Notre Dame and the origin of polyphony | Discantus.
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- เผยแพร่เมื่อ 30 ก.ค. 2024
- Between 1163 and 1345, Paris saw the rise of Notre Dame Cathedral and in 1257 it hosted the foundation of an important university. Around these two institutions, a group of composers shaped a new way of writing music that enriched religious ceremonies. The coexistence of different voices in the same score, based on repetitive rhythmic patterns, resulted in hypnotic, refined and grandiose compositions. Many of them are also based on elegant Latin texts loaded with poetic images.
0:00 Pedro Abelardo (1079-1142): O quanta qualia (hymn)
1:59 Anonymous: Hodie Christus natus est (antiphon)
4:28 Anonymous: Hec dies leticie / Hec dies (motet)
6:31 Pedro Abelardo: Da Marie tympanum (hymn)
8:01 Anonymous: Virgo viget / Castrum pudicie / Flos filius (motet)
8:54 Anonymous: Plus bele / Quant revient / L'autrier / Flos filius (motet)
Pérotin (c. 1200)
9:44 Beata viscera (conductus)
12:35 Vide prophetie (conductus)
15:47 Anonymous: Benedicamus Domino (organum triplum)
Notre Dame and the origin of polyphony (12th-13th centuries)
Discantus (Cécile Banquey, Christel Boiron, Hélène Decarpignies, Lucie Jolivet, Caroline Magalhães y Catherine Sergent). Brigitte Lesne, conductor
Concert (extract) from the cycle "The Medieval origin of European music (9th-15th centuries)"
www.march.es/events/101567/
29 November 2019
Fundación Juan March, Madrid
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Qué increible lo ocurrido con la música en los últimos mil años! Desde estos inicios en Notre Dame hasta la música del siglo XX y XXI. Qué maravilla.
Gracias por compartir, desde Guadalajara Jalisco México
Bellísimo.
Bellisimmo. Saludos desde Argentina
Saludos desde México-Jalisco-Zapopan.
Gracias por su excelente trabajo! Hermoso resultado...
esas monjis...ahí dando kaña...mola...
Bellisimmo. Saludos desde Polonia
sencillamente divino
Hermoso.
12:40