Yk what I love of the materialisation at 1:12 just as the tardis disappears you can just notice the snow that was on it, blow away in the wind and that’s what I loved
I'm saddened that the effect is kind of off sometimes in the 60th and christmas specials but hopefully it will be back in top form for season 1/ series 14
I won't lie, I was a bit disappointed to see that the lamp no longer flashes again, we were making such good progress during Jodie's era... weirdly in Destination: Skaro when the TARDIS is flying towards Skaro you can see the lamp flashing there. The box still looks absolutely gorgeous though, I'm so glad 13's TARDIS exterior is being kept, best one by far imo!
Yes, it's a shame the effect isn't remaining consistent. It does make me wonder whether that VFX company responsible keeps changing, as the same one was used throughout the RTD1 era (The Mill) and partway through Matt Smith's era, hence why the effect didn't change much. Hopefully it will stablise though and the flashing lamp will return. I do like 13's exterior, though I'll always have a soft spot for 9 & 10's due to nostalgia. 11 & 12's I liked but I felt especially in Capaldi's era it looked too much like a toy/prop, especially in shots on location.
@@DoctorVision I had a look into it and what I found out is rather surprising: The Star Beast's VFX were done by Untold Studios whereas Wild Blue Yonder's VFX were done by Realtime Visualization and The Giggle and The Church on Ruby Road's VFX were done by Automatik VFX with the latter also having Additional VFX by Egg VFX and BBC Wales Graphics. I'm unsure who did VFX for Destination: Skaro however but it does seem a little bit all over the place in just 4 episodes whereas Jodie's era largely had one main VFX studio and that was DNEG with additional VFX by Ben Pickles (aka John Smith VFX), Zodiak VFX and of course, BBC Wales Graphics and yeah, I hope so too, I'd like the effect to go back to being more consistent with the flashing lamp. And I agree, Capaldi's TARDIS exterior could look really good in certain scenes but in other scenes it could look a bit plastic-y, like a toy as you said!
What I will say is that the shots in Wild Blue Yonder and The Church on Ruby Road are very impressive for these sort of over the shoulder shots where characters appear over the dematerialisation. 29:31 & 30:24 specifically
I'm not complaining. About any tardis sounds. As they ALLLLLL sound. Closely. The same. I'm just happy that they kept the tardis sound. Ever since the very first doctor. For ALLLLLLLL these years. 👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍😊😊😊😊😊😊😊😊😊👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍
Hooray! Another TARDIS materialisation video, what an honour. It is a shame how the effects sort of get worse as it goes on, I thought in the latest episode, no snow falling off, they managed that in Series 1! But I suppose the production crew no longer tend to think of the materialisation as a crucial exciting effect except for particular occasions. Quite remarkable number 14 was able to get through 10 in only three episodes. Thanks!
At least there is a *new-ish* effect in some of the materialisations from the 60th and Ruby Road. I like that it’s been changed up at least a little bit.
Series 1 still has the best 'general' materialisation effect, where there's a subtle effect that must have been painstaking to achieve - if you look through you can see through one side of the TARDIS box to the other side as it materialises, It's something they stopped doing because I guess it was too much effort and not many people noticed, but it really is a '3D' materialisation effect rather than a two dimensional image being faded up. Like at 1.46 you can briefly see through to the right hand side of the box before it fully materialises, and at 1.57 you can even see the blue floor of the TARDIS box briefly before it totally vanishes. It also happens at 11.55 where you can see the left and back of the box subtly.
