For me, the magic of the Gretsch sound lies in the middle pickup position - much like in a Jazzmaster or Jaguar, the middle position on a Gretsch becomes this incredibly sparkly tone, that is absolutely divine in a clean or slightly driven tone, and is perfect for rhythm work
I got a chance to play a friends White Falcon... and i dream about owning it and waking up and not finding that one girl who was the one laying by my side!
ESPECIALLY if you start messing with pickup configs. My #1 has a Dynasonic in the bridge and an old skool Filtertron (no wax potting) in the neck, and its the richest, sparkliest cleans you ever heard. That thing sounds like magic.
I was born in '64 so I've seen Gretsches my whole life. It wasn't until I heard and saw Chris Cornell play one on Black Hole Sun that I sat up and took notice.
I was fortunate enough to score the recent Gretsch 63 Firebird Malcolm Young sig A La 'Long way to the top" guitar. I can see why he monstered "The Beast" on a regular basis. The switching, wiring and assortment of tones on it doesn't make much sense to me either. It's a confusing animal...I'm not up for attacking the thing though..
No joke, I finally invested time/money into my first Gretsch (6128T DS Jet, single coils) after decades of not really "getting" them either... and I love it. I'm primarily a P90 or humbucker Les Paul player, but I love the chime that the Gretsch gives me.
I've been learning some approximation of that jam on and off for a few weeks (noodling mostly) but I'd definitely buy the tab and backing track if it was available. Lovely little tune.
I had the usual "Gretsch's are old man guitars" mentality. That is until I played one. I now own three. White Falcon with TVs and two Sparkle Jets, Dynas/Filters. When they say nothing sounds like a Gretsch, it's true. While one may not be my "only" guitar for all things, they are must to have in the arsenal.
I have a 5120 Electromatic with TV Jones P90's (T90's?) strung with flatwounds. Even though it's Korean made, this guitar is incredibly high quality. The action, the feel and the amazing tone of those pickups make it my main guitar. It's the first guitar with a Bigsby that I've ever owned and now I can't imagine playing a guitar without one.
T90's are amazing pickups. I have one in the bridge position of my Epiphone Sheraton. I already have a Bare Knuckle Mississippi Queen in the neck which is perfect, or I would have had another T90. Best kept secret in pickupdom, it seems.
@@MrDblStop Agreed! But shhh...you don't want to give away our secret weapon. 😄It's funny, I bought my Gretsch on eBay auction for about $500 and it already had the T90s installed. When it finally arrived my amp was in the shop so I played the guitar for about 3 weeks without ever hearing it through an amp. The acoustic tone alone was beautiful but when I finally plugged it in I was blown away! I live on that neck pickup. So rich and creamy! The only other guitar I own with as much notable tone is a 73 Gibson L6S with Bill Lawrence Superhumbuckers that has a 6 position switch with combinations of parallel/series, in phase/out of phase....endless tonal possibilities. An overlooked and underappreciated gem, much like the T90s.
I went through the same revelation recently when I picked up a 1967 Tennessean at my local shop and discovered it played and sounded amazing and brought something different out of me. Needless to say, it’s been at my house ever since!
Welcome to the family, Chris! 😂 Luke Doucet (Sarah McLachlan) sent me clearly on the path of the Gretsch the first time his band Whitehorse played in my town. For me, the Filtertrons create all the snark and sparkle of the Fender single coils with the growl of the PAFs, and I am here for it! I love the hollowbodies too, as stage volumes have come down, it’s much easier to regain control of the feedback in a very pleasing way. I also need to mention that there are quite a few U2 songs that have also benefited from The Edge wielding a Gretsch.
I bought a 150th anniversary 5240T mail order and it arrived so well setup I barely even had to tune it. Tone action and clarity was so sweet it immediately added a whole new dimension to my playing.
Welcome to the Gretsch world Mr. Buck! Awesome playing, as usual. You should have seen the huge smile on my face when you kicked in the string mutes! Thank you for that! I’ll be thinking of that all day.
After years of going through guitars like so many enthusiasts, my stable today is 3 Gretsch electrics, a tele, and a martin. Never thought this is where I'd end up, but with the Gretsches, I've found MY sound (and it's not Country!).
The lush reverb helps, but the sheer mastery of grace notes, accidentals (although nothing Chris plays is ever accidental), passing notes, harmonics, it's all just jaw dropping.
Beautiful playing as always Chris, and having that stunning guitar of your dad's must be amazing with all the memories that come with such a unique keepsake? 👍❤️
Bought my first Gretsch last year - a hollowbody 5420T. Took me a long time to truly get them, but I see them now as this fantastic middle ground between the Fender and Gibson camps of guitar building. You get some of the chime and clarity of the Fender sound, but in a guitar that feels closer to a Gibson to play. I've got flatwounds on mine at the moment and I just love the sound it makes!
Been on a search for an electric this last year for a guitar that just felt natural in my hands and got close to the tones I hear in my head. Picked up a Tennessee Rose a few weeks ago, and found the axe I’ve been looking for. Still love all of my other guitars, but the Gretsch just has that something I was looking for
For clean tones this beast can not be beaten ! I would be surprised to learn of you taking this to a gig,but please,don't let it be the last vid- featuring this guitar it's simply too good !
I picked up a used Japanese built Duo Jet a few months ago and have also 'seen the light'. Classic looks, unique and beautiful voice. And throwing in some Cortez the killer..... take a bow!
I’m a Gretsch believer. Presently, I own Country Gentleman, a Penguin and my Baritone is a Gretsch. As was already stated, nothing sounds like a Gretsch and it’s true!
First guitar i bought with my own money was a 1964 Gretsch Corvette , single Hilo-tron pickup and no Bigsby, but trapeze tailpiece. Bought in 1971. That pickup didn't fit with what I was trying to play so I put a DiMarzio PAF and Leo Quann BadA$$ bridge. It rocked. Headstock broke, found a 1974 reissue Corvette and played it as is for many years. It was stolen. I mourned losing my first Gretsch to broken headstock, AND how I butchered it, AND I believe I threw that Hilo-Tron away. Then the reissue. I bought a new Jet 8 years ago. Happy again. I love most brands, Strats, Teles, Les Pauls, each bring something a little different to the table and each forces me to adapt and play differently. Each does what it does better than others. Love your content, Mr. Buck.
