00:00 - Intro 00:36 - Autumn Leaves 00:52 - Basic Chords 01:52 - Tritone Substitution 04:39 - New Passing Chords 06:03 - Practice 07:19 - Beginner Approach 09:34 - Play at medium tempo 10:22 - Pro Approach 13:15 - Play at medium tempo 13:41 - Conclusion
Wow hey Noah and Jonny! A nice chance here to tell you both thank you! At the same time haha. I've learned so much from your videos. Best wishes, Felix
I just discovered your channel and your lessons are simply perfect and easy to understand! I Wish I have had a piano teacher like you when I was younger! Anyway, I have a question to ask: this tritone substitution is applicable in a 2-5-1 progression right? But if I want to add this technique to a pop song, how would it be? Can you find an example please? Thank you in adv Jonny, you are amazing!
Just great Johnny. Just discovered your site and just think it’s the best jazz teaching method I was ever taught ! So clear, so simple, so much fun ! Thanks so much from France!
Awesome! There's a difference between (us) knowing something in theory, and seeing how it pans out to sound great in practice. Specially when you layer 2 or 3 upgrades on top of each other! More of this sort of thing please :)
PS 7:38 definitely does sound good - and I'm slowing down to 0.25 speed to spot all the extra sauce you're putting on top of the things you went on to show us!! :D
Fantastic lesson this has cleared up so much confusion for myself. piano with Jonny is great thank so very much. keep up the good work, and of course your fabulous playing. your enthusiasm is addictive. Top Man.
Good evening! I study according to your lessons, it is very useful. Thank you very much for doing a good job. And could you drop the whole collection with these wonderful works?
Coming from a classical background, it's interesting how this is similar to the Neapolitan chord (bII), but in classical music it's usually in first inversion (and it doesn't have the 7th), and then instead of resolving straight to the I chord, it goes to V then I.
Definitely a fan of approaching with a dom7 from either above OR below. However if it's a maj7, or a m7, or a m7b5, the tritone no longer shares the 3 and 7. At that point it's less a tritone sub, and more a chromatic approach chord. And while it's true that the chromatic approach from ABOVE is a tritone away when doing V-I changes, no reason you can't also approach from below.
Jonny, putting aside the actual lesson here for a moment (which as great), there's something ELSE in this video that hit me like a lightning bolt. You routinely use your thumb to play two adjacent notes at the same time!
Fully understood the principle, very well explained. Too difficult to play for me, as a beginner. Spreading the chords LH/RH, alternatively root+3rd and root+7th no way for now :-)
Using inverted chords on the passing chords would help minimize the movement of the left hand and make it easier for the player. The 7th of note of the passing chord should be the root of the next chord.
Good explanation and a good way for spicing up a chord progression if used sparingly. Used all the time through an entire tune… not for me. Too much of a good thing isn’t always wonderful.
00:00 - Intro
00:36 - Autumn Leaves
00:52 - Basic Chords
01:52 - Tritone Substitution
04:39 - New Passing Chords
06:03 - Practice
07:19 - Beginner Approach
09:34 - Play at medium tempo
10:22 - Pro Approach
13:15 - Play at medium tempo
13:41 - Conclusion
Best explanation I’ve heard, and I first read about tritone substitution nearly 15 years ago…wish I’d had this video back then!
Ah man you beat me to this by a day! Great video. Love the way you explain this so clearly.
Haha thanks Noah! I’m sure your video will be awesome. Can’t wait to check it out.
Wow hey Noah and Jonny! A nice chance here to tell you both thank you! At the same time haha. I've learned so much from your videos. Best wishes,
Felix
@@FelixSunMusic Hey Felix, thanks really glad to hear that 😃
Cheers man! 😃🎶
We jazz teachers are one big happy family here on TH-cam!
Thanks Jonny! You explained this so well!
You are an amazing musician and teacher, I like all your videos. They are just so resourceful
Thank you so much!
Great lesson! Clear, concise, and very useful.
I can sight read so easily the music you have but it's the understanding and taking it off the music that is tough!
I just discovered your channel and your lessons are simply perfect and easy to understand! I Wish I have had a piano teacher like you when I was younger!
Anyway, I have a question to ask: this tritone substitution is applicable in a 2-5-1 progression right? But if I want to add this technique to a pop song, how would it be? Can you find an example please?
Thank you in adv Jonny, you are amazing!
I open these utubes just so I can play the opening bits over and over, they sound so great. What a pianist.
I truly appreciate all of your help. One of the cords I would have done differently. After I get another piano, I will show you.
Maestro!!! This is great!!!!!!
You' re the best Jonny! Keep up the good work 👏🏻👏🏻👍🏻❣️❣️
Loved it Jonny - Thanks so much!
Thanks for watching!
Really appreciate the easy to understand approach. Once again, this concept has eluded me until this point. And great choice of songs to show it on!
Fantastic content! Thank you!
Wow, that advanced version is PHAAT!!! Thanks for a great lesson!
Just great Johnny. Just discovered your site and just think it’s the best jazz teaching method I was ever taught ! So clear, so simple, so much fun ! Thanks so much from France!
Very good explanation
This is beautiful and simple!
I really like your style and I'm paying more attention to the lessons!Thanks!!!
Truly, Truly.....AMAZING
Best tips for me, thank you so much Jonny!
I love the way you go ooooo when you play a cool chord change. 😅
Absolutly excellent Johnny. grand Bravo from Paris
Very clear illustration and great choice of song as example. Love it! Please keep these tutorials coming!
