Mixing Bass - Warren Huart: Produce Like A Pro
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- เผยแพร่เมื่อ 16 พ.ย. 2014
- Mixing Bass: How to mix bass for a full and punchy low end.
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Warren shows how he mixes bass using both a DI and amp. Tips for getting a great bass tone when mixing multiple sources together.
Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget. - เพลง
Bass is often one of the hardest things to mix i've found. Great vid, thanks
Hi +NickB33 I agree 100%!! Have a marvellous time recording and mixing, many thanks Warren!
This was really great! It helped me solve a problem in a song I am mixing. Thanks Warren for being so generous and sharing your knowledge!
Lovely! I've watched this a few times but just come back to it as a little reinforcement for a mix i'm currently working on. Good to know the classics still work. It's nothing too fancy or complex, but you're giving away gold here. I apply the same idea to my live rig. Thanks Warren.
Warren, thanks so much for all your videos! I would be lost without guys like you. Such a great guy and teacher.
Hi +Michael Copeland You Rock!!!! Have a marvellous time recording and mixing, many thanks Warren
Beginning mixer here. I am bassist but was having issues bringing out my tone on recordings until seeing your video. Thanks!
Thanks for all of your videos. I appreciate your channel immensely.
So pleased to have found you (through Scott)... I've a lot to learn & your clarity inspires me, thank you!
I know it's a vid about bass, but I'm digging that snare tone!! Thanks so much for your videos Warren!!
Can’t believe you just give this stuff away but I’m very happy that you do!😀.
Excellent.. I've been looking for this trick.. just tried your technique and it WORKS ! you're the best mann... thanks alot
Always good to learn something new. I'm a bass player and have recorded myself for years, usually combining my DI and mic tracks for a preferred tone before any processing, but you make a lot of sense in this video and i'll definitely apply it to my work, cheers!
Hi +Matt Cavana Great stuff! So glad to be able to help! Have a marvellous time recording and mixing, many thanks Warren
This helped me. A LOT. I typically do a lot of vocals but an artist asked me to record their bass and I had to use a plugin preset to test tones. It was embarrassing which is why I'm here to learn how to get a solid DI tone. Appreciate you wise words!
Thanks ever so much Francisco! I am very glad to be able to help!
Warren you're a jewel! I foking love you man! thank you so very much for this and everything you so generously provide us with. Cant wait for the next installment.
Love the tone ans presence of the bass. so nice!
Love the way u hv control over ur recorded tracks!!
Thanks Joel Ainoo I really appreciate that! Have a marvelous time recording! Many thanks Warren
Thanks for these demos, it helps to expand the possibilities now I'm aware they exist!
Hi +gingaleanda Thanks very much for your great comment I really appreciate it! Have a marvellous time recording, many thanks Warren
Warren is _everywhere...._
Thank you so much for this video.I have always had an issue of trying to get a great bass sound in my mix.
You're welcome Larry Browning thanks very much for sharing I really appreciate it! Have a marvelous time recording, many thanks Warren
That kick is brilliant. Thx for the video
Thank you Warren. Very helpful.
excellent bass tone and mixing technique
Great video! EQ is probably my weakest part of mixing. I like a fat bass tone for the most part but find it hard to get there without getting muddy. This helps some, thanks!!
Very nice mix and overall song tone. Its very Beatles in a great way. Something about the snare that is addictive also.
Hi +Jak Leyton Thanks Jack I really appreciate it! I hope you're well! Have a marvellous time recording and mixing, many thanks Warren
beatifull song love the way you mix it. the bass is perfect, would like to hear the full song you are a pro at mixing, keep up the good work
Thank you ever so much! I really appreciate it! Have a marvellous time recording and mixing, many thanks Warren
I remember seeing Billy Sheehan's recording rig for the Bump Ahead album.
brilliant thank you
Wow that is crazy! Adding more bass tracks and eq'ing them like that really does the trick. I wonder if its worth doing something like this with a VST bass guitar.
I pretty much do what you do as well with compression and EQ. One thing I will do is record a second track and add slight distortion to the bass to help it cut through the mix. Works quite well. I also record direct and I use amplitube for my bass cabs, etc.. best way to go for me and my clients
Cool stuff David Gurr! Yes I like to distort one signal, here I'm distorting a duplicate file of the Bass amp, sometimes I'll overdrive a dupe of the Di instead. Agreed there are great amp simulators out there as well that mean you can just use a Di and create a huge sound! Thanks for the comment and watching. Have a marvelous tike recording! Many thanks Warren
Great videos Warren! Great mixing tips, thank you!:)
Hi +Numan Serin Thanks very much I really appreciate it! Have a marvellous time recording, many thanks Warren
Thanks a lot for this video!
