Find Oscar's video courses here: courses.underdog.brussels 🖤🖤🖤 Join the Underdog Discord channel: discord.gg/z5N9CTA 👾👾👾 Sign up to the mailing list here: tinyurl.com/yy92sx5u 💌💌💌 Pledge to the Patreon: www.patreon.com/underdogmusicschool 🌱🌱🌱
You're one of the few producers who has the humility to just frankly explain the concept, instead of overcomplicating it and making it super abstract. Thanks.
I've been producing for decades, long ago more so, more as a hobbyist these days and definitely have learned a bunch of new tricks for sure! This is definitely a cool one!
I like that in fl studio's convolution reverb plugin, you just have to shape the volume automation line to gate your reverb impulse. It's so fast and precise :)
Wow. Literally the very first tutorial I followed after installing Ableton and getting used to the UX. I don’t think I could have started in a better place. Drawing in sidechain effects ‘swells’ can be used for so much more than just drums and reverb. Thanks so much.
Excellent video on this topic. Sidechaining from the dry sound is so obvious now you say it! Easier than messing with hysterisis and works on gates without this function, so much better in this application.
Put it on the closed hi hat sounds great. I also tried to make a bus to my snare, put the reverb and gate on the bus and then make the gate have a decent attack to get it bouncy
I was literally just talking to my friend yesterday about how I need to learn how to do this kind of effect but I had no idea how to describe it. What great timing! :) Super helpful, thanks!
You should have put this effect on an entire 707 or linndrum drum loop to get that instant 80s (new wave, syntpop) vibe. Would have been interesting to hear for your younger audience ;).
Yo this was honestly the best tutorial on TH-cam! So many people don't make advanced tutorials for us who have been in the game a little longer. It's awesome to see things in different complexities to get a better perspective on it. Please do more videos like these!!
You are a content producer that I love very much because the information you share is very high quality, thank you for sharing this beautiful information, I am looking forward to new videos and new topics. 9:25 very nice very pretty groove
@@OscarUnderdog just wanted to ask a question please, Im not a professional music producer yet, I seem to be able to put a track together but when I come to mixing it, it doesn’t work anymore. Please can you help. 😊
I’ve been making my own music for 4 months and i currently have 2 songs finished and during this time I almost watched all of your videos and applied so much things i’ve learned from you in those songs, i think this is the most underrated channel in youtube and deserves much more subs and attention. Keep up the good work!
Oscar, you have very quickly made this my favorite production tutorial channel on TH-cam. This tip is tremendous, and just the thing I need for my current project; I absolutely went for the Phil Collins Snare effect; I got close, but now I know how to perfect it. Thank you for making this video and releasing it into the world.
Honestly, explained very quickly and clearly a concept which I had a bit of trouble with. I basically only knew how to make a gated reverb at what you would call level 1 complexity, but in 10 minutes I got to making a much better-sounding gated reverb. Thanks 🙏
I LOVE your channel. Really really great content. I recommend this to anybody but especially to people that just got or getting their feet wet. All really useful stuff that you don't even know you want to know.👍
Reason I have this channel notifications on lol. Grimes uses this a lot (her whole Halfaxa album but mostly on songs "Heartbeats" and "Rasik"), been looking for this for quite a while, she's a great case study for exagerated reverbs. Jamie xx's "Girl" too.
Can’t wait to try using this technique and digging deeper into using gates!! Your gate tutorials have been priceless. The point about using envelopes isn’t something I’d thought to use. Have you considered doing a tutorial on multi-band effects processing using the effects rack? Seems like an invaluable tool that a lot of producers I know (myself included) only have a surface knowledge of i.e. multi-band compression ala the Waves C4. Apologies if you already have a video on this, I didn’t see it in your catalogue.
>Here we learn a classic sound design technique, where we add a large reverb to a sound, but only play it in short bursts Im not sure why but the first song this made me think of IMMEDIATELY was Glue by Bicep... but somehow I can't think of other examples
Intruder by Peter Gabriel. Coincidentally that was the track where the technique was invented on accident when the talk back mic in the drum room was left on while they were tracking and the aggressive gate one the room mic created an original timbre that sounded like nothing else at the time. Samplers were still really new technology back then so processed drums were still the main source of inspiration.
You did a great job of explaining everything, and I love the levels of complexity! I've been making synthwave music for the last year, and the weak part has always been the drums because I relied on plugins or samples. Now I have much more control over the sound and can create my own 80s-sounding snare with gated reverb-- or use it however I like for other instruments! Thanks a bunch!
Find Oscar's video courses here: courses.underdog.brussels 🖤🖤🖤
Join the Underdog Discord channel: discord.gg/z5N9CTA 👾👾👾
Sign up to the mailing list here: tinyurl.com/yy92sx5u 💌💌💌
Pledge to the Patreon: www.patreon.com/underdogmusicschool 🌱🌱🌱
Mate, your videos are top notch. Could I request something on Maceo Plex style robot "voice" (aka Vangelis). Maybe I should just do a 1 on 1.