Great Lesson. 👍Thank you Jonny
Wow thanks for this explanation. I needed someone to spell it out for me step by step (half-step by half-step) like this.
Great explanation Jonny, which I had met you years ago!
One of the best explanation..
Excellent explanation 😄 Simple, practical, and applicable immediately.
Pretty bluesy too. Nice, thanks for this.
1000% Thank you!
Thanks 👍
Cool tricks....thanx!
Thanks a Lot Mr Jony for blessing my life.
Thankyou Jonny.
You freekin me out..how cool is this…your great…
It's very helpful.. thank you Mr.Johny for the video lesson 🎶🎵👏🙏
Sir ver good explanation and it is very useful
So powerful. Thank you.
Thank you Jonny ❤️❤️❤️
My brilliant teacher ❤️✌🏽 the same alot
Great job!! 😃
Awesome! Thank you, sir.
Awesome, as usual 👌🏻
Great down and dirty explanation Jonny! Thank you.
Fantástico viedo!! muchas gracias, Jonny!!
Awesome! There's a difference between (us) knowing something in theory, and seeing how it pans out to sound great in practice. Specially when you layer 2 or 3 upgrades on top of each other! More of this sort of thing please :)
PS 7:38 definitely does sound good - and I'm slowing down to 0.25 speed to spot all the extra sauce you're putting on top of the things you went on to show us!! :D
Fantastic lesson this has cleared up so much confusion for myself. piano with Jonny is great
thank so very much. keep up the good work, and of course your fabulous playing. your enthusiasm is addictive. Top Man.
ExceIlent lesson !!
Best teacher!
Brilliant. Sounds great gonna try it out.
Hi Jonny, Excellent lesson. Very clear. I'm trying to teach myself jazz harmonizations and this has helped me a lot. Thanks.
Opening my eyes ... thank you!
Amazing lesson! Thank you! I will check out your website!
I'm a guitarist & this was helpful. Thanks.
I am not a pianist - I am a guitarist. This has been a very clear explanation of something that could be muddy. Thanks
cooooool thanx
Thank you so much...beautiful clarity 😍
Super video!!! Merci Olivier, cet échange avec Marie est genial!! Merci à vous deux! :)
It's so true and sounds really cool. I've been using the French six on my guitar and it sounds good too. Almost like it was meant to be there LOL.
More more jonny of this. Theory Love it
Wow man very clear explanation. I'm a guitar player but I learn a lot from the piano
Exactly what i'm looking for.
Thanks for letting me look at this technique. I am Rev Rollen 😊. I also play trumpet and will use your technique to liven up my practice exercises.
Love it Jonny ❤️❤️❤️
Very Nice ,
It's amazing the way you explain and share your knowledge. It's not easy, but you make it posible to face our our limits. Thanks for that Johnny. Yo
just the lesson I was waiting for
Good evening! I study according to your lessons, it is very useful. Thank you very much for doing a good job. And could you drop the whole collection with these wonderful works?
Amazing video
Fenomenal, Gracias!!!
Well done Jonny, this is very helpful.
Outstanding info! Thanks!
Thanks 🙏 bravo merci, follow you 🎹🎼
real great stuff jonny. thanks!
Thank you
Thanx, Maestro 🌹🌹🔥🔥🌹🌹
Thanks, so helpful! Please more videos like this🙏
Wonderful
Would like to see a similar video for the entire song - is one available?
Nice explanation. Just curious about one thing, why the 3/4 time for the pickup notes, isn’t it just 4/4 with a rest on the first beat?
I'm Highly Interested jonny. I would like to learn piano after seeing you play and teaching in a technical way.what should I do next?
Coming from a classical background, it's interesting how this is similar to the Neapolitan chord (bII), but in classical music it's usually in first inversion (and it doesn't have the 7th), and then instead of resolving straight to the I chord, it goes to V then I.
Definitely a fan of approaching with a dom7 from either above OR below.
However if it's a maj7, or a m7, or a m7b5, the tritone no longer shares the 3 and 7. At that point it's less a tritone sub, and more a chromatic approach chord. And while it's true that the chromatic approach from ABOVE is a tritone away when doing V-I changes, no reason you can't also approach from below.
Wow. Thx
C la substitution tritonique.
Merci pour les explications
Nice
Jonny, putting aside the actual lesson here for a moment (which as great), there's something ELSE in this video that hit me like a lightning bolt. You routinely use your thumb to play two adjacent notes at the same time!
The best teacher……
In spite of being a (7-string) guitar player, I enjoyed your fresh approach to Autumn Leaves!
Fully understood the principle, very well explained. Too difficult to play for me, as a beginner. Spreading the chords LH/RH, alternatively root+3rd and root+7th no way for now :-)
Using inverted chords on the passing chords would help minimize the movement of the left hand and make it easier for the player. The 7th of note of the passing chord should be the root of the next chord.
Is the key to the beginner approach that we drop the 5th?
Good explanation and a good way for spicing up a chord progression if used sparingly. Used all the time through an entire tune… not for me. Too much of a good thing isn’t always wonderful.
What software is used for this piano interface?
I'd like to hear what you would do with a Beatles tune like "Here, There and Everywhere" or maybe a Jobim tune like "Wave" or "One Note Samba."
3:45 Money shot #1 😃
Cool! Bug how play Chorus?)))
When would approaching the the target chord by a half-step above *not* work? Does it need to be on 7th chords only?
Tino Carugate n 148 scale diminuite