Feels a little too compressed for me, but depending on genre/preferences I guess.
I'm DI only for tracking. Glad for all your tips :)
Hi Geir Solerød thanks for the comment! I won;t probably add much more to the end result before mixing. Have a marvellous time recording, many thanks Warren
Thank you for your lessons. They are really helpfull!
You're very welcome Andrew! Have a marvellous time recording and mixing, many thanks Warren
Wow !! Amazing tips !!
Hi +Darlene Sheffield Thanks very much! Have a marvellous time recording and mixing, many thanks Warren
Awsome tips as always!
Hi +Regor Ogiram Thanks very much! Have a marvellous time recording and mixing, many thanks Warren
I very much like your way of presenting.
Hi +Adrian Mutimer Thanks very much I really appreciate it! Have a marvellous time recording, many thanks Warren
Agreed Adrian! Warren does an amazing job!
Hi, very useful series of videos about recording bass. If you think it's a good idea maybe you could include something about timing - importance of playing in rhythm, how much playing out of time is noticeble, cutting and moving transients and so on.
Love your videos
Thanks Giuesppe I really appreciate it! Have a marvellous time recording and mixing, many thanks Warren!
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Thanks!
I have a pretty good handle on getting the bass to sound good by itself, but it still takes me some time and experimentation to get it to fit in well with the rest of the mix.
Warren, I'm still only just learning how to record most things the "proper" way, but I had an issue with recording bass in the past that maybe you could help with.
In the past, I have recorded bass via direct input from a bass head to my interface.
What kept happening was, most of the middle and upper notes, like on the A string and above, the note itself would cut through nicely and be heard. Lower notes (E string and B string on a 5 string bass) would produce MASSIVE wavelengths visually, and you could feel them in your chest, but the note itself would be virtually unheard by the ear. Even when checking with a frequency analyst plugin, it would show that the low note was indeed LOUDER, but for some reason it just wasn't as audible. Going to a low D on the bass would feel like an earthquake, but at the same time, in terms of tone, it sounded like the bass was almost muted entirely.
Hi +SLoMo4 great question! It sounds as though the EQ from your amp and your bass are putting exaggerated EQ at certain frequencies. I would look at adjusting your EQ settings, boosting some mids at 750hz, maybe even 350hz on your amp, or run through a multi band compressor on an aux to control the long end. It would start with adjusting your EQ on your amp, then adding some compression first then seeing what happens next. Please let me know how you get on! Have a marvellous time recording, many thanks Warren
Beautiful song Warren.
Thanks Anthony Crawford I really appreciate it! Have a marvelous time recording! Many thanks Warren
Hi Warren yeah sounds amazing and loved the melody. Any chance we can listen to the entire track? Thanks for your valuable tips
You are the guy who recorded the bass in Chon's Homey! I freaking love your work Anthony (I know your comment is super old)
Hey Warren, nice video! I'll have to try that next time. I usually duplicate my bass track so that I get two tracks. On the first one I'll keep only the low-end + use a compressor (often LA-2A from Cakewalk) and on the other track I'll only keep the mid-range information that I like to compress and distort (often with Softube saturation plugin!). Cheers.
Hi +halcyonstar Perfect! I like to do exactly the same!! Have a marvellous time recording and mixing, many thanks Warren
Hey Warren absolutely love your stuff I've learned so much I went to school for sound engineering back in the day when we used to have to splice tape with razor blade and clean tape heads. I know this is an old video and I'm not sure if you'll see these comments but I have a question about the base sound on Lenny Kravitz - Mama Said from always on the run it's so ridiculously tight with the kick drum I'm wondering if they're not side-chaining and expander from the kick for the bass guitar cuz it actually doesn't duck out of the way it intensifies every time the kick hits maybe the guys just that tight but I'd love to know how to get that sound!
Love the sound and love the track. Nice work :-).
Warren, is it possible to mix bass on headphones? Nothing seems to work for me. Pair of bad monitors in small non-customized room is hell. And using headphones i usually end up with lot of bass, but really low on other frequences. I use currently HD 650.
