SHIFTING TUTORIAL, How to make your shifts more accurate, 3 ways + tips.(SUBS EN ESPAÑOL)
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- เผยแพร่เมื่อ 20 ก.ย. 2024
- Hi all! In this video I talk in depth about shifting, mentioning a few key things to have into account. hope you enjoy the video!
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I hope you find this useful, which tutorial should I do next? Give me some ideas 😊!
Pablo Ferrández can you make a video about control hand with bow, e.g. staccato, legato, bow change (up, down), like in Piatti caprice 1 and something in sort of this
@@sergeyfateyev1402 Thats something I would also pretty much appreciate!! And spiccato would also be nice!!
Muchas gracias por el vídeo!!!
Si te parece interesante el tema, podrías hablar del estudio mental y del enfoque le das, en caso que lo uses
How do you relax and release the unnecessary tension in your body while playing Sinfonia Concertante or other demanding concertos?
Pablo Ferrández legato
there is so much clarity in this presentation and delivery - a big thank you from a student making a big jump from viola to cello over the past year! super sharp teaching points 😊
Wow, all of it is incredibly useful! Especially how to hide shifts, because I really have never been thinking about It. Thank you so much, Pablo!
I had tried some of the tips though I haven't given much thought of it. Your tutorial gives me a more broad knowledge in terms of shifting. Thank you so much for this, it means a lot to me. It inspire me to think and experiment more when practicing. More videos please! Can't wait to try it out myself.
have you noticed, at 11:58 he was shifting C to F and the obertones of C kept ringing. wow thats literally playing two notes on one string :D
Thank you for your generosity. You share important differences in shifting techniques and their unique musical impacts. I love your analogies - fine teachers use analogies. Your willingness to pass these tips along to others is much appreciated!
Pablo, you are a wonderful human being, you should know that! Thank you for sharing all these tips on TH-cam for free!
Thank you for sharing your life and knowledge as a soloist through this channel. You classic guys' incredible skills always make me think what kind of people you are and feel a little far in some ways. But your candor melts everything that I thought out. Hope to see you and listen to your music in person someday!
Amazing instruction and your sound/tone has won me over....I want to hear more of your performances so I will be looking for recordings!
I found this at the perfect time! I’m working on the Elgar concerto and my current focus is cleaning up my shifts to make the melody line clear and lyrical. My goal is to keep the romantic style without any “swoops” due to poor shifting. Thank you as always Pablo!! Xxx
I struggle with shifts. Thanks for all the ideas. 😊
I agree shifting backward would also be helpful.
Pablo, thank you so much for the tips. I learned so much from you.
Thank you Pablo! So great advices
I have viewed this video several times as it is such a valuable review! You seem to cover everything. Thank you Pablo very much!
Love it… and I play violin! Thank you!!
No solo compartir la música, sino también el cómo has llegado allí, muestra una gran generosidad. Felicitaciones
very good solid advice and for free please continue your good work for all those that don’t have money to study with a good teacher. thank you.
Thank youuu!!❤️Useful, it allows me to inderstand what I m doing because I did a lot of this different shift, but without always notice it and paying attention. And the last tips is intresting because I often shift with te same or the first finger
Un MAESTRO TOTAL con todas las letras!! gracias por todo!! que gran acierto los subtítulos en español!! Gracias Gracias Gracias!!
This was very helpful. I agree, I think the more options we have helps give us more to bring to the music, to better bring out the way we want it to sound. Thank you.
Doublebassists just laughed out loud on 0:10
Qué genial es que un músico haga estos tipos de videos, se agradece demasiado! Brava 👏🏻. Saludos desde Chile 🇨🇱☺️
Love this video, consecutive fingers is the best way for shifting from my point of view 🎶🎶 You’re great giving all the examples!!
So very helpful to have you explain with examples, suggestions and to be encouraged to explore the variations and find your own voice.
so helpful thanks gracias Pabloo por compartir tus trucos , geniaaal!
Excellent as always. I now have a full plate to work on this this week. Getting this musical wisdom from one of my favorite all time Cellists is an amazing gift. Thank you Pablo.
Just discovered your videos. These are some of the best videos I have watched! Thank you.
