This was sooooooo helpful for me. We are able to get rid of some old equipment/redundancy by using the Matrix section of our X32. Your instructions are great. Thank you. (I do sound/music direction for a church)
The Matrix capabilities of the X32 are beautifully explained here, the best part of this video is adding the subwoofer, love it! Thank you very much, Drew, you have such a natural way to explain things very fluently.
One important thing not mentioned about matrices is that when you send your L&R to a matrix, you don’t want to EQ the L&R faders at all anymore. You’ll instead use the matrix you sent the L&R to to shape your EQ. In his example, he had the L&R going to several different matrices for different purposes, so eq’ing the L&R will effect all your matrices and not necessarily in a good way. He mentioned some of that. The other thing is that there are 6 aux outputs that you could route your matrices to. This frees up valuable aux sends on the xlr jacks. In my case, I have matrix 1&2 going out 1/4” aux sends 1&2, subs going out 1/4” aux send 3, front fills going out 1/4’ aux send 4, and audio for video going out 1/4” aux sends 5&6. Now, I have 16 “monitor” outputs or whatever I need to send out with XLR connectors. Many times I don’t use all, but have that in my back pocket for those instances where I need a few stereo monitors for in ears. Those (in ear sends) eat monitor sends quickly.
Actually, the matrices get their signals from the L&R bus themselves. I don’t lose any aux busses for that. And yes, the FX could be using bus 13-16, but if I use an FX for something like a bus or subgroup, I can insert it then the bus is freed up.
I use Matrix differently. I use them as one or two extra main stereo outlets for delay speakers, or to cover an other area of the house, that the main speakers do not cover.
I think Drew was reading my mind because I was researching this the past few days. Very clear and concise information that answered all the questions I had regarding matrices on the X32.
Another way I use matrices, especially when doing hybrid events (PA and livestream simultaneously): - create 2 buses (or actually sub groups): 1 (mono) for speech, 1 (stereo) for music - create 2 (stereo) matrices: 1 for PA, 1 for stream/recording - send both buses to both matrices - this way you can easily adjust the volume, for instance: send speech louder to the stream to get the right output volume @Drew and others: A pro tip, when you're in the routing tab, and when you're scrolling through the left column ("analog output"). Did you know that, when you PRESS the button instead of turning, that the "output signal" column will auto-advance simultaneously? This way it's very easy to "batch assign", for instance MixBus 1-16 to Output 1-16.
so many great ideas with using Matrix(ies) Thank you, When we move into the schools sports dome for our bigger services and have to use a pair of fill speakers I use two matrixes one for the front speakers and 1 for the back with the delay applied
Thanks drew. But didn't really understand how and why you sent both the mono/center buss and the main LR buss to matrix three to feed the subs. Wished you had differentiated both situations. Thanks
I'm wondering the same thing too! Why would he have some channels only sent to m/c, and other channels only sent to L+R. This must be the only reason he sends both busses to the subs matrix. Maybe he actually has centre fills driven by the M/C buss with different sources in it. But if he did, I'd have thought he'd have addressed that in his Matrix PA allocation. Plus, I'd have a different mix via a matrix for centre fills rather than _only_ certain channels. Anyway - looking forward to hearing the answer. Also - can't you route the M/C buss straight out an output? If all channels / groups are routed to it, why would you then go via a matrix?
The matrix allows him to apply crossover filters to the outputs that's the reason why he sends both the main LR and the mono bus to matrix 3. So essentially everything goes to the main LR but certain frequencies are only sent to the subs using the crossover filter
Great Video and informtive. Now in our church everuthing is super loud we get so many complaints I try to adjust but instruments are lkud and voices super low. How do I adjust in order to get good sound quality with 0 complaints???? Is there a video out there that helps????
Okay, I really dig on this idea other than my kick drum. I use aux 8 for my sub out channel and have EQ that channel for such. I only want two or three things in the sub mix, bass, maybe bass keys and the kick drum. Your sending all of the mix into Matrix 3 and that is like a DJ set up to me. However I am going to move my sub out over to 14 now for I do like how your doing that. I do need a better send for Video out and livestream so this video was very useful to me. But I have been doing sub out on 8 for years now, need to retrain Andrea. Setting up for Church now. Thank you again Drew. Super David Scott.
Could you make a video walking through your Vocal Effects? I know you have one on the general Vocal Effects possibilities with the X32 but what would be really helpful is a specific walkthrough of the vocal effects and settings that you are using when you mix. ...similar to the Vocal EQ and Vocal Compression videos you did.
I love you videos and have learnt a lot from your explicit approach of teaching. more grace . I have a question. since I use the M/C for my subs ,must I send it to a mono matrix?