Interesting snare sound!
Thanks for sharing these great knowledge! For me the transection of low end and upper bass was critical and I guess with your video, I got the idea that this spot may change depending on the song and genre am I wright? This will give me the ability to get more upper bass options. Thank you!
Thanks for watching barbaros bensoy! Yes I do move things around quite a bit depending on the song. There's no one way to do it, but using a multi band to control the bottom end evenly is something I do a lot. Have a marvelous time recording! Many thanks Warren
Thx for the lesson, i got the functional ideas. Cheers... :)
thank you very much for your videos its realy help!
You;re very welcome!! Have a marvellous time recording and mixing, many thanks Warren
Hi Warren! Thank you so much for all of your videos, they're extremely helpful to your viewers. I had a quick question that may not have an easy answer: my DAW did not come with a multiband compressor, and I can't afford to buy any plugins at all at the moment. Is there either a good, free multiband compressor plugin that you can suggest or a method to do this without such a plugin? (I'm imagining routing the signal to an aux channel that has a band-pass at the top of the chain, followed by a traditional compressor, or something like that, but can't quite work it out in my head.) Many thanks in advance! Cheers, Jay
This is suck a great video! Thank you so much! I was wondering if this can be applied to both to kick and snare... Did you ever try that or do that?
Hiya, THANKS for the great videos!! 2 questions. What monitors would you recommend on a 2k max budget? and how do we contact you about sessions etc? :)
Great vid Warren
Thanks Alan Mansfield I really appreciate it! Have a marvellous time recording, many thanks Warren
U tha man!!
Yep. This is making sense.
Thanks ever so much Jack!
Warren, solid gold stuff as usual, you can't put a price on this it's wonderful. If you were a magician you would have been thrown out of the circle ;o)
Thanks very much for the compliment Dave George I really appreciate it!
For all you guys on a budget check out the Behringer V-Tone Bdi21 Bass Amp Modeler / Direct Recording Preamp / Di Box... only 29$
Hi warren! wanna ask does the bass needs stereo widening like you did on the guitar on the previous video where you double a track and pan them left to right and the duplicate track you put a reverb on it.
Thank you!!!
You're welcome Johnny Beane! Have a marvelous time recording! Many thanks Warren
Great mixing tips, Warren. What about upright bass, does this techniques also work for mixing it? Thanks, from Perú!
Your videos always help. Is there anything to do for a poorly recorded bass? I mean poorly but it is what I have.
Great technique, I'm using most of it now. Just wondering if your approach would differ for recording acoustic bass. I typically record it with a mic in front of the bass (for the high part) and a mic on the amp (for the low)
Please check out my mixing bass video, let me know what you think. Many thanks Warren
Thanks the mixing tips.
You're very welcome Lita! Have a marvellous time recording and mixing, many thanks Warren
Very impressive! But I don't have protool Can someone provide for me ?....
Thanks for your tutorial~but why you put a limiter on the bass master?is it a necessary for every master bus?
Warren, do you compress the bass on the way in or just compress during mix? Thanks again for your awesome videos!
How would I mult a bass signal in pro tools. For example, take my 3 bass tracks and simultaneously send them to 2 faders. One fader for all the low end and one for the neck (mid range)?
Great explanation, still theres one detail I don't get:
By enabling the 'Solo' switch on the lowest frequency band of the Multiband Compressor, only frequencies within that band are played back at all, right? (At least that's how the 'Solo'-Button on a C4 works.)
So why bother first rolling the high end off with a nice, gentle slope if you completely get rid of everything above the 200Hz crossover frequency in the next step anyways? Simply for demonstration purposes or is there any benefit that i do not understand?
Thank you
Thanks for the all the tips Warren. Will have to try cutting the highs from the Bass D.I. next time.
A trick I like to use on Bass is to use the Waves c6 plugin (on my bass master) and use the kick drum to duck certain frequencies of the bass.
Really enjoying the great videos.
Hi Anthony Gibney thanks very much for watching and sharing! That sounds like a cool trick you have there, I will endeavor to try it myself. Have a marvelous time recording. Many thanks Warren
Hi *****, I usually cut masking frequencies too as well as doing this trick. I find that instead of one plugin or piece of gear to to all the heavy lifting, I use a few things. It's based on the idea of ducking the bass (from the kick) with a full bandwidth compressor but I found that I preferred using the Waves C6 as it's a multiband compressor.
