I bought one last month (July 22) for on-location interviews for my podcast. I use it with an ENG dynamic mic or Rode Wireless Go. I'm really impressed by the versatility and sound quality. It's the perfect partner for my Rodecaster. Thanks for the video.
Hi Curtis. Just clicked "purchase" on this recorder AND the Deity S-mic 2. I made sure I came back and went through your links so you'd get a well-earned affiliate commission. Thanks, brother. I appreciate your thorough reviews. And, thanks you, the audio quality in the world just got a tiny bit better. :-)
Thank you for this and other videos. I bought this unit after failing to get clean sound in my DSLR. This is actually easy to use and set up at a basic level, and I'm sure as I delve into sound I'll make more use of the features. Absolutely clean and crisp audio now, with the tone at the start and tail making syncing with the in-camera recording a breeze. I've subscribed as I'm sure the wealth of information you offer will be very useful. You are probably the best and most informative youtube reviewers. I just wonder who downvotes a video like this! None so weird as folk!
I'm an audio recording enthusiast , and I find the low noise preamps to be a whole lot cleaner, in fact I stereo record with a pair of rode m5 microphones on acoustic guitar and it is phenomenal
May I ask what did you like with the Dr70d in particular? I was leaning on the Dr60d mkii for the channel monitoring and the price. I was thinking if there was something with the dr70d that was worth choosing it over the Dr60d mkii and shelling out 100dollars more. Thanks
I like the form factor of the 70D a little better than the 60DmkII which is a bit more brick-like. In terms of audio quality they are essentially identical. I do like that the fact that the 60DmkII has more physical controls (e.g., phantom power switch on the 60DmkII vs having to go into the menu on the 70D). In short, they're both great and if you're ok with the shape of the 60D, it is a great option (I have the original and the mkII)
I purchased the DR 60D Mark II when my DR 40 died. The external battery pack which I bought for the DR 40 works with the DR 60 and it attaches the same way. This is an inexpensive unit but the quality of the audio is fine for the way I use it. I have no issues operating this unit, but I don’t use this to its full potential. I basically use this to record the audio from the house mix from the theatre or the club’s audio system. I also record audio with mics on stage with a DR 44 WR in addition I record audio with shotguns on the cameras (scratch audio and backup). This recorder is a really good value in my view. Gerry in Calgary.
This is something im looking into. Hopefully you're still active on youtube and see this. Has your DR 60D Mkii lasted over the years? Ever get xlr cables stuck? My mind is preventing me from buying it based on reviews I'm reading.
@@hybridmajik Yes, I'm still using the DR60. It is very reliable. Now I power it with a USB battery and if it is ever disconnected the internal batteries will take over seemlessly. My XLRs have never got stuck.
@GeraldPost, I've been considering how I can record audio into my DR60mkII from a house mix, say, for a theatrical production. Would you mind sharing how you integrate yours into a house mix for your events, please?
@@HumbledIAm I bring along two 4’ XLR cables. I ask the audio engineer to hook them up (I can do it, but they don’t want strangers messing with their board) and send ma a line level signal. Then I get him/her to play some of the program material at would be about the highest level, then I set the Tascam levels. Then I format the 32 GB card and start the recording. I also hook up a USB power source. In addition to the Tascam, I have a SoundDevices MixPre 3 with a Rode NT4 which I place on the stage. Each camera also has a shotgun microphone. This provides me with audio for syncing and back up audio. Redundancy is your friend.
Thanks for the review! I found the noise floor comparison especially useful hands-on information. Been very pleased using a TASCAM US-366 for my in-studio recording, so I'm glad to hear their field solutions are similarly up to snuff.
For battery packs, I use cell phone holders and mount them on the tripod. An example is the Newppon Rotatable Running Phone Armband, which works with various sizes and the armband is Velcro.
As u are really the best reviewer i watch on TH-cam (in my opinion), I recommend that you review the Rode NT USB microphone... i just got one and for the price and being a usb mic you can't imagine how good the sound quality is. Good luck with all your videos.
The portion mainly i did not understand was about the audio get record is it necessary to sync everytime or it can get record directly to the footage of camera? and which microphone is better to record Rode or any condenser mic will do?
Hi, yes you can do it either way. The 60DmkII has a 3.5mm output to feed the audio to camera. You would just connect this to your camera using a male to male 3.5mm TRS cable (standard stereo cable). Which mic is best depends on a lot of factors. Which types of microphones are you considering? More importantly, what types of video will you be shooting?
The crazy part is I'm stumbling on this video in 2022. Wonder how it stacks up now, especially considering Tascam hasn't updated the DR60 for the past, nearly, 8 years.
I just bought the Tascam dr-60d together with a rode ntg3 mic, i wanted to ask which is better, to record to the tascam or to connect it to my Nikon D5100, and which output to connect the high or the low? thanks in advance 😊
+محمد الناظر Best in terms of audio quality or best in terms of convenience? For audio quality, I would record to the Tascam and then sync the audio to the video in editing. The Tascam's audio is significantly better (in my opinion) than what you'd get from the Nikon even using the Tascam as a preamplifier. If your question is about convenience and not having to sync in post, then I'd use the high line-level output from the Tascam to feed to the Nikon and reduce the mic input level on the Nikon to the lowest setting (but not turned off). Best wishes!
Yes! Received my Diety S Mic-2 and this DR-60mkII. They sound really great. Thank you!!! Super-detailed question. Would you recommend I (1) set my gain to low and just ease up the potentiometer to get the best signal level and quality OR should I (2) set the gain on mid and ease the potentiometer down? Does it matter or is the channel potentiometer just another way to boost or reduce gain incrementally? It's for talking head TH-cam videos, btw. Thank you, again, for all of your help.
Hi Alex, glad to hear they're working out well! I generally find myself set to mid gain and adjust the potentiometer from there to dial in the peaks to -18-ish. You can do it either way you outlined. Happy recording!
Thanks, Judd for putting this video out. You have helped me make my buying decision. Was going to purchase the Sound Devices Mixpre3 but now going to purchase the Tascam. You have also saved me a pretty penny. Keep up the fantastic work. Much appreciated. Cheers Andy :)
Just picked one up.. yes, years late, but it seems to hold up well. Looking forward to adding to my value-based kit. Great coverage as always in CJ videos.
Hopefully you still see comments on old videos. I'm new to the audio world and looking for an external preamp for my sony a6400. Do you still use this? Or is this still a competitive recorder for the price point and style (tripod shooting)? If not, what you recommend for the $200-300 range? Also, can I ask the following: 1) How much better is the built in recorder vs letting the line-out go back into the camera for in-camera syncing? 2) If the mic I'm using supports it, should I use the XLR input or the 3.5mm input? Ex. the Deity d3 pro is the 3.5mm, but you can pay extra for an XLR adapter? Thanks for the great reviews. Cheers!
Hi hdmjk, I still have this but I have much nicer recorders which I mainly use these days. For the $200 price, this is still my first pick, certainly over the Zoom H4n and its variants. The built in recorder is better to slightly better than most cameras. It depends largely on the camera. I don't have direct experience with the a6400 so I cannot say for it, but it is probably fine for most purposes. The 3.5mm input on the Tascam is not that great - plenty of self-noise. If you're using a 3.5mm mic, I'd just go straight to camera. But if you're using an XLR output mic, that's where the DR-60DmkII shines.
***** That is the Fhugen Honu 2.0 cage for Panasonic GH4. I reviewed it here: th-cam.com/video/Gv6lVgf0uXM/w-d-xo.html I will confess that I have replaced it with another cage that I prefer: The Varavon Armor II cage which I reviewed here: th-cam.com/video/mZqORPLjaEg/w-d-xo.html The articulating arm is a Kamerar Tough 7" arm: amzn.to/1KtHYtZ
Hey Zack, that's a camera cage. My favorite is the Zeus Uni cage because it adapts to most DSLR and mirrorless cameras whereas in the past you had to find a cage for your specific camera model. Here's a review we did of the Zeus Uni: th-cam.com/video/cAwCMkiiKd0/w-d-xo.html
Hi Curtis, thanks for this tutorial, i have a very similar setup with the ninja but i am always getting crazy to put all things together can you tell me how it is call the rack you use to mount all 3 things together (min 11:20) thanks a lot
Hi, that is a camera cage. My favorite is the Varavon Zeus Uni cage because it can fit most mirrorless and DSLR cameras. Here's a review of it: th-cam.com/video/cAwCMkiiKd0/w-d-xo.html
I always like how calmly you present your subject; very comfortable to listen to and to concentrate on important details with the slow pace editing. I would have you as my mentor. :-)
Hi Curtis, I got this a while back and it was working great! But more recently it started to have buzzing noise. It is quiet but enough to ruin the sound. Did you ever experience something like this? If you could give us some advice that would be good. If it is just dying, would you recommend similar device for recording? I am usinng it for a phantom powered mic in our studio.
Do you think that you could go in depth of how you organized the pre-amplifiers and settings to get the audio that you have? I just received mine (Merry Christmas), and I don't know what to do with it other than stare at its glory. Thanks!
Hi JimineyBob, here's one of our Sound for Video Sessions where we talked about setting up your recorder: th-cam.com/video/RDNjQxtJSrU/w-d-xo.html I hope that helps and Merry Christmas!
Hello Curtis ! I was wondering which boom stand you use, I have the Sennheiser MKE600 + Tascam DR-60 mk2, and I can't fit them on my boom stand without a 1/4 to 5/8 adapter for the Tascam and 1/4 to 3/8 for the Sennheiser.
+MONTREALITY For my mic, I use a standard microphone stand like those that musicians use on stage: amzn.to/1S3AiEv I mount the Tascam on my camera rig using the 1/4-20 on top of the recorder. I use the Varavon Armor 2 cage: th-cam.com/video/mZqORPLjaEg/w-d-xo.html
+OMAR SHABAZZ Question first: Why are you trying to feed the audio to both cameras? I assume this is a multicam shoot where you will cut between the two cameras in post? If so, why do you need to feed audio to both cameras?
+OMAR SHABAZZ If you're going to do a multicam project, you will have to sync the two cameras together in FCP. So you can just send the audio to one camera and use that audio for the entire multicam sequence, dropping the audio from the other camera. That is a much more direct approach and will make production much easier. In fact, I would just record the audio with the Tascam and then sync the audio clip to the clips from the two cameras and not bother with sending the audio to the camera during the shoot. But you could do it to just one camera and save yourself some hassle. Best wishes!
+OMAR SHABAZZ No, unfortunately it only takes SDHC cards up to 32GB but here are two things to consider: 32GB can hold well over 4 hours of recorded audio so you'll be fine. More importantly, if you're going to do continuous takes that long (three hours), you will likely experience drift between the recorder and the cameras. This is a case where you are probably better off feeding the audio from the Tascam into one of the cameras so that it will not drift from that camera. Good luck!
Great review! My main consideration (besides budget and portability!) is that i can independently control phantom power on each input as I have a condenser mic and a ribbon mic (which could be damaged with phantom power). From my research, most recorders within my price range have an all-or-none control with the phantom power. Any insight you can provide would be greatly appreciated. I am recording a wide variety of sources so I'd like to be as flexible as possible. Thanks!
Good news! The DR60D has separate phantom power switches for each of the XLR inputs so you can power your condenser mic and keep your ribbon safe at the same time.
Very helpful, I am getting ready to get a recorder and am considering the 60Dmkii. The Tascam DR-44 also looks interesting, would you think its pre-amp/gain quality would be similar to the 60Dmkii?
Hey Rob, it looks like from the marketing info on the Tascam site that the DR-44WL does not include the newer HDDA preamps so I'm not sure you'd get the same performance there. In the specs, the input impedance is listed at 2.2k Ohms which is different than the DR-60DmkII (2k Ohms) which seems to suggest that they are different pre-amps. We'd have to get our hands on one to see what kind of difference that makes.
Thanks for this! One kinda obscure question I have about the DR60mkII - why the different gain menu settings (lo med hi hi+) as well as the adjustable gain knob? I guess what i mean is, if you set it to Med in the menu, but then crank the gain knob aren't you in "hi+" territory? What's the best practise - set the 'menu-gain' setting that gives you the lowest noise then adjust with the knobs? Apologies if this is a total newbie question.