I run an X32 Producer for our church and been watching you for a number of years. love your channel, it has leveled me up a number of times. Thanks!!! Hope to meet ya some day. Thanks so much!!! Question: Having seen both of your recent Matrix videos, are you recommending send the L/R to the PA and the Livestream Matrices so you are working with identical sources or are creating a separate stereo bus and sending that to the Livestream Matrix (for more control)?
Came to this video for similar info. Looks as if LR goes to all matrices as identical source and processed through the matrices with their own outputs. My 2 cents, hope that helps.
Just a different way to use aux sends, in a funner way. But as Drew said, wish we could send indivual channels over there also instead of overall mix. But still very handy for sends to video rooms, cry rooms and youth group rooms or livestream so at least it is still very useful.
I own x32 producer, so if I understand correctly I can run outputs 7 and 8 (default main l/r) to my mains, output 6 to my subs then route main l/r to matrix 1 and 2 which will send main signals to the mains while using matrix to "copy" that main l/r signal to send to other rooms in the park? Say an outdoor concert with matrix running to a seperate pa inside the restaurant, main l/r pushing my speakers outside?
Drew please can you make a video on routing effects to matrix busses, say you want this FX going through your matrix for stream but not your main pa which might also be another matrix
VIDEO REQUEST: could you please explain how to set a different EQ curve for my left VS my right main PA speakers? I haven't been able to figure this one out for a while. To me this looks like a BIG disadvantage of the x32/m32. Thank you for all your educational content, it's been very helpful!!!
Drew - great video to help us with our PA sound. Today it is muddy I think because we have all signal going to the subs and all other speakers. I followed you through the EQ of matrices 1, 2 and 3. The subs are Matrix 3. I am confused on the routing section of your video and please help. You have mtx 2 in the video and selecting Output 6 and then matrix 3. Should that be matrix 3 for the subs using output 6 on the Behringer? Today we use outputs 15 and 16 for the mains. I thought we would use output 14 on the Behringer for the subs. Then you say "for a full size" and select output 14.... Full size what? Basically, please explain the routing needed. Thank you again!!
Hello Brashler Kindly help me understand why my M32 Midas main LR output has low sensitivity towards vocal signals even when the gain is cranked all way up. The channel shows it's clipping but not much is reaching the LR mains output. So because of this, the backup vocals usually sound too quiet in the live mix. Thank you.
Sir How to Manage 2 Type Sub. I mean 2 /3 types bass reflex sub , example - 1) Front Loaded 2) Hornload 2) Revers speaker sub In one venue. How to manage it
I image my main output to matrix for live stream using OBS. However, when i use my talkback mic, it also go through to the OBS. Any idea what have i missed or done incorrectly? Thanks.
maybe i'm missing something, but using the matrixes sounds like such a backwards way of doing something like a broadcast mix. instead, just use a standard stereo bus, sending the FOH faders post-fader into the bus, and then pull up the FOH faders into the bus to unity. that will effectively duplicate your FOH mix, following the changes you make for FOH as the FOH faders are being sent into the bus as post fader. with the upside of allowing you to push stuff a little harder or softer into the broadcast bus by pulling those faders beyond or below unity then just send your ambience/room mics into the broadcast bus as pre-fader and crank them into the broadcast bus. that way the ambience/room mics for the FOH mix can stay at negative infinity, but you can pump them into the bus independent of their FOH fader levels seems like a much more straightforward way about doing things so that the mixes stay connected BUT completely separate in output and input, and you don't have to re-route or anything like that, and you have greater control in a more intuitive, standard way of mixing
In your Mono Matrix mix (Matrix Channel 4) for the camera feed guy, your sending the Main L/R mix and your sending the Mono/C (Sub) mix to it. If your doing your crossovers in your Matrix section, on Matrix channels 1,2,3, for the main PA & sub mix, how are your crossing over the signal coming into your Mono Matrix? Isn't that like sending those signals full EQ range ( Not Crossed over) to your mono matrix mix? Why not just do the crossovers on the EQ's for the Main L/R and M/C channel on the first level, so when u sum to mono, on Matrix Ch.4, Or Sending to your PA and sub, its Crossed-over going in? That leads me to also ask, I know there are tap points when sending channels to mix buses and buses to matrix's. but does EQ'ing the Main L/R affects what goes into the matrix or does that depend on the tap? Holla back. By the way, I have ths board. I'll trouble shoot as well.
fantastic. i was trying to understand how matrices work. if i'm not using the LR for anything other than my PA speakers is there any reason to use matrices to process and send the signal to my PA speaker and sub vs just using the LR main outs and M/C for sub? OH. If you use the matrices i guess it’s not necessarily aux fed and if you use LR and M/C it IS aux fed right?
