MICHAEL SPYRES BariTenor Concert - Paris 18V22
ฝัง
- เผยแพร่เมื่อ 29 ธ.ค. 2022
- Wolfgang Amadeus MOZART
00:02 Idomeneo, K. 366 (1780-81) Act 2: "Fuor del mar" (Idomeneo)
Gaspare SPONTINI
06:05 La Vestale (1805) Act 3: "Qu’ai-je vu! Quels apprêts" (Licinius)
Gioacchino ROSSINI
09:56 Otello (1816) Act 1: "Ah si, per voi già sento" - "Premio maggior di questo" - "Amor, dirada il nembo" (Otello)
Gaetano DONIZETTI
17:08 La fille du régiment (1838-40) Act 1: "Ah! Mes amis, quel jour de fête!" - "Pour mon âme" (Tonio)
Gioacchino ROSSINI
22:22 Il barbiere di Siviglia (1816) Act 2: "Largo al factotum" (Figaro)
Wolfgang Amadeus MOZART
28:24 Le nozze di Figaro, K. 492 (1785-86) Act 3, "Hai gia vinto la causa?" (Il Conte d'Almaviva)
Giuseppe VERDI
33:50 Il trovatore (1853) Act 2: "Tutto è deserto" - "Il balen del suo sorriso" (Il Conte di Luna)
Franz LEHÁR (1870-1948)
39:12 Die lustige Witwe (1905) Act 1: "O Vaterland du machst bei Tag" - "Da geh ich zu Maxim" (Danilo)
Jacques OFFENBACH (1819-1880)
42:37 Les Contes d'Hoffmann (1880) Act 1: "Va! pour Kleinzach" (Hoffmann)
Adolphe ADAM
49:55 Le Postillon de Lonjumeau (1836) Act 1: "Mes amis, écoutez l'histoire" (Chapelou)
Giuseppe VERDI
55:32 Rigoletto Act 4: "La donna è mobile" (Duca)
Gaetano DONIZETTI
59:00 La fille du régiment (1838-40) Act 1: "Ah! Mes amis, quel jour de fête!" - "Pour mon âme" (Tonio) + Lawrence Brownlee, René Barbera
Michael Spyres, BariTenor
Opera Fuoco
David Stern
a=432 Hz
Paris, 18. Mai 2022
• MICHAEL SPYRES BariTen...
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REGARDLESS OF SOME NEGATIVE COMMENTS ...MICHAEL SPYRES has a truly magnificent voice...........authentic and delicious and ceamy and velvety ans extremely listenable..............thank you so much for sharing your artistry
Спасибо Вам, г-н Левин, за Майкла. Услышала только сегодня, но уже 2 часа не дышу, слушаю, онемев от восторга! Майкл, долгих лет Вам, дорогой! Будьте всегда здоровы, всегда в голосе, всегда любимы! Навеки поклонница Вашего таланта Татьяна, Россия.
Impossibile non ritornare ad ascoltare questo concerto!!! Programma interpretato alla Michael Spyres e presenza scenica impareggiabile! Possono la Musica e un suo interprete incantarci a tal punto? Mi sento Odisseo ! 🧜♀️
Merci de nous avoir fait partager ce récital de légende. Michaël Spyres est sans aucun doute le plus grand baryton-ténor du moment, et dans 50 ans je suis sûr qu'on regardera encore cette vidéo. J'ajoute que son interprétation, sa diction et sa compréhension de l'opéra et de l'opéra-bouffe français sont époustouflantes.
Really beautiful voice. Also he sings well. Correctly. No cheating. The voice, though, it's the voice of this century. There usually is only one. Like Luciano, for instance. Bravo Mr. Spyres.
Слушая Майкла даже в записи , хочется кричать БРАВО! Какие чувства можно испытать , если слушать его зале!!!! Даже трудно представить!!! Божественнно! Какой тембр , какая легкость!!! Поет так естественно, как говорит!❤❤❤
Les nouveaux "trois Ténors", mais avec beaucoup d'humour. Concert EXCEPTIONNEL .Merci Michael . . . . .
