The original microKorg was my first synth. I kept it long after I outgrew it just for the vocoder, but eventually sold it in a great gear purge. I've been missing how simple and fun it was to tweak the presets beyond recognition. The more I've "upgraded" my studio, the less music I've made. I made more music when I just had a few toys like this going into some effects processors or something. Now I've got all the options in the world, every legendary synth ever made in virtual form, but I've got analysis paralysis from too many choices. I wasn't going to buy another old microKorg because of its limitations, but this update takes it to the next level! I just pre-ordered it!
It must have taken so long to make this video. I’m sure many will agree that we appreciate the lengths you go to in order to ensure we have as much of the information we need to enable us to make an informed decision as to whether or not this device is for us. Thank you 🙏 👍
You know you are a fan when you watch a video from beginning to end and you don't even care to ever buy this particular keyboard synth. LOL. I just find this formula of production addicting. It's my internal GAS engine. You have the perfect review formula. If I had unlimited sacks of money...I'd just buy everything you review. (it has to be a relevant piece of gear if you are reviewing it) Cheers buds!
Quite interesting digital synth frankly. Love the interface, well done. I’m an analog synth lover but do own digital synths that have user friendly interactive interface for immediate playability. Might be tempted to buy this one for sure. Just love the UI. Would be perfect for laying down sudden musical ideas. The band by band vocoder capability is awesome.
This is the synth I wish I could have bought 30 years ago, as it invites you to change parameters in a friendly way without overwhelming you with deeper options, those can wait for your next purchase. This synth would fit the FUN category very well.
We need a new electribe !!! I miss korgs innovative designs. This thing is great because it's battery-powered . Thank you for another great review!!!! Sorry, I went on an electribe tangent
Picked up one of these last week and slowly been fiddling around with it and learning my way around. Keep coming back to this video when I run across something basic I know I saw but forgot how to do (today it was the "lock tempo so the looper is at all useful". Thanks for such a great overview! They should pay you to produce video guides to link on their info/manual page.
Update: still missing something apparently. Started an arp, locked tempo, recorded a bar, switched to a different patch...tempo of playback changed. Guess I'm just misunderstanding how to do something here. All part of the "learning something new" fun times I guess. Doesn't change my appreciation though. Will just need to play around some more. At some point I'll just say "meh" and use my cheapo loop pedal or buy a Circuit Rhythm or something.
just received mine today, really enjoying it. great video to cover all the features. as more of a synth noob i really love the ui of the mk2. i had an og microkorg but i never gave it the time it deserved, but i think with the updated ui i'm going to spend more time with the mk2.
I have had mine for about a week now, I think Korg did a really good job, the interface and general workflow are excellent. The FX are all quite passable except for the reverbs (the spring is quite good though). It's actually quite a deep and versatile synth, highly recommend.
I think this a great beginner synth for people who are just learning or getting into hardware, or don't understand subtractive synthesis yet. All the pros complaining about such-and-such feature missing are I think missing the point. Simplicity yet flexibility is key with this one.
Have to disagree, the JDXI which is nearly 10yrs old is still infinitely better to learn synthesis on. You have more voices, 4 effect slots, 2 digital parts, a drum machine with 100s of samples and a analog mono voice.
Top notch review, really showcases every aspect of this product, which no doubt will undergo a few firmware updates. Thank you. Choices and sounds are always a personal thing, and equally looking forward to the software version, which will give us more control options with midi rotary encoders. As portable hardware it still seems to strike a good balance between usability and depth of control, especially on the move or around the couch.
Are endless encoders really so expensive? It is difficult to conceive of how an interface could cry out for them more clearly than that one. And do Teenage Engineering have some kind of a patent on shrunk-down workstations which don't squander any of the available space?
Pots are analog, encoders are digital. That means that when using encoders you probably have to put a DAC (or the opposite) somewhere in the signal to convert digital values to analog ones (or the opposite), so yes, usually a bit more expensive and complex. That also often means some kind of aliasing, depending on what you do with them (fine for integer values like Midi notes for example, a bit less for opening/closing a filter maybe - depending on the resolution of said filter). Encoders do make a lot of sense from a UX perspective though, especially when they control multiple values.
@@remka2000 But why do you need to convert the encoders to analog when this is a digital synth? And the values are already rounded to integers so there is no aliasing problem with this synth.
@@remka2000 I'd be amazed if the voltages those MicroKorg pots are dividing aren't wired directly into an ADC, so it's open to question whether they could reasonably be described as "analog", but still there's no doubt that these endless encoders, even the arguably-analog Hall effect ones, are oftentimes excessively discrete. It's intriguing how the programmable IO ports on such as the RP2040/RP2350 microcontrollers will easily be able to interpret the output of a freely-rotating (believe they're known as "tapered") potentiometer as a regular voltage-dividing pot whose effective position can be arbitrarily repositioned, as in just what we're after, so I don't suppose it'll be too long before all of this immediate/catch-up mode-setting nonsense gets itself definitively consigned to the dustbin of history.
@@remka2000 I'd be amazed if the voltages those MicroKorg pots are dividing aren't wired directly into an ADC, so it's open to question whether they could reasonably be described as "analog", but still there's no doubt that these endless encoders, even the arguably-analog Hall effect ones, are oftentimes excessively discrete. It's intriguing how the programmable IO ports on such as the RP2040/RP2350 microcontrollers will easily be able to interpret the output of a freely-rotating (believe they're known as "tapered") potentiometer as a regular voltage-dividing pot whose effective position can be arbitrarily repositioned, as in just what we're after, so I don't suppose it'll be too long before all of this immediate/catch-up mode-setting nonsense gets itself definitively consigned to the dustbin of history.