I recently discovered Gretsch guitars after playing mostly Fender Offsets. I snagged a used Gretsch 5655TG in Cadillac Green with TV Jones pickups. The sound and the Bigsby really made rethink what kind of guitars I like to play. I recently picked up a Gretsch 5210T - p90 in Petrol and it's been a great addition to my collection. The Penguin is now on my list of dream guitars.
For years I loved Setzer’s 6120 tone, but for whatever reason, I never wanted a Gretsch. They looked cool, and some of the baddest cats played them; Bo Diddley, Chet Atkins, George Harrison, but, still wasn’t motivated to try one. Fast forward a few decades and Kurt Cobain’s guitar teacher was selling his G6120RHH. I played it and fell in love! It’s not vintage, but it definitely has mojo. Unlike the Brian Setzer 6120; it has a 12” radius ebony fingerboard that makes bending effortless, much like a Les Paul.. TV Jones came out with the Ray Butts Ful-Fidelity pickups shortly after I got it, and I had to try out a set; they have that vintage tone that Gretsch are known for.
@@baj5025 Absolutely. I get amazing CC tone form my chambered Penguin and I have an ltd Viper (SG style) that I have just ordered a set of SD Black Winter pups for. It's my Superunknown guitar, takes all those funky tunings. They are the very definition of dirty :)
I can play anything else, I normally use a Strat, or more LP type guitar, with humbuckers, with a Gretsch. It just takes some adjustments, and certain pedals can help, but the cool thing, is how it just changes how I approach the instrument, just playing around, and eventually I come up with things, I just so wouldn’t have on the others. I like a Bigsby for vibrato, than a Strat’s thinner piece. Almost bought a Tele with a Bigsby, not too long ago, but I’ve been looking at these Gretsch guitars and their more affordable versions, that folks have already upgraded, for tuning and a better setup of the Bigsby. Chris played differently, from his normal intros. There are still one’s signature way of playing, but between the tone and his feel, it felt a bit different than others.
Nice one Chris ! Switches on a Gretsch can be a puzzle so much so that the other day my neighbour brought his Gretsch down the other day and after a bit of messing about I realised the bridge pickup wasn’t wired up !! Neighbour said “ Thought there was something wrong with it “ Nice George nod at the end 😀
Oh, I know the feeling. After lots of Fenders and Gibsons, I bought my first Gretstxh. A Western Orange Billy Bo. I have to admit, I bought it for the looks but it's a pleasure to play. Has me shopping for more.
I came late to the Gretsch party too. It's one of those things where, once through the door, you wonder why the hell you were so stubbornly blind. I now have a rack of them. Though the Falcon & Penguin are in many ways the superior players, a 6120 has so much unchained rottweiler about it that it tends to be my goto.
Loved that you played Cortez .... I still remember being in my late teens and Gov't Mule put out their double live album, with Marc Ford guesting on that song. Brings back some past beauty. Lovely job.
I own a Lefty Japanese Jet; a Country Gent 2, a Bo Diddley, and a Korean G5420. They really are the mid point between Gibsons and Fenders- sparkly on top so the notes are clear, but just enough bass and mid to fill out the sound. The Filtertron and Broadtron really work well with Fuzz sounds as well.
I got Gretsch guitars the first time I played my '71 Superchet, 40 years ago.They're the Cadillacs of the guitar world, I love em more than any others.
I didn’t know you’d lost your father Chris. Condolences. That is a beautiful sounding guitar. Only played one Gretsch and I found it extremely comfortable. As a Gibson person primarily, they seem to fit. Can see myself getting one of the less expensive ones like an Electromatic or something in the future.
Brilliant as ever Chris. I love my Gretsch, mines an Electromatic, brilliant sound and tone. Gretsch hero guitarists for me Johnny Marr of course, Billy Duffy and Brian Setzer, all masters of their craft!
What a gorgeous guitar and tone. Rediscovering the Gretsch is extra meaningful, especially through your dad's. I've learned about the switches and buttons, thanks for explaining 😁👍🏻 Bon voyage for your U.S. trip!
Better late than never Chris. My Country Gentleman is an incredible, versatile instrument. Build quality (Japan) is impeccable, and it really is a tone machine.
Having a CG and a DuoJet w Dynas, and a 5420 w Blacktops, I would suggest you use your dad's Gent, and grab a Duo Jet- I have the one you pictured briefly... the Cadillac Green. As dynamic a player as you are- the Gretsch will definitely inspire you. Of all my guitars, when I have to do sessions that will sit in the mix and have ''the tone'', I go to them every time. When you do ballad or ambient things- nothing beats that ''Great Gretsch Sound''.
The solo piece towards the end sounds absolutely lovely - it catches the character of the guitar really well! I have a beautiful Japanese made solid body and as mentioned elsewhere here the middle position with Gretsch played clean(ish) has 'that' jingle jangle that brings our George to mind - it's actually very similar to his first Gretsch before he moved on to the Country Gent.
The filtertrons and the dynasonics or DeArmonds are iconic and different. I wanted a George Harrison Duo Jet but couldn't afford it. So I modified an Electromatic Jet to get as close as I could but took a lot of work. It came with the blacktop filtertrons. Those honestly sounded great for budget pickups, but going for Harrison's sound, I swapped them with TV Jones T-Armonds, and my God those sound incredible and totally different. I believe filtertrons are humbucking and T-Armonds (+dynasonics and DeArmonds) are single coil. The sound more closely resembles that of a telecaster, so probably more up your alley as you mentioned, but still different enough to warrant having both. Irrelevant but to those curious on the build: I gutted the pots/electronics and had it wired the same as the vintage duo jet. Bone nut, locking tuners, new bridge and the Gretsch Bigsby. Feels and sounds incredible.