I can keep the mids on the bass as I want them. Also, if there is a part in the song where the kick is not playing and just the bass, I don't want the bass to Then using two bands on the C6, I can duck where the weight and click of the kick is at various levels depending on the genre.
After saying all that, sometimes the song does not need it and the kick and bass should glue together with the correct musical arrangement and a bit of eq.
Have fun side-chaining!
Hi +Carl Anderson Yes sometimes sjidechaining the bass and kick works nicely, especially if the Bass and kick aren't very tight! Have a marvellous time recording and mixing, many thanks Warren
Hi +Anthony Gibney Fantastic stuff! I don't often do it, but I will sometimes do that when there's a huge build up down there and usually because the bass and kick aren't jelling very well! Thanks for your insight! I really appreciate it! Have a marvellous time recording and mixing, many thanks Warren
what plugin are you using for the low cut/high-pass filtering? Req 2? Trying to find that online. Don't see it in the latest version of Pro Tools.
beautiful. :)
Warren, I know you like using R-Bass from Waves for frequency comp. As I don't have that plugin, what do you think of Max Bass as a substitute? Are there any comparable plugins in the Slate or Soundtoys bundles? Thanks, Carlo.
I like the Maxx Bass! That's also a great plug in! Have a marvellous time recording and mixing, many thanks Warren
Hi Warren,
I just started attempting to record, edit, and mix at home, and I am finding your videos extremely useful. With regards to recording bass guitar I am only recording through a DI (my focusrite 2i4). I am hoping you can point me in the right direction or post a video with mixing a straight DI bass. I read the comments bellow regarding duplicating the DI bass track and mixing them separately, but wouldn't you achieve the same end by just EQ'ing one track? I apologize if the question is extremely basic, but I am new to this and would really like to get a strong bass sound using just a DI. Thanks so much for your help, and all you terrific videos.
Steve
Nice technique! I'm going to try this. Thank-you.
Hi +tekis0 Glad to be able to help! Have a marvellous time recording, many thanks Warren
+Produce Like A Pro Hi Warren: I really appreciate this series that you're doing, and I am subscribed! I first found out who you were through some article about Jack Douglas and Aerosmith. It must have been really great to work with both Aerosmith and Jack. There's such a long history of great recordings there. I'm a professional myself (www.allmusic.com/artist/john-siket-mn0000237464) and I also teach recording at SAE in New York. Even though I've been recording, mixing, and producing for nearly 27 years I feel that I never can stop learning. I really like how you break your subject down into small "digestible" chunks. Your series is top-notch! Thank-you.
Hi +tekis0 Wow thanks!! Thanks very much for your kind words I really appreciate it! What a fantastic comment, I really appreciate the positive attitude and insight from a fellow professional! I really want to be able to help people, give them sound positive advice! There's so many negative things out there, I want to be positive and be part of a community! Have a marvellous time recording, many thanks Warren
+Produce Like A Pro You got it, Warren! Peace.
Hi +tekis0 Thanks very much! Have a marvellous time recording, many thanks Warren
Where are you reading the length of the samples when you are checking time displacement in the beginning?
hi Warren could i get the same eq results by using a hi pass and low pass filter on my reason mixer?
Crazy vid! How would you do it in the 80's on an ssl console?
Don’t know if I missed? But do you usually pan the bass tracks ? Or just mix them together without ?
also with the bass chain that you have.... with the mid boost that you did with the mcdsp, is this a better way of adding it separate after the R Bass plugin and the others or is this just the case of it works for the song?
Hi Tim Adams thanks for the great question! I do change the order of things frequently depending on the source material and the song. Have a marvellous time recording, many thanks Warren
Hey Warren, hope you’re doing marvellously well. My question is; why do you use a multi band compressor rather than a standard comp when everything from 200 and above is already cut / gone... What am I missing there? You’re a marvellous man with all you give Mate! Cheers. T.