It records samples, but you can't use them as oscillators. If they'd left audio recording out all together, i wouldn't have even thought of that. With it the lack of sample synthesis feels like a tease. The thing i like most about the synth is that is looks like they wanted it to be fun to use. Its small, powerful enough, battery powered, and quirky. I could definitely see sitting around on the couch or the patio with some headphones messing around for hours. The price seems pretty reasonable too. I think they pretty much nailed it.
Uhm... Had this come out in 1989 to be the MIDI companion to my Atari ST - I'd be in heaven! But today? I really do not understand the last two models from Korg: the Neo and this one. One is literally a chopped down version of the 10yo original, and microKorg 2 seems like a forced perpetuation to the claim of the longest selling synth. I do welcome the user interface, but the 4 voices per timbre is like saying "we're going to make the same synth as 20 years ago and you are going to buy it for more". And that proprietary microphone mount - AGAIN. Korg's own modwave/wavestate are way more interesting for only 1/10th more. I think we might need to wait for Korg Berlin's new blood thinking to inject some life into Korg's synths line up. Liked the video - as always, excellent run down and a benchmark presentation. Cheers!
Questionable reverbs... Other than that it seems like a good successor. Pots instead of encoders are a major mistake, makes it a set-and-forget synth more for stage play, like the old one.
I returned it because the internal loop recorder is not synchronized with an external clock (hardware, DAW etc). Yes, also with the latest update. So if you want to jam with other hardware or the DAW and want to use the loop recorder, you should keep this in mind. The loop recorder runs only synchronously with the internal clock. Furthermore, the sound and the effects are disappointing. As far as I know, there is also no hold/latch function to hold a note (with the arp, yes, but not with the keyboard). Overall, the MK2 feels like a synth around 200-300 EUR. Btw still no answer from Korg customer service. I now have the Minifreak and there is a world of difference in terms of sound and workflow. And the effects and keys on the Minifreak are much better.
Cool little synth :) Surprised at the low voice count.. especially as it’s digital… But love how user-friendly its interface is :) Great review as always Loop’ :) 💜
This looks almost perfect - wish there was a version with the built in hidden yet very good speakers, like the Microkorg S. I need a pickup and play synth to leave around the house. Microkorg S knob parameter matrix is too confusing for newbies. This would be perfect, sadly no speakers :(
I've an original microKorg 1, and I've a few songs made with it. and already did a bit of tweeking on some of the original presets for these compositions. My question is, Will i be able to get the sound I have on microkorg 1 working on micokorg 2???
Why not simply control the MK 1 via midi and run the audio into the audio in of the MK 2? I'm sure the modulators and wave shapes will apply to the incoming signal.
Why not simply control the MK 1 via midi and run the audio into the audio in of the MK 2? I'm sure the modulators and wave shapes will apply to the incoming signal.
@@jeredalmeida1880 thats a nice ideia to explore in the studio, but for the sake of keeping my live setup as simple as possible, and not wanting to carry 2 keyboards around, it would be nice to get some of the sounds of the MK1 on the MK2.
Awesome review! This synth begs for a firmware update to add a bunch more features and eliminate the current silly limitations. Hope Korg don't sleep on it as now I'd say this synth is at most 75% ready for market. Oh, and for the love of everything, offer real wooden sides as an option.
I've also been scratching my head over this phenomenon for many years now. For instance, I have a korg kronos with a silly little Intel Atom chip from around 2008 or something. Yet it can do about 200 voices of polyphony depending on sound engine. Plus heaps of effects, while also running the sequencer and handling the OS and touch screen IO etc, etc. I don't get it.
I understand the reaction but what you’re missing is the difference in processing. If you study a bit how audio processing works, and you compare what was done then and now, you’ll understand that giving more than 8 voices would skyrocket the price or lower the audio processing quality.
This isn't a synth that I need at all, but it looks fantastic. If my niblings catch the synth bug from me I'd totally pick one of these up for them to play with/learn on. I'd also happily grab one for myself if my Ultranova ever bites the dust (knock on wood).
@@loopop Can’t wait! seems like there’s no audio live looping (from that audio input on the back) at the moment, would be amazing to know if that’s on their roadmap
@@loopop Excellent, been wondering what was up with that. Lots in the pipeline I'm sure! In any case, you know you're the best reviewer out there when you don't have be be first because everyone's just waiting for your review anyway!
They must have one, because some of their new releases are really good-looking (opsix SE), just not all of them get the good design treatment it seems.
Hello, please tell me how to deal with the display problem if not all the letters light up during loading and also some indicators are visible only in blue?
Thanks so much for the review, very enlightning 1. I got a question about the sounds of the 3 Inst Pianos and Organs, which ones does it resembles? 2. which program do you use as oscilloscope and harmonics visualizer?
1. Not sure what you mean - but just look for videos playing its presets and judge whether you like the sound or not 2. I use MOscilloscope and MAnalyzer by a company called Melda - they’re free with some limitations in the MFreeFXBundle. Occasionally I’ll use scopes by VCV
Thanks for another great review! You made some really great points in the cons section. I think a software update could address most of them. these. Korg should certainly take them into account. At the least it’d be nice to see one for your suggestion at 35:41. I have never been a fan of the jump style. In all, I love it for what it is. Good to see Korg and Roland getting over the hump with this thumb drive sized screens business? 😅
Seems really well thought out synth, and very excited about the Trophies! Very likely I'll get one. Maybe it's just the video but some of the patch names are hard to read with white text against light and bright colors..
I have a question about the arp - on the original micro korg you could turn on latch in chord trigger mode and if the gate time was 100% the chord would sustain infinitely with no retrigger. I loved it for making drone music. It looks like the gate time might work a bit differently on this, do you know if it's still possible?