Is that a 5230? I'm doing mine at the moment. T-Armonds, Grover open back tuners, Gretch V-cut Bigsby, and a solid Compton bridge. I'm a bit stuck on colour matching the two old B50 screw hole fills so it's sitting in a corner waiting for me to get on with it. This vid is a good reminder! Have you posted yours on any groups or forums?
@@MrDblStop Yep 5230T w/Bigsby. I had a set of locking Grover tuners on mine that were a drop in fit. Should've kept 'em but got swept up in the Graph Tech Ratio hype lol. I just put in two black screws to fill in the old B50 holes. Is the V-cut the B3c? That's what I have. I put on a Tru-Arc bridge. I did post it on a forum but years ago. I'll go ahead and repost today on the Gretsch Guitar Owners group if you're curious. Best of luck!
@@weightlessfilms5651 Thanks! Yes, the B3C. I've got the Aleutian Blue which I know isn't exactly vintage but is stunning and I couldn't resist it. It was the first new-new guitar I've bought in years so I had the choice, but went with the blue. I'll get there with the colour match. Or fill the holes and respray it black :) I'll have a look on the group. Cheers.
I have a 2012 62 Reissue Tennessean. Once you “Get” that Hilotron sound, it’s amazing what you can get out of that guitar! Not just cleans but overdriven and it’s magical how it takes to fuzz!
Totally Amazing! A close buddy of mine who is known for playing his Strats and Telles has let it be known that certain Gretch models are close to his heart. No matter what guitar is in his hands, it's magic. Thank you for this expose' on Gretch. Will there be maybe a deep dive somewhere in the future? (Hello from Louisville, Kentucky, USA! Enjoy your tour this month!). (Arlin Blair)
The Gretsch sound is iconic and a lot of us don’t know it. Duane Eddy gives me the most “Gretsch” tone in my head. Rabble Rouser just growls in a way I love. Still kinda chasing that sound a little bit.
Some guitarists are known for their tone/sound You, Chris, it’s your style. There is no 1 Guitar for you, no home base. Like a professional race car driver, you’ll do you with whatever you have.
Excellent video Chris, now I'm all inspired to dig into my Gretsch again... it's somewhere in my house and I can't even remember what model she is.... but I also want to add that you are a VERY cool guitarist, your choice of notes, phrasing and unpredictable Bigsby work makes it such a pleasure to hear you play...:)
Nothing 2nd rate about the Country Gentleman. It's always been a fine instrument. As usual, you made it sound wonderful, Chris. A dear friend of mine, Bob M., was a guitarist and truly fine drummer that purchased a Gretsch White Falcon some 12-14 or more years ago. Bob had a fabulous voice, one of the best you'd ever hear. Bob was in an awesome Crosby, Stills & Nash tribute band that was beyond good. Bob played that White Falcon there. He passed on years ago from pancreatic cancer... very sad loss. Bottom line here is that Gretsch guitars have a special place if you're hip to what they do.🙂🙂
It is the vintage sound of the Gretsch that got buying one as my second electric guitar...as my first guitar was a yamaha se211? A s type guitar that was stolen 19 years ago...then 2017 I bought the Gretsch G5420T...which I love...it is not a vintage guitar or expensive but holds the gretsch sound and has warm soulful sound perfect for rhythm and blues. I have played it at gigs and recorded with it many times...after your playing has reminded me to put down the les paul, silver sky se
Welcome to Gretsch guitar fandom! They have such a dynamic range (strumming hand), they've made me a better guitar player. My favorite is a double-cut duojet.
I bought my first Gretsch a couple months ago from Astrings, played a couple chords and was sold on it pretty much immediately. Little did I know it was what I'd been looking for!
I’ve used a Gretsch Duo Jet as one of my main gigging guitars for a few years now and I love it! Covers a lot of ground for me particularly as I play (and write) a lot of 50s-60s influenced music. Does fabulous cleans but also rocks! I use it mainly in the middle position with the neck pickup rolled back just a tad. It gives me the cut of the treble pick up as the dominant voice but smoothed out with a bit of neck balance.
I have three Gretsch guitars...a hollow body, an duojet and an acoustic Rancher with a filtertron and bigsby. I'm drawn to the quirkiness of Gretsch. I love how they are just different and eminently playable!
I have 8 electric guitars, and half of them are Gretsch. A solid body, a chambered body, a semi-hollow, and a full hollow body. Oh, and made in Indonesia, Japan, China, Korea. I had to change pickups on all but my Japanese made “Pro Line”. Solid bar bridges made a much bigger improvement to the sound than I expected. Had to change the loose rattling tuning keys on the Chinese model, but they’re all “good bones”, well made and finished. One of the reasons I love Gretsches is the thick bodied tones but with super clarity, which isn’t an easy combo to find. Most electrics are muddy with a big midrange hump (geared for distortion or jazz), or sharp, thin, and lacking lower mids. You want the best of both worlds - a strat and a 335? Get a Gretsch.
I "got it" back in 2020 on a trip to Nashville. I now own 3, including the G6120 CMHOF 54 Prototype. For me, it's more the T V Jones Dynasonic pickups on that guitar that warmed my heart. My other two are Electromatic Jets - one with the Filtertrons and one with the P90s. Each of them has their own personality and tonal sweet spot. I still play my LPs and my Strats, but I reach for my G5230T FT more often than any of the others.
You should try connecting with Richard Fortus, who is a massive Gretsch fan. The way he made his White Falcon sing the first time I saw him playing it years back made me wish I’d have one someday - and to this day, I always dream of owning the cheapest iteration that’ll get me that same tone, lol. You should hit Richard up on social media to see if you can do an interview with him about Gretsch guitars and show him this video you made. Maybe Slash can put you in touch. It would be really cool to get Richard to show us his Gretsch guitars and demo them. Please try! Thanks!
I sold two guitars that were quite nice and bought a Gretsch Black Falcon. I too had that feeling of the guitar making me play differently which inspired me. Get a falcon!
Being a Brian Setzer fan…I really love the Gretch guitar… at the end of the day, it’s all in the hands and soul of the player…listen to Ed Bickert’s jazz tone on the Telecaster.