Thank you so much for these tips videos! You're an excellent teacher. I am mostly self-taught so to stumble upon lessons from you to break out of bad habits and learn new things has been amazing.
greatly informative and useful. I found the 'consecutive' finger shift approach useful ! thank you 🙂.
Thank you so much. This something I’ve been struggling with recently. I’ll be watching this video many times over the next couple weeks to keep it fresh in my mind.
Te agradezco muchísimo tus claras explicaciones. Me ayudan mucho y sobre todo las proyecto en mis alumnos. Sinceramente gracias!
awesome video, I hope can have tutorial about what etude or exercise books you recommend or how you practice intonation.
Eres un artista extraordinario! Gracias por tu generosidad!
Mi admiración y respeto amigo!
Such helpful tips!! Love these videos
Tus vídeos son realmente maravillosos al igual que tu forma de tocar, me han ayudado mucho, y me motivan de una manera increible!!!!!! GRACIAS POR TUS VIDEOS!!!!!! 🎻🎶
Video after video I just can't get over the beauty of this cello. Both acoustically and visually.
Muchas Gracias Pablo por los consejos. Son muy útiles !. Saludos.
Generous and insightful video. Thank you Pablo.
These tutorials are always so helpful for my practice. Thanks Pablo!!
Pablo thank you so much these advises are pure gold
Just found your channel, excellent stuff! really inspiring me to get back to playing more seriously and I can't wait to try your suggestions!
Thanks so much for sharing your journey and tips!
Wonderful insights and advices! Thank you! I am hooked to your channel.
Thank you for sharing your knowledge and passion. I find that very generous!
Gracias Pablo!! Son unas explicaciones muy precisas, seguro que nos resultan de gran ayuda.
Wow I never thought about how my elbow moves when I shift, I will experiment with that
My shifting technique is mostly just yeeting through mid-air and landing on 1 finger sometimes lol
And the last tip about not shifting onto the same finger is helpful!!
Thank You so much! I love your videos they are super helpful. Wish you all the best!!
Thank you so much for sharing your knowledge and skill!!
Very helpful information, thanks. You are an outstanding cellist!
gracias teacher eso aqui se lo llama desmangue esos saltos digo desd una nota ya tocada hasta vaya a saber Dios donde ... hay q tener habilidad atencion concentracion y tambien 1 tuch d suerte, 1 buen dia dado q todos hemos visto a grandes cellistas llegar justo pasarce o kedarse 1 milimetro antes... es lo q siempre sucede con instrumentos atemperados
Me encanta!! ❤️❤️
Muchas gracias por poner los subtítulos!
Genial el video !!
That was very helpful, thank you!!!!
Congrats and thanks for sharing your knowledge !
I’m a bass player and I did learn the basic shifting named :”alla Heifez” ( old finger on the old bow) - and “Alla Kreisler “. (New finger on the new bow). There is some combination of this two : old finger - new bow , new finger -old bow. Also, start with old finger and in the middle continue with the new finger - on old bow , eventually on the new bow and so on. So, there is a truly art of shifting! String player should care more about.
Excellent analysis! 👍 Thanks for sharing 🙂
Using consecutive fingers is a gamer changer. Thank you!
Awesome vid, very helpful
Thank you for your videos in general, they're extremely helpful 🙏🙏🙏
A shifting technique not mentioned is finger replacement. So, same note different finger. I use this to prepare for more favorable incoming fingerings.
Very useful tips! Thanks!!
This video was super helpful for me 👍👍👌👌 (especially Elmerson's tip of shifting with one finger and landing with another finger). This is a tip my teacher taught me: when I need to do the mixed shift (third method) I learn the shift of the sliding finger and the I land the wanted finger more accurately...😅
Just for clarification: Frans HELMERSON
@@d.s.5103 Thanks 😅
Muchas gracias Pablo por lo detallado de la explicación y por tu generosidad
Vengo viendo los videos. Súper claros y de mucha ayuda. Gracias Pablo!
Thank you for your insight. Muscle memory is more difficult on strings due to the different finger distances in different positions. It means many hours practice in first position, then second .... etc. Then it might be possible to shift so accurately into higher positions. Your methods are very helpful.
Me ha servido muchooo!!
Tips on general intonation? Maybe tips on using your thumb not as a harmonic? Audition tips? Bow distribution?