Think of the knobs as trim or fine adjustments. You first set the gain in menu and then use the knobs to fine tune things. Ideally set the gain with the knob at its center setting as a start.
Hi curtis. I can't seem to get my lab mic to work in the channel 3-4 input. It does work when used with rodelink wireless. Is this a preamp issue? Perhaps the DR-DmkII was not intended for lav mic use. Thanks for all your great work and reviews
+Trip Honey Yes, that is the Fhugen Honu 2.0 cage for Panasonic GH4: th-cam.com/video/Gv6lVgf0uXM/w-d-xo.html Great little cage which has now been re-purposed for my Sony a6000.
Hi Curtis, thanks a lot for your videos, very helpful stuff! Could you please tell me where can I find this DSLR Rig Cage at 11:20 on this video? Do you know the brand and model? this one would be the perfect size for me.
Hi Andre, that's the Varavon cage for GH4. I actually use a different one now that fits a variety of cameras which I prefer (and I don't think they make the one in the video anymore): th-cam.com/video/cAwCMkiiKd0/w-d-xo.html
What Camera Cage do you use please. I Love your videos. I would like to know more about how to get it. Like a link on Amazon and if it is a good fit for my Canon 5d mark 3
Hi BOT STUIOZ, I use the Varavon Zeus Uni cage now. Review here: th-cam.com/video/cAwCMkiiKd0/w-d-xo.html One thing I really like about it is that it fits lots of different cameras so I don't have to buy a new cage every time I upgrade my camera. Amazon link: amzn.to/2sry2DA
@@curtisjudd I have a USB battery plugged into mine and it works great!! This thing eats batteries like a monster!! My USB battery lasts hours and hours.
Hi Curtis. I always enjoy your videos. Very informative. I am preparing for a short film and I currently have the Tascam DR-60D mk II and the Sennheiser mkh 416 shotgun mic. Will I get good quality audio with this setup or should I upgrade my audio recorder? If so what do you recommend?
Hi Staylo Studio, yes, you can definitely make quality audio with this combination. The more important thing will be having a good boom pole, shock mount, and wind protection (if shooting outdoors).
Hi Curtis, Glad to have this review online. Building my first portable rig and I purchased the dr 60mkII. A few questions though as its not here yet, is the usb input a micro or normal size? Going to buy a 90 degree adaptor for the battery pack cable. Also Im going to be using a pre amp to adjust the level on the inputs, to avoid using the stepped level dial too much. Have you attempted that?
Stuart Wilson the usb input is a mini USB (not the smallest micro and not the larger styles). I have not used a pre-amp in front of the DR-60DmkII. Which one you choose can make a big difference in the sound. Do you ride your faders a lot?
Curtis Judd Thanks for that, really appreciate it. Not a lot, but I might with this rig depending on the limiter and variety of performances for post sound recording. Ill be trying a little pulse preamp to start with, using the rig for outdoors and on the move recording.
Hi Curtis. Found the review useful, thanks. Quick question. Although I watched it on my laptop, which has fairly poor speakers, I noticed that the speech parts where you are talking directly to camera are crystal clear, however, on the some parts where you show say your rig or the close up of the tascam (for example around the 5 minute mark), I can hear a hiss. Why is this please? Thanks. Matt from the UK
Matt Smith Hi Matt, that's because I used a series of different mics for the different parts. The part with more hiss was a RODE NT5 which is not the quietest mic. I used an Audio Technica AT4053b for the talking head parts.
Hey I just subscribed and purchased the Tascam 60D-MKII based off your review. I had a quick question I just would like to know more about which microphone you are using, between this recording and the previous review of the Tascam-60D this recording appeared to have a little more bass in the recording. Thanks for the review!
Jeremiah mathers Hey! I used the RODE NT5, NT1A, and Shure SM58. Most of the talking head parts were the RODE NT5. That mic tends to be a little brighter without as much bass response so that's probably the biggest difference you're hearing. The preamps on the DR-60DmkII are not to blame for the "more natural" sound that you're hearing here. It is definitely the mic choice. In the review of the DR-60D I used the RODE NTG-2 shotgun mic which is a little more sensitive to bass. So to get that richer sound, my experience is that it will have to do more with mic choice than DR-60D vs DR-60DmkII. Thanks for the question!
Nice review. I have a concern about the Phantom Power option: is there a procedure to start using it on condenser mics? Should I connect everything before switching to this option, or can I just plug the mic and it's ready to go? I recently tried to use a AT897 shotgun on that mode with this recorder, and in the middle of the shooting the microphone went mute. It's not working anymore, and I think it got damaged because of the PP. I'm aware the mic should work properly with this mode, and also I removed the 1.5v battery before in order to prevent an overcharge. Not sure if was my mistake or just bad luck.
Hi Gabriel, as a matter of caution, I usually connect everything up before turning phantom power on but there have been occasions where I forgot to do that and have not suffered any malfunctions along the lines of what you described (including leaving a battery in my RODE NTG2 and turning on phantom power). If I had to guess, this was likely a matter of bad luck.
What is the mounting bracket you're using to mount the Tascam above the Cam? Thanks in advance. Please link for amazon. And fantastic video. Thank you!
+Corey Grandmaison Thanks Corey, that's the Fhugen Honu 2.0 camera cage for Panasonic GH4 cameras. amzn.to/1MIyKSc I did a review of it here if you're interested: th-cam.com/video/Gv6lVgf0uXM/w-d-xo.html
Hi Curtis, I’m just curious which grey seamless backdrop are you using in this video? Savage has many shades of grey, but I found this one to be perfect. Also, how does this old tascam model field recorder compare to the Panasonic XLR-1 if I only use it as an adapter for single system recording? I recently got a used gh5 for vlogging and b roll with my C200, so I’m looking for a quick run n gun setup, but can still get high quality contents if used on occasions for journalism. Your ability to setup and utilize simple gears to perfection is really one of the most important things that I’ve learned from your videos.
Hi Y. Zhao, this is a Savage white paper backdrop: bhpho.to/2kNP1xO The XLR1 is more convenient since it doesn't need any cables and fits neatly into the hotshoe of the camera. But the Tascam's XLR inputs are a little cleaner and produce more gain, especially noticeable when recording with handheld dynamic interview mics.
Another thing about the Tascam dr 60 mk II: I have encountered case where the preamps of the tascam set on mid gain, would give weird results. Used up 35-40 the gain is ok, once you go above 40-45 the level is affect in abrupt way, increasing level and noise floor very much all of a sudden. It seems that external preamp or mixer is mandatory if you are in a situation with a lot of loud and quiet switches, where you need adjust levels constant :(
Pot knob, the gain inside the menu was set on the mid setting. 35-40% course, that being just shy before a 11`a clock position. After that, the gain stage would pop up 6-9dB, regarding the mic used (me66/k6 - internal 1.5v used for phantom, nt5 rode, akg c480b with ck 63 or 61 capsule, shure sm57). I think this happening because it is not a linear fader (as you have mentioned in one of you're videos - that digital stepping) My guess is that fast correction on the rotary encoders are not perceived very well by the software and interface.. and leads to this kind of behavio . On line in setting, with a feed coming from a mixer, this is not happening!
I read a negative comment about the Tascam regarding an 'auto gain' that couldn't be turned off which caused the level to rise automatically in quiet sections. I haven't been able to find any other mention of this - have you ever struck this with the DR 60?
Hi Curtis, thanks for your videos, amazing channel you have, Have to decide between this and the Zoom H5. Is it possible to use the Tascam as an external audio interface for the iPad? Thanks
Hi, no, unfortunately the Tascam DR recorders do not work as audio interfaces. You're better off going with the Zoom H or F recorders for that. Best wishes!
Thanks Cameron. Here are a couple of shorts I worked on. But most of my work is on corporate internal training and marketing videos for my day job. The Music Maker: th-cam.com/video/opxt5erMTnU/w-d-xo.html Listen: th-cam.com/video/FxZ75MNHT0E/w-d-xo.html Homeless: th-cam.com/video/f6XtGVSibA8/w-d-xo.html The Army Nurse (I only did production sound and foley recording on this one): th-cam.com/video/PDcRG_lomEA/w-d-xo.html
Very informed video. Many thanks. I was seriously considering the 60D as an option to a more modern pre amp/mixer with phantom power and stereo/mono recording... that is up until you commented on the 60D not being really designed for recording music due to the digital stepping issue (9:00). In an effort to improve the audio quality on DSLR, I was on the lookout for clean converters to record native instruments. You wouldn't recommend doing that with the 60D, would you?
Hi Deaglán, No, not if you'll need to adjust levels during the recording. This will work decently for dialogue recordings where you can pretty much set it at the start and leave it, but it does have that stair stepping effect if you adjust during the recording.
@@curtisjudd Thank you for your time and expertise. I value it. Just one other thing, if I may: leaving the stepping issue aside, which recorder would, in your experience and expertise, equate with the quality and versatility of this 60D package? Kind regards.
@@GraeneyMac Hmm, at a similar price point...that's tricky. I almost feel like an audio mixer/adapter may be a better choice. Beachtek makes several options like this: th-cam.com/video/dCZawcIDbvs/w-d-xo.html
Curtis, thanks for the videos. If i ever have a question that needs a thorough answer, you're one of the first places i check. How does the the "Camera out (high)" compare to the output of a Riggy Micro/Saramonic SR-AX107? Looking to upgrade audio and wanting a pre-amp/xlr adapter into my GH4. It seems that if the DR-60 outputs the same quality it records internally, it would be a better buy than getting a standalone preamp. Or are the camera outs only for referencing when matching audio in post?
Hey Joshua, I haven't personally used the Riggy Micro or AX107, but when I tested other similar audio adapters, they were pretty close to the Tascam's output. If you're not planning to record the audio separately from the camera, the JuicedLink RA222 impressed me in terms of its audio quality so I'd head that direction. If you're ok with syncing in post, I'd definitely go with the Tascam. Good luck!
Hi Curtis... and thanks so much for all of these wonderful episodes. Question: although recording in dual mono provides a backup on the recorder's card, the camera output it provides seems to be the same level on both channels. Is there a way to get the camera out at different levels for each channel? Thanks so much...
Hi Will, that I've never done, so I'm not certain. I'd take a look at the mixer to see if you can perhaps pan the first input hard left, and second hard right.
@@curtisjudd Thanks, Curtis... I actually tried that maneuver last night after writing you and it seems to have worked. I appreciate your help and your prompt reply.
I have really enjoyed your reviews and tutorials so thank you. Have got myself the Tascam DR-60D mkII. Trying it out with my various mic. Can't get it to work with my budget lav mic JK Mic-J 044. Even got myself a Rode 3.5 to xlr adapeter to try another input but still nothing. Would appreciate your expertise. Are they just not compatible.
Hi Nigel, the JK MicJ won't work via the XLR input, unfortunately But if you turn on the Plugin Power option in the menu, it should work into the 3.5mm mic input (3/4). Best wishes!
Thank you so much for getting back to me. Yes I learned that in one of your other great videos. I'd like to use two lavalier mics for a shoot coming up . Would the Audio Technica 3350 work in xlr input with the rode adapter? Also while I'm at it. Have tried a few mics with the Tascam dr 60d recorder, like the JK MicJ for instance and find I have to crank the gain and levels up quite a lot (bringing noise in) compared to my tascam 22wl. Any advice appreciated.
Hi Nigel, Unfortunately, no, the ATR3350 won't work when converted to XLR in my previous tests. The DR-60D's 3.5mm input is quite noisy though its XLR inputs are quite good for its price. So I would really consider the DR-60D well suited for XLR based mics, not optimal for 3.5mm mics. I'd stick with the 22wl for lavalier mics with 3.5mm plugs.