Sounds good I just can't get with that tiny Fisher Price keybed, but I'm still glad these exist for those that enjoy them. More than a few times I've had to fly to a gig with a provided backline and I get stuck with the og microkorg. The mic that comes with it picks up all the stage sound (I'm guessing it's omni-directional) and routes it through the vocoder too so that's super fun! 😵💫
It will inevitably get an episode, but that's not a marker of whether or not this is actually bad. For what it's worth I think this looks like one of the few decent Korg products of recent years
@@e-conrecords4665 fingers crossed this is something that can be added in a future update. BoBeats tried to play both timbres independent with the help of a Circuit Tracks and encountered some strange bugs. So I suspect that this could potentially be a feature that they need to let cook a bit longer before they release it. They are already later to release then projected when they first showed it off.. so there might have been more struggles with getting the software ready then they anticipated.
@@loopop well, not more than 3x, at least not in my country. Microkorg 2 (standard ed.): 599€ (699€ special ed.) Roland jupiter xm: 1439€ (more or less half the price in the used market)
It would be interesting to know how this competes with the microKORG XL+, which is more expensive. One of the differences I did spot is the XL has a 16 band vocoder while the 2 has 8.
Another high quality review, sir. Thank you! My conclusion is that this one isn’t for me. I am happy with my hydrasynth explorer. So you saved me sone money😂
@@pcfirebeats After seeing the review in it's entirety, I see that those pots are not knob per function. I understand why they didn't use encoders though. Since they're used for wave shaping the knob needs some stopping point. I guess otherwise you'd extend past the XY axies on the waveform grid.
I’m not sure if you mentioned this. I wonder if you start a loop and max out the 43 seconds or close to it, for example 16 bars of 4/4 at 120bpm would eat up 32 seconds of memory. Now let’s say you record a first pass and then switch to a patch with 60bpm. First I’d expend the pitch to drop and octave but the length would not be 64 seconds. That latter part is what I’m curious about if it behaves that way or not.
Is it the same or better as the one KORG demo'd at NAMM? I own it, but not an expert on it. Some speculated Korg scaled it back from the original NAMM appearance.
I know this thing is pretty mediocre, but I still kinda love it, and would really enjoy having one. I enjoyed my Microkorg XL except it had a terrible interface. This fixes that very nicely, and adds a basic looper so I could easily jam out on the couch, with no other gear aside from headphones. Would be great for practicing and general messing around.
AFAIK it's in limited stock in AU/JP (some early orders have gone out and some reviews/demos are up) but not really available in EU/NA yet. Thinking of getting one as something new to play with once I can just go pick one up at the store, but I don't expect to have that option for another 2-3 months at least (NA).
I started watching his videos about 10 years ago. Then, about 2 years ago, I want to see a show, not knowing who was performing. It sounded so familiar, then I realized, nobody twists knobs like him! :)
Look at all these effects!! ... no, you can only choose 1 mod fx, 1 delay and 1 reverb. Fair enough: Compared to the MicroSampler its's a huge step forward! :D
Microkorg is interesting for the voice processing, maybe looping. When it comes for synth capabilities for ca 250 € more, you can have the modwave, 100x more synth options. (Needless to say I m happy owner of one ;-)
I quick checked the prices on Thomann, and that thing has increased from the previous version by almost 40% (US$550 from $400), and it's also more expensive than the very feature rich MiniFreak and Hydrasynth explorer ($500). Are people so GASsy they buy anything regardless of the price and features ? No way this is worth the asking price IMHO. (edited to correct the prices, I had a B-stock unit notated at $300 for the original - my point still stands)
Dont know about the hydrasynth aside from the microkorg workflow looks better. The microfreak is a garbage synth and in no way compares to even an og microkorg. Just get a cheap plaits clone if thats the sound you really want.
@@connor_flanigan That's neither here nor there. The prices I quoted are current prices, so inflation has no part in it - if that's even what you were trying to say. Furthermore, the Juno has just become a collector's item, and that on the other hand is more relevant, because unless you think of synths that way, they aren't worth what the manufacturers are asking for. Korg also isn't really a boutique company, and synths parts are nowhere near as hard to get the materials for or to manufacture as trucks. Are you going to answer with the Korg's "research and developpment cost" now ? I'm sorry if I came on as agressive, but your reply if such an example of low level consumer drool that I couldn't help it.
The final price at Canada's Long and McQuade for the original is $599.99. Microkorg2 will be selling for $779.99 when it arrives in November. Same prices at Moog Audio. Add 6 percent federal GST and provincial sales tax where applicable. Microkorg2 is more than 100 bucks cheaper than the Hydrasynth Explorer and 80 bucks cheaper than the MiniFreak.
Nice as always but can we get the Ableton Move video already? It's pretty scarce out here for those at the moment. Just a couple people having them and a lot of people who don't whining that it doesn't write songs for them.
@@loopop hah gotcha, I actually had a question I specifically wanted to see ur vid for, I wonder if it can be used as a live looper? It seems sample length is 4 min per pad and the sample gets auto assigned after recording
@@binchsoda I’ll check but I don’t think so since it doesn’t have audio tracks. You can technically sample audio and trigger it, but that’s a workaround. Let’s see, when I have it, perhaps I’ll figure out something more elegant.