How do you send a stereo signal (ie Main Left/Right) to a mono matrix? If you SEND the L/R channel to a single un-linked matrix, does it automatically sum the left and right signals to that single matrix?
Lovely. I always wondered why mixers use up a set of matrixes for their main PA when it can just as easily go through the main stereo buss. If I am correct, what you're doing is just adding an extra layer of control for EQ/Dynamics, etc. Did I sum that up correctly?
Hello Drew ! Wondering if I need to connect the subwoofer to Bus channel " let say number 10" and send this Bus to matrix in order to control Subwoofer separately? Thanks.
So, I hope I explain it correctly... My goal is to create 1 total mix of the band on a bus. On another bus I want only the vocal of the singer. Let say bus 1 and bus 2 The second singer must have bus 1 and his/het vocals of bus 3 in this case. I can send 1 and 2 tot matrix 2 and 2. And I can sen bus 1 en 3, tot matrix 3 and 4? Each bus on a left or right. So 1 on left, 2 on right. Then I sent it to a stereo in-ear device L&R.. Set this device to mono. What I hope to achieve is that when the vocalist need to hear more vocal on the in-ear, he/she just turn the balance on the body pack a bit. So more vocal, less total mix. And I can use the same total mix for the different vocalists. Of course I have to use per persons 2 outs. Am I thinking correctly ? Thanks for all you videos.
Hello Drew! Have learned a lot from your videos! Can I ask if you can demo how to get the USB recorded to be routed to any of the IN's in the console? For example, my band uses a click and track that we play along to, when we record our shows, later on i have to manually add the click and track to the gig to be able to mix it. Can i make it that Aux 7 and 8 rout to IN 01 and IN 02?
You misunderstood that part of what Drew said. He was referring to the outputs on the boards. For the full size x32 there are 16 physical xlr outputs on the back and 32 physical xlr inputs. The main left/right output signal on the full size board is automatically assigned to outputs 15 and 16. Leaves the first 14 open for whatever you want. On the x32 compact (which I own) there are only 8 physical xlr outputs on the back and 16 physical xlr inputs. The main left/right output signal on the compact is automatically assigned to outputs 7 and 8 because there are only 8. That leaves the first 6 open for whatever you want. The compact can handle 16 mics in, plus six more inputs in the form of the 1/4 inch AUX in's on the back. These 1/4 inch can be used for keyboards or drum machine or acoustic guitars etc... If you get the 32 channel stage box from Midas or Behringer, it has all 32 inputs and all 16 outputs. If you hook that up to the X32 COMPACT, you have full access to all of it. Hope that helps. Cheers
Am having issues with my x32 it can't recognise flash drives, I have reset d board still thesame I have changed the flash still not working how do I resolve this
Thank you for a lucid and very interesting explanation. Is there a matrix crossover filter on the M32R? I couldn't find reference to it in user manual or block diagram.
One way, select the CHANNEL you want to send, press "sends on fader", then raise the BUS fader you want the channel to go into. More you raise fader, the more send to that bus. Go easy, the signals being sent to a BUS get summed together. Very easy to overload the bus if sending multiple signals. Another way, select the BUS you want to send into. Hit "sends on fader", now move up the faders for any channel you want to send to that BUS. "Sends on fader" works both ways!! When you first hit sends on fader, don't be surprised if a lot of faders move! You are NOT seeing your mix anymore. You're seeing the sends to the bus'. MAKE SURE YOU TURN OFF SENDS ON FADER WHEN DONE!!!! If you forget, you'll think you're mixing FOH and still be sending shit to monitors!! Could be a disaster lol. Been there and done that more than once!! Thought I was turning up a guitar solo in FOH and I was blasting it through the lead singers monitor instead! Yeah, feedback happened. Ears hot, head down, the whole works!! 🤣 Cheers!
Okay I totally and completely understand the whole send a bus to the matrix. I just honestly still don’t understand why you would choose it over just a regular bus. Doesn’t it practically serve the same purpose? Can someone just help me get that part? Because you can apply EQs on busses as well so what’s the point of sending it to a matrix to do that
HELP…..my bass guitar is super low in the stream…and the sound engineer set up matrix…How do I increase the bass guitar in the matrix or livestream…we do have a bass guitar bus mix…so how do I go about increasing it..
If he is sending your stream off of a matrix, it would most likely be the same mix that is in the house PA. Which means, he isn't turning you up in the mains. Are you using an amp on stage? If so, I would suggest turning your amp down, so that he pushes you more through the main PA. If you don't have an amp on stage, I would imagine that the subwoofers are set too loud in comparison to the Main PA, which means it sounds good in the room (lots of subs) but the online doesn't get the subwoofer send, so you aren't being pushed there. If this is the case, I think your church/venue would benefit from a proper system tuning. Hope this helps!