Friendly reminder that, whenever adding reverb to a very percusive sound, you might want to set the pre-delay as low as possible
You're one of the few producers who has the humility to just frankly explain the concept, instead of overcomplicating it and making it super abstract. Thanks.
One of the best production channels I know.
this channel is the goat for electronic music
This is great. I believe a lot of the 80s sounds, it wasn't even always the snare being sent to the reverb, but a gated pink noise.
Yes bro! even seasoned producers can learn a lot of new tricks with your clear explanations. dope!
🧡🧡🧡 Yoooooo Athila!
You're a "dope". "Bro".
Spot on Oscar
bravo as always
Been producing since 1985. Always learning. Your videos and delivery are superb.
Interesting technique
Thx for opening the gates of knowledge to us
I like triggering a gated pink noise sound, then put my gated reverb on the pink noise, not the snare. Sounds awesome.
I now 100% understand gated reverb. Even though I don't produce music myself, this was the best explanation on Gated Reverb I found.
Highest level explanation of information. Bravo 👏🏻
Very nice vídeo. You are thre best teacher! Best channel to learn electronic music.
Well explained as usual, thank you
Thanks!
"Be good to one another.." the world needs this advice..
Your teaching skills are awesome! Thanks for sharing your wisdom on audio and music. This is a great video.
you a an amazing teacher thank you for not sounding like a robot just reading off a script thank you thank you !
I've been producing for decades, long ago more so, more as a hobbyist these days and definitely have learned a bunch of new tricks for sure! This is definitely a cool one!
I like that in fl studio's convolution reverb plugin, you just have to shape the volume automation line to gate your reverb impulse. It's so fast and precise :)
Excellent teaching style. Very informative. Thanks.
Absolutely brilliant. Thanks
Zoals altijd helder en duidelijk uitgelegd. 👌🏼 Super! Dank!
I always learn something useful in your videos , thank you Oscar, greetings from Chile!
Your t-shirts are always so coool! 😎
Your FACE is so coooooool
Very cool and useful, thanks!
Man…… nearly 81k…wtf? Well deserved Mate!!!! I’ve learned so much from this channel. Thank you!!!!
Much love from Atlanta, Georgia USA. ✊🏻🙏🏻🖤👾🖖🏼👩🏽⚕️👽
Have learned soo much from you.thax much
My god, I spend so much time changing automation levels! Never thought to use utility to adjust the mix, you sir are a legend!
Holy hell you just changed my life. Excellent info! Thank you!
your lessons are great and so are your teaching skills
You just solved something I've been struggling with for years, and the mechanics are very well explained. Thank you !!
Wow. Literally the very first tutorial I followed after installing Ableton and getting used to the UX. I don’t think I could have started in a better place. Drawing in sidechain effects ‘swells’ can be used for so much more than just drums and reverb.
Thanks so much.
Excellent video on this topic. Sidechaining from the dry sound is so obvious now you say it! Easier than messing with hysterisis and works on gates without this function, so much better in this application.
Great tip..love it
another great, clear video! Thanks Oscar
Always wondering how I can I create that sound. Now I know thanks😇
Put it on the closed hi hat sounds great.
I also tried to make a bus to my snare, put the reverb and gate on the bus and then make the gate have a decent attack to get it bouncy
I am looking forward to the session ;) Beause knowledge is power and music without power sucks!
I myself am Professional Music porducer.. these are very well done. Like the energy. Keep them coming.
awesome tips!!! great video :)
Of the tutorials on gated reverb/snare I watched, this one is the most concise and even the more complex methods were easy to understand. Bravo!
I was literally just talking to my friend yesterday about how I need to learn how to do this kind of effect but I had no idea how to describe it. What great timing! :) Super helpful, thanks!
When I stop my production and start a class of your channel is the moment I'm always sure I'm gonna grow too much on my job... Thank u
thanx bro ur really help full keep on oo
you're a great teacher man
You should have put this effect on an entire 707 or linndrum drum loop to get that instant 80s (new wave, syntpop) vibe. Would have been interesting to hear for your younger audience ;).
Amazing techniques here. Thank you.
Thanks for beginning with a sample.
Clear explanation. Thanks
Yo this was honestly the best tutorial on TH-cam! So many people don't make advanced tutorials for us who have been in the game a little longer. It's awesome to see things in different complexities to get a better perspective on it. Please do more videos like these!!
So much useful knowledge... and I'm not even a dance music guy. Thanks!
Totally cool, thank you so much for the tips Oscar! 🙏😃
You are a content producer that I love very much because the information you share is very high quality, thank you for sharing this beautiful information, I am looking forward to new videos and new topics. 9:25 very nice very pretty groove
Brillant!👏
I'm mixing rock and metal and just loved this video! Awesome Stuff!
