I need to subscribe to this channel. To play this concert has always been my dream. Thank you Pablo. You are handsome, talented and an awesome person. You are going to make my dream come true... I am almost 50 but i do not care to start from zero again.. God bless you. Adriana Noboa.
For me, this guy is the best cellist I've ever seen, and I watch a lot of them on TH-cam. Pablo plays masterfully, and I've lost count of how many times I've listened to his version of Tchaikovsky. It's wonderful, it seems like Tchaikovsky composed it for Pablo to play lol
Thank you very much! I think i speak for a lot of cellists when i say we'd appreciate if you could continue with the other variations please! It's a big inspiration and information! Gracias!
Thanks for sharing all your critical thoughts, very informative 😁 looking forward to hearing you next week for the first time! Regards From a fellow cellist of Ireland’s NSO
I was really feeling bad about my entonation and i am a beginner, really thank you for being this honest and showing your mistakes. It really motivated me thank you
Nothing short of amazing. Such perfect technique and feel. I’m inspired to practice more every time I hear you play. I need to play less guitar and more cello.
Pablo, you are awesome! Not only a magnicifent (yet humble!) cellist but also very kind and generous in sharing your knowledge! This was another great video! Thank you for making these 😊
I am so grateful for you taking the time- I assure you- your pearls are not being cast before swine! I learn so much by watching you and this written commentary is extremely effective and helpful. You are so admired and loved! Thank you for your generosity. Blessings.
Un placer ver el mimo, gusto y cuidado con el que tratas cada nota, tanto individualmente cuidando el ataque, la afinación, el vibrato, el sonido como en en su contexto, con la direccionalidad de los pasajes, el fraseo, la longitud y velocidad de arco etc.. Esto explica muchas cosas de cómo tocas en cada concierto. Pero si hay algo que resume el vídeo es preparación: Preparar cada ataque, cada nota... Igual que hiciste un vídeo que valía a la hora de estudiar para cualquier instrumento de cuerda, tal vez podrías resumirnos a tu juicio los dos o tres conceptos más importantes y comunes a cualquier instrumentista o cantante. La preparación en mi opinión sería claramente uno de ellos. Y de nuevo, muchas gracias por el vídeo.
Thank you for this series, it motivates me and shows me that your ear and musical instinct is the best guide in a practice session. The subtitles are a bit fast for me as a foreigner, maybe you could keep them on screen for a tiny bit longer? I am excited to see more! Wish you the best!
i just watch the video hitting the space bar, which pauses the video and I can stop it and read the text, and then back up, know what is to come and then see what he's doing. hope that helps!
Hola, Pablo, veo que no usas en estos ensayos abiertos el metrónomo, o lo usas en que casos específicos? Seria muy interesante como tú haces para concebir el tempo dentro de él fraseo que haces
Muy bueno Pablo! interesantisimo!! ojalá subas muchos más se aprende mucho. Si hay un pasaje muy difícil en la obra lo separas y estudias aparte o lo haces en este mismo proceso cómo muestras aquí?
¿No te aburres de tocar las mismas obras toda la vida? Dvorak, Schumann, Prokofiev, Schosta, Variaciones, Elgar y Strauss... por más que los alternes uno se pasa tocando no más de 10 obras toda la vida de concierto a concierto. No es afán de molestar, es una pregunta sería.
For the same reason I like Russian and other composers from Eastern Europe too.. As a cellist, your repertoire says a lot about you plus once your repertoire gets into your blood it's all you wanna do, plus there's only so many hours in the day...lol Everything is muscle memory at one point that involves at least 2 to 3 hours of practice a day with breaks and a meal... The other point is depending on the composer there's only so many pieces to choose from that's why Bach gets boring after a while unless you can attach an experience you had to it and relive it everytime on stage. For Pablo it's probabaly Dvorak, for me its Rachmaninoff and some Debussy... I would have responded in Spanish to your comment but I type faster in English.... lol
![เปิด อาณาจักร หมื่นล้าน "สาระตั้ม" l [Nickynachat]](http://i.ytimg.com/vi/3XE0nPF4YkQ/mqdefault.jpg)
![BOWKYLION - วิงวอน (ex-change) [Official MV]](http://i.ytimg.com/vi/cLdnZWDaO-w/mqdefault.jpg)
You should show us how you practice after starting a brand new piece.