Yeah, I set both switches in the middle, then mix the two pickups to your taste, but I am usually getting all of the bridge with a little neck pickup to soften it a bit. I have a Gretsch Fujigen built 6122LTV single cut, and the thinner, larger bout ‘61 6120 Country Club. No Bigsby on the 61. You might have to play one for a decade to figure out how they really work. It took that long for the 6122 to start to stay in tune. Worth the wait.
I bought a used Electromatic a few years ago and while it's considered one of the "lowest" models, I wouldn't trade it for anything. It's unique to itself, and that's what makes it special to me. I have few other guitars and they all sound similar to others of their "type," but none of them sound like my Gretsch. It can coax feelings and sounds that no other can that I have. I just wish I had heard of them sooner. If you don't own a Gretsch, consider it - and choose carefully. There's one for you out there somewhere just waiting for you to pick it up and do the same that mine did for me. Now go find it!!
Believe me, they are more than just one-trick ponies. I've played jazz to heavy rock with mine. I got tricked into playing and buying my first Gretsch (a cheapo Synchromatic Jet in 2002), when a friend of mine played the guitar after I blew it off (for me at the time, Gretsches were rockabilly guitars - so not my thing!), and made it sound great, intriguing me enough to buy it. From there, it lead to Electromatics, a 6120 Brian Setzer Hot Rod, and then my long time favorite - the Gretsch Country Club! I stepped away from Gretsches for a few years (their necks seemed to be becoming thinner, and I don't like thin necks - I play classical style [thumb behind the neck], and thin necks are uncomfortable for me), but I saw a 2005 Country Club for sale at my favorite local guitar shop recently. Knowing from past experience that there can be some variation in Terada made Gretsches (ProLine Gretsches are made by Terada) neck dimensions, due to the partially hand made nature of Terada made guitars. Sure enough, the neck was slightly chunkier that the recent Gretsches I'd played (just enough for me to find the neck adequately comfortable). Clean tones - wonderfully smooth without being glassy sounding. Great breakup tones, and my ultimate test - I plugged into a Mesa Dual Rectofier, and proceeded to rage on some Tool tunes (yeah, I know, it's a hollowbody, but years of playing a Gibson Howard Roberts Fusion in a heavy rock band in the 90s, taught me how to control feedback). Yeah! Now we're talking, different but still heavy. I was luckily able to scrape up the funds to buy the guitar, and I'm once again playing Gretsch Country Clubs. Yes indeed, Gretsches are great guitars.
Timing! When I first bought an electric guitar back in 1993, I wanted either a SG (because of picture I had always admired) or a Gretsch because I found the sound interesting. I only played a SG and the look on my face caused the seller to come up with a different guitar: a second hand Gibson Les Paul (87), which I bought because it was a Les Paul and I hadn't even considered that a possibility. But now years later, I still have that longing for a Gretsch and am sorely tempted to get one of those new ones, the G5655TG. Your video is only extra motivation, though the Country Gentleman having a muted string switch is awesome.
I have two Gretsch guitars (I'm not a great player by any means) but I've always enjoyed them. Chris could make a wooden plank sound amazing if it had six strings. I'd love to see a Friday Fret Works where he played the cheapest guitar possible for fun. Thanks for making such great content and for making such great music Chris! Please plan a tour to the West Coast of the United States sometime in the future!
For me, the magic of the Gretsch sound lies in the middle pickup position - much like in a Jazzmaster or Jaguar, the middle position on a Gretsch becomes this incredibly sparkly tone, that is absolutely divine in a clean or slightly driven tone, and is perfect for rhythm work
I got a chance to play a friends White Falcon... and i dream about owning it and waking up and not finding that one girl who was the one laying by my side!
@@StuartwasDrinkelljust break up with her, man.
ESPECIALLY if you start messing with pickup configs. My #1 has a Dynasonic in the bridge and an old skool Filtertron (no wax potting) in the neck, and its the richest, sparkliest cleans you ever heard. That thing sounds like magic.
@@sagittated 😂
? you mean the invisible middle pickup?
That rendition of Cortez the Killer on the country gent was rather beautiful!
Rather? It was sublime😮
Spot on.
Neil Young's catalog sounds GREAT with Gretsches.
I was born in '64 so I've seen Gretsches my whole life. It wasn't until I heard and saw Chris Cornell play one on Black Hole Sun that I sat up and took notice.
AC/DC's late great Malcolm Young with his Gretsch Jet Firebird. What a player! What a Tone!
Exactly.
The rif master.
I was fortunate enough to score the recent Gretsch 63 Firebird Malcolm Young sig A La 'Long way to the top" guitar.
I can see why he monstered "The Beast" on a regular basis. The switching, wiring and assortment of tones on it doesn't make much sense to me either. It's a confusing animal...I'm not up for attacking the thing though..
I saw them live in 2009 and he played the White Falcon. Incredible.
No joke, I finally invested time/money into my first Gretsch (6128T DS Jet, single coils) after decades of not really "getting" them either... and I love it. I'm primarily a P90 or humbucker Les Paul player, but I love the chime that the Gretsch gives me.
That intro jam deserves an album! Sick! You need to upload all those on streaming platforms.
I've been learning some approximation of that jam on and off for a few weeks (noodling mostly) but I'd definitely buy the tab and backing track if it was available. Lovely little tune.
It's one the songs of Cardinal Black...
@@JammerhakenTV oh alright, Must have glossed over it. I'll definitely have a look now you've reminded me. Ta!
@@chaz__ you're very welcome my friend, they are awesome
That intro jam can suck me
I had the usual "Gretsch's are old man guitars" mentality. That is until I played one. I now own three. White Falcon with TVs and two Sparkle Jets, Dynas/Filters. When they say nothing sounds like a Gretsch, it's true. While one may not be my "only" guitar for all things, they are must to have in the arsenal.
Chris Cornell made me take take notice, again.
Filtertrons/tv jones have a fine balance of chime and girth
It’s interesting, because the telecaster and les paul are older than most Gretsch models, and no one calls them an “old man guitar”.