Sorry should have said. I'm actually Nigel's wife using his youtube account as it was ready and available. You are very kind getting back to me once again. You must be so busy answering everyone's questions but so appreciated! Actually got the ATR3350 working beautifully converted to XLR. Agree on the 3.5 input being noisy but not much worse than the XLR but a problem I can sort in post thanks to yourself. Another thing I noticed was the problem of it only playing back in one ear when using the 4CH mode. Am I not having the right settings. Also haven't figured out how to switch from channel to channel when playing back. The manual says use the Monitor Select button when doing so but that didn't work? Maria
Wow, you had much better luck than me converting to XLR. That's great news! If you set the recorder up to record mono of just input 1 (assuming you're just recording one mic?), that will ensure it plays back on both the left and right. Best wishes!
Do you know if the only difference between the Tascam dr60mkii and dr-70d is the 70 has 4 xlr jacks???? And are these two still the best in their price range?? (the zoom F6 is just a little to much for me)- Thanks so much for all your excellent videos.
The menus are also a little different, the form factor is substantially different. I haven't officially tested the preamps in the DR70 so cannot speak to that. But the DR60DmkII is still a pretty decent option. I'd choose it over a Zoom H4n Pro.
Okay will take a look at it. Thanks bunch. But what I was trying to ask is how do u set yours to have such a pretty feel of your voice. would like to try that on mine.
Oh, there's a lot to learn and answering that takes a lot more room than a TH-cam comment. It is sort of like trying to explain how to make beautiful cinematic video in a single TH-cam comment. Get subscribed to the channel and over time your audio will get better and better. :)
Hi Curtis - really appreciate your reviews! I'm currently using an H4N and looking to replace it. (Having trouble with SD card reader). What are your thoughts/suggestions about using the 60D (or the 70D) with AC power? I'll primarily use this indoors for VO recording where AC power is easily accessible and would prefer not to worry about batteries. Your thoughts?
Curtis Judd Thanks for the awesome video! Just starting out recording and picked up the DR 60D Mark1 and Sennheiser ME66/K6. Any direction you can point towards the settings you chose for the DR 60D? Sampling rate/typ, etc? I have read the manual but have little recording experience besides experimenting. Thanks again for the video :)
Hi Pete, I usually set the sample rate to 48kHz, bit rate 24, WAV, limiter on, high pass on at the lowest setting. I usually start with the gain set at mid and almost never use high gain (but that depends on your mic and how loudly your talent speaks). Hopefully that helps get you started. Happy recording!
Curtis, great report. Have you tried or do you think it safe to use a USB plug-in power (such as an iPad charger base) to run the tascam? For long interview days I prefer to have everything plugged in and not have to remember if my backup battery is charged up, etc.
Hi Curtis. Great Video. love your insights. I got a great deal on the AT899 lavalier mic and am now looking to get a recorder with XLR in. In an attempt to save money, I first attempted to record directly into a Canon 70D through a Behringer Xenyx 802 mixer - but there's a constant hiss. Wondering if the DR-60D MKII would be as quiet as this video is with the AT899 mic. Thanks again. Much appreciated.
Hi Kevin, yes, the AT899 and DR-60DmkII are a great combination with nice quiet audio. One question, though, when you feed the audio from your Behringer into your 70D, what have you set the input level at on your 70D? I've found with most DSLRs, you have to drop the input level to its lowest setting (one notch above "off"). You might find that will help manage that hiss. Best wishes!
Curtis Judd Thanks Curtis. I have set the audio to the lowest setting but am still experiencing just enough hiss to consider a recorder. Mainly for interview dialogue. The 60-D mkII is top of the list. Thanks again! Very much appreciated!!
Brilliant! Thanks for this, having recently bought the Tascam DR-60D MKII I have watched various reviews on it but this is by far the best, I have just bought a USB battery pack for mine as the AA rechargeables don't really give you a lot of time - even the high capacity ones. Interesting on the stepped potentiometer, never noticed the change on the dialogue but on the tone, wow, what a difference, made it really clear, as you say, anything with either music or a continuous tone this could cause issues and it is worth knowing. As it is I am taking mine (and its manual) into work tomorrow so I can get used to it in my lunch break. Thanks again for another great video - between you and Tony & Chelsea Northrup I am pretty well covered ;-)
Fantastic video. In fact because of your reviews I purchased the Tascam DR-60D mkii and the comica CVM-D02. But, unfortunately, no matter how I try to connect the comica to the recorder, I can’t get any signal. I’ve tried using the 1/8” input on the unit as well as using the Rode VXLR adapter and going in through the XLR input and still nothing. I’m really baffled and I’m clearly over my head. Any tips on how to solve this problem?
Thanks for this review. I'm new to audio and thinking about buying this for my Fuji XT-2. Reading reviews for other options, some mixers don't permit real-time audio monitoring, often only being possible during playback and some do not allow for separate headphone level control. Does the Tascam DR-60DmkII have both these features? Thanks again!
Awww... Nice but little bit pricey. So my next question. I have the 5D Mark 3 and just got the Tascam 60dmk2 as well as an aputure deity super cardioide shotgun mic. Please I am new to this and would like to know the specific settings I can use to put this together especially with the Tascam 60dmk2
Hi Curtis, Great video! A quick question: When you were talking about the preamps working in steps and that being a potential problem for some people, i’m a bit confused. I’ve been recording music in my home studio for close to 20 years and don’t understand as in my experience, you set the recording level to the loudest sound it can handle and then you’re good because everything else falls below that. Why would someone be adjusting the gain levels during recording if they were set correctly in the first place? Adjusting it in steps seems good because if I know my microphone level is good at say 12 clicks from zero, I won’t even need to get a level in certain situations (or at least am in the ballpark right away). I’m newer to video so maybe there’s something I’m not factoring in when recording for film. Thanks
Hi Dmeekification, The knob on the front acts as a stepping fader. So while the gain is set in the menu up front and not changed during a recording, while recording it is not unusual in music or film to adjust the faders. The stepping doesn't generally pose an issue for dialogue recordings, but can be noticeable when fading a channel that is recording music. Consider a sustained note that woul stair-step to quieter level. Generally not an issue for spoken word. That was mainly just a warning for those that plan to record music with this recorder.
Curtis Judd Ok, so your saying if it fluctuates in volume and you try to adjust in real time it’s more noticeable because the stepped decibel jumps. Got it thank you😉🤜🏻🤛🏻 I was just confused because say if I record a rock band and have my levels set for them to play their loudest I’m good, but I guess if it were classical or something I could see how someone might do that if they are trying to save themselves from post processing later.
@@Dmeekification Exactly. And setting gain for the loudest part of something that hasn't been recorded yet is tricky business. I cannot tell you how many times I have had to adjust after a sound check because the sound source changes during the actual performance.
Hi Brian, thanks. A mixer is a nice addition if recording more than two mics. But if only recording one or two mics, it is nice to be able to record with just the DR-60D.
Curtis Judd thanks for the reply. Working on a 90 minute movie this spring with hopes of streaming /DVD type release so hopefully the 60 will do the job and be good enough. The plan is to build up to better sound stuff eventually. A I've seen some very good audio that people get out of tascam as long as the mic is close enough so we will see how it goes. So far the 60 has been good
Hey, just wondering if you have tried mounting the camera on top of the unit. If so, have you noticed any wobble/flex at longer focal lengths (e.g. 200mm) and heavier lenses? Thanks!
Malcolm MacLean Yes, it absolutely flexes and wobbles, even with lenses much smaller than 200mm. For that reason, I don't mount my camera on top of it. Instead, I mount it to the side of my camera cage: th-cam.com/video/sv8jsh99vzE/w-d-xo.html It's a little funky, but it works decently.
What gear would you recommend for filming Wirelessly and also gear to record voice over? I'm just have a lav mic with my Canon t3i and need an affordable setup for getting started. :)
Budget and where will you be recording voice over? Wireless is generally not cheap if you need reasonable performance, but the RODELink is good at $399 USD. For voice over in untreated home "studios" I would go with a dynamic mic. The Audio Technica AT2005 USB is surprisingly good and you can use it straight out of the box or even hook it up to your $2000 preamp if you ever upgrade to that. th-cam.com/video/EHgSC3C0pTw/w-d-xo.html RODELink: th-cam.com/video/CONhcUiyIXg/w-d-xo.html
Hi Curtis, great vid - just purchased the dr60d mkii. At 12.04 your camera and sound unit are shown in a tripod mounting frame (excuse pro terms ignorance - British!) with the sound unit on top. Where can I buy this, or something similar. Thanks.
Hi! That is a camera cage. Here are a couple: Fhugen Honu: th-cam.com/video/Gv6lVgf0uXM/w-d-xo.html Varavon Zeus Uni: th-cam.com/video/cAwCMkiiKd0/w-d-xo.html Good luck!
Hi there. Great review! Just wondering if it's possible for the recorder to function as an audio interface while being plugged directly into a computer like the H5 & H6?
just purchased this because of your review, I'm either going to get the ntg 1 or ntg 2 to use with it. ill be using it to make short films and was wondering which of the 2 mics you think I should get. the ntg2 usually has a lot of background hiss from the reviews I've watched on it and the ntg 1 seems to be a lot cleaner
Hi Kevin, thanks! I haven't used the NTG1 but my understanding is that the two microphones are identical except that the NTG2 can be self-powered with a AA battery. When you power it with an AA battery, its output impedance and output level drops by 6dB. So that is probably the difference you're hearing - some of the reviewers may also be recording directly to camera with an XLR to 3.5mm adapter which in my experience doesn't generally work well with the NTG2. I think you're fine with either one. They'll sound identical when you phantom power them with the DR-60DmkII. Best wishes!
Hello Curtis, which mic did you use for this review? I'm looking to invest in my first video equipment for my DSLR to do interviews, and Im looking for clean audio just like what you have in this video. thanks.
Hey Curtis, great video. Thanks for posting this. I noticed that you are using a Manfrotto tripod in this video. I'm in need of a good video tripod. May I ask which model it is? Thanks!
Hi Kelly, this is an older version that they have discontinued. But here is the replacement version: amzn.to/2DmvDMU and here are the newer tripod legs: amzn.to/2DNiAVz Best wishes!
Hey Curtis, I dont think you noticed the plug in power on 3 and 4 adds a lot of hiss. Also the headphone output has lots of noise. I wish you had addressed these in your video
hi curtis! do you know if there's a way for playback and monitoring to be set to stereo while the recording is actually set to mono? i'm recording with a shotgun mic in mono, but it's hard for me to hear properly on set when the playback is only coming through one ear, and kind of frustrating knowing i will be listening to it in stereo when i get home.
Hi Curtis, great review! I'm buying one of these second hand next week- along with a Rode NTG-3, is there anything you'd recommend doing to make sure they're in good condition quality-wise once they arrive? Thanks so much for all your work!
Hi Limited Laughs, thanks! Nothing aside from booming that NTG3 above you (within 30 to 40cm) and recording away. Should be a very good combination. Let us know how it goes!
Great review but I do have a question if you could answer it. I have two Sennheiser G3 receivers that I want to use for both talents. Can I hook the two of the Sennheiser receivers up to this unit and have the two artists audio appear on the video? Thanks in advance
Paul Short Yes! You'll just need to use 3.5mm to XLR cables from the Sennheiser receivers into the Tascam. If you want to record that to your camera, then just run a 3.5mm line out from the Tascam to your camera.
Thanks Curtis. I appreciate your fast response. I'm trying to get the best possible audio for two people speaking at the same time so I'll use this as a mixer for both Sennheiser units. Enjoyed your presentation on this and thought it was very well done. So much in fact I subscribed. ;)
Hi Fauzia, it can be configured to record mono or stereo. If you plan to record stere, you will need a stereo microphone with 3.5mm TRS plug or two XLR microphones. Best wishes!
Yes, mostly. The only things that the DR-100mkII has over the DR-60DmkII is its dual battery system (one Li-Ion and 2 AA batteries) which automatically switches over when one set runs out and the in-built microphones if you need them. The DR-60DmkII's preamplifiers are much cleaner and provide more gain for mics that need a lot.
I am not needing and turn on microphones just a Recorder that would give me great game for dynamic mics. I’m thinking one of the two models I mentioned little work but would prefer the cheaper option.
Curtis thank you for sending me to this video. I had previously commented on your "What mic will work with my camera". This is a good review on the Tascam. Right now I'm 50/50 towards this unit or the Zoom H6. Time will tell I guess. Very off point question, but what brand of articulating arm are you using here holding the Atomos?
