏
I was literally just talking to my friend yesterday about how I need to learn how to do this kind of effect but I had no idea how to describe it. What great timing! :) Super helpful, thanks!
Put it on the closed hi hat sounds great. I also tried to make a bus to my snare, put the reverb and gate on the bus and then make the gate have a decent attack to get it bouncy
Oscar, you have very quickly made this my favorite production tutorial channel on TH-cam. This tip is tremendous, and just the thing I need for my current project; I absolutely went for the Phil Collins Snare effect; I got close, but now I know how to perfect it. Thank you for making this video and releasing it into the world.
@@OscarUnderdog just wanted to ask a question please, Im not a professional music producer yet, I seem to be able to put a track together but when I come to mixing it, it doesn’t work anymore. Please can you help. 😊
You should have put this effect on an entire 707 or linndrum drum loop to get that instant 80s (new wave, syntpop) vibe. Would have been interesting to hear for your younger audience ;).
Can’t wait to try using this technique and digging deeper into using gates!! Your gate tutorials have been priceless. The point about using envelopes isn’t something I’d thought to use. Have you considered doing a tutorial on multi-band effects processing using the effects rack? Seems like an invaluable tool that a lot of producers I know (myself included) only have a surface knowledge of i.e. multi-band compression ala the Waves C4. Apologies if you already have a video on this, I didn’t see it in your catalogue.
Your Video’s Are GREAT. I don’t even use Abelton, My only complaint is the Audible clicks of Your mouse/keyboard. for eg: I noticed in other videos when You ask us to “Listen to the difference” when A/B ing. You’ll Align the play head at the Transient we’re trying to hear, but when You mouse/keyboard click to play.. you’ve essentially stacked that click noise with the True audio we are trying to hear… Other than that these videos you make are Very informative, clear & easy to learn.. 10/10. thanks 👍🏻
You did a great job of explaining everything, and I love the levels of complexity! I've been making synthwave music for the last year, and the weak part has always been the drums because I relied on plugins or samples. Now I have much more control over the sound and can create my own 80s-sounding snare with gated reverb-- or use it however I like for other instruments! Thanks a bunch!
>Here we learn a classic sound design technique, where we add a large reverb to a sound, but only play it in short bursts Im not sure why but the first song this made me think of IMMEDIATELY was Glue by Bicep... but somehow I can't think of other examples
Intruder by Peter Gabriel. Coincidentally that was the track where the technique was invented on accident when the talk back mic in the drum room was left on while they were tracking and the aggressive gate one the room mic created an original timbre that sounded like nothing else at the time. Samplers were still really new technology back then so processed drums were still the main source of inspiration.
Oscar, such cool videos. I watch these in the kitchen while cleaning up (sounds odd I know, but it works for me!). I've learnt heaps from them. I don't have much in the way of musical background, but I have some science/audio background and your videos seem to click in just right for me. My vague, ambitious plan is to design a very simple, loop track with the things you teach here. So much fun, thanks so much!!
Hi, nice tip! Although I rather like to use an Auxiliary for all reverbs (and no more than 2 different kind of reverbs per song) it helps gluing all sounds together.. With the Aux you can send whatever sounds to it as gated reverb works with plucks/claps/leads etc.. Thank you for the good work and nice videos you upload every week!
Find Oscar's video courses here: courses.underdog.brussels 🖤🖤🖤
Join the Underdog Discord channel: discord.gg/z5N9CTA 👾👾👾
Sign up to the mailing list here: tinyurl.com/yy92sx5u 💌💌💌
Pledge to the Patreon: www.patreon.com/underdogmusicschool 🌱🌱🌱
Mate, your videos are top notch. Could I request something on Maceo Plex style robot "voice" (aka Vangelis). Maybe I should just do a 1 on 1.
this channel is the goat for electronic music
One of the best production channels I know.
You're one of the few producers who has the humility to just frankly explain the concept, instead of overcomplicating it and making it super abstract. Thanks.
Very nice vídeo. You are thre best teacher! Best channel to learn electronic music.
Friendly reminder that, whenever adding reverb to a very percusive sound, you might want to set the pre-delay as low as possible
I like triggering a gated pink noise sound, then put my gated reverb on the pink noise, not the snare. Sounds awesome.
you a an amazing teacher thank you for not sounding like a robot just reading off a script thank you thank you !
This is great. I believe a lot of the 80s sounds, it wasn't even always the snare being sent to the reverb, but a gated pink noise.
Been producing since 1985. Always learning. Your videos and delivery are superb.
Yes bro! even seasoned producers can learn a lot of new tricks with your clear explanations. dope!
🧡🧡🧡 Yoooooo Athila!
You're a "dope". "Bro".