@@BugGenerat0r yeah I think it’s just because the original stars that played them were associated with country and other music, not rock ‘n’ roll.
That's funny, i never heard that but it makes sense.
I have a 5120 Electromatic with TV Jones P90's (T90's?) strung with flatwounds. Even though it's Korean made, this guitar is incredibly high quality. The action, the feel and the amazing tone of those pickups make it my main guitar. It's the first guitar with a Bigsby that I've ever owned and now I can't imagine playing a guitar without one.
T90's are amazing pickups. I have one in the bridge position of my Epiphone Sheraton. I already have a Bare Knuckle Mississippi Queen in the neck which is perfect, or I would have had another T90. Best kept secret in pickupdom, it seems.
@@MrDblStop Agreed! But shhh...you don't want to give away our secret weapon. 😄It's funny, I bought my Gretsch on eBay auction for about $500 and it already had the T90s installed. When it finally arrived my amp was in the shop so I played the guitar for about 3 weeks without ever hearing it through an amp. The acoustic tone alone was beautiful but when I finally plugged it in I was blown away! I live on that neck pickup. So rich and creamy! The only other guitar I own with as much notable tone is a 73 Gibson L6S with Bill Lawrence Superhumbuckers that has a 6 position switch with combinations of parallel/series, in phase/out of phase....endless tonal possibilities. An overlooked and underappreciated gem, much like the T90s.
Pete Townsend played a 59 Gretsch 6120 on Who's Next.
Yeah, they can rock.
I went through the same revelation recently when I picked up a 1967 Tennessean at my local shop and discovered it played and sounded amazing and brought something different out of me. Needless to say, it’s been at my house ever since!
Welcome to the family, Chris! 😂
Luke Doucet (Sarah McLachlan) sent me clearly on the path of the Gretsch the first time his band Whitehorse played in my town.
For me, the Filtertrons create all the snark and sparkle of the Fender single coils with the growl of the PAFs, and I am here for it!
I love the hollowbodies too, as stage volumes have come down, it’s much easier to regain control of the feedback in a very pleasing way.
I also need to mention that there are quite a few U2 songs that have also benefited from The Edge wielding a Gretsch.
Luke Doucet’s album Blood’s Too Rich is fantastic!
Chris, your phrasing is as fine as anyone anywhere. What a rare talent.
I bought a 150th anniversary 5240T mail order and it arrived so well setup I barely even had to tune it. Tone action and clarity was so sweet it immediately added a whole new dimension to my playing.
I can't stop listening to all parts of this video. The right word for you is 'Inspiring' ❤
Yes, they are truly unique and special. Congratulations on your discovery.
Chris - that awesome way you play is such a great fit for a Gretsch!
Welcome to the Gretsch world Mr. Buck! Awesome playing, as usual. You should have seen the huge smile on my face when you kicked in the string mutes! Thank you for that! I’ll be thinking of that all day.
After years of going through guitars like so many enthusiasts, my stable today is 3 Gretsch electrics, a tele, and a martin. Never thought this is where I'd end up, but with the Gretsches, I've found MY sound (and it's not Country!).
I have a bunch of strats, teles, les Paul’s and a couple core PRSs. I always grab my Jet first to play. Probably tells me to sell some stuff.
Add a couple Martins to the mix and you could be me. Gretschs are THE guitar when it comes to electrics.
Your rendition of Cortez went straight to my heart.
The lush reverb helps, but the sheer mastery of grace notes, accidentals (although nothing Chris plays is ever accidental), passing notes, harmonics, it's all just jaw dropping.
Beautiful playing as always Chris, and having that stunning guitar of your dad's must be amazing with all the memories that come with such a unique keepsake? 👍❤️
Bought my first Gretsch last year - a hollowbody 5420T. Took me a long time to truly get them, but I see them now as this fantastic middle ground between the Fender and Gibson camps of guitar building. You get some of the chime and clarity of the Fender sound, but in a guitar that feels closer to a Gibson to play. I've got flatwounds on mine at the moment and I just love the sound it makes!
Great video. Thanks for the short demonstration of the switches and knobs. That demonstrated more than anyone ever has told me.
Been on a search for an electric this last year for a guitar that just felt natural in my hands and got close to the tones I hear in my head. Picked up a Tennessee Rose a few weeks ago, and found the axe I’ve been looking for. Still love all of my other guitars, but the Gretsch just has that something I was looking for
I Have to say, that what ever Chris Buck Plays, he Sounds Like Chris Buck. He has his own distinct style (Which is great)
wtf is up with this spacing
For clean tones this beast can not be beaten ! I would be surprised to learn of you taking this to a gig,but please,don't let it be the last vid- featuring this guitar it's simply too good !
I picked up a used Japanese built Duo Jet a few months ago and have also 'seen the light'. Classic looks, unique and beautiful voice.
And throwing in some Cortez the killer..... take a bow!
I liked that, too. I bought Live Rust when I was about 16. ✌️🇦🇺
Never thought I'd hear Chris playing Cortez on a Chet Atkins guitar!! Fabulous!!!
The combination of the big, hollow body and Filter'trons - sublime.
I’m a Gretsch believer. Presently, I own Country Gentleman, a Penguin and my Baritone is a Gretsch. As was already stated, nothing sounds like a Gretsch and it’s true!
Penguin (the pretty paisley one) baritone and Setzer 6120 HotRod for me.
Man that intro jam is just so smooth!
First guitar i bought with my own money was a 1964 Gretsch Corvette , single Hilo-tron pickup and no Bigsby, but trapeze tailpiece. Bought in 1971. That pickup didn't fit with what I was trying to play so I put a DiMarzio PAF and Leo Quann BadA$$ bridge. It rocked. Headstock broke, found a 1974 reissue Corvette and played it as is for many years. It was stolen. I mourned losing my first Gretsch to broken headstock, AND how I butchered it, AND I believe I threw that Hilo-Tron away. Then the reissue. I bought a new Jet 8 years ago. Happy again. I love most brands, Strats, Teles, Les Pauls, each bring something a little different to the table and each forces me to adapt and play differently. Each does what it does better than others. Love your content, Mr. Buck.