Design39Media That's the Kamerar 7" Friction Tough Arm: amzn.to/1IMhd6G The Zoom H6 is a good option as well. If you need 4 inputs, the Tascam DR-70D is worth a look as well. Same preamps as the 60DmkII, two additional inputs, and a better form factor.
Hey Curtis! Thanks for all of your videos! Love them as they are filled with great information. I have a question for you in reards to a mic and recorder im using. I have the tascam 60d mk2 and I'm using the deity vmic 3 pro. When sing it with the tascam, I had to turn on the plugin power option for it to work with the 3/4 audio 3.5mm jack. Since the mic I'm using has an internal battery, will this damage it? If so, would you know another way to power the mic and not damage it? I do have the means as well, if it means needing to upgrade to a diff recorder if needed.
Hey Lorenzo, no, that will not damage the D3 Pro. In fact, it needs the plugin power so that it knows how to configure itself to work with the Tascam. Keep making music!
Very grateful for your channel as I get started in video recording. I’m fortunate to have received a Tascam 60D mk1, an AudioTechnica PRO70 XLR lavalier mic, and a Boya BY-M1 lavalier with a TRRS male plug. The advantages of the Boya mic are that it is cheap, lightweight, and it has its own power and an 18-foot cable. The PRO70 is rock solid, but requires a bulky XLR cable to get the same length. My preference is to use the lightweight Boya outdoors and the more robust PRO70 indoors. Any issues using both if I need to mic two people? What is the best way to adapt and connect that male TRRS plug into Ch1 or Ch2 of the 60D? I’d like to avoid using Ch3/4 of the 60D because of the noise issue you described in the comments. My camera is an iPhone 6S Plus that I will mount on top of the 60D. What are my options for connecting the 60D to the iPhone audio jack to record reference audio?
Hi Ron, thanks. The Boya has an unbalanced signal via its 3.5mm cable. This means that it is much more likely to pick up interference on its cable than the PRO-70 and its bulky, but balanced XLR cable. I'd bring both with you at all times so that if you notice you're picking up interference on the Boya, you can switch to the AT PRO-70. I haven't tested it personally, but a RODE VXLR adapter might work to plug the Boya into the XLR inputs: amzn.to/2EkNvZG Fortunately it is relatively low cost so if it doesn't work out, you can return it or only suffer a $10 loss. Sending audio to the phone will require an adapter along these lines: amzn.to/2Gs8JWl That's a lot of adapting going on, and there's a fair bit of risk that something can go wrong, but if you're persistent and careful, you can probably make it work. Best wishes!
Thanks, Curtis, that link got me close. Looks like I'll need the "Rode VXLR adapter" and the "Movo MC3 3.5mm TRS (Female) Microphone Adapter Cable to TRRS (Male)" to attach the BOYA lavalier to the CH1 or CH2 XLR of the 60D. Will connecting an unbalanced BOYA mic to a balanced XLR input even work if there is minimal noise picked up by the cable? The "Rode SC7 3.5mm TRS to TRRS Patch Cable" will work between the CAMERA OUT port on the 60D recorder and the 3.5mm jack on the iPhone 6S Plus. Best regards, -Rob
Hi Rob, I'm not sure whether that Move adapter will work. Be sure to buy it from a supplier with a good return policy just in case. An unbalanced mic into a balanced input should work, assuming everything is wired correctly. Should work in this case. Good luck!
I've had a problem with the original Tascam DR-60D not working with Eneloop Pro rechargeable batteries, even after changing the battery settings in the menu. Anyone else have this problem? Anyone know of a workaround?
Chris, Love your videos and they've helped me a lot. Any chance you can do a video on how to set up the Tascam? I have one and have been messing with it a little but I find that I get quite a bit of feedback or digital noise, no matter what I'm doing and the only way to clear it out is to lower the gain a ton taking my overall volume down so far the tracks are almost useless because they are so quiet. I have a RODE NGT-2 and a RODE Videomic PRO. I haven't found a video out there that actually will go through the settings and what they do to really clarify what may be causing my issue and I assume this issue for others in some situations. Thanks for taking the time to read this.
Thanks for an excellent video! I have a question, when recording constant tone, like music. When would you need to adjust volume on the fly? Or are you saying that the machine does auto adjustments that would affect music?
At concerts, especially when you don't have the opportunity to be at the sound check to set levels before the show. You'll get a stair-stepping effect as you reduce the input level while music is playing.
+Isaac Knopf I haven't personally used the DR40 but from other people I've gathered that its pre-amplifiers don't have as much gain and tend to be a fair bit noisier. It is one of Tascam's previous generation recorders and we've seen some nice improvement with each new generation. I believe the pre-amps in the DR-60DmkII and DR-70D are two generations newer and quite nice to work with. If you're trying to decide between the two, I'd encourage you to save up for the 60DkII as it is much nicer to work with and will give you substantially cleaner recordings. I just saw that it is now $170 USD at Amazon (price fluctuates but was $200 when I bought it and I have absolutely no regrets): amzn.to/1iPdpsI
Very helpful as always. May I ask a novice’s question? I’m keen to better my vlogging audio quality and am close to ordering the Rode NT1 A microphone. Amazon Here in Japan where I reside) lists the Tascam Linear PCM Recorder Digital SLR Cameras for Dr. - 60dmkii. Would the RØDE need additional power beyond that contained in the Tascam unit? I realize your post here is from some time ago but the unit seems to be the same... though it does now have an internal slate function. Thanks in advance! Edward Scruggs
I'm curious, the camera cage that you are using, who is the manufacturer? would love to add that to my rail system! Wonderful review on the DR-60D MKII. Recently purchased one myself, before I saw your review. totally love it myself! Have a Great Day! Scott D. Knox River Films Inc. Mound, MN.
S Dworakoski That's the Fhugen Honu 2.0 cage for the Panasonic GH4. Here's the review we did on that: th-cam.com/video/Gv6lVgf0uXM/w-d-xo.html However, I'd recommend you look at the Varavon Armor Cage instead: th-cam.com/video/sv8jsh99vzE/w-d-xo.html I just received the updated version of the Varavon and will be reviewing it in the next few weeks. Best wishes!
Curtis..Does the more gain in pre amp means more noise as well? I have 2x rode ntg3 and I want to record binaural ASMR sounds where the quality of sound is very important. Should I go for mark1 or mark2 which has a bit better preamps?
Hi Tome, definitely go for the mark II. It's preamps are cleaner and with the NTG3, you'll get some good quality. Generally, yes, when you push a preamp to or close to its max gain there will be more self-noise from the amplification circuitry, but with the NTG3, you won't need to go beyond the mid gain setting so you'll be in great shape. Good luck!
Regarding the XLRs sticking in the original DR-60, I had that happen to me. Until viewing your video, I didn't realize it was something that happened to others. I just thought I had a bad one. I can assure you, though, that it was not just a matter of the XLR cannon being bent or too tight. It had to do with the locking pin inside the DR-60 that engages with the slot on the male XLR sleeve. In my case, pushing the release didn't move that pin far enough out of the slot, and there was absolutely no way to remove the XLR once it was locked in. This was a pro-quality cable with brand new Neutrik connectors. We even took it into our shop, desoldered and disassembled the cable, so that the only thing left in the port was the cannon sleeve and attempted to dislodge it with various tools, but it was impossible. I ended up having to return it to B&H with the sleeve still attached, and they sent me a new DR-60 unit that worked fine.
Nice review! By the way, is it possible to save the recorded sound directly in the camera's memoray card, without needing to synchronize audio and video later?
Yes, there is a 3.5mm camera output on the Tascam. You connect that to the microphone input on your camera and it will be recorded along with the video file in your camera.
Hello Curtis, thanks first for the very instructive video! I have a small question though...I need to record myself playing a piano piece, i have a canon 550 D for this and i plan to buy a tascam , and plug my two micros with the XLR plugs. I hesitate between the original tascam DR 60 and the new relaese MKII. Will there be a huge difference concerning the piano sound? Thank you !!!
Hi Claire, for recording Piano, I would recommend spending the little bit more on the mkII as it has cleaner preamps. Piano is such a nuanced instrument, I think you'll be happier with the mkII. Best wishes!
I bought one last month (July 22) for on-location interviews for my podcast. I use it with an ENG dynamic mic or Rode Wireless Go. I'm really impressed by the versatility and sound quality. It's the perfect partner for my Rodecaster. Thanks for the video.
Thanks Mark, glad to hear it works well for you. Happy recording!
I love mine too
Your reviews on the TASCAM MKI/II are the best thanks for adding this one.
DJ BC6 Thanks!
Hi Curtis. Just clicked "purchase" on this recorder AND the Deity S-mic 2. I made sure I came back and went through your links so you'd get a well-earned affiliate commission. Thanks, brother. I appreciate your thorough reviews. And, thanks you, the audio quality in the world just got a tiny bit better. :-)
Thanks Alex and I hope they work well for you! Happy recording!
Thank you for this and other videos. I bought this unit after failing to get clean sound in my DSLR.
This is actually easy to use and set up at a basic level, and I'm sure as I delve into sound I'll make more use of the features. Absolutely clean and crisp audio now, with the tone at the start and tail making syncing with the in-camera recording a breeze.
I've subscribed as I'm sure the wealth of information you offer will be very useful. You are probably the best and most informative youtube reviewers.
I just wonder who downvotes a video like this! None so weird as folk!
Thanks David and best wishes on your recordings!
You are great. One of the best reviewers without a doubt. Thank you very much. Your videos are extremely useful.
Thanks Juan.
I'm an audio recording enthusiast , and I find the low noise preamps to be a whole lot cleaner, in fact I stereo record with a pair of rode m5 microphones on acoustic guitar and it is phenomenal
i am a film student, and all your review help me a lot !!!!!! thankful
Thanks!
May I ask what did you like with the Dr70d in particular? I was leaning on the Dr60d mkii for the channel monitoring and the price. I was thinking if there was something with the dr70d that was worth choosing it over the Dr60d mkii and shelling out 100dollars more. Thanks
I like the form factor of the 70D a little better than the 60DmkII which is a bit more brick-like. In terms of audio quality they are essentially identical. I do like that the fact that the 60DmkII has more physical controls (e.g., phantom power switch on the 60DmkII vs having to go into the menu on the 70D). In short, they're both great and if you're ok with the shape of the 60D, it is a great option (I have the original and the mkII)
+Curtis Judd thanks again! Sorry for the double post. Awesome videos
Nice to hear it. Check what new with Tascam this year: th-cam.com/video/db3CwVzxJzM/w-d-xo.html
Love your interview setup and lighting this is beautifully done. Great Job.
Thanks!
I purchased the DR 60D Mark II when my DR 40 died. The external battery pack which I bought for the DR 40 works with the DR 60 and it attaches the same way. This is an inexpensive unit but the quality of the audio is fine for the way I use it. I have no issues operating this unit, but I don’t use this to its full potential. I basically use this to record the audio from the house mix from the theatre or the club’s audio system. I also record audio with mics on stage with a DR 44 WR in addition I record audio with shotguns on the cameras (scratch audio and backup). This recorder is a really good value in my view. Gerry in Calgary.
+Gerald Prost thanks Gerry, great to hear your perspective on this!
This is something im looking into. Hopefully you're still active on youtube and see this. Has your DR 60D Mkii lasted over the years? Ever get xlr cables stuck? My mind is preventing me from buying it based on reviews I'm reading.
@@hybridmajik Yes, I'm still using the DR60. It is very reliable. Now I power it with a USB battery and if it is ever disconnected the internal batteries will take over seemlessly. My XLRs have never got stuck.
@GeraldPost, I've been considering how I can record audio into my DR60mkII from a house mix, say, for a theatrical production. Would you mind sharing how you integrate yours into a house mix for your events, please?
@@HumbledIAm I bring along two 4’ XLR cables. I ask the audio engineer to hook them up (I can do it, but they don’t want strangers messing with their board) and send ma a line level signal. Then I get him/her to play some of the program material at would be about the highest level, then I set the Tascam levels. Then I format the 32 GB card and start the recording. I also hook up a USB power source. In addition to the Tascam, I have a SoundDevices MixPre 3 with a Rode NT4 which I place on the stage. Each camera also has a shotgun microphone. This provides me with audio for syncing and back up audio. Redundancy is your friend.