This looks like it would be fun to play around with, but it would have been nice if it had a basic sampler in it, like the Volca, plus a decent sequencer. I like that it has autotune and a harmonizer. I'm probably going to hold off for now, but I may get one eventually. It does seem like it could be inspiring. I just wish that it was more of a mini workstation. Maybe Korg will be able to add some features in a future firmware, and the cons will be fixed. I own too much hardware at the moment, so space is becoming a concern, so I'm getting more and more picky. If I didn't already have a bunch of gear that's tiers above this, and I was on a budget, this would definitely be on my list. I already have the Montage M8x, so there's not many digital synths that do more than the M8x. I do like simplicity, though. Sometimes OP gear just does too much, which messes with my ADD.
I would have prefered a sequencer controlled by a touch screen rather than a very basical (not to say cheap) looper. And also a chords option to play chords with one key would have been nice.
![Victory Amps MK Clean & OD [With Martin Kidd & Lee Anderton]](/img/n.gif)
So much work to collect all the informations to get them in a logic chronology without missing anything - thank you so much!
At the first glance, microKORG 2 is ticking all the boxes.
Heh!
😂I read that hearing “that accent” 😆 Love the Bad Gear channel, and this one as well
The original microKorg was my first synth. I kept it long after I outgrew it just for the vocoder, but eventually sold it in a great gear purge. I've been missing how simple and fun it was to tweak the presets beyond recognition. The more I've "upgraded" my studio, the less music I've made. I made more music when I just had a few toys like this going into some effects processors or something. Now I've got all the options in the world, every legendary synth ever made in virtual form, but I've got analysis paralysis from too many choices. I wasn't going to buy another old microKorg because of its limitations, but this update takes it to the next level! I just pre-ordered it!
It must have taken so long to make this video. I’m sure many will agree that we appreciate the lengths you go to in order to ensure we have as much of the information we need to enable us to make an informed decision as to whether or not this device is for us. Thank you 🙏 👍
The day has come. Korg ran out of old displays they found at a microwave factory and got a real screen.
Lol
I wish my old microKorg had such a big screen! Great in-depth review, as usual! Waiting mine since January 🤯
You know you are a fan when you watch a video from beginning to end and you don't even care to ever buy this particular keyboard synth. LOL. I just find this formula of production addicting. It's my internal GAS engine. You have the perfect review formula. If I had unlimited sacks of money...I'd just buy everything you review. (it has to be a relevant piece of gear if you are reviewing it) Cheers buds!
Ive never bought a synth but these videos are also such good learning material as well
@@calebbilti538dude, buy a synth already, you just need one…to start
@@beatgoes9171 I use soft synths like Omnisphere. it's amazing and I'd really only need to buy a hardware synth for gigging
Quite interesting digital synth frankly. Love the interface, well done. I’m an analog synth lover but do own digital synths that have user friendly interactive interface for immediate playability. Might be tempted to buy this one for sure. Just love the UI. Would be perfect for laying down sudden musical ideas. The band by band vocoder capability is awesome.
This is the synth I wish I could have bought 30 years ago, as it invites you to change parameters in a friendly way without overwhelming you with deeper options, those can wait for your next purchase. This synth would fit the FUN category very well.
Fun factor is important. Gear is meant to be enjoyed!
We need a new electribe !!! I miss korgs innovative designs. This thing is great because it's battery-powered . Thank you for another great review!!!! Sorry, I went on an electribe tangent
It was 20th anniversary of Electribe in 2024 and still nothing, that' why i realized that Electribe is erased from Korg's memory... no chance in hell
@@djkanyon sad it was special I still use it one of my favorites
@@projectswithstrangers3860 same here bro!
EMX-2 please
Wasn't the last one kind of a flop?
Picked up one of these last week and slowly been fiddling around with it and learning my way around. Keep coming back to this video when I run across something basic I know I saw but forgot how to do (today it was the "lock tempo so the looper is at all useful". Thanks for such a great overview! They should pay you to produce video guides to link on their info/manual page.
Update: still missing something apparently. Started an arp, locked tempo, recorded a bar, switched to a different patch...tempo of playback changed.
Guess I'm just misunderstanding how to do something here. All part of the "learning something new" fun times I guess.
Doesn't change my appreciation though. Will just need to play around some more. At some point I'll just say "meh" and use my cheapo loop pedal or buy a Circuit Rhythm or something.
wow 2 regionalized versions, one with aluminium and one with aluminum!!
just received mine today, really enjoying it. great video to cover all the features. as more of a synth noob i really love the ui of the mk2. i had an og microkorg but i never gave it the time it deserved, but i think with the updated ui i'm going to spend more time with the mk2.
You are the absolute best at doing these reviews. Unbelievable. Thank you.
Hours i’ve watched synth reviews on youtube: 58483
Hours i’ve spent on learning music theory: 0
Hours i’ve spent on new synths manual: 0,5
They need to make a microsampler 2
I have had mine for about a week now, I think Korg did a really good job, the interface and general workflow are excellent. The FX are all quite passable except for the reverbs (the spring is quite good though). It's actually quite a deep and versatile synth, highly recommend.
agree and having a quality dedicated reverb like Eventide or Strymon is the way to go.
SCREEN is gorgeous
Yes Roland.
Love the screen!
Finally something colourful
I think this a great beginner synth for people who are just learning or getting into hardware, or don't understand subtractive synthesis yet. All the pros complaining about such-and-such feature missing are I think missing the point. Simplicity yet flexibility is key with this one.
Have to disagree, the JDXI which is nearly 10yrs old is still infinitely better to learn synthesis on. You have more voices, 4 effect slots, 2 digital parts, a drum machine with 100s of samples and a analog mono voice.
@@mickhealey5848 None of this really helps more with learning synthesis
I hope you are well,
Superb synth and production.
Top notch review, really showcases every aspect of this product, which no doubt will undergo a few firmware updates. Thank you.