@@DrewBrashler it helps…but I am using an amp on stage…so when you say push it through the main….how do I go about that? Is that with the compressor gain or ?
Hi Drew, another excellently explained video. I use a Matrix for doing a rough mix to my USB recording stick where I can balance the levels differently to the PA mix. I have a question that is a bit off topic; when I send my drums to a stereo buss on the x32 they show as clipping on that buss, but I have the gains fairly low on the individual drum channels. Am I using the wrong buss settings perhaps ? Thank you -Jason
Hey Jason, no wrong settings lol. Keep your gains up on the channels to get a nice full signal for sure. It's feeding all your processing, so don't skimp lol. The thing about the bus' is that the inputs to them get summed together. A little bit of each drum will bring you up to unity. Throw a pair of headphones into the side of the x32 and hit the solo button on the bus. Set the BUS fader at unity and add small amounts of each drum until you get the lights on the bus to unity with the mix you want. (remember to turn up the "PHONES LEVEL" knob at the top of the board lol.) You don't want each channel to be sending a full signal to the bus. You're not "gaining up" the signal, it's already strong. You're just mixing into the bus. Hope that helps... Cheers
@@66fitton Thanx for your answer Steve. That makes a lot of sense. I do recall trying that approach but had to run the Bus overall level a bit higher above unity to add enough to the overall mix, so I probably need to bring every other Bus channel down below unity maybe. Cheers Jason
@@jasonalexander5253 That's why I just start with the bus master at unity and build the mix into it until it shows a proper level. The same rules apply when mixing your bus' into your main outs. start with master at unity and build your bus mix into it. Same concept. If you have proper preamp settings and a good strong signal on each channel, it's amazing how little you need to add from each channel to get bus mixes up to where you want. Adds up quick lol. Cheers
Dang this video would've been perfect for me about 6 months ago 😂😭. Luckily the x32 is not so difficult that after a few days of trying you can't figure things out.
I love your new videos they have been wonderful till this one. This is the most confusing video I’ve ever seen. It made me never want to even try to use the matrix
@@SonidoMazizo I basically know how they work I was talking about his flying through his words about changing this changing that and then change this then change aux’s , matrix he had so much verbiage going on you have to sit back go what the hell did he just say. Usually brilliant videos but not this one
This was sooooooo helpful for me. We are able to get rid of some old equipment/redundancy by using the Matrix section of our X32. Your instructions are great. Thank you. (I do sound/music direction for a church)
The Matrix capabilities of the X32 are beautifully explained here, the best part of this video is adding the subwoofer, love it! Thank you very much, Drew, you have such a natural way to explain things very fluently.
THANKS! I've never used that matrixies as I've never understood them. You just unlocked a whole new section of my board!!
One important thing not mentioned about matrices is that when you send your L&R to a matrix, you don’t want to EQ the L&R faders at all anymore. You’ll instead use the matrix you sent the L&R to to shape your EQ.
In his example, he had the L&R going to several different matrices for different purposes, so eq’ing the L&R will effect all your matrices and not necessarily in a good way. He mentioned some of that.
The other thing is that there are 6 aux outputs that you could route your matrices to. This frees up valuable aux sends on the xlr jacks.
In my case, I have matrix 1&2 going out 1/4” aux sends 1&2, subs going out 1/4” aux send 3, front fills going out 1/4’ aux send 4, and audio for video going out 1/4” aux sends 5&6. Now, I have 16 “monitor” outputs or whatever I need to send out with XLR connectors. Many times I don’t use all, but have that in my back pocket for those instances where I need a few stereo monitors for in ears. Those (in ear sends) eat monitor sends quickly.
Each of those matrices require a bus to feed them. Additionally FX remove even more bus sends. How would you be able to utilize up to 16 XLR outs?
Actually, the matrices get their signals from the L&R bus themselves. I don’t lose any aux busses for that.
And yes, the FX could be using bus 13-16, but if I use an FX for something like a bus or subgroup, I can insert it then the bus is freed up.
So that is how to use the 1/4 inch out on the board. I like very much and I have the adaptors to make that work. Sweet. Thanks for the comment Dale.
Thank you so much for all your videos. I feel way more comfortable with our X32 after watching them.
Thank you, Drew. Very thorough and succinct. I appreciate you.
Very helpful and very intuitive Drew... much grace sir
Awesome explanation, I’ll try this style of workflow in the future, thank you!
Can you go over your settings for all your drum mics? Gates(with triggers), Compression, EQ, effects, etc
More of this^
Ya I'd rather see that. I'm at the point where I'm all caught up to the rest
Brilliantly explained
Super informative, thanks DB
Thank you very Drew I am glad learning more from you
I use Matrix differently. I use them as one or two extra main stereo outlets for delay speakers, or to cover an other area of the house, that the main speakers do not cover.