I love this series. Can’t wait to see more!
I need to subscribe to this channel. To play this concert has always been my dream. Thank you Pablo. You are handsome, talented and an awesome person. You are going to make my dream come true... I am almost 50 but i do not care to start from zero again.. God bless you. Adriana Noboa.
For me, this guy is the best cellist I've ever seen, and I watch a lot of them on TH-cam. Pablo plays masterfully, and I've lost count of how many times I've listened to his version of Tchaikovsky. It's wonderful, it seems like Tchaikovsky composed it for Pablo to play lol
Bravissimo! ThIs is gold! So much value in this videos ❤️
this is such an interesting useful resource for not just cellists, but all musicians to improve their practice skills! Graci 🙌
Great video! This totally inspires me to practice even more. Thank you😊
Fantastic ! Go for it 💪🏻💪🏻💪🏻
Thank you very much! I think i speak for a lot of cellists when i say we'd appreciate if you could continue with the other variations please! It's a big inspiration and information! Gracias!
Thanks for sharing all your critical thoughts, very informative 😁 looking forward to hearing you next week for the first time!
Regards From a fellow cellist of Ireland’s NSO
This was beautiful to watch. Thank you Pablo.
I was really feeling bad about my entonation and i am a beginner, really thank you for being this honest and showing your mistakes. It really motivated me thank you
Vielen Dank, Pablo!
Una MARAVILLA, mil gracias Pablo
Muchas gracias por ayudarnos!!!!! De verdad! Muy pocas personas hacen esto...en verdad! De todo corazón, gracias Pablo Ferrández!
This series is a dream come true, thank you Pablo
Nothing short of amazing. Such perfect technique and feel. I’m inspired to practice more every time I hear you play. I need to play less guitar and more cello.
I love this series where we get to see more of Pablo's sounds and thinking process! Literally head over heels into Pablo now.
I would like to see a full hour of practice 👌
This is very helpful serie❤❤❤ ...... I hope you explain how to set the bridge on the cello
The double stops is exactly what I do! Thanks for this video!
Super interesting to see all the "behind the scenes" ideas that pop up in your mind. Thanks for sharing this with the world!
Honestly, this series is a wonderful idea. It's a privilege to get to see a great musician practice AND their thought process! Thank you!
Gracias Pablo
Gracias!!! No tienes idea lo útiles que resultan tus videos.
Would love to see you practice the last variation
Another invaluable video showing how you practice. Very instructive and encouraging. Thank you very much!!
G R A C I A S, te admiro demasiado como violonchelista ❤️🎻
Queremos más Open Practice!!🙏
Thanks so much Pablo! Is it possible for you to upload you practicing the rest of the variations?
Thanks! :) yes ! They will come in a future episode 😊
Pablo Ferrández Thanks! Can’t wait 😃
Pablo, you are awesome! Not only a magnicifent (yet humble!) cellist but also very kind and generous in sharing your knowledge! This was another great video! Thank you for making these 😊
A estos videos de Open Practice los miro varias veces porque tienen tanta información entre líneas que no se pueden ver de una y listo
Gracias Pablo! esta genial, ojala algun dias pudieras montar un Open practice de las suites de Bach
Thanks for this video! I worked on this piece for 2+ years - it's so deceivingly difficult!!
This is so enjoyable. I've only had 6 months of lessons, but love watching these. I can't wait for more (as your schedule allows)
Thank you so much Pablo, this is super insightful. Can you maybe try to make an open practice video of you practicing your scales? Thank you!
yes, great idea, i would love to see that too :)
Thank you Pablo.
Muchas gracias por compartir, Pablo. De verdad es toda una guía para que cada momento de práctica sea de provecho. Bravo!
Muchas gracias!
A big thank you!!
Muchas Gracias Pablo eres muy Generoso de derdad
I am so grateful for you taking the time- I assure you- your pearls are not being cast before swine! I learn so much by watching you and this written commentary is extremely effective and helpful. You are so admired and loved! Thank you for your generosity. Blessings.