Spot on Oscar
Wow. Literally the very first tutorial I followed after installing Ableton and getting used to the UX. I don’t think I could have started in a better place. Drawing in sidechain effects ‘swells’ can be used for so much more than just drums and reverb.
Thanks so much.
I now 100% understand gated reverb. Even though I don't produce music myself, this was the best explanation on Gated Reverb I found.
I've been producing for decades, long ago more so, more as a hobbyist these days and definitely have learned a bunch of new tricks for sure! This is definitely a cool one!
Well explained as usual, thank you
Thx for opening the gates of knowledge to us
Excellent video on this topic. Sidechaining from the dry sound is so obvious now you say it! Easier than messing with hysterisis and works on gates without this function, so much better in this application.
Absolutely brilliant. Thanks
Have learned soo much from you.thax much
Excellent teaching style. Very informative. Thanks.
Holy hell you just changed my life. Excellent info! Thank you!
Your teaching skills are awesome! Thanks for sharing your wisdom on audio and music. This is a great video.
Very cool and useful, thanks!
I’ve been making my own music for 4 months and i currently have 2 songs finished and during this time I almost watched all of your videos and applied so much things i’ve learned from you in those songs, i think this is the most underrated channel in youtube and deserves much more subs and attention. Keep up the good work!
My god, I spend so much time changing automation levels! Never thought to use utility to adjust the mix, you sir are a legend!
Excellent , thank you . You speak in a relaxed but clear way which makes it enjoyable to listen to you !
Of the tutorials on gated reverb/snare I watched, this one is the most concise and even the more complex methods were easy to understand. Bravo!
another great, clear video! Thanks Oscar
Highest level explanation of information. Bravo 👏🏻
When I stop my production and start a class of your channel is the moment I'm always sure I'm gonna grow too much on my job... Thank u
I like that in fl studio's convolution reverb plugin, you just have to shape the volume automation line to gate your reverb impulse. It's so fast and precise :)
bravo as always
Yo this was honestly the best tutorial on TH-cam! So many people don't make advanced tutorials for us who have been in the game a little longer. It's awesome to see things in different complexities to get a better perspective on it. Please do more videos like these!!
i just like watching artists being artists
Your t-shirts are always so coool! 😎
Your FACE is so coooooool
You are a content producer that I love very much because the information you share is very high quality, thank you for sharing this beautiful information, I am looking forward to new videos and new topics. 9:25 very nice very pretty groove
even the mastering for the audio in this video is superb. nicely done!
You just solved something I've been struggling with for years, and the mechanics are very well explained. Thank you !!
thanx bro ur really help full keep on oo
at 2:56 you can stop the fluttering with the return threshold and the hold knob.
I myself am Professional Music porducer.. these are very well done. Like the energy. Keep them coming.
I'm mixing rock and metal and just loved this video! Awesome Stuff!
Honestly, explained very quickly and clearly a concept which I had a bit of trouble with. I basically only knew how to make a gated reverb at what you would call level 1 complexity, but in 10 minutes I got to making a much better-sounding gated reverb. Thanks 🙏
I was literally just talking to my friend yesterday about how I need to learn how to do this kind of effect but I had no idea how to describe it. What great timing! :) Super helpful, thanks!
I always learn something useful in your videos , thank you Oscar, greetings from Chile!
awesome tips!!! great video :)
Interesting technique
Clear explanation. Thanks
your lessons are great and so are your teaching skills
Put it on the closed hi hat sounds great.
I also tried to make a bus to my snare, put the reverb and gate on the bus and then make the gate have a decent attack to get it bouncy
great tutorial
thanks a lot sir
"Be good to one another.." the world needs this advice..
Great tip..love it
So much useful knowledge... and I'm not even a dance music guy. Thanks!
Man…… nearly 81k…wtf? Well deserved Mate!!!! I’ve learned so much from this channel. Thank you!!!!
Much love from Atlanta, Georgia USA. ✊🏻🙏🏻🖤👾🖖🏼👩🏽⚕️👽
Zoals altijd helder en duidelijk uitgelegd. 👌🏼 Super! Dank!
Thanks!
Your videos are fantastic! Well done!
whole vid great and microcomp at the end a banger - thanks!
Oscar, you have very quickly made this my favorite production tutorial channel on TH-cam. This tip is tremendous, and just the thing I need for my current project; I absolutely went for the Phil Collins Snare effect; I got close, but now I know how to perfect it. Thank you for making this video and releasing it into the world.
Great - I never quite got what the "gated" was about!
I am looking forward to the session ;) Beause knowledge is power and music without power sucks!