I use the matrices to run a three way crossover (low/mid/high) into six amp channels in my passive rig. No external crossover - brilliant!
I think Drew was reading my mind because I was researching this the past few days. Very clear and concise information that answered all the questions I had regarding matrices on the X32.
I can't tell you how many times I have looked at that matrix button and wondered what was it for??? :) thanks! great explanation.
Another way I use matrices, especially when doing hybrid events (PA and livestream simultaneously):
- create 2 buses (or actually sub groups): 1 (mono) for speech, 1 (stereo) for music
- create 2 (stereo) matrices: 1 for PA, 1 for stream/recording
- send both buses to both matrices
- this way you can easily adjust the volume, for instance: send speech louder to the stream to get the right output volume
@Drew and others:
A pro tip, when you're in the routing tab, and when you're scrolling through the left column ("analog output").
Did you know that, when you PRESS the button instead of turning, that the "output signal" column will auto-advance simultaneously?
This way it's very easy to "batch assign", for instance MixBus 1-16 to Output 1-16.
How do you balance the mixbuses’ volume in a matrix? I tried to turn the send up and down but the volume still the same in my stereo matrices.
@@tubeo94 Select mixbus and go to 'mix bus send view' (I think it's called something like that)
@@PietNelemans yeah i tried that but it still output the same volume no. Matter how much i tried. Maybe i set a wrong tap point
so many great ideas with using Matrix(ies) Thank you, When we move into the schools sports dome for our bigger services and have to use a pair of fill speakers I use two matrixes one for the front speakers and 1 for the back with the delay applied
Thank you so much sir for your packaged information.
Thanks Drew!
Thanks drew. But didn't really understand how and why you sent both the mono/center buss and the main LR buss to matrix three to feed the subs. Wished you had differentiated both situations. Thanks
I was wondering the same thing. Isn’t that defeating why you have the mono for the sub?
I'm wondering the same thing too! Why would he have some channels only sent to m/c, and other channels only sent to L+R. This must be the only reason he sends both busses to the subs matrix. Maybe he actually has centre fills driven by the M/C buss with different sources in it. But if he did, I'd have thought he'd have addressed that in his Matrix PA allocation. Plus, I'd have a different mix via a matrix for centre fills rather than _only_ certain channels.
Anyway - looking forward to hearing the answer.
Also - can't you route the M/C buss straight out an output? If all channels / groups are routed to it, why would you then go via a matrix?
The matrix allows him to apply crossover filters to the outputs that's the reason why he sends both the main LR and the mono bus to matrix 3. So essentially everything goes to the main LR but certain frequencies are only sent to the subs using the crossover filter
Cam, you please go over each of the stereo effects, and which is best? Especially for live feeds.
This Video was absolut one fo my Favorite! Thank you very much!!!
GREAT VIDEO!! THANK YOU!!!
Great Video and informtive. Now in our church everuthing is super loud we get so many complaints I try to adjust but instruments are lkud and voices super low. How do I adjust in order to get good sound quality with 0 complaints???? Is there a video out there that helps????
Pls do a video on how to load waves from a sd card multitrack recording to protools.Thx in advance.
A very helpfull video ..
Excellent !
thank you
Okay, I really dig on this idea other than my kick drum. I use aux 8 for my sub out channel and have EQ that channel for such. I only want two or three things in the sub mix, bass, maybe bass keys and the kick drum. Your sending all of the mix into Matrix 3 and that is like a DJ set up to me. However I am going to move my sub out over to 14 now for I do like how your doing that. I do need a better send for Video out and livestream so this video was very useful to me. But I have been doing sub out on 8 for years now, need to retrain Andrea. Setting up for Church now. Thank you again Drew.
Super David Scott.
Please can you enlighten me on how to setup for in ear monitors for both the vocals and the instruments. Thank you Sir
Could you make a video walking through your Vocal Effects? I know you have one on the general Vocal Effects possibilities with the X32 but what would be really helpful is a specific walkthrough of the vocal effects and settings that you are using when you mix. ...similar to the Vocal EQ and Vocal Compression videos you did.
I love you videos and have learnt a lot from your explicit approach of teaching. more grace . I have a question. since I use the M/C for my subs ,must I send it to a mono matrix?
Great vid!
Thank you very much
I run an X32 Producer for our church and been watching you for a number of years. love your channel, it has leveled me up a number of times. Thanks!!! Hope to meet ya some day. Thanks so much!!!
Question: Having seen both of your recent Matrix videos, are you recommending send the L/R to the PA and the Livestream Matrices so you are working with identical sources or are creating a separate stereo bus and sending that to the Livestream Matrix (for more control)?