Thanks for the review! I found the noise floor comparison especially useful hands-on information. Been very pleased using a TASCAM US-366 for my in-studio recording, so I'm glad to hear their field solutions are similarly up to snuff.
RhubarbSenpai Thanks!
For battery packs, I use cell phone holders and mount them on the tripod. An example is the Newppon Rotatable Running Phone Armband, which works with various sizes and the armband is Velcro.
Clever idea - thanks for sharing!
As u are really the best reviewer i watch on TH-cam (in my opinion), I recommend that you review the Rode NT USB microphone... i just got one and for the price and being a usb mic you can't imagine how good the sound quality is.
Good luck with all your videos.
Mohamed Elnazer Thanks Mohamed! That sound great--do you have a video or two where you used it?
I'm still working on my first video using it, i will upload it after about a week.
I'll send you the link once i upload it.
Mohamed Elnazer Sounds great! Nice work!
Your videos are some of the best produced on TH-cam. You deserve more subscribers.
Thanks!
The portion mainly i did not understand was about the audio get record is it necessary to sync everytime or it can get record directly to the footage of camera?
and which microphone is better to record Rode or any condenser mic will do?
Hi, yes you can do it either way. The 60DmkII has a 3.5mm output to feed the audio to camera. You would just connect this to your camera using a male to male 3.5mm TRS cable (standard stereo cable). Which mic is best depends on a lot of factors. Which types of microphones are you considering? More importantly, what types of video will you be shooting?
The crazy part is I'm stumbling on this video in 2022. Wonder how it stacks up now, especially considering Tascam hasn't updated the DR60 for the past, nearly, 8 years.
Of the $200 field recorders I've used, it is still pretty good. I still prefer it over any version of the ZOOM H4n/Pro.
Very informative. I just picked up one of these, and haven't really had time to mess with it. You have yourself another subscriber. Thanks again.
***** Thanks Brian!
I just bought the Tascam dr-60d together with a rode ntg3 mic, i wanted to ask which is better, to record to the tascam or to connect it to my Nikon D5100, and which output to connect the high or the low?
thanks in advance 😊
+محمد الناظر Best in terms of audio quality or best in terms of convenience? For audio quality, I would record to the Tascam and then sync the audio to the video in editing. The Tascam's audio is significantly better (in my opinion) than what you'd get from the Nikon even using the Tascam as a preamplifier. If your question is about convenience and not having to sync in post, then I'd use the high line-level output from the Tascam to feed to the Nikon and reduce the mic input level on the Nikon to the lowest setting (but not turned off). Best wishes!
+Curtis Judd thank you very much, i wanted a better audio quality, so I will sync them in post. 😊
+محمد الناظر Excellent choice, that's what I do. And while it takes a few extra seconds, I've always been pleased with the better quality sound.
Yes! Received my Diety S Mic-2 and this DR-60mkII. They sound really great. Thank you!!! Super-detailed question. Would you recommend I (1) set my gain to low and just ease up the potentiometer to get the best signal level and quality OR should I (2) set the gain on mid and ease the potentiometer down? Does it matter or is the channel potentiometer just another way to boost or reduce gain incrementally? It's for talking head TH-cam videos, btw. Thank you, again, for all of your help.
Hi Alex, glad to hear they're working out well! I generally find myself set to mid gain and adjust the potentiometer from there to dial in the peaks to -18-ish. You can do it either way you outlined. Happy recording!
Thanks, Judd for putting this video out. You have helped me make my buying decision. Was going to purchase the Sound Devices Mixpre3 but now going to purchase the Tascam. You have also saved me a pretty penny. Keep up the fantastic work. Much appreciated. Cheers Andy :)
Thanks and happy recording!
Just picked one up.. yes, years late, but it seems to hold up well. Looking forward to adding to my value-based kit.
Great coverage as always in CJ videos.
Congrats and happy recording!
Hopefully you still see comments on old videos. I'm new to the audio world and looking for an external preamp for my sony a6400. Do you still use this? Or is this still a competitive recorder for the price point and style (tripod shooting)? If not, what you recommend for the $200-300 range?
Also, can I ask the following:
1) How much better is the built in recorder vs letting the line-out go back into the camera for in-camera syncing?
2) If the mic I'm using supports it, should I use the XLR input or the 3.5mm input? Ex. the Deity d3 pro is the 3.5mm, but you can pay extra for an XLR adapter?
Thanks for the great reviews. Cheers!
Hi hdmjk, I still have this but I have much nicer recorders which I mainly use these days. For the $200 price, this is still my first pick, certainly over the Zoom H4n and its variants. The built in recorder is better to slightly better than most cameras. It depends largely on the camera. I don't have direct experience with the a6400 so I cannot say for it, but it is probably fine for most purposes. The 3.5mm input on the Tascam is not that great - plenty of self-noise. If you're using a 3.5mm mic, I'd just go straight to camera. But if you're using an XLR output mic, that's where the DR-60DmkII shines.
yeah this video. it takes me back into memory lane curtis. this was when i first became aware of your channel
Oh, wow, that's an oldie but goodie. Thanks for watching for all these years!
What make and model is the cage featured in your video at 11:22 min. Same for the Articulating arm. THX
***** That is the Fhugen Honu 2.0 cage for Panasonic GH4. I reviewed it here: th-cam.com/video/Gv6lVgf0uXM/w-d-xo.html I will confess that I have replaced it with another cage that I prefer: The Varavon Armor II cage which I reviewed here: th-cam.com/video/mZqORPLjaEg/w-d-xo.html
The articulating arm is a Kamerar Tough 7" arm: amzn.to/1KtHYtZ
What is that accessory cage thing you have playing at the 12:00 minute mark? I'm looking for something similar to that to attach my accessories to.
Hey Zack, that's a camera cage. My favorite is the Zeus Uni cage because it adapts to most DSLR and mirrorless cameras whereas in the past you had to find a cage for your specific camera model. Here's a review we did of the Zeus Uni: th-cam.com/video/cAwCMkiiKd0/w-d-xo.html
Hi Curtis, thanks for this tutorial, i have a very similar setup with the ninja but i am always getting crazy to put all things together can you tell me how it is call the rack you use to mount all 3 things together (min 11:20) thanks a lot
Hi, that is a camera cage. My favorite is the Varavon Zeus Uni cage because it can fit most mirrorless and DSLR cameras. Here's a review of it: th-cam.com/video/cAwCMkiiKd0/w-d-xo.html
I always like how calmly you present your subject; very comfortable to listen to and to concentrate on important details with the slow pace editing. I would have you as my mentor. :-)
Thanks Polen Ly.
Hi Curtis, I got this a while back and it was working great! But more recently it started to have buzzing noise. It is quiet but enough to ruin the sound. Did you ever experience something like this? If you could give us some advice that would be good. If it is just dying, would you recommend similar device for recording? I am usinng it for a phantom powered mic in our studio.
I didn’t run into this issue. You might try the Zoom F3 instead: th-cam.com/video/THEBOa0UUJo/w-d-xo.html
@@curtisjudd thanks! I actually bought it following quick review of your channel :) thanks again :)
Curtis , thank you for your response. That makes total sense. Have a great day !!!
Very nice description of this recorder. One question please. When plugging in a usb battery, must ordinary alkaline AA batteries be removed first?
No, you can leave the AA batteries in place.
Do you think that you could go in depth of how you organized the pre-amplifiers and settings to get the audio that you have? I just received mine (Merry Christmas), and I don't know what to do with it other than stare at its glory. Thanks!
Hi JimineyBob, here's one of our Sound for Video Sessions where we talked about setting up your recorder: th-cam.com/video/RDNjQxtJSrU/w-d-xo.html I hope that helps and Merry Christmas!
Hello Curtis !
I was wondering which boom stand you use, I have the Sennheiser MKE600 + Tascam DR-60 mk2, and I can't fit them on my boom stand without a 1/4 to 5/8 adapter for the Tascam and 1/4 to 3/8 for the Sennheiser.
+MONTREALITY For my mic, I use a standard microphone stand like those that musicians use on stage: amzn.to/1S3AiEv I mount the Tascam on my camera rig using the 1/4-20 on top of the recorder. I use the Varavon Armor 2 cage: th-cam.com/video/mZqORPLjaEg/w-d-xo.html
+OMAR SHABAZZ Question first: Why are you trying to feed the audio to both cameras? I assume this is a multicam shoot where you will cut between the two cameras in post? If so, why do you need to feed audio to both cameras?
+OMAR SHABAZZ If you're going to do a multicam project, you will have to sync the two cameras together in FCP. So you can just send the audio to one camera and use that audio for the entire multicam sequence, dropping the audio from the other camera. That is a much more direct approach and will make production much easier. In fact, I would just record the audio with the Tascam and then sync the audio clip to the clips from the two cameras and not bother with sending the audio to the camera during the shoot. But you could do it to just one camera and save yourself some hassle. Best wishes!
+OMAR SHABAZZ No, unfortunately it only takes SDHC cards up to 32GB but here are two things to consider: 32GB can hold well over 4 hours of recorded audio so you'll be fine. More importantly, if you're going to do continuous takes that long (three hours), you will likely experience drift between the recorder and the cameras. This is a case where you are probably better off feeding the audio from the Tascam into one of the cameras so that it will not drift from that camera. Good luck!
Great review! My main consideration (besides budget and portability!) is that i can independently control phantom power on each input as I have a condenser mic and a ribbon mic (which could be damaged with phantom power). From my research, most recorders within my price range have an all-or-none control with the phantom power. Any insight you can provide would be greatly appreciated. I am recording a wide variety of sources so I'd like to be as flexible as possible. Thanks!
Good news! The DR60D has separate phantom power switches for each of the XLR inputs so you can power your condenser mic and keep your ribbon safe at the same time.
Very helpful, I am getting ready to get a recorder and am considering the 60Dmkii. The Tascam DR-44 also looks interesting, would you think its pre-amp/gain quality would be similar to the 60Dmkii?
Hey Rob, it looks like from the marketing info on the Tascam site that the DR-44WL does not include the newer HDDA preamps so I'm not sure you'd get the same performance there. In the specs, the input impedance is listed at 2.2k Ohms which is different than the DR-60DmkII (2k Ohms) which seems to suggest that they are different pre-amps. We'd have to get our hands on one to see what kind of difference that makes.
I appreciate this video very much. Which brand of cage is that at the 11:21 mark?
Kamerar I think, but I don’t think they make them anymore.
Thanks for this! One kinda obscure question I have about the DR60mkII - why the different gain menu settings (lo med hi hi+) as well as the adjustable gain knob? I guess what i mean is, if you set it to Med in the menu, but then crank the gain knob aren't you in "hi+" territory? What's the best practise - set the 'menu-gain' setting that gives you the lowest noise then adjust with the knobs? Apologies if this is a total newbie question.
Think of the knobs as trim or fine adjustments. You first set the gain in menu and then use the knobs to fine tune things. Ideally set the gain with the knob at its center setting as a start.
@@curtisjudd amazing, so helpful and clear. Thanks a million!
Hi curtis. I can't seem to get my lab mic to work in the channel 3-4 input. It does work when used with rodelink wireless. Is this a preamp issue? Perhaps the DR-DmkII was not intended for lav mic use. Thanks for all your great work and reviews
Hi Albert, you'll want to confirm that the plugin-power setting is turned on in the menu when using a lavalier connected to input 3/4. Good luck!
Hi Curtis. Thanks for the great video. Can you tell me the brand/model name of the camera cage supporting the Tascam at 12:10. Thanks.
+Trip Honey Yes, that is the Fhugen Honu 2.0 cage for Panasonic GH4: th-cam.com/video/Gv6lVgf0uXM/w-d-xo.html Great little cage which has now been re-purposed for my Sony a6000.
Hi Curtis, thanks a lot for your videos, very helpful stuff! Could you please tell me where can I find this DSLR Rig Cage at 11:20 on this video? Do you know the brand and model? this one would be the perfect size for me.