Love your channel, you have helped me no end, thank you for your videos. Awesome channel 😊💯✊
Cheers Robin :) 💙
@@OscarUnderdog just wanted to ask a question please, Im not a professional music producer yet, I seem to be able to put a track together but when I come to mixing it, it doesn’t work anymore. Please can you help. 😊
@@robinmallet2315 This is gold: th-cam.com/video/TEjOdqZFvhY/w-d-xo.html
Very clear informative video!
I’ve been making my own music for 4 months and i currently have 2 songs finished and during this time I almost watched all of your videos and applied so much things i’ve learned from you in those songs, i think this is the most underrated channel in youtube and deserves much more subs and attention. Keep up the good work!
i just like watching artists being artists
Thank You!
Awesome tips! I was looking for such guide around a year ago and struggled to understand the concept.
same.
Thx again :) Those tricks are great! Goed gedaan :)
Excellent , thank you . You speak in a relaxed but clear way which makes it enjoyable to listen to you !
Oscar, you have very quickly made this my favorite production tutorial channel on TH-cam. This tip is tremendous, and just the thing I need for my current project; I absolutely went for the Phil Collins Snare effect; I got close, but now I know how to perfect it. Thank you for making this video and releasing it into the world.
whole vid great and microcomp at the end a banger - thanks!
Nice.
So glad I found your channel. Great stuff dude.
nice tutorial!!!!!!!!!!
Thank you!
Hans Zimmer watches these videos , they that good.
🎵 bwoooommmmmpppp
Why are you spreading lies?
I don't know if this is true, but I wouldn't be surprised. I watched his Masterclass, and apparently he designs all his synth patches himself.
@@decapitateallcops3214 why do you think it's a lie?
@@decapitateallcops3214 ur cappin
Fantastic tutorial, thank you so much!
Nice!!
Thank you.
Sick vid!!! Thanks for the info!!!! Dope Breaks beat at like 10:20 btw!!!
You're the best! Always clear, concise, and full of info
Your videos are fantastic! Well done!
For ultimate control or if using a DAW that cannot do this, you can print the reverb track and gate manually with the volume envelope.
Thank you. You are great teacher:)!
even the mastering for the audio in this video is superb. nicely done!
sick channel dawg
sick comment m8
very detailed tutorial, i knew about this method but only till level 2
ooo, perfect, I just tried this in my last tune, with a snare.
Honestly, explained very quickly and clearly a concept which I had a bit of trouble with. I basically only knew how to make a gated reverb at what you would call level 1 complexity, but in 10 minutes I got to making a much better-sounding gated reverb. Thanks 🙏
woah thanks so much!
Think this is becoming my favourite youtube channel bro
Do you do one-to-one lessons or track feedback sessions?
Sadly I'm stuck for time - I'd love to but I need to focus on the videos for now :)
Thanks for saying that Q!
@@OscarUnderdog Okay bud let us know if you start them up again would definitely be interested
at 2:56 you can stop the fluttering with the return threshold and the hold knob.
notification squad where you at
woop woop
Come to think of it, this is also the technique used in early hardstyle kick sound design.
I LOVE your channel. Really really great content. I recommend this to anybody but especially to people that just got or getting their feet wet. All really useful stuff that you don't even know you want to know.👍
you are always dropping gems plus the vids are well structured, great channel fr
Great vid, cheers for the tips! I was always doing level 2, but 3/4 really has a nice touch.
Reason I have this channel notifications on lol. Grimes uses this a lot (her whole Halfaxa album but mostly on songs "Heartbeats" and "Rasik"), been looking for this for quite a while, she's a great case study for exagerated reverbs. Jamie xx's "Girl" too.
Can’t wait to try using this technique and digging deeper into using gates!! Your gate tutorials have been priceless. The point about using envelopes isn’t something I’d thought to use.
Have you considered doing a tutorial on multi-band effects processing using the effects rack? Seems like an invaluable tool that a lot of producers I know (myself included) only have a surface knowledge of i.e. multi-band compression ala the Waves C4. Apologies if you already have a video on this, I didn’t see it in your catalogue.
>Here we learn a classic sound design technique, where we add a large reverb to a sound, but only play it in short bursts
Im not sure why but the first song this made me think of IMMEDIATELY was Glue by Bicep... but somehow I can't think of other examples
Intruder by Peter Gabriel. Coincidentally that was the track where the technique was invented on accident when the talk back mic in the drum room was left on while they were tracking and the aggressive gate one the room mic created an original timbre that sounded like nothing else at the time. Samplers were still really new technology back then so processed drums were still the main source of inspiration.
Great tip thank you
You did a great job of explaining everything, and I love the levels of complexity! I've been making synthwave music for the last year, and the weak part has always been the drums because I relied on plugins or samples. Now I have much more control over the sound and can create my own 80s-sounding snare with gated reverb-- or use it however I like for other instruments! Thanks a bunch!