Came to this video for similar info. Looks as if LR goes to all matrices as identical source and processed through the matrices with their own outputs. My 2 cents, hope that helps.
Need to watch this 10 more time still don’t understand matrix 😔
Just a different way to use aux sends, in a funner way. But as Drew said, wish we could send indivual channels over there also instead of overall mix. But still very handy for sends to video rooms, cry rooms and youth group rooms or livestream so at least it is still very useful.
@@DavidKestler ok you made it clearer thanks
Your welcome :) @@edsonsimpson283
Thank you sir ❤
😂
I own x32 producer, so if I understand correctly I can run outputs 7 and 8 (default main l/r) to my mains, output 6 to my subs then route main l/r to matrix 1 and 2 which will send main signals to the mains while using matrix to "copy" that main l/r signal to send to other rooms in the park? Say an outdoor concert with matrix running to a seperate pa inside the restaurant, main l/r pushing my speakers outside?
Drew please can you make a video on routing effects to matrix busses, say you want this FX going through your matrix for stream but not your main pa which might also be another matrix
good one! so is there an xlr out for every matrix bus [1-6]? what about on the snake ?
VIDEO REQUEST: could you please explain how to set a different EQ curve for my left VS my right main PA speakers?
I haven't been able to figure this one out for a while. To me this looks like a BIG disadvantage of the x32/m32.
Thank you for all your educational content, it's been very helpful!!!
Use a dual (NOT stereo) graphic eq as an insert effect on your main bus.
Don't LINK the bus'. If you don't link them, they each have their own eq. There is zero difference in the way it works.
Haha, sorry, I meant don't link the MATRIX'S
@@66fitton If I don't link the matrix, then I loose stereo and results in 2 mono channels which has the stereo signals summed together.
Drew - great video to help us with our PA sound. Today it is muddy I think because we have all signal going to the subs and all other speakers. I followed you through the EQ of matrices 1, 2 and 3. The subs are Matrix 3. I am confused on the routing section of your video and please help. You have mtx 2 in the video and selecting Output 6 and then matrix 3. Should that be matrix 3 for the subs using output 6 on the Behringer? Today we use outputs 15 and 16 for the mains. I thought we would use output 14 on the Behringer for the subs. Then you say "for a full size" and select output 14.... Full size what? Basically, please explain the routing needed. Thank you again!!
Could you show us how to do Vocal Delay Ducking on the X32?
Hello Brashler
Kindly help me understand why my M32 Midas main LR output has low sensitivity towards vocal signals even when the gain is cranked all way up. The channel shows it's clipping but not much is reaching the LR mains output.
So because of this, the backup vocals usually sound too quiet in the live mix.
Thank you.
Sir How to Manage 2 Type Sub. I mean 2 /3 types bass reflex sub , example - 1) Front Loaded
2) Hornload
2) Revers speaker sub
In one venue. How to manage it
Is there a link to the online streaming using matrix please?
How would you set up a talk back mic for musicians on stage to talk to each other through s16/32?
I image my main output to matrix for live stream using OBS. However, when i use my talkback mic, it also go through to the OBS. Any idea what have i missed or done incorrectly? Thanks.
maybe i'm missing something, but using the matrixes sounds like such a backwards way of doing something like a broadcast mix. instead, just use a standard stereo bus, sending the FOH faders post-fader into the bus, and then pull up the FOH faders into the bus to unity. that will effectively duplicate your FOH mix, following the changes you make for FOH as the FOH faders are being sent into the bus as post fader. with the upside of allowing you to push stuff a little harder or softer into the broadcast bus by pulling those faders beyond or below unity
then just send your ambience/room mics into the broadcast bus as pre-fader and crank them into the broadcast bus. that way the ambience/room mics for the FOH mix can stay at negative infinity, but you can pump them into the bus independent of their FOH fader levels
seems like a much more straightforward way about doing things so that the mixes stay connected BUT completely separate in output and input, and you don't have to re-route or anything like that, and you have greater control in a more intuitive, standard way of mixing
How about a video using X32 rack and a PC loaded up with X32 rack edit that would be really sweet because not all of us own M32 is an X32 desks
In your Mono Matrix mix (Matrix Channel 4) for the camera feed guy, your sending the Main L/R mix and your sending the Mono/C (Sub) mix to it. If your doing your crossovers in your Matrix section, on Matrix channels 1,2,3, for the main PA & sub mix, how are your crossing over the signal coming into your Mono Matrix? Isn't that like sending those signals full EQ range ( Not Crossed over) to your mono matrix mix? Why not just do the crossovers on the EQ's for the Main L/R and M/C channel on the first level, so when u sum to mono, on Matrix Ch.4, Or Sending to your PA and sub, its Crossed-over going in? That leads me to also ask, I know there are tap points when sending channels to mix buses and buses to matrix's. but does EQ'ing the Main L/R affects what goes into the matrix or does that depend on the tap? Holla back. By the way, I have ths board. I'll trouble shoot as well.
fantastic. i was trying to understand how matrices work. if i'm not using the LR for anything other than my PA speakers is there any reason to use matrices to process and send the signal to my PA speaker and sub vs just using the LR main outs and M/C for sub?