Great compilation! As someone with a love of special effects, I were going to do a TARDIS materialisation myself, here's a few ideas I might try… • The light at the top would be revealed first before anything else and would stay mostly visible throughout even when the rest of the TARDIS is fading out. • On the 'empty plate' shot (with no TARDIS), I would shine flashing light(s) onto the environment, timed to match the TARDIS light, to ensure the scene starts lighting up even before the TARDIS appears. Timing flashing lights from two different plates is a very powerful tool in SFX compsiting. • Also on the 'empty plate' with no TARDIS, I'd be sure to point a bright spotlight at where the base of the TARDIS will be, to indicate energy where it meets the ground. I'd try using a shaped gobo projection to get a nice 'square' light on the ground. • I'd shoot a plate of the TARDIS in front of a green screen, in the darkness, with most of the lighting flagged off except a blueish hand-held light that I would point at the TARDIS while walking around it (probably at a low angle). This creates a sense of movement and eerie lighting during the transition. The materialisation would start mostly with this plate, fading more into the natural lighting towards the end. • Instead of using a straight fade, I would fade the TARDIS in using subtle upward (or downward) waves that start quickly and deccelerate, looking like ripples "flooding" the TARDIS. • I wouldn't hold back with blowing stuff with fans. Debris and hair blowing is awesome. • I'd shoot plates where I gently blow debris away from the TARDIS with a fan - one plate for each of the four sides of the TARDIS. I'd composit it so it looked like debris was blowing outwards in all four directions. This would be most effective with a more overhead shot. • In the edit, I might take the clean plate of the TARDIS and shrink it inwards slightly then animate it subtly 'expanding' into position (deccelerating movement) with a distortion effect. I would also do the same with the clean background, shrinking that down and distorting it outwards. The effect would be like the TARDIS was distorting space as it appeared. I'd try overlaying multiple layers of this during the materialisation. • Budget permitting, I'd also try covering the TARDIS in black and putting thin white tape round all the edges (and around the windows), then lighting this with a small moving spotlight. I would edit multiple layers/takes of this into the final shot, adding a glow. I think this could look WAY cool, give us a vibrant shining 'outline' of the TARDIS before it's fully appeared. Obviously, in the edit, I would try different combinations of all the above to try and find the best overall effect. Some of these effects may look really effective if only used REALLY subtly. Experimentation is important! :-)
Lovely update - nice one DoctorVision - thanks for still inking my classics at the end🙂btw - the recent Christmas special had the de-materialisaion sound condensed at the end instead of the continued gradual fade out during this episode. I thought that this was because this Tardis is technically a copy of the original that the 14th Doctor went off with. However, after re-watching The Giggle, the 15th Doctors Tardis had the usual fade out. (I know I shouldn't be bothered by such things).
Can't say I noticed myself. Though I am relieved that no one has pointed out that I haven't included the Isaac Newton one as it was the TARDIS flying around not materialising/de-materialising so in my opinion it doesn't count.
11:32 and 11:43 have got to be my favourite TARDIS moments in the entire series. The wind, the lightning effects and the gravity of the situation (it truly feels like a spaceship is taking off / landing) is what I love about these 2 scenes, not to mention the music. Series 5 was a lot like a fairytale, and I hope they return to that formula in following series 🥲
I am going to make a controversial statement. It’s NOT the effect that looks bad, it’s that the effects are too quick. The classic series established its meant to be exactly *five* vwoorps before the TARDIS materialises/dematerialises. That gives time for the fade in to be gradual. Any *less* than that makes it look janky.
I think the problem is, the new series established a consistent effect when it returned. Sure, the light effect changed as time went on but the box always faded in or out slowly, like it did in the classic era. When later they started fiddling with the effect - fading right in and then right out again - that just didn't look right and made it look shoddy and inferior quality in comparison.
@@DoctorVision Well, my point is this: go back and look at the ones where it fades right in and out. That *only* happens on landings where there's LESS than five VWOORPS. When it's a LONGER stretch of them, the fading is slower.