What’s the advantage of using DI boxes and bass pres when recording into the computer? Why not just use the instrument line on the audio interface? I can’t here any difference between a DI and the inst line in. Maybe I’m missing something lol
I've been watching many of your vids recently and am very impressed. I have learnt many things that I have put into practice. Thanks! I have another question if you don't mind? When you demonstrated the phase cancellation (1:36 is the best view)) I noticed that the bass recordings are more latent than the 40 Wm_D.22 track, and the tracks below. I think I obsess about this too much and find myself manually moving them to look consistent by trying to match the waves. Is this a good thing to do? I managed to reduce my latency to 2.3 ms for the input and 2.5 ms for the output in Cubase; all by doing a clean install of Win XP and tweaking a few things. I wonder if I worry too much about the finer details, but my motivation is better sounding songs, so it can't be all bad. 4:22 was a pearl of wisdom!
Hi mrbsred1 I think you are doing a great job! You are experimenting trying to get the fullest tone! That's fantastic I applaud you! Thanks very much for your great comment I really appreciate it! Have a marvellous time recording, many thanks Warren
This is brilliant but what I struggle with is what level should the bass master be at compared to a drum master bus and guitar master bus, respectively?
Great video! Do you really usually add 350Hz to the bass?? I've found that I like to cut that region on almost everything, even on bass but maybe it would be a good place to put the bass when the mix has a lot of space for it? Do you cut certain frequencies on other instruments to make space for the bass, what regions?
I've found that 350Hz region really hard to get right, cut too much and the mix becomes thin and too much takes the clarity away. Also the choices of wich instruments should build that region of the mix are pretty tough ones.
Hi +Frost Mutant Haha I cut 350z on the drums a lot across the board, I might add it on Bass to fill in the low mids, it depends on the song! Have a marvellous time recording, many thanks Warren
Great stuff Warren! You're a wealth of knowledge! Looking forward to trying the multiband compressor on the bass for 200 and below. Also, my daughter wanted to know where she can download the single. Nice cut and nice arrangement!
Hi Rich Stevens thanks very much for your kind words, I really appreciate it! The song isn;t out yet, but you can get Chase Kroesche first album here:- itunes.apple.com/us/album/superhero/id981352222 The new EP should be out soon. Have a marvellous time recording, many thanks Warren
Hi Warren, I am remixing and remastering an old song I wrote back in 2003. I am using the the post edited WAV tracks from the previous recording. While remixing the bass tracks I made the mistake of not taking any breaks and got caught up searching for a specific bass tone using plug in amps, compressors, etc and lost where I was tonally...if that makes sense. Any suggestions would be very much appreciated. I was going for that classic Spector NS into a GK800RB through a Hartkey aluminum cone 4x10 cab. Punchy, piano growl!
Hi tribunation thanks for the great question. One thing I have been doing recently with Bass is after doing all my processing, adding plug ins etc is muting them all and comparing where I came from. I find that often I can get tied in knots and just listening to the signal unprocessed reminds me sometimes of how little we really need to do to get it to sound great! Thanks for watching and commenting! Have a marvelous time recording, many thanks Warren
Can you make a sub kick and sub kick work together? Like in a hip hop track?
Thank you for this lesson Warren! Awesome as always! I have one question. You have 3 tracks there. 1 for lows, 1 for mids/upper frequencies and 1 distorted. They are all going into 1 bus. Is that bus stereo or mono? Thank you.
Hi +totalna laganica Great question! They are all going through one mono sub! Have a marvellous time recording and mixing, many thanks Warren
very nice tips about the frequencies, i ´m sorry english is my 2nd language , by DI you mean? digital interface? so you like to record your bass right trough the interface because it s a clearer signal? that´s good news for me since that s the way i do it :D
Is the L1 on the bass bus or master in this example warren?
Nice video's Warren!
What's your opinion on running DI's with amp simulation in (heavily) distorted bass sounds? I'm using a vintage fulltube amp without a DI-out... A distorted bass directly into a DI sounds like cr@p, even though it sounds great with clean bass. In live situations I might run into sound guys who refuse to mic the bass amp (these guys exist, sadly) and I've recently read about DI's you can paralel into your speaker cab such as the Palmer PDI-09. Thus getting the tube amp into the equation which I use to make my sound...
Any thoughts? :)
Hi +Meaca If it works and sounds great then go for it! Sounds like a cool idea to me! Have a marvellous time recording and mixing, many thanks Warren
06:27 What's a bultimand compressor and where can I get one? ;)
Very nice song Warren like all sounds beautiful. First what i hearing is that all insrtuments have the point from ehere the sound comes out. All instruments are very close. I have problem with it always.
thx so much
tom
Hi +Tom Boc Thanks very much for your great comment I really appreciate it! Have a marvellous time recording, many thanks Warren
is that an older version of MC2000? The current version looks a bit different and I'm not sure how to get similar settings?
