You put a lot of work into this! I will venture a few comments to consider for your next round: color comes from the ww's and brass, not from the strings. So, score much less for the strings. Also, your best colors will come from solo instruments, so when you can, defer to a solo. There are a lot of passages here which the harp could join dovetails, and add percussive articulations to bring lines out. Why do you choose a Bb Trpt over the standard C type? From what I saw, the C would be more effective. Be really careful with your harmonic flow. If you are going to modulate, or tonicize, or even introduce some type of unexpected harmonic note, give the listener some type of forewarning. Surprises are good, but they should always be prepared beforehand. Your writing has a lot to offer, and you have a lot to say. Congratulations on the expansiveness of your work!
Thank you for the compliments and I am also looking into getting a better sound synthesizer to accurately reflect the tones and balance of the instruments and to fine tune the minute tempo variations and dynamics. Bb trumpet was what popped up but I need to study what is standard for orchestra. Could you kindly also explain what you mean by preparing the listener for harmonic transitions? Thank you so much for your interest in my music and it seems you have some great hobbies as well. Let’s talk if you are open to it at my alt email revelinmusic369@gmail.com
Excellent
Thank you so much for subscribing and listening to my music
You put a lot of work into this! I will venture a few comments to consider for your next round: color comes from the ww's and brass, not from the strings. So, score much less for the strings. Also, your best colors will come from solo instruments, so when you can, defer to a solo. There are a lot of passages here which the harp could join dovetails, and add percussive articulations to bring lines out. Why do you choose a Bb Trpt over the standard C type? From what I saw, the C would be more effective. Be really careful with your harmonic flow. If you are going to modulate, or tonicize, or even introduce some type of unexpected harmonic note, give the listener some type of forewarning. Surprises are good, but they should always be prepared beforehand. Your writing has a lot to offer, and you have a lot to say. Congratulations on the expansiveness of your work!
Thank you for the compliments and I am also looking into getting a better sound synthesizer to accurately reflect the tones and balance of the instruments and to fine tune the minute tempo variations and dynamics. Bb trumpet was what popped up but I need to study what is standard for orchestra. Could you kindly also explain what you mean by preparing the listener for harmonic transitions? Thank you so much for your interest in my music and it seems you have some great hobbies as well. Let’s talk if you are open to it at my alt email revelinmusic369@gmail.com
The first movement gives me a lot of feelings similar to Scriabin's symphonic works.
My favorite movement was the 4th, but that may just be because stylistically it is most similar to me.
Wow thank you for the compliments, I will check out your channel!
@@RaymondDoerr haven't uploaded any of my works to my channel yet. Am working on a symohony now though!
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Wow thank you so much, thanks for listening.
Loved it! Good job to get it done in 2 months - but then, I know nothing about composing
Wow thank you for the compliment and thank you for taking the time out of your day to listen to the music I wrote.
Whats the sound-set and the general setup you used to play this back?
I am using musescore 4 with its built in sound, but I am considering in investing in a professional grade VST called Cinematic Strings Studio etc.