Hi Andre, that's the Varavon cage for GH4. I actually use a different one now that fits a variety of cameras which I prefer (and I don't think they make the one in the video anymore): th-cam.com/video/cAwCMkiiKd0/w-d-xo.html
@@curtisjudd Thanks!!!
What Camera Cage do you use please. I Love your videos. I would like to know more about how to get it. Like a link on Amazon and if it is a good fit for my Canon 5d mark 3
Hi BOT STUIOZ, I use the Varavon Zeus Uni cage now. Review here: th-cam.com/video/cAwCMkiiKd0/w-d-xo.html One thing I really like about it is that it fits lots of different cameras so I don't have to buy a new cage every time I upgrade my camera.
Amazon link: amzn.to/2sry2DA
Hey Curtis, great video! Concerning the short battery life, does the unit have an ac adapter input?
No, but it does have a USB input from which you can power the recorder with a USB battery bank or AC to USB adapter. Thanks!
@@curtisjudd I have a USB battery plugged into mine and it works great!! This thing eats batteries like a monster!! My USB battery lasts hours and hours.
Hi Curtis. I always enjoy your videos.
Very informative. I am preparing for a short film and I currently have the Tascam DR-60D mk II and the Sennheiser mkh 416 shotgun mic. Will I get good quality audio with this setup or should I upgrade my audio recorder? If so what do you recommend?
Hi Staylo Studio, yes, you can definitely make quality audio with this combination. The more important thing will be having a good boom pole, shock mount, and wind protection (if shooting outdoors).
Hi Curtis, Glad to have this review online. Building my first portable rig and I purchased the dr 60mkII. A few questions though as its not here yet, is the usb input a micro or normal size? Going to buy a 90 degree adaptor for the battery pack cable. Also Im going to be using a pre amp to adjust the level on the inputs, to avoid using the stepped level dial too much. Have you attempted that?
Stuart Wilson the usb input is a mini USB (not the smallest micro and not the larger styles). I have not used a pre-amp in front of the DR-60DmkII. Which one you choose can make a big difference in the sound. Do you ride your faders a lot?
Curtis Judd Thanks for that, really appreciate it. Not a lot, but I might with this rig depending on the limiter and variety of performances for post sound recording. Ill be trying a little pulse preamp to start with, using the rig for outdoors and on the move recording.
Hi Curtis. Found the review useful, thanks. Quick question. Although I watched it on my laptop, which has fairly poor speakers, I noticed that the speech parts where you are talking directly to camera are crystal clear, however, on the some parts where you show say your rig or the close up of the tascam (for example around the 5 minute mark), I can hear a hiss. Why is this please?
Thanks. Matt from the UK
Matt Smith Hi Matt, that's because I used a series of different mics for the different parts. The part with more hiss was a RODE NT5 which is not the quietest mic. I used an Audio Technica AT4053b for the talking head parts.
Hey I just subscribed and purchased the Tascam 60D-MKII based off your review. I had a quick question I just would like to know more about which microphone you are using, between this recording and the previous review of the Tascam-60D this recording appeared to have a little more bass in the recording. Thanks for the review!
Jeremiah mathers Hey! I used the RODE NT5, NT1A, and Shure SM58. Most of the talking head parts were the RODE NT5. That mic tends to be a little brighter without as much bass response so that's probably the biggest difference you're hearing. The preamps on the DR-60DmkII are not to blame for the "more natural" sound that you're hearing here. It is definitely the mic choice. In the review of the DR-60D I used the RODE NTG-2 shotgun mic which is a little more sensitive to bass. So to get that richer sound, my experience is that it will have to do more with mic choice than DR-60D vs DR-60DmkII. Thanks for the question!
Thanks!!!!! I greatly appreciate the information my friend! Keep up the good work!
Hey Chris. Great video. One question: There is a noticable noise difference in the b-roll. It's much higher. Any idea why?
Yes, I forgot to mute the b-roll clips. My mistake. That's the camera mics adding "room tone"
Nice review. I have a concern about the Phantom Power option: is there a procedure to start using it on condenser mics? Should I connect everything before switching to this option, or can I just plug the mic and it's ready to go? I recently tried to use a AT897 shotgun on that mode with this recorder, and in the middle of the shooting the microphone went mute. It's not working anymore, and I think it got damaged because of the PP. I'm aware the mic should work properly with this mode, and also I removed the 1.5v battery before in order to prevent an overcharge. Not sure if was my mistake or just bad luck.
Hi Gabriel, as a matter of caution, I usually connect everything up before turning phantom power on but there have been occasions where I forgot to do that and have not suffered any malfunctions along the lines of what you described (including leaving a battery in my RODE NTG2 and turning on phantom power). If I had to guess, this was likely a matter of bad luck.
Thanks to this video, I bought the DR-60Dmkll earlier this year. Since then, I've captured great audio with it. It makes me look like a pro.
👍 Happy recording! 🎤
What is the mounting bracket you're using to mount the Tascam above the Cam? Thanks in advance. Please link for amazon. And fantastic video. Thank you!
+Corey Grandmaison Thanks Corey, that's the Fhugen Honu 2.0 camera cage for Panasonic GH4 cameras. amzn.to/1MIyKSc
I did a review of it here if you're interested: th-cam.com/video/Gv6lVgf0uXM/w-d-xo.html
Thanks! 😁 I was hoping it would fit my camera. Thanks again and great video. You do good work.
Hi Curtis,
I’m just curious which grey seamless backdrop are you using in this video? Savage has many shades of grey, but I found this one to be perfect. Also, how does this old tascam model field recorder compare to the Panasonic XLR-1 if I only use it as an adapter for single system recording? I recently got a used gh5 for vlogging and b roll with my C200, so I’m looking for a quick run n gun setup, but can still get high quality contents if used on occasions for journalism.
Your ability to setup and utilize simple gears to perfection is really one of the most important things that I’ve learned from your videos.
Hi Y. Zhao, this is a Savage white paper backdrop: bhpho.to/2kNP1xO
The XLR1 is more convenient since it doesn't need any cables and fits neatly into the hotshoe of the camera. But the Tascam's XLR inputs are a little cleaner and produce more gain, especially noticeable when recording with handheld dynamic interview mics.
Another thing about the Tascam dr 60 mk II: I have encountered case where the preamps of the tascam set on mid gain, would give weird results. Used up 35-40 the gain is ok, once you go above 40-45 the level is affect in abrupt way, increasing level and noise floor very much all of a sudden. It seems that external preamp or mixer is mandatory if you are in a situation with a lot of loud and quiet switches, where you need adjust levels constant :(
Hmm, I have not experience this. When you say 35-40 gain, are you adjusting the gain setting in the menu or the potentiometer knob?
Pot knob, the gain inside the menu was set on the mid setting. 35-40% course, that being just shy before a 11`a clock position. After that, the gain stage would pop up 6-9dB, regarding the mic used (me66/k6 - internal 1.5v used for phantom, nt5 rode, akg c480b with ck 63 or 61 capsule, shure sm57). I think this happening because it is not a linear fader (as you have mentioned in one of you're videos - that digital stepping) My guess is that fast correction on the rotary encoders are not perceived very well by the software and interface.. and leads to this kind of behavio . On line in setting, with a feed coming from a mixer, this is not happening!
Good info, thank you.
I read a negative comment about the Tascam regarding an 'auto gain' that couldn't be turned off which caused the level to rise automatically in quiet sections. I haven't been able to find any other mention of this - have you ever struck this with the DR 60?
Hi, no, I set the gain manually. I don't believe I've ever seen an auto gain feature on this unit.
@@curtisjudd Thanks Curtis, that's reassuring. Must have been a case of crossed wires on the review I read.
Hi Curtis, thanks for your videos, amazing channel you have, Have to decide between this and the Zoom H5. Is it possible to use the Tascam as an external audio interface for the iPad? Thanks
Hi, no, unfortunately the Tascam DR recorders do not work as audio interfaces. You're better off going with the Zoom H or F recorders for that. Best wishes!
Excellent review. It would be great to see your list of Films you have worked on.. cheers 🙏
Thanks Cameron. Here are a couple of shorts I worked on. But most of my work is on corporate internal training and marketing videos for my day job.
The Music Maker: th-cam.com/video/opxt5erMTnU/w-d-xo.html
Listen: th-cam.com/video/FxZ75MNHT0E/w-d-xo.html
Homeless: th-cam.com/video/f6XtGVSibA8/w-d-xo.html
The Army Nurse (I only did production sound and foley recording on this one): th-cam.com/video/PDcRG_lomEA/w-d-xo.html
Very informed video. Many thanks.
I was seriously considering the 60D as an option to a more modern pre amp/mixer with phantom power and stereo/mono recording... that is up until you commented on the 60D not being really designed for recording music due to the digital stepping issue (9:00). In an effort to improve the audio quality on DSLR, I was on the lookout for clean converters to record native instruments.
You wouldn't recommend doing that with the 60D, would you?
Hi Deaglán, No, not if you'll need to adjust levels during the recording. This will work decently for dialogue recordings where you can pretty much set it at the start and leave it, but it does have that stair stepping effect if you adjust during the recording.
@@curtisjudd Thank you for your time and expertise. I value it. Just one other thing, if I may: leaving the stepping issue aside, which recorder would, in your experience and expertise, equate with the quality and versatility of this 60D package?
Kind regards.
@@GraeneyMac Hmm, at a similar price point...that's tricky. I almost feel like an audio mixer/adapter may be a better choice. Beachtek makes several options like this: th-cam.com/video/dCZawcIDbvs/w-d-xo.html
Bonjour Curtis, at 5:14 you wrote the screw is 1/2-20 is this en error, this thread is not standard, normally they are 1/4-20.
Yes, my mistake--it is a 1/4-20 thread. Thanks!
Curtis, thanks for the videos. If i ever have a question that needs a thorough answer, you're one of the first places i check.
How does the the "Camera out (high)" compare to the output of a Riggy Micro/Saramonic SR-AX107? Looking to upgrade audio and wanting a pre-amp/xlr adapter into my GH4. It seems that if the DR-60 outputs the same quality it records internally, it would be a better buy than getting a standalone preamp. Or are the camera outs only for referencing when matching audio in post?
Hey Joshua, I haven't personally used the Riggy Micro or AX107, but when I tested other similar audio adapters, they were pretty close to the Tascam's output. If you're not planning to record the audio separately from the camera, the JuicedLink RA222 impressed me in terms of its audio quality so I'd head that direction. If you're ok with syncing in post, I'd definitely go with the Tascam. Good luck!
Thanks for the quick response.
Thank you! Straightforward, pro level advice. All my questions answered in one video.
Thanks Paul.
Hi Curtis... and thanks so much for all of these wonderful episodes. Question: although recording in dual mono provides a backup on the recorder's card, the camera output it provides seems to be the same level on both channels. Is there a way to get the camera out at different levels for each channel? Thanks so much...
Hi Will, that I've never done, so I'm not certain. I'd take a look at the mixer to see if you can perhaps pan the first input hard left, and second hard right.
@@curtisjudd Thanks, Curtis... I actually tried that maneuver last night after writing you and it seems to have worked. I appreciate your help and your prompt reply.
I have really enjoyed your reviews and tutorials so thank you. Have got myself the Tascam DR-60D mkII. Trying it out with my various mic. Can't get it to work with my budget lav mic JK Mic-J 044. Even got myself a Rode 3.5 to xlr adapeter to try another input but still nothing. Would appreciate your expertise. Are they just not compatible.
Hi Nigel, the JK MicJ won't work via the XLR input, unfortunately But if you turn on the Plugin Power option in the menu, it should work into the 3.5mm mic input (3/4). Best wishes!
Thank you so much for getting back to me. Yes I learned that in one of your other great videos. I'd like to use two lavalier mics for a shoot coming up . Would the Audio Technica 3350 work in xlr input with the rode adapter? Also while I'm at it. Have tried a few mics with the Tascam dr 60d recorder, like the JK MicJ for instance and find I have to crank the gain and levels up quite a lot (bringing noise in) compared to my tascam 22wl. Any advice appreciated.