Choices and sounds are always a personal thing, and equally looking forward to the software version, which will give us more control options with midi rotary encoders.
As portable hardware it still seems to strike a good balance between usability and depth of control, especially on the move or around the couch.
You think they'll make a plugin version of this one?
@Andrew-K they did release the software version of the previous generation. Let's see!
@@nordengine yeah. I have a feeling they’ll wait on this one.
This synth sounds amazing! Thanks for your ongoing effort Loopop!
Never been this early so hopefully you see this - thanks for what you do man!
Are endless encoders really so expensive? It is difficult to conceive of how an interface could cry out for them more clearly than that one. And do Teenage Engineering have some kind of a patent on shrunk-down workstations which don't squander any of the available space?
Pots are analog, encoders are digital. That means that when using encoders you probably have to put a DAC (or the opposite) somewhere in the signal to convert digital values to analog ones (or the opposite), so yes, usually a bit more expensive and complex. That also often means some kind of aliasing, depending on what you do with them (fine for integer values like Midi notes for example, a bit less for opening/closing a filter maybe - depending on the resolution of said filter).
Encoders do make a lot of sense from a UX perspective though, especially when they control multiple values.
@@remka2000 But why do you need to convert the encoders to analog when this is a digital synth? And the values are already rounded to integers so there is no aliasing problem with this synth.
@@remka2000 I'd be amazed if the voltages those MicroKorg pots are dividing aren't wired directly into an ADC, so it's open to question whether they could reasonably be described as "analog", but still there's no doubt that these endless encoders, even the arguably-analog Hall effect ones, are oftentimes excessively discrete. It's intriguing how the programmable IO ports on such as the RP2040/RP2350 microcontrollers will easily be able to interpret the output of a freely-rotating (believe they're known as "tapered") potentiometer as a regular voltage-dividing pot whose effective position can be arbitrarily repositioned, as in just what we're after, so I don't suppose it'll be too long before all of this immediate/catch-up mode-setting nonsense gets itself definitively consigned to the dustbin of history.
@@remka2000 I'd be amazed if the voltages those MicroKorg pots are dividing aren't wired directly into an ADC, so it's open to question whether they could reasonably be described as "analog", but still there's no doubt that these endless encoders, even the arguably-analog Hall effect ones, are oftentimes excessively discrete. It's intriguing how the programmable IO ports on such as the RP2040/RP2350 microcontrollers will easily be able to interpret the output of a freely-rotating (believe they're known as "tapered") potentiometer as a regular voltage-dividing pot whose effective position can be arbitrarily repositioned, as in just what we're after, so I don't suppose it'll be too long before all of this immediate/catch-up mode-setting nonsense gets itself definitively consigned to the dustbin of history.
The microKorg gained popularity for use on stage and performers usually prefer pots.
Search for Dorian Concept old microKorg videos. This is why :)
I prefer the old model, but this one has some definite advantages.
Thanks for this perfect video as usual.
i’m stoked and can’t believe ppl are bitching about “only 8 voices” as if countless hits weren’t produced on its predecessor of only 4 voices
Indeed. We can do so much with 8.
Since it's digital, it's a strange decision, most '90s digital synths have more voices.
It records samples, but you can't use them as oscillators. If they'd left audio recording out all together, i wouldn't have even thought of that. With it the lack of sample synthesis feels like a tease. The thing i like most about the synth is that is looks like they wanted it to be fun to use. Its small, powerful enough, battery powered, and quirky. I could definitely see sitting around on the couch or the patio with some headphones messing around for hours. The price seems pretty reasonable too. I think they pretty much nailed it.
Pity about the looks... that a part of the appeal with the first one (loved the retro wooden sides on Mk1).
Same! This is one ugly device
Uhm... Had this come out in 1989 to be the MIDI companion to my Atari ST - I'd be in heaven! But today? I really do not understand the last two models from Korg: the Neo and this one. One is literally a chopped down version of the 10yo original, and microKorg 2 seems like a forced perpetuation to the claim of the longest selling synth.
I do welcome the user interface, but the 4 voices per timbre is like saying "we're going to make the same synth as 20 years ago and you are going to buy it for more". And that proprietary microphone mount - AGAIN.
Korg's own modwave/wavestate are way more interesting for only 1/10th more. I think we might need to wait for Korg Berlin's new blood thinking to inject some life into Korg's synths line up.
Liked the video - as always, excellent run down and a benchmark presentation. Cheers!
1989?🤪
Questionable reverbs... Other than that it seems like a good successor. Pots instead of encoders are a major mistake, makes it a set-and-forget synth more for stage play, like the old one.
na, dont like encoders, they also go bad faster
Oh, so Korg just remade the Alesis Micron but put a screen and a couple more knobs on it. Neat. :)
ticking all the boxes including obligatory fart noise with smooth LFO. looks awesome!
voice to midi, thats cool! hopefully looper gets some updates.. Solid sounds, as usual from Korg
I returned it because the internal loop recorder is not synchronized with an external clock (hardware, DAW etc). Yes, also with the latest update. So if you want to jam with other hardware or the DAW and want to use the loop recorder, you should keep this in mind. The loop recorder runs only synchronously with the internal clock. Furthermore, the sound and the effects are disappointing. As far as I know, there is also no hold/latch function to hold a note (with the arp, yes, but not with the keyboard). Overall, the MK2 feels like a synth around 200-300 EUR. Btw still no answer from Korg customer service. I now have the Minifreak and there is a world of difference in terms of sound and workflow. And the effects and keys on the Minifreak are much better.
Sweet! Flarking and florbing big time!