Gracias por los consejos desde Ciudad de México. Es muy amable de su parte. Yo apenas comienzo, y me había dado cuenta de ello, de hecho la cabeza se me embrolla al asomarme tanto al diapasón como al trabajo de mano izquierda y, efectivamente las combinaciones son muchísimas, por lo cual, como trabajo esencial las manos, especialmente la izquierda debe de fortalecerse físicamente, para estar preparada para cualquier cambio que se presente.
Hi Pablo, great video! In Han Jensen's book Cellomind shifts are explained even further. The first shift you describe is called smiley face (: under the fingerboard you call it. He calls the other type rainbow arch. An up and down motion. He also advocates combining the two for very large shifts. He also points out the different combos of fingers, bow changes, etc. It's very helpful. Interestingly, I had heard from Starker that it's always better to shift from a higher finger to a lower one or use the same finger. I think it's to do with having balance in the hand. I think your explanation is great. Consecutive fingers! Interesting to avoid the same finger. I will try your ideas. Thanks so much! I hold the bow the way you do now, and will never change back! Also, that Shostakovich fingering from your talking cello video with Kian is amazing! An idea for a video would be tips for difficult bow strokes. Different off the string strokes? Bravo to you!
Subscribed...a great lesson. Thank you.
This is very helpful. Thank you for taking the time to explain and to demonstrate the technique.
Pablo is my Yoda...
Thank you so much! I appreciate greatly!
Outstanding! Thank you so much!!
Thank you for such great advice - so clearly given. Best lesson ever? Great!
Thank you sooooo much!!! 😍❤️❤️❤️
Muchas gracias ! De gran ayuda tus consejos. Eres un gran artista te admiro mucho! Desde Chile un gran saludo Cellistico!🎶💕
Mil gracias!!!!👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻🎶😘🎶🎈😘🎶
¡Muchas gracias, Pablo! ♥️ (Por favor, subtítulos en español🥺♥️)
Ya está ☺️
@@pabloferrandez ¡Graciasss!💛☺️
On your next video you should talk about scales
Muchas gracias eres muy pedagogo
I found this vert helpful!
Gracias Pablo!! Soy violinista e igual me sirven tus consejos un montón 🧡
Thanks so much your videos are very clear and informative. Any tips on practicing the 2nd movement of the Elgar
Thank you for sharing.
Agradecerte enormemente desde Uruguay, realmente tus videos son de una ayuda gigante, quería pedirte consejos acerca de arcos, diferentes opciones dentro de lo que puede ser algo más accesible económicamente y algo más profesional, muchísimas gracias
Very interesting, thanks.
Buenos días, GRAN Pablo Ferrández. Un chico de 12 años, CUÁNTO tiempo debería de estudiar DIARIAMENTE?
GRACIAS Pablo, tus enseñanzas nos ayudan en CRESCENDO
very helpful and always interesting to learn form the very best people
thankyou Pablo Ferrandez
see you in Paris on 23.3 again 😃
Buenísimo!! Muy útil en serio... gracias Pablo!!
Very helpful. Thanks.
Solo falta una cosa para que el video sea excelente: subtitulos en español
Edgar Maestre ya están subidos :)
@@pabloferrandez Muchas gracias!
Talk about the intonation of different scales
Pablo, Thank you very much, can you make a video about control hand with bow, e.g. staccato, legato, bow change (up, down), like in Piatti caprice 1 and something in sort of this
Excelente contenido muchas gracias por compartir esta información tan valiosa. La comunidad chelistica latina estará muy contenta si nos ayudas con los subtítulos en español. 😉
It would be helpful to also demonstrate descending in addition to ascending shifts. Opening the elbow ascending is a different feeling than closing the elbow when descending.
Thank you so much Pablo! Very informative!
What about shifting backwards!
Thank you so much!
Hay tantas cosas que estaba haciendo mal😯😯 pensé que solo existía un cambio de posición
Very helpful!
This video is just wonderful!! Thanks for sharing this deep and small details that make a difference! I just wondered how it works when you have to shift backwards! Do you apply the same logic or do you somehow "revert" it? I'm for instance thinking of elbow movements, shifting with "following" or "presiou" finder, and such... Thank you a lot again!