Gretsch Corvette was a weapon of choice of Rory Gallagher when he deviated from his Strat.
Most of Who’s Next was played on a Gretsch. To my knowledge, it was exclusively used on Quadrophenia.
Gretsch White Falcon is my number one gigging guitar. Just love it!.❤
I recently discovered Gretsch guitars after playing mostly Fender Offsets. I snagged a used Gretsch 5655TG in Cadillac Green with TV Jones pickups. The sound and the Bigsby really made rethink what kind of guitars I like to play. I recently picked up a Gretsch 5210T - p90 in Petrol and it's been a great addition to my collection. The Penguin is now on my list of dream guitars.
For years I loved Setzer’s 6120 tone, but for whatever reason, I never wanted a Gretsch. They looked cool, and some of the baddest cats played them; Bo Diddley, Chet Atkins, George Harrison, but, still wasn’t motivated to try one. Fast forward a few decades and Kurt Cobain’s guitar teacher was selling his G6120RHH. I played it and fell in love! It’s not vintage, but it definitely has mojo. Unlike the Brian Setzer 6120; it has a 12” radius ebony fingerboard that makes bending effortless, much like a Les Paul.. TV Jones came out with the Ray Butts Ful-Fidelity pickups shortly after I got it, and I had to try out a set; they have that vintage tone that Gretsch are known for.
Chris Cornell. Gretsch are definately sleeper guitars for 'Grunge, Stoner' rock tones.
335 with Filtertrons, but yeah.
It fit well with the Kim's dirty Polara.
@@baj5025 Absolutely. I get amazing CC tone form my chambered Penguin and I have an ltd Viper (SG style) that I have just ordered a set of SD Black Winter pups for. It's my Superunknown guitar, takes all those funky tunings. They are the very definition of dirty :)
I can play anything else, I normally use a Strat, or more LP type guitar, with humbuckers, with a Gretsch.
It just takes some adjustments, and certain pedals can help, but the cool thing, is how it just changes how I approach the instrument, just playing around, and eventually I come up with things, I just so wouldn’t have on the others.
I like a Bigsby for vibrato, than a Strat’s thinner piece.
Almost bought a Tele with a Bigsby, not too long ago, but I’ve been looking at these Gretsch guitars and their more affordable versions, that folks have already upgraded, for tuning and a better setup of the Bigsby.
Chris played differently, from his normal intros. There are still one’s signature way of playing, but between the tone and his feel, it felt a bit different than others.
Dynasonic equipped duo jets are killer. Great choice for the outro, that’s immediately where my head goes when I think of George and his Gent
Did you actually that - Cortez the Killer......
Nice one Chris ! Switches on a Gretsch can be a puzzle so much so that the other day my neighbour brought his Gretsch down the other day and after a bit of messing about I realised the bridge pickup wasn’t wired up !! Neighbour said “ Thought there was something wrong with it “ Nice George nod at the end 😀
Oh, I know the feeling. After lots of Fenders and Gibsons, I bought my first Gretstxh. A Western Orange Billy Bo. I have to admit, I bought it for the looks but it's a pleasure to play. Has me shopping for more.
I came late to the Gretsch party too. It's one of those things where, once through the door, you wonder why the hell you were so stubbornly blind. I now have a rack of them. Though the Falcon & Penguin are in many ways the superior players, a 6120 has so much unchained rottweiler about it that it tends to be my goto.
Good choice for your musical intro. Tasty Gretsch tones...
Loving the Cortez jam!
Loved the video - thanks Chris! That string mute switch is super groovy 🎸👌
Man, that opening jam is purely wonderful 🙂 And I love the wine/gold vibe, beautiful 🌻
That was great and a very nice outro for that guitar .... George's lead line from "Till There Was You" and the reason I have a 6119 Tennessee Rose.
Just recently started investigating the Gretsch sound myself...and I'm an old-timer! Definitely one of the classic sounds.
I think the Gretsch is right up your street Chris, it really suits your style of playing 👌
That guitars voice is SO unique! …and it sings in you hands! MAGIC!
Yes, 6120s. BTW, nice tribute to George there at the end.
Loved that you played Cortez .... I still remember being in my late teens and Gov't Mule put out their double live album, with Marc Ford guesting on that song. Brings back some past beauty. Lovely job.
I own a Lefty Japanese Jet; a Country Gent 2, a Bo Diddley, and a Korean G5420. They really are the mid point between Gibsons and Fenders- sparkly on top so the notes are clear, but just enough bass and mid to fill out the sound. The Filtertron and Broadtron really work well with Fuzz sounds as well.
I got Gretsch guitars the first time I played my '71 Superchet, 40 years ago.They're the Cadillacs of the guitar world, I love em more than any others.
Chris! You're phrasing ing on that intro solo, Oh my God!
You are a master 💓
NOTHING can beat the sound of a Dearmond equipped vintage Duo Jet (1953-1957).
Omg your playing is so smooth and melodic!😢 Thank you!
YESSS I've been waiting for this day
I didn’t know you’d lost your father Chris. Condolences.
That is a beautiful sounding guitar. Only played one Gretsch and I found it extremely comfortable. As a Gibson person primarily, they seem to fit. Can see myself getting one of the less expensive ones like an Electromatic or something in the future.
Thank you Chris for sharing your insights. Gretsch was never on my radar, maybe it should have been!
Brilliant as ever Chris. I love my Gretsch, mines an Electromatic, brilliant sound and tone. Gretsch hero guitarists for me Johnny Marr of course, Billy Duffy and Brian Setzer, all masters of their craft!
Aesthetically, a Gretsch Black Falcon would suit you and Cardinal Black!
What a gorgeous guitar and tone. Rediscovering the Gretsch is extra meaningful, especially through your dad's. I've learned about the switches and buttons, thanks for explaining 😁👍🏻 Bon voyage for your U.S. trip!
Better late than never Chris. My Country Gentleman is an incredible, versatile instrument. Build quality (Japan) is impeccable, and it really is a tone machine.
