Beat Furrer - Ira-Arca [w/ score]
ฝัง
- เผยแพร่เมื่อ 22 ม.ค. 2017
- Performed by Eva Furrer and Uli Fussenegger
www.klangforum.at/ensemble-det...
www.klangforum.at/ensemble-det...
Ira-Arca by Beat Furrer for bass flute and double-bass
www.beatfurrer.com/
Purchase score & parts here: www.baerenreiter.com/en/catal...
Recording Released on: BEAT FURRER: Wüstenbuch et al.
Catalogue No.: 0013312KAI / EAN Code: 9120010281914
Purchase recording here: www.kairos-music.com/cds/0013...
Jump to preliminary notes 12:25
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The organism of this piece! So intricate, likened to our most tiny facial muscles. Incredible imagination and craft!
fantastic! Love that double bass.
I can't believe I haven't heard of Beat before, this is amazing! What great sounds!
You lucky bastard I found him just 3 months ago
beautifully crafted textures...
Such an underrated composer! Wonderful interviewee as well!
Great color manipulations and development!
A great work. Bravo!
Really good piece!
Wonderful
so good!
What a piece!
flute and bass duets so frequently come off as trite, and more like they exist for the sake of the absurdity of concept, but that is very much not the case here. amazing.
quite good!
fantastic piece, wonderful performance!!
but isn't that a typo in bar 119 in the double-bass (missing tie over the bar line)? they play the mistake on the recording though...
it's hard to say. Were it tied, that would make it a grouping of 4 (not 3, like all the surrounding ones are). it does kind of seem like it could be a silly miscalculation :) Kind of like... "oops, but tbh, oh well"
well i was very engaged by it
Love the chu chu chu ❤
One can only say that the conception and execution of this unusual work is ingenious. Just figuring out a way to notate these sounds, extended techniques and articulations is astonishing, That it feels like coherent and purposeful music is more remarkable....I don't know what this particular movement in composition is called; can somebody reference this? ....I've heard any number of pieces that evoke insectile and sub-particular chatter...this is one of the better ones. In all honesty, this avenue of contemporary music does lack warmth...like some purely observational phenomena...gazing into a microscope and watching amoebas slither or cells divide...but we don't react viscerally to observing these creatures....it's not like watching 10,000 snow geese descending on a bare corn field on an autumn morning...
Don't want to react viscerally to sound all the time, that's why all these beauties exist
There are already tons of emotional achievements in music literature so it becomes almost a need to find other things to express
Does anyone know how to get double harmonics on the 5th string, beginning from the bar 128? That F# and G quarter ton lower are the 24th and 25th partials of the 5th string which should be tuned to B. Normally, one should get those on two adjacent strings.
I believe that due to the fact that the first and last few nodes of these two very high harmonics are so close together it is actually produced just like normal harmonics, by touching the string at (in this case) about a 24th to 25th of the string length away from the Bridge. At such high harmonics the string can't really "decide" if it's supposed to vibrate in 24 or 25 parts and therefore we hear a mixture of both… that's my theory
if you listen closelyy the harmonics are actually not perfectly accurate everytime, sometimes slightly higher or lower harmonics Sound as well… up there the harmonics get very inaccurate if not produced carefully
Those are very high multiphonics, I found out. The exact list of them are in the thesis of Juhani Vesikkala
Onur Dülger are you certain? To me it sounds like two strings being played. Similarly to “lotofagos”
@@pietroeliabarcellona It's only one string, it's mentioned in the performance notes at the end:
"ab Takt 128: Doppelflageolette auf einer Saite, z.B. 24. V 25 = 24. und 25. Oberton" meaning
"from bar 128 onwards: Double harmonics on one string, e.g. 24 V 25 = 24th and 25th harmonic"
Predator Main Theme
damn
Perfect for a horror movie
07:07 wtf?
right?
I mean that overtones really kills!
This is like Beat Sciarrino. Or should we rather say Salvatore Furrer?
Still, beautiful piece.
This is terrible music.
No one cares what you think and you don't know what you are talking about.
You cared enough to respond. And I do know: this is terrible music.
People are entitled to their opinion even if you disagree. You own opinion is not any more important. Get of your pedestal
.
You clearly misunderstand its purpose. I for one love this because I realize it is NOT supposed to be "normal." This composer does a fantastic job of exploring sound and how to create it in interesting ways. These sounds are really cool and I enjoy listening to them.
Furrer put a lot of work into this piece and as a composer myself, dismissing it so callously is really messed up. If you're unwilling to listen with open ears, what are you doing listening to music like this? What if a relative of yours wrote something like this and showed it to you proudly? Wouldn't you then listen with different ears?
You know what else sounds cool and interesting? The flush of a toilet! Yes - listen to all of the intricate ways that each molecule of water bounces off of the porcelain chamber. The bubbles... ah, yes! They are forced into existence and then, due to the torrential blasts of the stream are blast a-pop! Quite cool and very interesting, if I may go so far. ALAS... still but the flush of a toilet. Let's leave the "cool" and "interesting" for the toilets, yes? For if we don't... well, what will we be calling good and worthy music next... 100 metronomes? String quartets in helicopters? ...Silence?!?!