Davvero è un peccato grave avere solo questo, seppur prezioso, video di questo bellissimo recital di Michael Spyres, del quale si sarebbe dovuto e si dovrebbe registrare ogni singolo vocalizzo! 🤩
I just heard him sing "Fuor del mar" (Idomeneo) . This singer is at the top of my list of favorite singers. Did he have a freaken cold during this? I see him dealing with his nose. And he was able to get through "Fuor del mar" (Idomeneo) . I wish I was a colourtura. I have no flexibility in my voice. I only dream of doing the runs he does in "Fuor del mar" . Such a unique voice. Thank you for posting this. It's a delight
My god, what a voice!!! I have never heard of him, but he is incredible.
It’s incredible what he does in this concert! So much cultivation of his instrument! He should be the one to sing the baritone and tenor part in Lied von der Erde, because he actually can! What a treat you shared with us!
And Pelleas.
Unsurpassed. I have listened to them them all (tenors) and this concert is one of the best ever.
He’s amazing 🤩 his rendition of “Kleinzach” is incomparable. Other arias are great as well, of course 😊
I don't get it, Warner is being unforgivably silly by recording concerts of mediocrities like Pati and not recording for posterity these unique, truly unsurpassed vocal wonders that Spyres shares so generously and brilliantly. Spyres' voice should be recorded all the time while he is in his prime. It is a crime not to perpetuate this voice. Maybe it's time for him to change his record label? Warner still can't release his album recorded almost 4 years ago, what a shame, they don't appreciate him, don't understand what a vocal miracle they have. Great that this concert was preserved thanks to you, Mr. Fischer, really priceless work. I hope they will come to their senses and start recording performances that deserve it.
I am a bit puzzled by your post. Warner DID record this BariTenor programme for CD in 2020 and released it in 2021. It recently won "Best recital of the year" at the Opera Awards.
Warner recently recorded two further solo recitals with Michael Spyres which will be released in spring 2023 and 2024.
No other recital programme was recorded 4 years ago.
@@hcleskov-fischer6033 oh, sorry if I wasn't clear enough. I was referring to video recordings capturing extremely mediocre concerts, but not recitals like this one. DG actively records video versions of Bernheim's concerts, Warner patronizes Pati's recital videos, Sony works for Kaufmann and so on. As for Michael's solo audio albums, according to Il pomo d'oro info the album Contratenor was recorded back in 2019 but will be released only in spring 2023. I'd drop a link for the source but TH-cam deletes such things. It's on their website. As for his second studio project you mentioned, I know that he recorded it last fall with Rousset. I just wanted to say that if Warner really appreciates him, they would release an album every year, if not several, like Kaufman did with Decca for example. One could find a more artistically oriented label rather than a commercial one that would offer more artistic freedom and not be constrained by the regulations of publishing new albums and other administrative nonsense. Warner is certainly authoritative and powerful, but too pragmatic. Many singers release two albums a year on the same label, and Michael deserves that attention. Considering that he achieved everything on his own with his talent, rather than being just another marketing product. It's a matter of self-promotion not only artistic activity.
I’m fully on your side. Maybe there were too much tenors of coloratura at these times. I burn for him. A voice about 4 Oktavs. It’ a dream listening to him and at the end….,,. We got him see him and listen to him God bless him. ❤❤❤❤❤❤❤❤❤
I've always loved the baritone voice,but he's also a terrific tenor at the same time so I enjoy listening every single note
Ojalá el tiempo no le haga cobrar la factura con respecto a ese cambio tan brusco de una cuerda aligerada en los sobreagudos a mí particularmente me diera la impresión que esa voz en algún momento va a sufrir sus desgastes no es por envidia ni nada si yo aprecio de verdad a este cantante pero lo aprecio más como tenor me diera la impresión , percibo yo , que él más bien Está tratando de imitar a un barítono, en las notas agudas se pierde la emisión y la simetría de la cuerda de barítono y pasa de un solo chicotazo, a la cuerda de tenor el cambio es totalmente notorio Y eso no denota una simetría ni una armonía en la cuerda
Gracias!!! Gracias!!!💖💖💖Por haber compartido esta MARAVILLA!!!!💐🌟🎶🌟🎶🌟
This man's voice is a freak of human nature! How does he do it?
WONDERFUL VOICE 👏 🙌 👍
Biggest and longest ovation I have ever heard for Michael and richly deserved!!
