Sibelius: Pelléas et Mélisande / Boian Videnoff - Mannheimer Philharmoniker
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- เผยแพร่เมื่อ 16 พ.ย. 2017
- Jean Sibelius (1865-1957) Suite Pelléas et Mélisande, op. 46
Mannheimer Philharmoniker
Boian Videnoff, conductor
Director: Alexander Radulescu
Director of Photography: Thomas Kutschker
Elbphilharmonie Großer Saal, 13.11.2017
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I believe some of Sibelius's loveliest themes are here. He probably needed little inspiration in 1904 for the the heart-rending 'Death of Mélisande' scene at 20:42 cleverly contrasted with the energy at 17:42 of the 'Entr'acte'. Four years earlier, the composer's daughter Kirsti had perished soon after birth, a bitter blow that literally drove him to drink, and his empathy for the dying Mélisande is tangible. Maeterlinck's symbolist play, being episodic, never reveals what the heroine is dying of... a broken heart at her lover's murder, or postpartum bleeding, or something altogether more impalpable? We do know she is a lost soul in an alien land who, falling for Pelléas at first sight, felt compelled to follow her heart. (Sibelius had experienced a similar _coup de foudre_ on meeting his wife-to-be, Aino). Mélisande defied her marriage vows and a 'symbolic' sacrifice must be paid. Though she departs, her tiny daughter will in some way take her place.
Glorious cor anglais playing!
at 20:40 "Death of Melisande" One of my all-time favorite pieces. They do it justice.
This is a very hard piece to listen to. Demands attention and good sensibility. It's an incredible Sibelius piece!!
17:42 この曲が大好きです❤
素晴らしい演奏ですね😊
感動しました！
Bravo, Maestro Videnoff !
Une très belle œuvre que je ne connaissais pas ´´ philharmonie de Mannheim dirigée avec brio ´´ j’adore
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Seems to have been an early manifestation of Covid-19 in the audience!
Was that the prow of a Viking longboat at 17:17????
Best part :21m to the end
17:43
3:40
8:03
9:47
Lovely music but I cannot understand how the musicians can follow this conductor: his motions are not usual for a conductor and are rather jerky. Nevertheless, the musicians are looking at him so there must be some sort of communication (perhaps more visual?).
He gets an A for humor though when at the end of a movement he stops the orchestra so the audience can cough and applaud!
The conductor seems a clown doing his best in a circus....
Boian Videnoff, a clown? Hardly, Paolo...
👏👏👏👏👏👏👏👏👏👏