i think i like how it was done in series 1, how the top materializes first and then the rest, like a peppers ghost effect, and i wish this detail at 2:35 of seeing the light through the tardis at a low angle would've stayed because it looks cool and makes sense for the way it materializes
I hope it comes back on ABC Melbourne Australia with David Tennant and Donna again then the toy maker l AM 60years old l still love The doctor AND he's companions God bless you all happy 60th birthday Dr who
Fun fact matt Smith might come back as the 16th Doctor after nucti's run as the doctor ends they might bring back matt Smith as the 16th Doctor it hasn't been confirmed yet but that'll be nice because matt Smith is my favourite actor but something that has been confirmed is that nucti gatwa is only doing 2 seasons
Yk what I love of the materialisation at 1:12 just as the tardis disappears you can just notice the snow that was on it, blow away in the wind and that’s what I loved
Yes, the attention to detail in the early series was something to behold.
i can’t believe i just watched a police box appear and disappear for half an hour
Well I hope it was a half hour well spent 😂
@@DoctorVision it definitely was lol
Who knew scraping your front door key against a piano string make a sound so iconic.
It's amazing how a single light bulb not flickering can cause so much annoyance amongst fans, myself included.
I'm not annoyed by it. I just accept it
I started laughing when in Wild Blue Yonder the Doctor pushed the TARDIS with his foot like a skate board! 😂
No... like a HOVER board!
Eat yer heart out, McFly!!!
I still think 29:36 was the TARDIS showing off for the fun of it 🙃
Definitely, it knew exactly how those events would go thanks to the Hostile Action Defense system telling it exactly when to come back
I'm saddened that the effect is kind of off sometimes in the 60th and christmas specials but hopefully it will be back in top form for season 1/ series 14
It is the new special effects, it is modern and up to date, it won't be back to the way it was
@jakesinclair69420 totally I just mean the lamp flashing again since it's been lacking in recent years
I won't lie, I was a bit disappointed to see that the lamp no longer flashes again, we were making such good progress during Jodie's era... weirdly in Destination: Skaro when the TARDIS is flying towards Skaro you can see the lamp flashing there. The box still looks absolutely gorgeous though, I'm so glad 13's TARDIS exterior is being kept, best one by far imo!
Yes, it's a shame the effect isn't remaining consistent. It does make me wonder whether that VFX company responsible keeps changing, as the same one was used throughout the RTD1 era (The Mill) and partway through Matt Smith's era, hence why the effect didn't change much. Hopefully it will stablise though and the flashing lamp will return. I do like 13's exterior, though I'll always have a soft spot for 9 & 10's due to nostalgia. 11 & 12's I liked but I felt especially in Capaldi's era it looked too much like a toy/prop, especially in shots on location.
@@DoctorVision I had a look into it and what I found out is rather surprising: The Star Beast's VFX were done by Untold Studios whereas Wild Blue Yonder's VFX were done by Realtime Visualization and The Giggle and The Church on Ruby Road's VFX were done by Automatik VFX with the latter also having Additional VFX by Egg VFX and BBC Wales Graphics. I'm unsure who did VFX for Destination: Skaro however but it does seem a little bit all over the place in just 4 episodes whereas Jodie's era largely had one main VFX studio and that was DNEG with additional VFX by Ben Pickles (aka John Smith VFX), Zodiak VFX and of course, BBC Wales Graphics
and yeah, I hope so too, I'd like the effect to go back to being more consistent with the flashing lamp. And I agree, Capaldi's TARDIS exterior could look really good in certain scenes but in other scenes it could look a bit plastic-y, like a toy as you said!
What I will say is that the shots in Wild Blue Yonder and The Church on Ruby Road are very impressive for these sort of over the shoulder shots where characters appear over the dematerialisation.
29:31 & 30:24 specifically
I'm not complaining. About any tardis sounds. As they ALLLLLL sound. Closely. The same. I'm just happy that they kept the tardis sound. Ever since the very first doctor. For ALLLLLLLL these years. 👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍😊😊😊😊😊😊😊😊😊👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍
Hooray! Another TARDIS materialisation video, what an honour. It is a shame how the effects sort of get worse as it goes on, I thought in the latest episode, no snow falling off, they managed that in Series 1! But I suppose the production crew no longer tend to think of the materialisation as a crucial exciting effect except for particular occasions. Quite remarkable number 14 was able to get through 10 in only three episodes. Thanks!
