Part 2--Choreography of the Hands: The Work of Dorothy Taubman
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- เผยแพร่เมื่อ 28 เม.ย. 2012
- "No serious musician interested in the essential relationship between physical and artistic elements in performance can afford to ignore Dorothy Taubman's illuminating and revolutionary discoveries." -- Peter Takacs, Oberlin College Conservatory of Music
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It is one of the great regrets of my life that I didn't get to study with Ms. Taubman.
dorothys amazing! genious, cute, fun voice, gorgeous! they dont make em like that any more!
Made me well up, stunning lessons, beautiful...
the audio sucks so hard it's almost unbearable listening with headphones. But yeah, the good ol days, huh? It is a pedagogical gem nevertheless! Thank you almighty google-algorithms y3
Tim Topham, it's Liszt-Paganini Etude No. 6.
Only 4500 views? And 23 likes? People need to know better her work...
Robert Schumann could have used the Taubman Approach before he messed up his 4th finger.
Chopin, Mazurka, op. 24, no. 4, played by Yoheved Kaplinsky
does anyone else have problems with the sound of this video??
NAPOLEON DYNAMITE 8:55
I wonder what he's going to play today? Probably whatever he feels like, GOSH!
What's the name of the piece at 3:05?
Chopin mazurka no.24
Check out 6:30 for a very valuable statement.
I had to repeat that segment literally dozens of times before I understood its application. It hit me so hard I'm amazed.
Please, what is she playing at 14:50?
pipillotta might be a bit late but it’s rach on pagini theme
Liszt-Paganini Etude No. 6 (based on Paganini's Caprice No. 24)