OH. If you use the matrices i guess it’s not necessarily aux fed and if you use LR and M/C it IS aux fed right?
How do you send a stereo signal (ie Main Left/Right) to a mono matrix? If you SEND the L/R channel to a single un-linked matrix, does it automatically sum the left and right signals to that single matrix?
Yes! It just takes the Left and the Right and sums it to mono if you don't link the Matrix to another.
Merci beaucoup
Lovely. I always wondered why mixers use up a set of matrixes for their main PA when it can just as easily go through the main stereo buss. If I am correct, what you're doing is just adding an extra layer of control for EQ/Dynamics, etc. Did I sum that up correctly?
Can't figure that one out either lol.
I may have missed it, but would feeding a livestream be a good option for a matrix?
Hello Drew ! Wondering if I need to connect the subwoofer to Bus channel " let say number 10" and send this Bus to matrix in order to control Subwoofer separately? Thanks.
Bạn có thể sử dụng main M/C. Thông qua aux out, bạn khai báo aux out đó thành M/C và bạn dễ dàng điều khiển từng kênh riêng biết cho M/C đó.
Please Do Videos in Allen and Heath SQ6
Thanks
So, I hope I explain it correctly...
My goal is to create 1 total mix of the band on a bus.
On another bus I want only the vocal of the singer.
Let say bus 1 and bus 2
The second singer must have bus 1 and his/het vocals of bus 3 in this case.
I can send 1 and 2 tot matrix 2 and 2. And I can sen bus 1 en 3, tot matrix 3 and 4?
Each bus on a left or right. So 1 on left, 2 on right.
Then I sent it to a stereo in-ear device L&R.. Set this device to mono.
What I hope to achieve is that when the vocalist need to hear more vocal on the in-ear, he/she just turn the balance on the body pack a bit. So more vocal, less total mix. And I can use the same total mix for the different vocalists. Of course I have to use per persons 2 outs.
Am I thinking correctly ?
Thanks for all you videos.
Hello Drew! Have learned a lot from your videos! Can I ask if you can demo how to get the USB recorded to be routed to any of the IN's in the console? For example, my band uses a click and track that we play along to, when we record our shows, later on i have to manually add the click and track to the gig to be able to mix it. Can i make it that Aux 7 and 8 rout to IN 01 and IN 02?
What is considered a smaller board for channels? Is the X32 compact considered a smaller board or full size to use channels 15 16 or 7 8??
You misunderstood that part of what Drew said. He was referring to the outputs on the boards. For the full size x32 there are 16 physical xlr outputs on the back and 32 physical xlr inputs. The main left/right output signal on the full size board is automatically assigned to outputs 15 and 16. Leaves the first 14 open for whatever you want.
On the x32 compact (which I own) there are only 8 physical xlr outputs on the back and 16 physical xlr inputs. The main left/right output signal on the compact is automatically assigned to outputs 7 and 8 because there are only 8. That leaves the first 6 open for whatever you want.
The compact can handle 16 mics in, plus six more inputs in the form of the 1/4 inch AUX in's on the back. These 1/4 inch can be used for keyboards or drum machine or acoustic guitars etc...
If you get the 32 channel stage box from Midas or Behringer, it has all 32 inputs and all 16 outputs. If you hook that up to the X32 COMPACT, you have full access to all of it. Hope that helps. Cheers
so.... using the matrix makes the master fader obsolete?? the matrix is now controlling the parameters of the sends... is this correct??
Am having issues with my x32 it can't recognise flash drives, I have reset d board still thesame I have changed the flash still not working how do I resolve this
Thank you for a lucid and very interesting explanation. Is there a matrix crossover filter on the M32R? I couldn't find reference to it in user manual or block diagram.
i Don't get it. does matrix have physical output behind mixer?
Hey drew how to send a channel strip to the mix bus
One way, select the CHANNEL you want to send, press "sends on fader", then raise the BUS fader you want the channel to go into. More you raise fader, the more send to that bus. Go easy, the signals being sent to a BUS get summed together. Very easy to overload the bus if sending multiple signals.
Another way, select the BUS you want to send into. Hit "sends on fader", now move up the faders for any channel you want to send to that BUS. "Sends on fader" works both ways!!