Hi Nigel, Unfortunately, no, the ATR3350 won't work when converted to XLR in my previous tests. The DR-60D's 3.5mm input is quite noisy though its XLR inputs are quite good for its price. So I would really consider the DR-60D well suited for XLR based mics, not optimal for 3.5mm mics. I'd stick with the 22wl for lavalier mics with 3.5mm plugs.
Sorry should have said. I'm actually Nigel's wife using his youtube account as it was ready and available. You are very kind getting back to me once again. You must be so busy answering everyone's questions but so appreciated! Actually got the ATR3350 working beautifully converted to XLR. Agree on the 3.5 input being noisy but not much worse than the XLR but a problem I can sort in post thanks to yourself. Another thing I noticed was the problem of it only playing back in one ear when using the 4CH mode. Am I not having the right settings. Also haven't figured out how to switch from channel to channel when playing back. The manual says use the Monitor Select button when doing so but that didn't work? Maria
Wow, you had much better luck than me converting to XLR. That's great news! If you set the recorder up to record mono of just input 1 (assuming you're just recording one mic?), that will ensure it plays back on both the left and right. Best wishes!
Do you know if the only difference between the Tascam dr60mkii and dr-70d is the 70 has 4 xlr jacks???? And are these two still the best in their price range?? (the zoom F6 is just a little to much for me)- Thanks so much for all your excellent videos.
The menus are also a little different, the form factor is substantially different. I haven't officially tested the preamps in the DR70 so cannot speak to that. But the DR60DmkII is still a pretty decent option. I'd choose it over a Zoom H4n Pro.
Okay will take a look at it. Thanks bunch. But what I was trying to ask is how do u set yours to have such a pretty feel of your voice. would like to try that on mine.
Oh, there's a lot to learn and answering that takes a lot more room than a TH-cam comment. It is sort of like trying to explain how to make beautiful cinematic video in a single TH-cam comment. Get subscribed to the channel and over time your audio will get better and better. :)
Hi Curtis - really appreciate your reviews! I'm currently using an H4N and looking to replace it. (Having trouble with SD card reader). What are your thoughts/suggestions about using the 60D (or the 70D) with AC power? I'll primarily use this indoors for VO recording where AC power is easily accessible and would prefer not to worry about batteries. Your thoughts?
Fine choice. Will need an AC to USB mini adapter if memory serves.
Curtis Judd Thanks for the awesome video! Just starting out recording and picked up the DR 60D Mark1 and Sennheiser ME66/K6. Any direction you can point towards the settings you chose for the DR 60D? Sampling rate/typ, etc? I have read the manual but have little recording experience besides experimenting. Thanks again for the video :)
Hi Pete, I usually set the sample rate to 48kHz, bit rate 24, WAV, limiter on, high pass on at the lowest setting. I usually start with the gain set at mid and almost never use high gain (but that depends on your mic and how loudly your talent speaks). Hopefully that helps get you started. Happy recording!
Curtis Judd
Thank you so much!!!! You rock :)
Curtis, great report. Have you tried or do you think it safe to use a USB plug-in power (such as an iPad charger base) to run the tascam? For long interview days I prefer to have everything plugged in and not have to remember if my backup battery is charged up, etc.
I think so. Just tested it and it seems to work fine!
Thank you ! I loved your video quality. Which camera have you used?
This was a combination of Panasonic GH4 and Nikon D750 (details in the about section under the video)
Ok, Thanks Mr. Judd
Hi Curtis. Great Video. love your insights. I got a great deal on the AT899 lavalier mic and am now looking to get a recorder with XLR in. In an attempt to save money, I first attempted to record directly into a Canon 70D through a Behringer Xenyx 802 mixer - but there's a constant hiss. Wondering if the DR-60D MKII would be as quiet as this video is with the AT899 mic. Thanks again. Much appreciated.
Hi Kevin, yes, the AT899 and DR-60DmkII are a great combination with nice quiet audio. One question, though, when you feed the audio from your Behringer into your 70D, what have you set the input level at on your 70D? I've found with most DSLRs, you have to drop the input level to its lowest setting (one notch above "off"). You might find that will help manage that hiss. Best wishes!
Curtis Judd Thanks Curtis. I have set the audio to the lowest setting but am still experiencing just enough hiss to consider a recorder. Mainly for interview dialogue. The 60-D mkII is top of the list. Thanks again! Very much appreciated!!
Brilliant! Thanks for this, having recently bought the Tascam DR-60D MKII I have watched various reviews on it but this is by far the best, I have just bought a USB battery pack for mine as the AA rechargeables don't really give you a lot of time - even the high capacity ones. Interesting on the stepped potentiometer, never noticed the change on the dialogue but on the tone, wow, what a difference, made it really clear, as you say, anything with either music or a continuous tone this could cause issues and it is worth knowing. As it is I am taking mine (and its manual) into work tomorrow so I can get used to it in my lunch break. Thanks again for another great video - between you and Tony & Chelsea Northrup I am pretty well covered ;-)
Thanks, I appreciate the feedback!
Fantastic video. In fact because of your reviews I purchased the Tascam DR-60D mkii and the comica CVM-D02. But, unfortunately, no matter how I try to connect the comica to the recorder, I can’t get any signal. I’ve tried using the 1/8” input on the unit as well as using the Rode VXLR adapter and going in through the XLR input and still nothing.
I’m really baffled and I’m clearly over my head. Any tips on how to solve this problem?
Hi Ping Chu, check to see that the plugin power setting is on in the menus and use the 3.5mm input. Let me know how it goes.
Thanks for this review. I'm new to audio and thinking about buying this for my Fuji XT-2. Reading reviews for other options, some mixers don't permit real-time audio monitoring, often only being possible during playback and some do not allow for separate headphone level control. Does the Tascam DR-60DmkII have both these features? Thanks again!
Hi Rich, yes, the DR-60DmkII allows real-time monitoring and there is a headphone volume control. Best wishes!
Many thanks Curtis, I think I'm going to go for it
Awww... Nice but little bit pricey. So my next question. I have the 5D Mark 3 and just got the Tascam 60dmk2 as well as an aputure deity super cardioide shotgun mic. Please I am new to this and would like to know the specific settings I can use to put this together especially with the Tascam 60dmk2
I hope that this will help: th-cam.com/video/RDNjQxtJSrU/w-d-xo.html This is a session where we talked about setting up the Tascam.
Hi Curtis, Great video! A quick question: When you were talking about the preamps working in steps and that being a potential problem for some people, i’m a bit confused. I’ve been recording music in my home studio for close to 20 years and don’t understand as in my experience, you set the recording level to the loudest sound it can handle and then you’re good because everything else falls below that. Why would someone be adjusting the gain levels during recording if they were set correctly in the first place? Adjusting it in steps seems good because if I know my microphone level is good at say 12 clicks from zero, I won’t even need to get a level in certain situations (or at least am in the ballpark right away). I’m newer to video so maybe there’s something I’m not factoring in when recording for film. Thanks
Hi Dmeekification, The knob on the front acts as a stepping fader. So while the gain is set in the menu up front and not changed during a recording, while recording it is not unusual in music or film to adjust the faders. The stepping doesn't generally pose an issue for dialogue recordings, but can be noticeable when fading a channel that is recording music. Consider a sustained note that woul stair-step to quieter level. Generally not an issue for spoken word. That was mainly just a warning for those that plan to record music with this recorder.
Curtis Judd Ok, so your saying if it fluctuates in volume and you try to adjust in real time it’s more noticeable because the stepped decibel jumps. Got it thank you😉🤜🏻🤛🏻 I was just confused because say if I record a rock band and have my levels set for them to play their loudest I’m good, but I guess if it were classical or something I could see how someone might do that if they are trying to save themselves from post processing later.
@@Dmeekification Exactly. And setting gain for the loudest part of something that hasn't been recorded yet is tricky business. I cannot tell you how many times I have had to adjust after a sound check because the sound source changes during the actual performance.
Great video Curtis. I have the original 60 and like it a lot. Do you recommend getting a mixer also?
Hi Brian, thanks. A mixer is a nice addition if recording more than two mics. But if only recording one or two mics, it is nice to be able to record with just the DR-60D.
Curtis Judd thanks for the reply. Working on a 90 minute movie this spring with hopes of streaming /DVD type release so hopefully the 60 will do the job and be good enough. The plan is to build up to better sound stuff eventually. A I've seen some very good audio that people get out of tascam as long as the mic is close enough so we will see how it goes. So far the 60 has been good
👍 I agree, amazing results if you apply the right technique. Best wishes on your film!
Hey, just wondering if you have tried mounting the camera on top of the unit. If so, have you noticed any wobble/flex at longer focal lengths (e.g. 200mm) and heavier lenses? Thanks!
Malcolm MacLean Yes, it absolutely flexes and wobbles, even with lenses much smaller than 200mm. For that reason, I don't mount my camera on top of it. Instead, I mount it to the side of my camera cage: th-cam.com/video/sv8jsh99vzE/w-d-xo.html It's a little funky, but it works decently.
What gear would you recommend for filming Wirelessly and also gear to record voice over? I'm just have a lav mic with my Canon t3i and need an affordable setup for getting started. :)
Budget and where will you be recording voice over? Wireless is generally not cheap if you need reasonable performance, but the RODELink is good at $399 USD. For voice over in untreated home "studios" I would go with a dynamic mic. The Audio Technica AT2005 USB is surprisingly good and you can use it straight out of the box or even hook it up to your $2000 preamp if you ever upgrade to that. th-cam.com/video/EHgSC3C0pTw/w-d-xo.html
RODELink: th-cam.com/video/CONhcUiyIXg/w-d-xo.html
Hi Curtis, great vid - just purchased the dr60d mkii. At 12.04 your camera and sound unit are shown in a tripod mounting frame (excuse pro terms ignorance - British!) with the sound unit on top. Where can I buy this, or something similar. Thanks.
Hi! That is a camera cage. Here are a couple:
Fhugen Honu: th-cam.com/video/Gv6lVgf0uXM/w-d-xo.html
Varavon Zeus Uni: th-cam.com/video/cAwCMkiiKd0/w-d-xo.html
Good luck!
I need a cage then... so they tell me! Many thanks Curtis. keep up the very fine work.
Hi there. Great review! Just wondering if it's possible for the recorder to function as an audio interface while being plugged directly into a computer like the H5 & H6?
No, that's a feature the 60D does NOT support, unfortunately.
just purchased this because of your review, I'm either going to get the ntg 1 or ntg 2 to use with it. ill be using it to make short films and was wondering which of the 2 mics you think I should get. the ntg2 usually has a lot of background hiss from the reviews I've watched on it and the ntg 1 seems to be a lot cleaner
Hi Kevin, thanks! I haven't used the NTG1 but my understanding is that the two microphones are identical except that the NTG2 can be self-powered with a AA battery. When you power it with an AA battery, its output impedance and output level drops by 6dB. So that is probably the difference you're hearing - some of the reviewers may also be recording directly to camera with an XLR to 3.5mm adapter which in my experience doesn't generally work well with the NTG2.
I think you're fine with either one. They'll sound identical when you phantom power them with the DR-60DmkII.
Best wishes!
Hello Curtis, Just wondering if you used noise removal software, or audio strait out of the DR-60DmkII? You seem to have great clean sound.
+Xenicus100 Hi, I did not use any noise reduction effects so that you could hear exactly what you can expect.
Hello Curtis, which mic did you use for this review? I'm looking to invest in my first video equipment for my DSLR to do interviews, and Im looking for clean audio just like what you have in this video. thanks.
Hi, I used the Audio Technica AT4053b for the talking head portions of this episode: amzn.to/2ausCOm
Hey Curtis, great video. Thanks for posting this. I noticed that you are using a Manfrotto tripod in this video. I'm in need of a good video tripod. May I ask which model it is? Thanks!
Hi Kelly, this is an older version that they have discontinued. But here is the replacement version: amzn.to/2DmvDMU and here are the newer tripod legs: amzn.to/2DNiAVz Best wishes!
