Ludwig van Beethoven (1770-1827) - Pianosonate Nr. 14 Opus 27 Nr. 2 (1801) Sonata quasi una fantasia Der Gräfin Giulietta Guicciardi gewidmet Klára Würtz - Piano Live recital in Utrecht
Il y a de la profondeur et de la puissance dans cette interprétation. On sent une véritable musicienne, très loin des concours de virtuosité. C'est magnifique et sans doute très proche de l'esprit de Beethoven que personne ne connait vraiment. Bravo Madame Klara.
0:29 Adagio sostenuto 7:00 Allegretto 8:38 Presto agitato PS: Congratulations! I love your interpretations very much especially Mozart's interpretations.
My advice to anyone who listens to the so called "Moonlight" Sonata for the first or for the 47th time is twofold: First, DO NOT think of the moon rising over lake Geneva. Just listen in the abstract. You'd enjoy it infinitely more. Second, don't decide in advance whether the first movement should be slow, very, slow, fast or very fast etc. Just listen to this performance and absorb. Having said all that, this was a masterful interpretation & performance. I think that Beethoven would have heartily approved of it, and so would Sir Andras Schiff. I just wish the videographer had focused less on the length of the piano and more [perhaps only] on Ms. Würtz's hands and face. Klara Würtz, you'll discover, is a first rate pianist. Learn her name. Thanks!
I enjoy madam Clara Wurt piano. First class and highest caliber technically and interpretively with light touch and seriously delicacy.expressively .Your Mozart sonatas version is the best . This one is a little clipping and excessive pedaling and third part is missing partly . Your excellent Madam might have forgotten some very integral sections of the music and though the whole piece of this well known sonata is not satisfying / but I am still a very big fan of you, Madam!
Really nice Interpretation, a shame that the audio is clipped.Regarding the third movement: Im missing therepitition of the first part and at 11:50 this is not what my sheets said.In general, i prefer a little less pedalling and a little more expression.
Il y a de la profondeur et de la puissance dans cette interprétation. On sent une véritable musicienne, très loin des concours de virtuosité.
C'est magnifique et sans doute très proche de l'esprit de Beethoven que personne ne connait vraiment. Bravo Madame Klara.
Silent, poetic, beautyful, wild - I love it!
0:29 Adagio sostenuto
7:00 Allegretto
8:38 Presto agitato
PS: Congratulations!
I love your interpretations very much especially Mozart's interpretations.
My advice to anyone who listens to the so called "Moonlight" Sonata for the first or for the 47th time is twofold: First, DO NOT think of the moon rising over lake Geneva. Just listen in the abstract. You'd enjoy it infinitely more. Second, don't decide in advance whether the first movement should be slow, very, slow, fast or very fast etc. Just listen to this performance and absorb. Having said all that, this was a masterful interpretation & performance. I think that Beethoven would have heartily approved of it, and so would Sir Andras Schiff. I just wish the videographer had focused less on the length of the piano and more [perhaps only] on Ms. Würtz's hands and face. Klara Würtz, you'll discover, is a first rate pianist. Learn her name. Thanks!
I enjoy madam Clara Wurt piano. First class and highest caliber technically and interpretively with light touch and seriously delicacy.expressively .Your Mozart sonatas version is the best . This one is a little clipping and excessive pedaling and third part is missing partly . Your excellent Madam might have forgotten some very integral sections of the music and though the whole piece of this well known sonata is not satisfying / but I am still a very big fan of you, Madam!
Really nice Interpretation, a shame that the audio is clipped.Regarding the third movement: Im missing therepitition of the first part and at 11:50 this is not what my sheets said.In general, i prefer a little less pedalling and a little more expression.