Thanks a lot for the beautiful comment! Very happy to hear you enjoyed this new series
Excelente, gracias!!
Un placer ver el mimo, gusto y cuidado con el que tratas cada nota, tanto individualmente cuidando el ataque, la afinación, el vibrato, el sonido como en en su contexto, con la direccionalidad de los pasajes, el fraseo, la longitud y velocidad de arco etc.. Esto explica muchas cosas de cómo tocas en cada concierto. Pero si hay algo que resume el vídeo es preparación: Preparar cada ataque, cada nota... Igual que hiciste un vídeo que valía a la hora de estudiar para cualquier instrumento de cuerda, tal vez podrías resumirnos a tu juicio los dos o tres conceptos más importantes y comunes a cualquier instrumentista o cantante. La preparación en mi opinión sería claramente uno de ellos. Y de nuevo, muchas gracias por el vídeo.
Thank youuuuu sooooo much!!!!!
Beautiful 👏👏👏👏👏
Más videos de open Practice!!!
I am just imagining you teacher reading this and saying: "well yes, this would precisely be my comment here" :-)
this is a very obvious expression of beauty
Yo no puedo seguir tu nivel pero si tus consejos me sirven de ayuda.Desearia progresar pero me cuesta
Nice video ❤️❤️
Thank you for this series, it motivates me and shows me that your ear and musical instinct is the best guide in a practice session.
The subtitles are a bit fast for me as a foreigner, maybe you could keep them on screen for a tiny bit longer?
I am excited to see more!
Wish you the best!
i just watch the video hitting the space bar, which pauses the video and I can stop it and read the text, and then back up, know what is to come and then see what he's doing. hope that helps!
That is the best way, thanks for that Lory.
Dame corazón Pablo!
Hola, Pablo, veo que no usas en estos ensayos abiertos el metrónomo, o lo usas en que casos específicos?
Seria muy interesante como tú haces para concebir el tempo dentro de él fraseo que haces
Muy bueno Pablo! interesantisimo!! ojalá subas muchos más se aprende mucho. Si hay un pasaje muy difícil en la obra lo separas y estudias aparte o lo haces en este mismo proceso cómo muestras aquí?
are you gonna do more videos of talking cello? love that :)
Definitely! Few coming soon
@@pabloferrandez amazing, I cant wait :)
I'm dying to know how you make your fourth finger vibrato work. Mine just doesn't and I've been actively messing with it for a year now.
Veo que usas el cordal Wittner?Te da un sonido más brillante?
Was it upbow staccato or upbow spicatto for the first variation? I saw the bow go off the string for the upbow staccato but idk
That awkward moment when you might be the only flutist here who watches all of Pablo's videos ._. lol #noregrets
what rosin do you use pablo i can see if gives a direct and clear sound what is the name of it
Dvorak please 🙏🙏🙏
That's benadel rosin?
¿No te aburres de tocar las mismas obras toda la vida? Dvorak, Schumann, Prokofiev, Schosta, Variaciones, Elgar y Strauss... por más que los alternes uno se pasa tocando no más de 10 obras toda la vida de concierto a concierto. No es afán de molestar, es una pregunta sería.
For the same reason I like Russian and other composers from Eastern Europe too.. As a cellist, your repertoire says a lot about you plus once your repertoire gets into your blood it's all you wanna do, plus there's only so many hours in the day...lol
Everything is muscle memory at one point that involves at least 2 to 3 hours of practice a day with breaks and a meal... The other point is depending on the composer there's only so many pieces to choose from that's why Bach gets boring after a while unless you can attach an experience you had to it and relive it everytime on stage. For Pablo it's probabaly Dvorak, for me its Rachmaninoff and some Debussy...
I would have responded in Spanish to your comment but I type faster in English.... lol
5 people who watched this gave a 👎 because, actually, they are DEAF.
😂🤣🤣🤣🤣🤣
SOY EL ÚNICO QUE HABLA ESPAÑOL XD
Dude certainly likes to pose. No shame