Not only do I owe you a debt of gratitude for “repairing” my high notes - I’ve been struggling with them since I got my tenor recorder (only 4 1/2 days, but constant) - I’m quite sure that I wouldn’t be playing the recorder, if not for you. ❤ You’re the best.
Clarinet background here lol! This has been soooo helpful, especially the tips on thumb position. It's not something I every really think of when playing clarinet because the thumb hole is either just completely covered or off. Thank you very much!
I've been playing a Yamaha 402B soprano recorder for 11 months now but not new to playing instruments as also play the alto sax and clarinet, as well as, the piano many years ago. Few weeks ago I was asked to play an accompaniment peice for the piano and soloist in a kids Christmas play. I took up the challenge. I worked hard on it-twenty-four hours of practice conservatively. It was simple. Clean. My only challenge was playing the high B's and C's. But on my own and with videos like this I was able to master them and had the entire song down pitch perfect. In practice with the rest of the group, however, it was an entirely different story. I am naturally an extremely introvert person and I lothe even being in a large gathering much less being up front. In practice everytime I cracked or flubbed my high B's and C's at random. Very embarrassing. I only had six practices with everyone together. It was a 2.5 minute song and so collectively I only had 15 minutes of practice with the group. That was hardly enough time for me to figure out what it was that I was doing wrong. So last night after another practice I made the call to scrap my recorder peice entirely. Tonight was the play and it was nice. Even though it disappointed some people, at least I won't be up all night huanted by my trainwreck.
Makes so much more sense than when I was a kid and had a Soprano Recorder. I went from a Saxophone to Recorder, and my Recorder playing in my youth paled in comparison. Saxophone was much easier. I never understood why I could never get a decent tone out of a Recorder. Over the past month since getting my Tenor Recorder, this has been by far one of my favorite Channels. Thanks Sarah!
You have such enthusiasm. It was time we all learned the explanation of four registers, which don't follow the octaves at all. Thank you for your many videos of good clear instruction, which you can create because you know what you are doing. Also, thank you for your book suggestions.
My daughter is still learning how to control her air stream and articulation -- she's 6 -- however, I will frequently adjust my intonation to match hers so she understands the notes as a "duet". Then she copies me, and tries to match my intonation, and poof! She's starting to understand the amount of control needed. It's by no means second-nature to her, but she loves it, and she likes to play tunes for her little brother -- my son is 2 -- and I'll play harmony or a variation on the piece, while the toddler either taps out a beat, or tries to strum his ukulele. I tuned it to G, and all our tunes are in G, so it's a cute wee jam session. I'm finally playing the second register clean. Having played piano for 45 years, anything out of tune is painful. :-) But with my daughter, I just want her to be able to enjoy it, although both instinctively feel when a note is off. She's also learning keyboard hand position the way I did, so she'll be able to play for hours without getting CTS/RSI.
I SOoooooooo needed this lesson. Hitting the higher registers is the bane of my existence right now (Been playing a total of 3 days, LOL). I'll get it, but right now it's a struggle :P
The quality of your instructional videos is always outstanding, I'm sure I'm not the only one who you have inspired to pick up their old school recorder - and then of course buy many newer and better ones :o) Thank You.
Sarah, you are absolutely amazing. This is the clearest explanation I have seen on how to play those pesky high notes. Your videos are like gold to me. Your message gets across because you are so expressive and entertaining as well. Would you consider recording a video on how to play two recorders simultaneously? You would be the perfect person to do that. Thank you so much!
omgosh! You helped me SO much! I was trying to use the center of my thumb to cover the hole...as soon as I tried using the part of my thumb you suggested in this video...I nailed the high note I was looking for on my first attempt! :D Thanks a lot!! :D
Sarah, just discovered your videos and find it so helpful the way you break down the technique. I'm going to focus on my airflow for the low and high notes in my next practise sessions. Thank you so much.
I had no idea that the amount of thumb hole coverage mattered, thank you that has made such a difference to getting the high notes. I have learnt so much from your videos - and so many things I was taught wrong!
Sarah... I just wanted to take a moment to let you know that I think you're a great musician and a fantastic teacher. Since I have discovered you, I started playing not only the recorder, but also the tin whistle and the ocarina! My repertoire is quite small at the moment limited to nursery rhymes and simple folk tunes, but hope to learn some longer classical pieces soon. Thank you for sharing your knowledge, please keep up the awesome work!