Having a CG and a DuoJet w Dynas, and a 5420 w Blacktops, I would suggest you use your dad's Gent, and grab a Duo Jet- I have the one you pictured briefly... the Cadillac Green. As dynamic a player as you are- the Gretsch will definitely inspire you. Of all my guitars, when I have to do sessions that will sit in the mix and have ''the tone'', I go to them every time. When you do ballad or ambient things- nothing beats that ''Great Gretsch Sound''.
sick playing as usual bro. amazing.
The solo piece towards the end sounds absolutely lovely - it catches the character of the guitar really well! I have a beautiful Japanese made solid body and as mentioned elsewhere here the middle position with Gretsch played clean(ish) has 'that' jingle jangle that brings our George to mind - it's actually very similar to his first Gretsch before he moved on to the Country Gent.
The filtertrons and the dynasonics or DeArmonds are iconic and different. I wanted a George Harrison Duo Jet but couldn't afford it. So I modified an Electromatic Jet to get as close as I could but took a lot of work. It came with the blacktop filtertrons. Those honestly sounded great for budget pickups, but going for Harrison's sound, I swapped them with TV Jones T-Armonds, and my God those sound incredible and totally different. I believe filtertrons are humbucking and T-Armonds (+dynasonics and DeArmonds) are single coil. The sound more closely resembles that of a telecaster, so probably more up your alley as you mentioned, but still different enough to warrant having both. Irrelevant but to those curious on the build: I gutted the pots/electronics and had it wired the same as the vintage duo jet. Bone nut, locking tuners, new bridge and the Gretsch Bigsby. Feels and sounds incredible.
Is that a 5230? I'm doing mine at the moment. T-Armonds, Grover open back tuners, Gretch V-cut Bigsby, and a solid Compton bridge. I'm a bit stuck on colour matching the two old B50 screw hole fills so it's sitting in a corner waiting for me to get on with it. This vid is a good reminder! Have you posted yours on any groups or forums?
@@MrDblStop Yep 5230T w/Bigsby. I had a set of locking Grover tuners on mine that were a drop in fit. Should've kept 'em but got swept up in the Graph Tech Ratio hype lol. I just put in two black screws to fill in the old B50 holes. Is the V-cut the B3c? That's what I have. I put on a Tru-Arc bridge. I did post it on a forum but years ago. I'll go ahead and repost today on the Gretsch Guitar Owners group if you're curious. Best of luck!
@@weightlessfilms5651 Thanks! Yes, the B3C. I've got the Aleutian Blue which I know isn't exactly vintage but is stunning and I couldn't resist it. It was the first new-new guitar I've bought in years so I had the choice, but went with the blue. I'll get there with the colour match. Or fill the holes and respray it black :) I'll have a look on the group. Cheers.
You have a remarkable touch and ear. The intro piece was beautiful. I like Gretsch guitars. Sweet.
I have a 2012 62 Reissue Tennessean. Once you “Get” that Hilotron sound, it’s amazing what you can get out of that guitar! Not just cleans but overdriven and it’s magical how it takes to fuzz!
Lovely that you sound yourself on every guitar ❤
A lovely jam around those Cortez The Killer chords, really bringing out the Gretsch tone.
Totally Amazing! A close buddy of mine who is known for playing his Strats and Telles has let it be known that certain
Gretch models are close to his heart. No matter what guitar is in his hands, it's magic. Thank you for this expose' on Gretch. Will there be maybe a deep dive somewhere in the future? (Hello from Louisville, Kentucky, USA! Enjoy your tour this month!). (Arlin Blair)
Wow, great feel in that Cortez the Killer piece!!
I was hoping you’d play Till There Was You. Niiiice.👍🏻
Chris can make a rubber band strung between his thumb and index finger sound amazing
The Gretsch sound is iconic and a lot of us don’t know it. Duane Eddy gives me the most “Gretsch” tone in my head. Rabble Rouser just growls in a way I love. Still kinda chasing that sound a little bit.
Some guitarists are known for their tone/sound You, Chris, it’s your style. There is no 1 Guitar for you, no home base. Like a professional race car driver, you’ll do you with whatever you have.
Excellent video Chris, now I'm all inspired to dig into my Gretsch again... it's somewhere in my house and I can't even remember what model she is.... but I also want to add that you are a VERY cool guitarist, your choice of notes, phrasing and unpredictable Bigsby work makes it such a pleasure to hear you play...:)
Nothing 2nd rate about the Country Gentleman. It's always been a fine instrument. As usual, you made it sound wonderful, Chris. A dear friend of mine, Bob M., was a guitarist and truly fine drummer that purchased a Gretsch White Falcon some 12-14 or more years ago. Bob had a fabulous voice, one of the best you'd ever hear. Bob was in an awesome Crosby, Stills & Nash tribute band that was beyond good. Bob played that White Falcon there. He passed on years ago from pancreatic cancer... very sad loss. Bottom line here is that Gretsch guitars have a special place if you're hip to what they do.🙂🙂
It is the vintage sound of the Gretsch that got buying one as my second electric guitar...as my first guitar was a yamaha se211? A s type guitar that was stolen 19 years ago...then 2017 I bought the Gretsch G5420T...which I love...it is not a vintage guitar or expensive but holds the gretsch sound and has warm soulful sound perfect for rhythm and blues. I have played it at gigs and recorded with it many times...after your playing has reminded me to put down the les paul, silver sky se
i own a 1973 Gretsch Chet Atkins Country Gentleman and its a great guitar
Awesome video loved the country licks everything you play is 👍 keep it going man.
Welcome to Gretsch guitar fandom! They have such a dynamic range (strumming hand), they've made me a better guitar player. My favorite is a double-cut duojet.
I recently developed a love for Gretsch guitars... the nice ones anyway
Dude that intro solo was so tasty 🥵 damn, amazing. Chris your soulful playing is just ridiculous.👏
Randy Bachman seems to enjoy playing and colleting them. Loved the opening intro...smooth!!
I bought my first Gretsch a couple months ago from Astrings, played a couple chords and was sold on it pretty much immediately. Little did I know it was what I'd been looking for!