When you first hit sends on fader, don't be surprised if a lot of faders move! You are NOT seeing your mix anymore. You're seeing the sends to the bus'.
MAKE SURE YOU TURN OFF SENDS ON FADER WHEN DONE!!!! If you forget, you'll think you're mixing FOH and still be sending shit to monitors!! Could be a disaster lol. Been there and done that more than once!! Thought I was turning up a guitar solo in FOH and I was blasting it through the lead singers monitor instead! Yeah, feedback happened. Ears hot, head down, the whole works!! 🤣 Cheers!
Great video!
Okay I totally and completely understand the whole send a bus to the matrix. I just honestly still don’t understand why you would choose it over just a regular bus. Doesn’t it practically serve the same purpose? Can someone just help me get that part? Because you can apply EQs on busses as well so what’s the point of sending it to a matrix to do that
Is this the same as the documentaries Neo is in?
HELP…..my bass guitar is super low in the stream…and the sound engineer set up matrix…How do I increase the bass guitar in the matrix or livestream…we do have a bass guitar bus mix…so how do I go about increasing it..
If he is sending your stream off of a matrix, it would most likely be the same mix that is in the house PA. Which means, he isn't turning you up in the mains.
Are you using an amp on stage? If so, I would suggest turning your amp down, so that he pushes you more through the main PA.
If you don't have an amp on stage, I would imagine that the subwoofers are set too loud in comparison to the Main PA, which means it sounds good in the room (lots of subs) but the online doesn't get the subwoofer send, so you aren't being pushed there. If this is the case, I think your church/venue would benefit from a proper system tuning.
Hope this helps!
@@DrewBrashler it helps…but I am using an amp on stage…so when you say push it through the main….how do I go about that? Is that with the compressor gain or ?
Yeah! So turn down your amp, and then turn up the volume of your bass guitar on the mixer itself.
@@DrewBrashler thanks so much…it makes a lot of sense….I will do that!
Hi Drew, another excellently explained video. I use a Matrix for doing a rough mix to my USB recording stick where I can balance the levels differently to the PA mix.
I have a question that is a bit off topic; when I send my drums to a stereo buss on the x32 they show as clipping on that buss, but I have the gains fairly low on the individual drum channels. Am I using the wrong buss settings perhaps ? Thank you -Jason
Hey Jason, no wrong settings lol. Keep your gains up on the channels to get a nice full signal for sure. It's feeding all your processing, so don't skimp lol. The thing about the bus' is that the inputs to them get summed together. A little bit of each drum will bring you up to unity. Throw a pair of headphones into the side of the x32 and hit the solo button on the bus. Set the BUS fader at unity and add small amounts of each drum until you get the lights on the bus to unity with the mix you want. (remember to turn up the "PHONES LEVEL" knob at the top of the board lol.) You don't want each channel to be sending a full signal to the bus. You're not "gaining up" the signal, it's already strong. You're just mixing into the bus. Hope that helps... Cheers
@@66fitton Thanx for your answer Steve. That makes a lot of sense. I do recall trying that approach but had to run the Bus overall level a bit higher above unity to add enough to the overall mix, so I probably need to bring every other Bus channel down below unity maybe. Cheers Jason
@@jasonalexander5253 That's why I just start with the bus master at unity and build the mix into it until it shows a proper level. The same rules apply when mixing your bus' into your main outs. start with master at unity and build your bus mix into it. Same concept.
If you have proper preamp settings and a good strong signal on each channel, it's amazing how little you need to add from each channel to get bus mixes up to where you want. Adds up quick lol. Cheers
@@66fitton Thanx heaps Steve. Words of wisdom that I will start applying to my mixes from now on. Cheers Jason :)
I want it, ask for 1🙏
Dang this video would've been perfect for me about 6 months ago 😂😭. Luckily the x32 is not so difficult that after a few days of trying you can't figure things out.
Missed opportunity--should have included a clip of Morpheus saying "No one can be told what the Matrix is..."
:)
We use matrix for our speakers
10:41 More irony :D I tease
If you want cleaner out it at 140hz for the Pas and 400 for the subwoofer
🤣🤣🤣 No.
Because I want my online feed to sound better
Very interesting, but don't understand nothing
Still confused, but A for effort.
You lost me about 20 seconds in.
I love your new videos they have been wonderful till this one. This is the most confusing video I’ve ever seen. It made me never want to even try to use the matrix
It’s easy after the first try
@@SonidoMazizo I basically know how they work I was talking about his flying through his words about changing this changing that and then change this then change aux’s , matrix he had so much verbiage going on you have to sit back go what the hell did he just say. Usually brilliant videos but not this one
hello you are very cool and thank you but i need your help can i get to contact you please is necessary is necessary,,, please reply
Thanks Drew❤