Hey Curtis, I dont think you noticed the plug in power on 3 and 4 adds a lot of hiss. Also the headphone output has lots of noise. I wish you had addressed these in your video
Me too. I haven’t found the headphone jack to be problematic with Sony MDR7506s but the 3.5mm input is a noise factory.
hi curtis! do you know if there's a way for playback and monitoring to be set to stereo while the recording is actually set to mono? i'm recording with a shotgun mic in mono, but it's hard for me to hear properly on set when the playback is only coming through one ear, and kind of frustrating knowing i will be listening to it in stereo when i get home.
Hi alt alien, Hmm, not sure. I gave mine away to a friend a while back. Maybe try Tascam support? Best wishes.
Hi Cutis...
I will be implementing that for my use. Great review, Good job! Thank you somuch
RK
Hi Curtis, great review! I'm buying one of these second hand next week- along with a Rode NTG-3, is there anything you'd recommend doing to make sure they're in good condition quality-wise once they arrive? Thanks so much for all your work!
Hi Limited Laughs, thanks! Nothing aside from booming that NTG3 above you (within 30 to 40cm) and recording away. Should be a very good combination. Let us know how it goes!
Thanks so much! I will for sure :)
Great review but I do have a question if you could answer it. I have two Sennheiser G3 receivers that I want to use for both talents. Can I hook the two of the Sennheiser receivers up to this unit and have the two artists audio appear on the video?
Thanks in advance
Paul Short Yes! You'll just need to use 3.5mm to XLR cables from the Sennheiser receivers into the Tascam. If you want to record that to your camera, then just run a 3.5mm line out from the Tascam to your camera.
Thanks Curtis. I appreciate your fast response. I'm trying to get the best possible audio for two people speaking at the same time so I'll use this as a mixer for both Sennheiser units. Enjoyed your presentation on this and thought it was very well done. So much in fact I subscribed. ;)
Thanks Paul!
Hi curtis. thanks for the reviews you make. does TASCAM DR60MKII record stereo or mono?
Hi Fauzia, it can be configured to record mono or stereo. If you plan to record stere, you will need a stereo microphone with 3.5mm TRS plug or two XLR microphones. Best wishes!
Thank you!
Hey Curtis, thank you for all the useful videos. Do you think this is a better recorder than the DR100 MKII and if so why? Thank you in advance.
Yes, mostly. The only things that the DR-100mkII has over the DR-60DmkII is its dual battery system (one Li-Ion and 2 AA batteries) which automatically switches over when one set runs out and the in-built microphones if you need them. The DR-60DmkII's preamplifiers are much cleaner and provide more gain for mics that need a lot.
Thank you for the info. Looking forward to your new videos!
When you have the same opinion if you were comparing the DR-60dmii I with the DR-100mkiii?
Would you have...
I am not needing and turn on microphones just a Recorder that would give me great game for dynamic mics. I’m thinking one of the two models I mentioned little work but would prefer the cheaper option.
Curtis thank you for sending me to this video. I had previously commented on your "What mic will work with my camera". This is a good review on the Tascam. Right now I'm 50/50 towards this unit or the Zoom H6. Time will tell I guess. Very off point question, but what brand of articulating arm are you using here holding the Atomos?
Design39Media That's the Kamerar 7" Friction Tough Arm: amzn.to/1IMhd6G
The Zoom H6 is a good option as well. If you need 4 inputs, the Tascam DR-70D is worth a look as well. Same preamps as the 60DmkII, two additional inputs, and a better form factor.
Hey Curtis! Thanks for all of your videos! Love them as they are filled with great information. I have a question for you in reards to a mic and recorder im using. I have the tascam 60d mk2 and I'm using the deity vmic 3 pro. When sing it with the tascam, I had to turn on the plugin power option for it to work with the 3/4 audio 3.5mm jack. Since the mic I'm using has an internal battery, will this damage it? If so, would you know another way to power the mic and not damage it? I do have the means as well, if it means needing to upgrade to a diff recorder if needed.
Hey Lorenzo, no, that will not damage the D3 Pro. In fact, it needs the plugin power so that it knows how to configure itself to work with the Tascam. Keep making music!
Very grateful for your channel as I get started in video recording. I’m fortunate to have received a Tascam 60D mk1, an AudioTechnica PRO70 XLR lavalier mic, and a Boya BY-M1 lavalier with a TRRS male plug.
The advantages of the Boya mic are that it is cheap, lightweight, and it has its own power and an 18-foot cable. The PRO70 is rock solid, but requires a bulky XLR cable to get the same length. My preference is to use the lightweight Boya outdoors and the more robust PRO70 indoors. Any issues using both if I need to mic two people?
What is the best way to adapt and connect that male TRRS plug into Ch1 or Ch2 of the 60D? I’d like to avoid using Ch3/4 of the 60D because of the noise issue you described in the comments.
My camera is an iPhone 6S Plus that I will mount on top of the 60D. What are my options for connecting the 60D to the iPhone audio jack to record reference audio?
Hi Ron, thanks. The Boya has an unbalanced signal via its 3.5mm cable. This means that it is much more likely to pick up interference on its cable than the PRO-70 and its bulky, but balanced XLR cable. I'd bring both with you at all times so that if you notice you're picking up interference on the Boya, you can switch to the AT PRO-70.
I haven't tested it personally, but a RODE VXLR adapter might work to plug the Boya into the XLR inputs: amzn.to/2EkNvZG Fortunately it is relatively low cost so if it doesn't work out, you can return it or only suffer a $10 loss.
Sending audio to the phone will require an adapter along these lines: amzn.to/2Gs8JWl That's a lot of adapting going on, and there's a fair bit of risk that something can go wrong, but if you're persistent and careful, you can probably make it work. Best wishes!
Thanks, Curtis, that link got me close.
Looks like I'll need the "Rode VXLR adapter" and the "Movo MC3 3.5mm TRS (Female) Microphone Adapter Cable to TRRS (Male)" to attach the BOYA lavalier to the CH1 or CH2 XLR of the 60D. Will connecting an unbalanced BOYA mic to a balanced XLR input even work if there is minimal noise picked up by the cable?
The "Rode SC7 3.5mm TRS to TRRS Patch Cable" will work between the CAMERA OUT port on the 60D recorder and the 3.5mm jack on the iPhone 6S Plus.
Best regards,
-Rob
Hi Rob, I'm not sure whether that Move adapter will work. Be sure to buy it from a supplier with a good return policy just in case. An unbalanced mic into a balanced input should work, assuming everything is wired correctly. Should work in this case. Good luck!
I've had a problem with the original Tascam DR-60D not working with Eneloop Pro rechargeable batteries, even after changing the battery settings in the menu. Anyone else have this problem? Anyone know of a workaround?
Chris,
Love your videos and they've helped me a lot. Any chance you can do a video on how to set up the Tascam? I have one and have been messing with it a little but I find that I get quite a bit of feedback or digital noise, no matter what I'm doing and the only way to clear it out is to lower the gain a ton taking my overall volume down so far the tracks are almost useless because they are so quiet. I have a RODE NGT-2 and a RODE Videomic PRO. I haven't found a video out there that actually will go through the settings and what they do to really clarify what may be causing my issue and I assume this issue for others in some situations. Thanks for taking the time to read this.
Dark Raven Films Sure, I'll add that to the queue, thanks!
Thank you! It will be so helpful!
Thanks for an excellent video! I have a question, when recording constant tone, like music. When would you need to adjust volume on the fly? Or are you saying that the machine does auto adjustments that would affect music?
At concerts, especially when you don't have the opportunity to be at the sound check to set levels before the show. You'll get a stair-stepping effect as you reduce the input level while music is playing.
@@curtisjudd Appreciate ya, man
Curtis, thanks again for your great videos. Have you worked with the Tascam DR-40? If so, how would you compare it to the DR-60DmkII?
+Isaac Knopf I haven't personally used the DR40 but from other people I've gathered that its pre-amplifiers don't have as much gain and tend to be a fair bit noisier. It is one of Tascam's previous generation recorders and we've seen some nice improvement with each new generation. I believe the pre-amps in the DR-60DmkII and DR-70D are two generations newer and quite nice to work with. If you're trying to decide between the two, I'd encourage you to save up for the 60DkII as it is much nicer to work with and will give you substantially cleaner recordings. I just saw that it is now $170 USD at Amazon (price fluctuates but was $200 when I bought it and I have absolutely no regrets): amzn.to/1iPdpsI
Thanks very much!
Very helpful as always. May I ask a novice’s question? I’m keen to better my vlogging audio quality and am close to ordering the Rode NT1 A microphone. Amazon Here in Japan where I reside) lists the Tascam Linear PCM Recorder Digital SLR Cameras for Dr. - 60dmkii. Would the RØDE need additional power beyond that contained in the Tascam unit? I realize your post here is from some time ago but the unit seems to be the same... though it does now have an internal slate function.
Thanks in advance!
Edward Scruggs
Hi Edward, the Tascam will supply all the power the NT1 needs. Happy recording!
Curtis Judd Thank you!!
I'm curious, the camera cage that you are using, who is the manufacturer? would love to add that to my rail system!
Wonderful review on the DR-60D MKII. Recently purchased one myself, before I saw your review. totally love it myself!
Have a Great Day!
Scott D.
Knox River Films Inc.
Mound, MN.
S Dworakoski That's the Fhugen Honu 2.0 cage for the Panasonic GH4. Here's the review we did on that: th-cam.com/video/Gv6lVgf0uXM/w-d-xo.html However, I'd recommend you look at the Varavon Armor Cage instead: th-cam.com/video/sv8jsh99vzE/w-d-xo.html I just received the updated version of the Varavon and will be reviewing it in the next few weeks. Best wishes!
great review, still waiting to see some reviews popup for the new Tascam DR-100mk3
Thanks Aaron. I've got the 100Dmk3 on my list to review but admittedly a little ways down the list. Hopefully I'll get there before too much longer.
Curtis..Does the more gain in pre amp means more noise as well? I have 2x rode ntg3 and I want to record binaural ASMR sounds where the quality of sound is very important. Should I go for mark1 or mark2 which has a bit better preamps?
Hi Tome, definitely go for the mark II. It's preamps are cleaner and with the NTG3, you'll get some good quality. Generally, yes, when you push a preamp to or close to its max gain there will be more self-noise from the amplification circuitry, but with the NTG3, you won't need to go beyond the mid gain setting so you'll be in great shape. Good luck!
Thank you very much for your answer..ordered mark2
Regarding the XLRs sticking in the original DR-60, I had that happen to me. Until viewing your video, I didn't realize it was something that happened to others. I just thought I had a bad one. I can assure you, though, that it was not just a matter of the XLR cannon being bent or too tight. It had to do with the locking pin inside the DR-60 that engages with the slot on the male XLR sleeve. In my case, pushing the release didn't move that pin far enough out of the slot, and there was absolutely no way to remove the XLR once it was locked in. This was a pro-quality cable with brand new Neutrik connectors. We even took it into our shop, desoldered and disassembled the cable, so that the only thing left in the port was the cannon sleeve and attempted to dislodge it with various tools, but it was impossible. I ended up having to return it to B&H with the sleeve still attached, and they sent me a new DR-60 unit that worked fine.
+creativejuicesvideo Interesting, thanks for the details. Perhaps some of those locking mechanisms were defective on some production runs.
Nice review! By the way, is it possible to save the recorded sound directly in the camera's memoray card, without needing to synchronize audio and video later?
Yes, there is a 3.5mm camera output on the Tascam. You connect that to the microphone input on your camera and it will be recorded along with the video file in your camera.
Curtis- What brand is that little clamp holding the Ninja- would like to purchase one. Thanks, Mike D.
Mike Durso That's the Kamerar 7" Tough Friction Arm. It's been working well for me for about a year now: amzn.to/1MRoR0q
Hello Curtis, thanks first for the very instructive video! I have a small question though...I need to record myself playing a piano piece, i have a canon 550 D for this and i plan to buy a tascam , and plug my two micros with the XLR plugs. I hesitate between the original tascam DR 60 and the new relaese MKII. Will there be a huge difference concerning the piano sound? Thank you !!!
Hi Claire, for recording Piano, I would recommend spending the little bit more on the mkII as it has cleaner preamps. Piano is such a nuanced instrument, I think you'll be happier with the mkII. Best wishes!
Thank you Curtis! I'll listen to your advice! Have a nice day...Or night! ? !