Cool little synth :)
Surprised at the low voice count.. especially as it’s digital…
But love how user-friendly its interface is :)
Great review as always Loop’ :)
💜
This looks almost perfect - wish there was a version with the built in hidden yet very good speakers, like the Microkorg S. I need a pickup and play synth to leave around the house. Microkorg S knob parameter matrix is too confusing for newbies. This would be perfect, sadly no speakers :(
Sounds like a Todd Rundgren intro. Very nice review!
I've an original microKorg 1, and I've a few songs made with it. and already did a bit of tweeking on some of the original presets for these compositions. My question is, Will i be able to get the sound I have on microkorg 1 working on micokorg 2???
Why not simply control the MK 1 via midi and run the audio into the audio in of the MK 2? I'm sure the modulators and wave shapes will apply to the incoming signal.
Why not simply control the MK 1 via midi and run the audio into the audio in of the MK 2? I'm sure the modulators and wave shapes will apply to the incoming signal.
@@jeredalmeida1880 thats a nice ideia to explore in the studio, but for the sake of keeping my live setup as simple as possible, and not wanting to carry 2 keyboards around, it would be nice to get some of the sounds of the MK1 on the MK2.
@@DidgIvoHopefully they come out with a tabletop module version.
Awesome review!
This synth begs for a firmware update to add a bunch more features and eliminate the current silly limitations. Hope Korg don't sleep on it as now I'd say this synth is at most 75% ready for market. Oh, and for the love of everything, offer real wooden sides as an option.
8 digital voices...? is it 1989? in the year 2000, Novation made a synth with 48 digital voices. We are not moving forwards, we are moving sideways.
You need a 1 voice to make a hit record. Problem is with your skills, not a synth.
I've also been scratching my head over this phenomenon for many years now. For instance, I have a korg kronos with a silly little Intel Atom chip from around 2008 or something. Yet it can do about 200 voices of polyphony depending on sound engine. Plus heaps of effects, while also running the sequencer and handling the OS and touch screen IO etc, etc. I don't get it.
They are purposefully limiting their gear to make you buy more stuff.
I understand the reaction but what you’re missing is the difference in processing.
If you study a bit how audio processing works, and you compare what was done then and now, you’ll understand that giving more than 8 voices would skyrocket the price or lower the audio processing quality.
I hardly ever use more than 4 voices, 8 is way more than i will ever need
Yeah the decision to go with pots instead of encoders seems baffling :/
Search for Dorian Concept videos of the MicroKorg. This is why
"Fooling around on Micro Korg #2" is a good example
Where is the setting to keep the loop speed the same when changing patches? I didn’t see it in global, loop A or B settings.
@@dspmusik81 long press on tempo
@@loopop thanks!
Do you guys think that there will be a S Version with internal Speakers?
This isn't a synth that I need at all, but it looks fantastic. If my niblings catch the synth bug from me I'd totally pick one of these up for them to play with/learn on. I'd also happily grab one for myself if my Ultranova ever bites the dust (knock on wood).
Thank you!! Is the Ableton Move review coming?
Yes, it's on its way
@@loopop Can’t wait! seems like there’s no audio live looping (from that audio input on the back) at the moment, would be amazing to know if that’s on their roadmap
@@loopop Excellent, been wondering what was up with that. Lots in the pipeline I'm sure! In any case, you know you're the best reviewer out there when you don't have be be first because everyone's just waiting for your review anyway!
Finally! Been waiting for this video!
What a great presentation indeed. thanks
37:17 what's that device top center, MMMMMMM WWWWWW on the mod/pitch strips?
Hydrasynth
@@loopop ah not that one, the one above/right of it (thanks though, and now i see the word arturia on it that i'd missed)
@dontnormally minifreak
Korg needs a manufacturing designer :)
What ?
I'm guessing you're referring to yourself? Send them your design / re-design ideas
I like this design!
I don't like the look
They must have one, because some of their new releases are really good-looking (opsix SE), just not all of them get the good design treatment it seems.
0:20 Hey, that's one of my go-to chord progressions! Did you come up with that for this video, or was it one of your jam standards?
It's just two notes I played that sounded nice
@@loopop Was the poly-chord under each key part of the patch?
@@thirstyCactusyes
Hello, please tell me how to deal with the display problem if not all the letters light up during loading and also some indicators are visible only in blue?
@@armenchobanian3975 I have no idea, please contact customer support
Nice sound, GUI wise I'm more into minimalistic displays like the MiniFreak, Torso S-4, etc.
Thanks so much for the review, very enlightning
1. I got a question about the sounds of the 3 Inst Pianos and Organs, which ones does it resembles?
2. which program do you use as oscilloscope and harmonics visualizer?
1. Not sure what you mean - but just look for videos playing its presets and judge whether you like the sound or not
2. I use MOscilloscope and MAnalyzer by a company called Melda - they’re free with some limitations in the MFreeFXBundle. Occasionally I’ll use scopes by VCV
Thanks for another great review! You made some really great points in the cons section. I think a software update could address most of them. these. Korg should certainly take them into account. At the least it’d be nice to see one for your suggestion at 35:41. I have never been a fan of the jump style. In all, I love it for what it is. Good to see Korg and Roland getting over the hump with this thumb drive sized screens business? 😅
Seems really well thought out synth, and very excited about the Trophies! Very likely I'll get one.
Maybe it's just the video but some of the patch names are hard to read with white text against light and bright colors..
Yes, it’s just the video, the pixels of the camera clash with the screen, it’s very easy to read in real life
I have a question about the arp - on the original micro korg you could turn on latch in chord trigger mode and if the gate time was 100% the chord would sustain infinitely with no retrigger. I loved it for making drone music. It looks like the gate time might work a bit differently on this, do you know if it's still possible?