At least there is a *new-ish* effect in some of the materialisations from the 60th and Ruby Road. I like that it’s been changed up at least a little bit.
Series 1 still has the best 'general' materialisation effect, where there's a subtle effect that must have been painstaking to achieve - if you look through you can see through one side of the TARDIS box to the other side as it materialises, It's something they stopped doing because I guess it was too much effort and not many people noticed, but it really is a '3D' materialisation effect rather than a two dimensional image being faded up. Like at 1.46 you can briefly see through to the right hand side of the box before it fully materialises, and at 1.57 you can even see the blue floor of the TARDIS box briefly before it totally vanishes. It also happens at 11.55 where you can see the left and back of the box subtly.
Yes, I also like what they did in Series 4 by having the shape form before the box materialised and vice versa when it de-materialised.
Great compilation! As someone with a love of special effects, I were going to do a TARDIS materialisation myself, here's a few ideas I might try…
• The light at the top would be revealed first before anything else and would stay mostly visible throughout even when the rest of the TARDIS is fading out.
• On the 'empty plate' shot (with no TARDIS), I would shine flashing light(s) onto the environment, timed to match the TARDIS light, to ensure the scene starts lighting up even before the TARDIS appears. Timing flashing lights from two different plates is a very powerful tool in SFX compsiting.
• Also on the 'empty plate' with no TARDIS, I'd be sure to point a bright spotlight at where the base of the TARDIS will be, to indicate energy where it meets the ground. I'd try using a shaped gobo projection to get a nice 'square' light on the ground.
• I'd shoot a plate of the TARDIS in front of a green screen, in the darkness, with most of the lighting flagged off except a blueish hand-held light that I would point at the TARDIS while walking around it (probably at a low angle). This creates a sense of movement and eerie lighting during the transition. The materialisation would start mostly with this plate, fading more into the natural lighting towards the end.
• Instead of using a straight fade, I would fade the TARDIS in using subtle upward (or downward) waves that start quickly and deccelerate, looking like ripples "flooding" the TARDIS.
• I wouldn't hold back with blowing stuff with fans. Debris and hair blowing is awesome.
• I'd shoot plates where I gently blow debris away from the TARDIS with a fan - one plate for each of the four sides of the TARDIS. I'd composit it so it looked like debris was blowing outwards in all four directions. This would be most effective with a more overhead shot.
• In the edit, I might take the clean plate of the TARDIS and shrink it inwards slightly then animate it subtly 'expanding' into position (deccelerating movement) with a distortion effect. I would also do the same with the clean background, shrinking that down and distorting it outwards. The effect would be like the TARDIS was distorting space as it appeared. I'd try overlaying multiple layers of this during the materialisation.
• Budget permitting, I'd also try covering the TARDIS in black and putting thin white tape round all the edges (and around the windows), then lighting this with a small moving spotlight. I would edit multiple layers/takes of this into the final shot, adding a glow. I think this could look WAY cool, give us a vibrant shining 'outline' of the TARDIS before it's fully appeared.
Obviously, in the edit, I would try different combinations of all the above to try and find the best overall effect. Some of these effects may look really effective if only used REALLY subtly. Experimentation is important! :-)
Lovely update - nice one DoctorVision - thanks for still inking my classics at the end🙂btw - the recent Christmas special had the de-materialisaion sound condensed at the end instead of the continued gradual fade out during this episode. I thought that this was because this Tardis is technically a copy of the original that the 14th Doctor went off with. However, after re-watching The Giggle, the 15th Doctors Tardis had the usual fade out. (I know I shouldn't be bothered by such things).
Can't say I noticed myself. Though I am relieved that no one has pointed out that I haven't included the Isaac Newton one as it was the TARDIS flying around not materialising/de-materialising so in my opinion it doesn't count.