Hi Sarah, this is excellent. In my own case I feel that the position of the recorder has an impact on hitting high notes or not: if I blow in the recorder when it is too close my body that do not work ; if I raise my arms (the recorder in a more horizontally position) that's fine!
Haven’t played in 20 years, just deafened neighbours trying to remember the notes. Got to upper B eventually on soprano. You just reminded me of the rest.
On the Yamaha (plastic) the thumb hole only needs to open a 'crack'. I've been unsucesdful with high notes for ages as I was bending my thumb and doing a half open. Doing the thumb role and only a crack open was a good tip. Wow I am so happy I have so many more notes to play!
Oh golly yes, that’s so true: the fear of of a looming high F. Thank you for your encouraging and informative tips and exercises! Armed with these I hope to get on top of that fear 🎶
I'm glad I found this channel. I've stopped playing recorder for a while now, only touching it once or twice a month. I think I'm ready to give this another chance. I'm always scared to play those high notes cause of how cheap plastic recorders sound. If you break a note it will sound 10x more horrible. What a time to be alive. When I started self learning music 9-10 years ago, there's no such channel on youtube, most are for flute. I'm subscribing!
Trying to play the heidi almost made me want to give up playing the alto recorder. but watching this video again I have hope that maybe I can get it. You’re a very fun entertaining teacher. Thank you so much.
To play the recorder, you must have to be a sweet person! I am starting a recorder group and your videos will be required watching. Wonderful! Thank you for explaining how to get those high notes I thought were impossible.
I have noticed that shading the left ring finger's hole during the attack on the high C on Yamaha tenor provides a steadier and softer note. I always do that for that sixth jump in BWV 1031 second movement.
Omg so not just me then!! 😆 I find this helps for all the sizes of Yamaha (I have the treble and descant) and even on my Mollenhauer Denner alto. Seems to be specifically top C... Or F on the treble.
I've picked up my recorder again after years of not playing and on my alto everything higher than d3 just didn't work. Your video has been really helpful! My teacher back then never truly showed me how to breathe (maybe because I was a child? I don't know, but that school was weird, they kinda wanted all of us to later switch to the flute...)
@@Team_Recorder Ms. Jeffery, I must say that you, and whatever people might comprise Team Recorder, do a superb job both of instruction and creating enthusiasm for the recorder; your obvious enthusiasm is quite contagious. I can't recall the specific video, but I was particularly impressed with your mention of just how much the performing of music, and I believe the recorder in particular as it presents such a challenge, engages the brain and sharpens one up. This will come in quite handy when I a) explain to my wife why we are now a 5 recorder family (Yamaha 300 series) and b) just why my transverse flute and my oboe are currently suffering from significant, but not total,, neglect. I must add that after about 55 years of playing the concert flute and innumerable lessons, I have been humbled by how difficult it is to play the recorder well, or semi well at this point (semi demi hemi quaver well might be more accurate), but I'll get there. Well, get closer.. On the off chance that reading this has not yet induced coma, I offer you my most sincere thanks.
Oh wow - I just put up a post about this, then discovered the video when I was watching another one! My next practice tomorrow - trying all of this! Thank you SO MUCH for all of these wonderfully informative lessons!
Informative... When it comes to finger nails, some instruments like piano, violin, cello, it is recommended that you keep it short because they get in the way.
Yes, short fingernails work for most instruments - until you start learning classical guitar and then you are socked with being required to grow plectrums on your right hand fingers and thumb!
Hi Sarah! Thank you for this video...I have found with my brother David 36 sounds considering the natural sounds, sharp sounds and flat sounds or pitches. A total of 3 registers in the Tenor recorder in C, the Alto recorder in F, the Soprano recorder in C and Sopranino in F. However, I play most of the time with the 1st and 2nd registers...in each recorder I play them with different clef as well. In the Tenor recorder I use the D clef and the 1st register I use the Treble clef. In the Alto recorder I use the A clef and in the 1st register I use the D clef. In the Soprano recorder I use the E clef and to play the 1st register I use the A clef. And in the sopranino recorder I use the B clef and in the 1st register I use the E clef. Greetings from Tijuana, Mexico!
Ahhh thus would explain why I have to blow with an open mouth for the D and C and also why I can play the lower range if pachelbel’s canon fine but go up an octave the same notes are all wrong. Great tips.
