Former Netflix Story Analyst: Break In With A Script Like This

แชร์
ฝัง
  • เผยแพร่เมื่อ 11 ก.ย. 2024
  • For 10 years, Michael Sweeney has read scripts for Netflix and other producers.
    In this 2nd part of our interview, he talks about working for Taylor Sheridan's 101 STUDIOS, the impact of A.I. on screenwriting, how streamers changed screenplays, what he is currently writing for himself, and how YOU can break into Hollywood.
    If you're interested in screenwriting, make sure you subscribe to this channel, as we frequently have exclusive insider tips about improving your story, your screenplay, or script pitch.
    Read the abridged version of the full interview here: www.thestoryde...
    ---------------------------------
    Michael's Professional Site: msweeneycovera...
    Immersion Script: my.scriptwriti...
    ---------------------------------
    Did you find anything useful in the video? Please hit that like button!
    And if you subscribe to this channel, a sudden mysterious success will grace your screenwriting career.
    Thank you.
    Karel
    ---------------------------------
    LINKS
    The IMMERSION courses: my.scriptwriti...
    The Story Department: thestorydepart...
    Logline It: logline.it
    Immersion on Facebook: bit.ly/immersionauts
    More Immersion Courses: screenwriting....
    JOIN THE NEWSLETTER
    tsd.im/friend
    --------------------------------
    • Former Netflix Story A...
    --------------------------------

ความคิดเห็น • 14

  • @RasKalevthesouljourner
    @RasKalevthesouljourner 3 หลายเดือนก่อน

    So great he answered this bc hollywood is the one job you really have no idea or way to really break in. It’s like a club and the only invite is through a lucky connection.

    • @TheStoryDepartment
      @TheStoryDepartment  3 หลายเดือนก่อน

      Good point. People often overlook that breaking in means different things depending on where you live and what you want to achieve.

  • @GriffynBachta
    @GriffynBachta 3 หลายเดือนก่อน +1

    Great interview! There's a lot to learn here from Michael.

  • @briansimerl4014
    @briansimerl4014 3 หลายเดือนก่อน

    Very interesting discussion. Thank you for sharing!

    • @TheStoryDepartment
      @TheStoryDepartment  3 หลายเดือนก่อน +1

      Did you see the other video with Michael as well?
      Cheers,
      Karel

    • @briansimerl4014
      @briansimerl4014 3 หลายเดือนก่อน

      @@TheStoryDepartment I've seen a few others. Will be viewing others soon.

  • @1234aabc
    @1234aabc 3 หลายเดือนก่อน +1

    Headphone warning at 6:45!

    • @TheStoryDepartment
      @TheStoryDepartment  3 หลายเดือนก่อน

      Thanks so much for flagging!
      I've edited out a few frames, so the problem should be fixed soon.
      Cheers,
      Karel

  • @georgevillalba2810
    @georgevillalba2810 3 หลายเดือนก่อน

    Gonna hire this guy

  • @georgevillalba2810
    @georgevillalba2810 3 หลายเดือนก่อน

    Tylor Sheridan hates notes. Specially when it’s an original script. He says none can give notes to an original script. I don’t think he’s 100% right on that.

    • @TheStoryDepartment
      @TheStoryDepartment  3 หลายเดือนก่อน

      Where did you found out about Sheridan's attitude to notes? I'm not surprised, as it is consistent with everything else I've heard him say.
      Did you see my Sicario series? I think Villeneuve made some significant changes for the better....
      Cheers,
      Karel

    • @georgevillalba2810
      @georgevillalba2810 3 หลายเดือนก่อน

      @@TheStoryDepartment been watching a lot of videos on Sheridan. And in one of those videos, might have been on DP/30 , or at a Q/A at a festival, he says he doesn’t take notes on original. Sicario and Hell or high water were both original and he didn’t do notes or rewrites on those. The movies were shot based on the first draft. Now I also heard that Deni and Del toro made changes to the shooting script, removed almost 90% of Del toros dialogue in Sicario.