Totally cool, thank you so much for the tips Oscar! 🙏😃
Love your channel, you have helped me no end, thank you for your videos. Awesome channel 😊💯✊
Cheers Robin :) 💙
@@OscarUnderdog just wanted to ask a question please, Im not a professional music producer yet, I seem to be able to put a track together but when I come to mixing it, it doesn’t work anymore. Please can you help. 😊
@@robinmallet2315 This is gold: th-cam.com/video/TEjOdqZFvhY/w-d-xo.html
Awesome tips! I was looking for such guide around a year ago and struggled to understand the concept.
same.
Always wondering how I can I create that sound. Now I know thanks😇
Very clear informative video!
Fantastic tutorial, thank you so much!
you're a great teacher man
You should have put this effect on an entire 707 or linndrum drum loop to get that instant 80s (new wave, syntpop) vibe. Would have been interesting to hear for your younger audience ;).
For ultimate control or if using a DAW that cannot do this, you can print the reverb track and gate manually with the volume envelope.
Thanks for beginning with a sample.
Thx again :) Those tricks are great! Goed gedaan :)
You're the best! Always clear, concise, and full of info
Can’t wait to try using this technique and digging deeper into using gates!! Your gate tutorials have been priceless. The point about using envelopes isn’t something I’d thought to use.
Have you considered doing a tutorial on multi-band effects processing using the effects rack? Seems like an invaluable tool that a lot of producers I know (myself included) only have a surface knowledge of i.e. multi-band compression ala the Waves C4. Apologies if you already have a video on this, I didn’t see it in your catalogue.
you are always dropping gems plus the vids are well structured, great channel fr
Thank you!
Your Video’s Are GREAT. I don’t even use Abelton, My only complaint is the Audible clicks of Your mouse/keyboard. for eg: I noticed in other videos when You ask us to “Listen to the difference” when A/B ing.
You’ll Align the play head at the Transient we’re trying to hear, but when You mouse/keyboard click to play.. you’ve essentially stacked that click noise with the True audio we are trying to hear… Other than that these videos you make are Very informative, clear & easy to learn.. 10/10.
thanks 👍🏻
Think this is becoming my favourite youtube channel bro
Do you do one-to-one lessons or track feedback sessions?
Sadly I'm stuck for time - I'd love to but I need to focus on the videos for now :)
Thanks for saying that Q!
@@OscarUnderdog Okay bud let us know if you start them up again would definitely be interested
woah thanks so much!
You did a great job of explaining everything, and I love the levels of complexity! I've been making synthwave music for the last year, and the weak part has always been the drums because I relied on plugins or samples. Now I have much more control over the sound and can create my own 80s-sounding snare with gated reverb-- or use it however I like for other instruments! Thanks a bunch!
Dope technique man 🤙🏻
sick channel dawg
sick comment m8
Sick vid!!! Thanks for the info!!!! Dope Breaks beat at like 10:20 btw!!!
Excellent videos sir, I just discovered your videos, very well done! I’ll be checking out more vids.
Thank you.
>Here we learn a classic sound design technique, where we add a large reverb to a sound, but only play it in short bursts
Im not sure why but the first song this made me think of IMMEDIATELY was Glue by Bicep... but somehow I can't think of other examples
Intruder by Peter Gabriel. Coincidentally that was the track where the technique was invented on accident when the talk back mic in the drum room was left on while they were tracking and the aggressive gate one the room mic created an original timbre that sounded like nothing else at the time. Samplers were still really new technology back then so processed drums were still the main source of inspiration.
Thank you. You are great teacher:)!
Brillant!👏
Hans Zimmer watches these videos , they that good.
🎵 bwoooommmmmpppp
Why are you spreading lies?
I don't know if this is true, but I wouldn't be surprised. I watched his Masterclass, and apparently he designs all his synth patches himself.
@@decapitateallcops3214 why do you think it's a lie?
@@decapitateallcops3214 ur cappin
Oscar, such cool videos. I watch these in the kitchen while cleaning up (sounds odd I know, but it works for me!). I've learnt heaps from them.
I don't have much in the way of musical background, but I have some science/audio background and your videos seem to click in just right for me.
My vague, ambitious plan is to design a very simple, loop track with the things you teach here.
So much fun, thanks so much!!
So glad I found your channel. Great stuff dude.
Nice!!
This is a fabulous tutorial! You're an engaging and understandable teacher!
nice tutorial!!!!!!!!!!
ooo, perfect, I just tried this in my last tune, with a snare.
Great tip thank you
Hi, nice tip! Although I rather like to use an Auxiliary for all reverbs (and no more than 2 different kind of reverbs per song) it helps gluing all sounds together..
With the Aux you can send whatever sounds to it as gated reverb works with plucks/claps/leads etc..
Thank you for the good work and nice videos you upload every week!
Like where was this acc all my life