Sounds good I just can't get with that tiny Fisher Price keybed, but I'm still glad these exist for those that enjoy them. More than a few times I've had to fly to a gig with a provided backline and I get stuck with the og microkorg. The mic that comes with it picks up all the stage sound (I'm guessing it's omni-directional) and routes it through the vocoder too so that's super fun! 😵💫
you can plug different mics into both thay and this new one to avoid that...but the one that comes with um is junk
great little synth!!! really a shame you can't save or export loops really! usb power audio audio over usb would have be top notch
"By your command... Sparky!"
Seems like it’s destined to go straight to Bad Gear
Which means it's good
@@perspecsmusic it honestly sounds pretty good.
It will inevitably get an episode, but that's not a marker of whether or not this is actually bad. For what it's worth I think this looks like one of the few decent Korg products of recent years
Probably at the end of the month for taking advantage of the vocoder and give Klangfarbe time to stock it.
Everything goes on bad gear, if people are talking about it.
Maybe I missed something, but I'm curious what button function replaced the A/B sides for the program select?
There are now 4 banks instead of just two - they're right there under the selection knob
@@loopop controlled by the bank button?
@@punishedsquid2397yes
Only layering & no splits is a deal breaker. What a wasted opportunity. *sigh*
Imagine they could do it in an update
You can set a unique Midi channel for timbre 2, so while you cant do splits on the synth it self, you can with an external midi controller.
@@elecblush yeah which makes it even more ridiculous.
@@e-conrecords4665 fingers crossed this is something that can be added in a future update.
BoBeats tried to play both timbres independent with the help of a Circuit Tracks and encountered some strange bugs.
So I suspect that this could potentially be a feature that they need to let cook a bit longer before they release it. They are already later to release then projected when they first showed it off.. so there might have been more struggles with getting the software ready then they anticipated.
Well, the roland jupiter xm is definitely on another level.
TBH it costs also twice the price...
more than 3x actually
@@loopop well, not more than 3x, at least not in my country.
Microkorg 2 (standard ed.): 599€ (699€ special ed.)
Roland jupiter xm: 1439€ (more or less half the price in the used market)
@@GreenHoleSun a used MK2 will be cheaper too in a few months. In Sweetwater it's $499 for the MK2 ($599 special edition) and $1699 (!) for the Xm
@@loopop btw, thank you for the professiona (as usual) review
And are the Lfos also up to 100 Hz like in the first Microkorg?
I don't know how to measure, but if you can hear it, I crank up the LFO in the LFOs section. Perhaps it's in the specs I didn't check
It would be interesting to know how this competes with the microKORG XL+, which is more expensive. One of the differences I did spot is the XL has a 16 band vocoder while the 2 has 8.
I've actually never tried the XL+! This has a 16 band vocoder as well though.
thi k u r thinking of the OG ML had 8 band
Another high quality review, sir. Thank you!
My conclusion is that this one isn’t for me. I am happy with my hydrasynth explorer.
So you saved me sone money😂
Why not use endeless encoders?
And 8 voices in a digital synth???
It is a shame to make such a nice engine and just 8-voice poly... So sad
Knob for function is far superior for parameter control and mod matrix. Endless encoders are only good for menu diving and fast scrolling
@@jeredalmeida1880 but this one have a knob per function? If so, I agree, otherwise I do prefer endless encoders.
@@pcfirebeats After seeing the review in it's entirety, I see that those pots are not knob per function. I understand why they didn't use encoders though. Since they're used for wave shaping the knob needs some stopping point. I guess otherwise you'd extend past the XY axies on the waveform grid.
@@jeredalmeida1880 couldn't they just stop the wave shaping using software? If so I would prefer endeless knobs.
I’m not sure if you mentioned this. I wonder if you start a loop and max out the 43 seconds or close to it, for example 16 bars of 4/4 at 120bpm would eat up 32 seconds of memory. Now let’s say you record a first pass and then switch to a patch with 60bpm. First I’d expend the pitch to drop and octave but the length would not be 64 seconds. That latter part is what I’m curious about if it behaves that way or not.
The maximum you can set it to is 8 bars, and max 6 if you're at full quality stereo
@@loopop thanks for the response!
Is it the same or better as the one KORG demo'd at NAMM? I own it, but not an expert on it. Some speculated Korg scaled it back from the original NAMM appearance.
I think anything has been scaled back, however, I don't have the factory build of the "regular" color model, this is the limited edition
I would like to know, if the Microkorg 2 can send midi clock data so that the built in looper can function as a master clock?
Wish Elektron would upgrade their screens to something like this.
IDK, the Elektron screens, especially the old yellow ones, have a certain charm/logic/simplicity to them and are easy on the eyes.
I know this thing is pretty mediocre, but I still kinda love it, and would really enjoy having one. I enjoyed my Microkorg XL except it had a terrible interface. This fixes that very nicely, and adds a basic looper so I could easily jam out on the couch, with no other gear aside from headphones. Would be great for practicing and general messing around.
Love the display on the MK2. Bummer that it's only 8 voices.
How do you register and save favorites ?
I still use my MicroStation often.
looks like editing patches will be much easier
Wait did it finaly go for sale?
AFAIK it's in limited stock in AU/JP (some early orders have gone out and some reviews/demos are up) but not really available in EU/NA yet. Thinking of getting one as something new to play with once I can just go pick one up at the store, but I don't expect to have that option for another 2-3 months at least (NA).
In Canada it will apparently be available sometime in November.
Would you say it's the better Option and desicion than a Arturia Microfreak? Because the Vocoder too? What would you say?