@@DoctorVision yeah, it’s a tough one as it’s just “flying” rather than “appearing out of thin air”. Anyway, thanks again for your update 😊👍
It's not a copy, RTD has confirmed that! It is the exact same TARDIS
Irks me that the sonic isn't in the keyhole when materialising at 29:40
11:32 and 11:43 have got to be my favourite TARDIS moments in the entire series. The wind, the lightning effects and the gravity of the situation (it truly feels like a spaceship is taking off / landing) is what I love about these 2 scenes, not to mention the music. Series 5 was a lot like a fairytale, and I hope they return to that formula in following series 🥲
I am going to make a controversial statement. It’s NOT the effect that looks bad, it’s that the effects are too quick.
The classic series established its meant to be exactly *five* vwoorps before the TARDIS materialises/dematerialises. That gives time for the fade in to be gradual. Any *less* than that makes it look janky.
I think the problem is, the new series established a consistent effect when it returned. Sure, the light effect changed as time went on but the box always faded in or out slowly, like it did in the classic era. When later they started fiddling with the effect - fading right in and then right out again - that just didn't look right and made it look shoddy and inferior quality in comparison.
@@DoctorVision Well, my point is this: go back and look at the ones where it fades right in and out. That *only* happens on landings where there's LESS than five VWOORPS. When it's a LONGER stretch of them, the fading is slower.
I wouldn't mind . Actually seeing. The ponds return in a. Story. Of some kind,,,,, 👍👍👍👍👍👍👍👍👍👍👍👍👍👍
Sutekh!
29:31 you can Kind of see the Tardis corners for once but the dematerializing was bad overall
Why did they get rid of the burst of wind!?
I’m just gonna say season 1 ep 4 Micky running into the wall was funny
I don't think you're alone and I think it's supposed to be 😂
Series*; Mickey*
i think i like how it was done in series 1, how the top materializes first and then the rest, like a peppers ghost effect, and i wish this detail at 2:35 of seeing the light through the tardis at a low angle would've stayed because it looks cool and makes sense for the way it materializes
I hate how the tardis lost its 3d effect, it looked so good!
Might be a big ask, but i couldn't find any videos of every mat/demat from the interior, could you one day eventually do this?
Erm maybe, I never really thought of doing that.
owning a tardis would be so much fun lol
Interesting how sounds same ep 1 😂 but Don t here as much this 1 video
huh.....
9th doc had 19 demats and mats
10th doc had 63 demats and mats
1963...... heh
This scene will never get old 😂😂😂 21:28
Jack need be with black gay doctor bc both gay so fit in perfect
Genuine thought rn; if the tardis can even make it to alternate worlds or timelines would there be a alternate gallifrey Tardises Doctors ?
I'll will say the most Cursed Thing I'll say: When the Tardis Materialisation to De-materialisation, I came.
Is calling the Tardis a “wooden box” considered an insult-
“What’s the matter with you?” THE TARDIS DON’T FINNA LIKE YOU RIVER 13:22
But it wouldn't be doctor who with out the good Ol tardis sounds. ,,,,👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍
Series 2 episode 1 rose
12:35 what’s 9 or 10 doing in series 5
what is theme at the end (edit: sounds like 14th series x 8th/9th/10th series)
It’s just the Series 14 theme looped with a tiny sting of the 2008 theme at the very end.
its kinda sad that even with the disney money most of the materialisations from the new era look worse than the ones from S1-6
I guess it just isn't a priority anymore with all the other CGI effects to splash out on.
I hope it comes back on ABC Melbourne Australia with David Tennant and Donna again then the toy maker l AM 60years old l still love The doctor AND he's companions God bless you all happy 60th birthday Dr who
Doctor Who Meiralmos
I hate 2023 asmr breathing intro
Fun fact matt Smith might come back as the 16th Doctor after nucti's run as the doctor ends they might bring back matt Smith as the 16th Doctor it hasn't been confirmed yet but that'll be nice because matt Smith is my favourite actor but something that has been confirmed is that nucti gatwa is only doing 2 seasons