Sync Licensing and how to handle Rejection
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- เผยแพร่เมื่อ 29 ก.ค. 2024
- Here's how to handle rejection in Sync Licensing...
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I always reply graciously and thanks for their time to libraries who reply that the tracks are not for them or if they give feedback which may imply the quality is not high enough. There is always something to learn and improve.
I've dealt with this scenario many times. I've felt defeated and rejected more times than I'd like to admit. One publisher even put me on their roster of composers (after rejecting my submission) and started contacting me with other requests for submission for specific things after that initial rejection. I'd been told by another composer friend that this publisher was very picky ... finally after my 3rd attempt at submitting tracks to a different opportunity ... that same publisher signed two of my tracks to their exclusive library. I felt a tremendous relief. I also learned from that experience what my strengths were ... I learned that my chances were better if I was submitting tracks where I'd played my own instruments with my hands (guitars, mandolin, uke, ...) than if I was trying to compete with other composers doing orchestral or trailer-style tracks.
Perseverance is a valuable trait to possess!
It means allot that you're willing to talk about rejection, even at your level of success. Thanks so much for sharing this.
Truly I just feel like I'm one of the team (not above anyone). I just have some miles under me is all and I'm more than happy to share.
2 years of trying to write for libraries after 30 years of writing songs. Rejected from all but pond 5 and had 1 song out of over a hundred shortlisted on songtradr. But I've learned that a good production makes average music sound so much better. I've also finally started into the world of electronic music.
There are so many ways to make money. Take out a small loan and go powerwash peoples driveways is one of a million examples.
To do the music thing I know it takes a lo g time to vyild up a few hundred quality tracks which need to be proply meta tagged and produced well.
It's only something to do if you love what you do. There's a girl out there on TH-cam who just comments on other people's videos and she has 30 million people subscribed!
So do the music only if its your passion and no amount of rejections stops you from turning on your DAW and going again.
Thanks, I needed that...I was recently rejected, but I learned something.
well said man, just have to keep plowing forward...... cheers👍
So true!
Awesome content as always Marlon!! Top advice. Been there for sure, and always thank them for their time. That monitoring of pages visits etc can be a double edged sword 😬
This was good, REALLY good!
Thanks for tuning in!
I've dealt with majors where my contact has listened but he has said something like 'sounds good, I will bring it up in our submissions listening meeting which is happening 6 weeks from now'.
I don't consider it a rejection unless I've emailed them 3 times or had a definite no.
That's a fair comment. Often it does take many weeks. In some cases a Music Libraries submission page will state expectations. Thanks for watching.
Great content as usual! When you don’t hear back from a library you want to work with, how long do you usually give them before moving on? That’s a tough one for me..
Thanks!!
Hey Cole. Theres a few variables here.. I can only speak for myself, rather than what you should do. If a Library explicitly says on their website, that they WILL eventually respond to you and allow them time to do so, I don't contact them again.
If they give a time frame... 6-8 weeks for example, I then respect that time-frame.
If they don't give any information about getting back to you, I'd generally give them at least 4 weeks, maybe 6.