Hands down one of the best concerts I've ever seen! Vocally astonishing and also tremendously hilarious! BRAVISSIMI!
Великолепно! Поёт как дышит!
Fenomeno vocale.
Really AMAZING!
Chingon chingon gracias
Pyres is in my bucket list.
Fabuleuse soirée, merci!
Bravo! Extraordinaire!🤩
💕
WOW!!!
I am myself thinking to be a baritenor but why should I keep practicing (on my own) ? All I try to do, he does already and with the most perfect ease and beauty. The most impressing about it is that he can stay for long "in baritone" and then jump to 'tenor"without effort. This is so remarkable because it's not unlikely ( for brass instruments it's the same) that giving it all low gives some adaptation of the instrument so that later high notes are more difficult.
Wonderful ! Thanks !
Er hat einen riesigen Stimmumgang. Ich glaube ihm seine langjährigen.Stimmtrainings, um den Umfang zum Klingen zu bringen, überhaupt das zu erkennen und irgendwann es auch zu zeigen. Aber die Registerwechsel in Basstiefen würde ich ihm empfehlen zu vermeiden.
Es superior a todos los dioses del Olimpo juntos.
Ojalá y la discográfica lo siga apoyando y sino que forme una propia como hicieron las grandes Edita Gruveroba o Barbara Hendricks.
Bravoooo!
❤️🇱🇨
Il s'est emmêlé les pinceaux dans les paroles de l'air du Postillon de Longjumeau. 😂
Mais belle performance vocale, la seule qui approche celle de Gedda.
shame they couldn't find a decent orchestra in Paris??
The aria "Pour mon âme" is lowered by half a tone. Therefore Mr. Spyres does not sing nine high C but nine natural B. Shame on you!
Oh dear. You really enjoy embarrassing yourself, don't you? If you could read, it is cleanly stated that the period orchestra plays in a=432 Hz, which is indeed less than a quarter step lower than the 440 or 442 Hz that modern orchestras tune to.
Saying "shame on you" while being shameless in demonstrating one's ignorance is rather comically ironic.
@@hcleskov-fischer6033 Anyway, Mr. Spyres doesn’t sing a high C.
If it is true, as stated by you in the description, that the period orchestra plays in a=432 Hz, which I doubt, because according to my piano Mr. Spyres' C sounds like a natural B, Mr. Spyres is not a tenor, not even a baritone but, instead, a bass. His high notes are usually very stiff falsets. Nevertheless, when he tries to sing the high notes, in particular the C high, with a chest voice, he squeals like a chicken slit and trembles like a pudding.
@@konradottingen7187 if you knew anything about physics or music you wouldn't write something so ludicrous.
If Pavarotti sang that aria in 1970 in Berlin it would have been in a=448, if he had sung it in London (whichhe actually did), it would have been in a=440. So would you claim that in London he would not have sung a top C?
I'm not going into the rest you wrote. You are of course entitled to your opinion. I just point our where you are factually wrong.
@@konradottingen7187Because is a baritenor. One day we dominate world. Like Caruso, Michael be "The Caruso of the Baritenor".
@@konradottingen7187 You manage to combine two or the worst characteristics of YT audience: you are not only a troll but you are also ignorant.
In Donizetti's time, in Italy most orchestra were tuned to 432Hz, so this is actually what it might have sound her Donizetti wrote this.
If you don't have anything clever to write, then just read and learn.
Fra 5 anni non avrà voce...La donna è mobile ...è morta grazie a lui....
Ahahaha, sei tu non hai orecchio e fra 5 anni mica potrai sentire!
@@Wotan123456789 peccato che ti sei innamorato dal americano... Non è colpa mia...
Pavarotti is a midget compared with Michael Pyres. Pyres must be considered one the greatest tenors ever. Some make him viral, famous and richer. A rock star should sing with him as Freddy Mercury sang with Montserrat Caballé
Hate that outfit, his legs don’t match his voice.
This isn’t singing, this is Yankee clowning.
You obiously don’t know what you are talking about. This guy is a fenomenon!
Seems like someone is jealous! 😊
Love him!!!!!! Saw him at the Met in Idomeneo. However his Pollione let me down a little, it’s a tough role, sort of a baritone who opens with a hich C!!!