I’ve used a Gretsch Duo Jet as one of my main gigging guitars for a few years now and I love it! Covers a lot of ground for me particularly as I play (and write) a lot of 50s-60s influenced music. Does fabulous cleans but also rocks! I use it mainly in the middle position with the neck pickup rolled back just a tad. It gives me the cut of the treble pick up as the dominant voice but smoothed out with a bit of neck balance.
I have three Gretsch guitars...a hollow body, an duojet and an acoustic Rancher with a filtertron and bigsby. I'm drawn to the quirkiness of Gretsch. I love how they are just different and eminently playable!
I have 8 electric guitars, and half of them are Gretsch. A solid body, a chambered body, a semi-hollow, and a full hollow body. Oh, and made in Indonesia, Japan, China, Korea. I had to change pickups on all but my Japanese made “Pro Line”. Solid bar bridges made a much bigger improvement to the sound than I expected. Had to change the loose rattling tuning keys on the Chinese model, but they’re all “good bones”, well made and finished.
One of the reasons I love Gretsches is the thick bodied tones but with super clarity, which isn’t an easy combo to find. Most electrics are muddy with a big midrange hump (geared for distortion or jazz), or sharp, thin, and lacking lower mids. You want the best of both worlds - a strat and a 335? Get a Gretsch.
I "got it" back in 2020 on a trip to Nashville. I now own 3, including the G6120 CMHOF 54 Prototype. For me, it's more the T V Jones Dynasonic pickups on that guitar that warmed my heart. My other two are Electromatic Jets - one with the Filtertrons and one with the P90s. Each of them has their own personality and tonal sweet spot. I still play my LPs and my Strats, but I reach for my G5230T FT more often than any of the others.
so cool to be able to play your dads guitar, I'm sure he can hear you and must be very proud man
also, I used to own a Gretsch G5135 CVT which I have sold....... I miss that guitar
The p90 Gretsch guitars are probably right up Chris’s alley. I love mine
You should try connecting with Richard Fortus, who is a massive Gretsch fan. The way he made his White Falcon sing the first time I saw him playing it years back made me wish I’d have one someday - and to this day, I always dream of owning the cheapest iteration that’ll get me that same tone, lol.
You should hit Richard up on social media to see if you can do an interview with him about Gretsch guitars and show him this video you made. Maybe Slash can put you in touch. It would be really cool to get Richard to show us his Gretsch guitars and demo them. Please try! Thanks!
I sold two guitars that were quite nice and bought a Gretsch Black Falcon. I too had that feeling of the guitar making me play differently which inspired me. Get a falcon!
Being a Brian Setzer fan…I really love the Gretch guitar…
at the end of the day, it’s all in the hands and soul of the player…listen to Ed Bickert’s jazz tone on the Telecaster.
Yeah, I set both switches in the middle, then mix the two pickups to your taste, but I am usually getting all of the bridge with a little neck pickup to soften it a bit. I have a Gretsch Fujigen built 6122LTV single cut, and the thinner, larger bout ‘61 6120 Country Club. No Bigsby on the 61. You might have to play one for a decade to figure out how they really work. It took that long for the 6122 to start to stay in tune. Worth the wait.
I bought a used Electromatic a few years ago and while it's considered one of the "lowest" models, I wouldn't trade it for anything. It's unique to itself, and that's what makes it special to me. I have few other guitars and they all sound similar to others of their "type," but none of them sound like my Gretsch. It can coax feelings and sounds that no other can that I have. I just wish I had heard of them sooner. If you don't own a Gretsch, consider it - and choose carefully. There's one for you out there somewhere just waiting for you to pick it up and do the same that mine did for me. Now go find it!!
Believe me, they are more than just one-trick ponies. I've played jazz to heavy rock with mine. I got tricked into playing and buying my first Gretsch (a cheapo Synchromatic Jet in 2002), when a friend of mine played the guitar after I blew it off (for me at the time, Gretsches were rockabilly guitars - so not my thing!), and made it sound great, intriguing me enough to buy it. From there, it lead to Electromatics, a 6120 Brian Setzer Hot Rod, and then my long time favorite - the Gretsch Country Club!
I stepped away from Gretsches for a few years (their necks seemed to be becoming thinner, and I don't like thin necks - I play classical style [thumb behind the neck], and thin necks are uncomfortable for me), but I saw a 2005 Country Club for sale at my favorite local guitar shop recently. Knowing from past experience that there can be some variation in Terada made Gretsches (ProLine Gretsches are made by Terada) neck dimensions, due to the partially hand made nature of Terada made guitars. Sure enough, the neck was slightly chunkier that the recent Gretsches I'd played (just enough for me to find the neck adequately comfortable). Clean tones - wonderfully smooth without being glassy sounding. Great breakup tones, and my ultimate test - I plugged into a Mesa Dual Rectofier, and proceeded to rage on some Tool tunes (yeah, I know, it's a hollowbody, but years of playing a Gibson Howard Roberts Fusion in a heavy rock band in the 90s, taught me how to control feedback). Yeah! Now we're talking, different but still heavy. I was luckily able to scrape up the funds to buy the guitar, and I'm once again playing Gretsch Country Clubs. Yes indeed, Gretsches are great guitars.
Timing!
When I first bought an electric guitar back in 1993, I wanted either a SG (because of picture I had always admired) or a Gretsch because I found the sound interesting. I only played a SG and the look on my face caused the seller to come up with a different guitar: a second hand Gibson Les Paul (87), which I bought because it was a Les Paul and I hadn't even considered that a possibility.
But now years later, I still have that longing for a Gretsch and am sorely tempted to get one of those new ones, the G5655TG. Your video is only extra motivation, though the Country Gentleman having a muted string switch is awesome.
I have two Gretsch guitars (I'm not a great player by any means) but I've always enjoyed them. Chris could make a wooden plank sound amazing if it had six strings. I'd love to see a Friday Fret Works where he played the cheapest guitar possible for fun. Thanks for making such great content and for making such great music Chris! Please plan a tour to the West Coast of the United States sometime in the future!