It's hard to summarize all the differences in a comment response... they're quite unalike in many ways
@@loopop ok thanks :-)
Seems built for Dorian Concept. Hope to see something from him with this.
I started watching his videos about 10 years ago. Then, about 2 years ago, I want to see a show, not knowing who was performing. It sounded so familiar, then I realized, nobody twists knobs like him! :)
@@xfghffhfg Where on earth was this? I've been trying to get to see a show with him forever, but he only ever seems to play europe.
The first looped jam at the end gave me the vibes of playing an RPG in 2002. 😊
its like the music for the dungeons.
Why couldn't the multipoly have this screen.
Understatement
Look at all these effects!! ... no, you can only choose 1 mod fx, 1 delay and 1 reverb. Fair enough: Compared to the MicroSampler its's a huge step forward! :D
🤔 So sorry I'm way off topic. Didn't know where else to post this... Loopop, will u be doing an in-depth clip on Ableton Move? Anxiously awaiting!
No worries, yes I will - it only arrived a few days ago and I've got two other big videos coming next week; it will likely be right after that!
@@loopop 🤓 Thanks so much! Looking forward to it!
The built-in looper is a great idea, but those reverbs are not my cup of tea.
Microkorg is interesting for the voice processing, maybe looping. When it comes for synth capabilities for ca 250 € more, you can have the modwave, 100x more synth options. (Needless to say I m happy owner of one ;-)
Its value lies in being portable and stage-ready. Whoever looking for the best value for synthesis can download a free VST! :)
At 2:55 is "FM" really mean phase modulation !? 😂
No I didn't think so 😮
yes, DX7 also - really phase modulation, not FM
@loopop so real FM is like Casio CZ series right?
I quick checked the prices on Thomann, and that thing has increased from the previous version by almost 40% (US$550 from $400), and it's also more expensive than the very feature rich MiniFreak and Hydrasynth explorer ($500). Are people so GASsy they buy anything regardless of the price and features ? No way this is worth the asking price IMHO.
(edited to correct the prices, I had a B-stock unit notated at $300 for the original - my point still stands)
in 2002 I was buying new trucks for $15,000 and juno 60s for $300.
Dont know about the hydrasynth aside from the microkorg workflow looks better. The microfreak is a garbage synth and in no way compares to even an og microkorg. Just get a cheap plaits clone if thats the sound you really want.
@@connor_flanigan That's neither here nor there. The prices I quoted are current prices, so inflation has no part in it - if that's even what you were trying to say. Furthermore, the Juno has just become a collector's item, and that on the other hand is more relevant, because unless you think of synths that way, they aren't worth what the manufacturers are asking for. Korg also isn't really a boutique company, and synths parts are nowhere near as hard to get the materials for or to manufacture as trucks. Are you going to answer with the Korg's "research and developpment cost" now ? I'm sorry if I came on as agressive, but your reply if such an example of low level consumer drool that I couldn't help it.
@@IvoryStrings the microkorg is currently $430. where are you getting $300 from?
The final price at Canada's Long and McQuade for the original is $599.99. Microkorg2 will be selling for $779.99 when it arrives in November. Same prices at Moog Audio. Add 6 percent federal GST and provincial sales tax where applicable. Microkorg2 is more than 100 bucks cheaper than the Hydrasynth Explorer and 80 bucks cheaper than the MiniFreak.
Thanks for the review! There aren't many on this synth for some reason.
did I miss a section on Unison?
yes, it's in the voice section towards the end
Nice as always but can we get the Ableton Move video already? It's pretty scarce out here for those at the moment. Just a couple people having them and a lot of people who don't whining that it doesn't write songs for them.
@@RobotSnake I patiently await UPS… no early access, unfortunately
I'm going to be there for the comment section. The stuff is a troll fuel so it's going to be interesting,
Will it respond to aftertouch over MIDI?
Cool as always, is an Ableton Move review coming up? :3
Yes, but it's still on the way with UPS
@@loopop hah gotcha, I actually had a question I specifically wanted to see ur vid for, I wonder if it can be used as a live looper? It seems sample length is 4 min per pad and the sample gets auto assigned after recording
@@binchsoda I’ll check but I don’t think so since it doesn’t have audio tracks. You can technically sample audio and trigger it, but that’s a workaround. Let’s see, when I have it, perhaps I’ll figure out something more elegant.
@@loopop Makes sense, thanks!
I guess you Can’t upload OG ‘s MK presets ?… thanks for sharing, great review!
My pleasure, and no, not that I know
This or Hydrasynth explorer?
Check out the pros and cons section
Thank you 🙏
What about shepard tones? The MicroKorg 1 seems to have the possibility to generate shepard tones.
I didn't try but if the MK1 can do it, the MK2 can
inching towards a release date then?
so I'm told
already out
This looks like it would be fun to play around with, but it would have been nice if it had a basic sampler in it, like the Volca, plus a decent sequencer. I like that it has autotune and a harmonizer. I'm probably going to hold off for now, but I may get one eventually. It does seem like it could be inspiring. I just wish that it was more of a mini workstation. Maybe Korg will be able to add some features in a future firmware, and the cons will be fixed. I own too much hardware at the moment, so space is becoming a concern, so I'm getting more and more picky. If I didn't already have a bunch of gear that's tiers above this, and I was on a budget, this would definitely be on my list. I already have the Montage M8x, so there's not many digital synths that do more than the M8x. I do like simplicity, though. Sometimes OP gear just does too much, which messes with my ADD.
I would have prefered a sequencer controlled by a touch screen rather than a very basical (not to say cheap) looper. And also a chords option to play chords with one key would have been nice.
A touch screen isn’t ideal for performance on stage so they would never consider that