Hi +BrandonX76 Yes that's the older looking version of the McDSP MC2000. The settings should be easy to replicate. Have a marvellous time recording and mixing, many thanks Warren
Down with pretty much all you show here, except...
...once I have a solid bass mult, I like to feed it thru the grot-box speakers, in this case, 2 inch, single driver Dell PC speakers.
There's such a shortage of capable playback systems across the mainstream end-user world these days, that bass guitar (and kick) either get lost, or get muddy.
The key to balance in these low end challenged systems are in the 3-400 and 650-850 range.
Not just using the limited bandwidth monitors to balance the boosts at these frequencies, but also cutting other instruments slightly to make room for these "slices of bass."
The grot-box mix never survives once I go back to mixing on full range monitors. Instead, it serves as a starting point, where I can then bring in and balance the low end, then make final tweaks to the emphasis frequencies, such that each instrument is present in the final mix, IF you listen for it, but blends seamlessly, when you don't focus on it.
This... on MOST playback systems, including cellphones and earbuds.
Nice. Sounds like a Robbie Williams song!
Great tips here, Warren. I really liked the kick sound - the beater sound is great! Reminds me of a dampened 22" with a wooden beater. Was the sound in the drum itself or achieved another way? Cheers
Hi Kirsten Monahan my live Kick is a 22" with no hole in it and a wooden beater! I then add additional click from a sample if needed! Have a marvellous time recording, many thanks Warren
Thanks for the insight, mate. There is also nice amount of snare wire bleed in the kick that gives it a sustained puff, which seems to be bringing the whole kick forward. Goes to show that the best practice is to get the right sound at the source! Cheers
Hi Kirsten Monahan absolutely! I love all the bleed! Adds to the realness of the kit! Have a marvellous time recording, many thanks Warren
Do you need to run a bass through a Di before it goes into an audio interface?
Hi +Randall Great question! Not necessarily, you can go into an instrument input on your IO. Have a marvellous time recording and mixing, many thanks Warren
Whenever I want to record bass I just plug it straight into my audio interface. Is a DI needed?
Only if you wanna split the signal to go to an Amp por example. If not, you don't need a DI.
Great channel, you have a new subscriber. Any tips on mixing bass so that it doesn't disappear when played on small speakers that have poor low frequency response ie. home stereo, computer or ear buds?
Hi Kolumaic thanks for the great comment! Adding a little 700Hz, 850Hz and 1k will give your bass a little nose to cut through on small speakers. Have a marvellous time recording, many thanks Warren
Produce Like A Pro Thanks for the response. I'll give it a try.
Hi Kolumaic great! Let me know how it goes! Have a marvellous time recording, many thanks Warren
How do you feel about the Avalon U5 for D.I for bass or acoustic guitars?
hope you get the chance to answer :)
Considering to do the investment and get one :D
Hi +Dennis Nilssen I have tried the Avalon for Bass and found it to be quite good, I personally use Radial DI's. Have a marvellous time recording, many thanks Warren
Thanks! are there any rules where in chain to use R Bass?
Hi +CustomMelody Great question! I like to control the bottom end going into it, so I usually use it near the end of my chain! Have a marvellous time recording and mixing, many thanks Warren
Warren is it ok for my studio monitors that I practice bass at low volumes through them? Don't wanna blow one but don't feel like swinging fir a bass amp if I can get away without it being I'm a drummer and just messing around on bass to add some bass lines to my own originals only. Thanks
Hi Larry, great question! It all comes down to dynamics! If the signal is extremely dynamic it might blow the drivers, can you use a compressor or limiter across the Bass just to be careful? Have a marvellous time recording and mixing, many thanks Warren
Thanks for the feedback. I don't have a hardware compressor but would plugin through my daw which I'm playing through possibly do the trick? I have a thunderbolt clarett interface so there's no latency really.
Hi Larry, yes indeed that will work perfectly! Have a marvellous time recording and mixing, many thanks Warren
Great, thanks so much. Have happy holidays.
Thanks Larry! I hope you're well! Have a marvellous time recording and mixing, many thanks Warren