Now this is the info I need. 🎉. A few years ago I purchased the full line of recorders from a widower of a pro recorder player 😢. Which one would be easiest to learn and practice upper registers on. Or are they all the same. Thank you for your excellent explanation!!
This has been one of my biggest mind effs since picking up the Tenor Recorder. Wrapping the mind around this. Since watching your videos, it's starting to make more sense, even if some of this I started intuitively getting on some other level. On a synthesizer or keyboard workstation... it's much easier to find that "exact" note. In this case, it depends on what you're actually feeding into the instrument. So understanding articulation, breath pressure, and understanding how the Registers work are really some of biggest "secrets" of Recorder playing, yes?
I've been playing the recorder for 40 years and yet I've learnt so much in the last few months since finding your channel. Thank you Quick question, i recently purchased a, not very expensive, maple wood descant recorder but was having a nightmare playing top b and c (strangely the d and e are ok) but today I accidently discovered covering the end hole works to give a clear strong b and c! Have you ever come across this before?
Oh! Yes! Sometimes weird and wonderful fingering combi’s like that do work... If it works for you and isn’t too awkward with the leg coordination, then go for it!
Good advice about making friends with the high notes. I am a beginner that has stayed in the first register and am very shy about tackling the next level.
Hey Sarah! LOVE your videos, am learning the recorder for a show right now, and you may have just solved my register issues!!! thanks for being awesome
would love how to get those "gluk" sound away. SO how... a video on how to do difficult trills. Struggling with the high e two high d for example on tenor in Badinerie for example ..... Ignore everything I said. Found the video. IT is great. Thanks.
Great video as always, Sarah. On my Yamaha YRA-312 alto, I find that at certain head joint extensions, it is impossible for D6 or F6 to speak clearly, no matter what I do with breath or thumb hole adjustment. However, if I push-in or pull-out the head joint by 0.5mm or so, they suddenly come back to life.
I struggle with low F more than the higher notes. Not sure if it is a blowing issue or the fact that I find it difficult to reach with my small hands and especially tiny little fingers on my alto. Although I'm not far enough into my recorder journey to venture much higher than F. I have a standard alto (rosewood denner) as well as a modern alto with F foot (pearwood) and am having more issues with F on the modern because the fingering is a bit funkier with a bunch of half-open holes. Still, it has such a warm open sound, I just love playing it. Thanks for the video, I don't think I would have even thought about learning recorder if I didn't find your videos.
I don't know why I waited so long to watch this video. My high notes were getting better with practice so I figured I was doing the right kind of thing to get there in the end. Turns out I knew nothing about registers! I was pretty much ok in the second register and haven't played many pieces needing the third register, just one that needed an E flat. I confess I'd literally never managed to hit a note in the 4th register until I watched this. Doing a two octave scale or arpeggio wasn't happening I'd always miss the top F/C, I'm not going to worry about beyond that just yet but having finally managed to hit a note in the 4th register feels good.
this is so incredibly helpful!!! I recently on a whim bought almost 20 vintage recorders(I was unsupervised with job money and goin' thru it) and now I'm trying to become at least moderately proficient with them! Do you have a preferred recorder to practice with? I find I tend to go for the tenor(my lowest right now) more often than not because it's just so dang pleasant sounding (Vintage wooden Gill) but it doesn't have the baroque double hole as it has a key instead on the bottom, but I also have been experimenting with a couple of alto recorders and many many sopranos.(I lot my train of thought as I was typing this but I hope it makes sense!)
Thank you Sarah. Just what I needed to get me over the hurdle on Soprano. BTW I was just thinking the other day, "I wish I could have Sarah Jeffery as my own teacher." And then I realized, "hey, wait a minute, there she is right there in front of me on my computer!" Isn't that awesome?
Hi Sarah thanks so much. I've been playing the alto for many years. I wonder if there's a way you could film your thumb's movement when you switch from a low register to a high F on the alto. Like having a camera film from below the recorder? What I need to understand is the thumb's movement, apart from its position. Thanks so much for listening.
Dumb question. Is there a way where can you attach a slide thingy that could cover the thumb hole so you can precisely control the opening? Like on some coffee mugs with slide lids..Or any way that could control the size of the opening mechanically. Would it make it easier?
Great vid. On the exercises you mention between registers, I find doing the same slurred adds a further level of interest (?). The Bousquet Etudes have some good pieces for this.
![[LIVE] : ONE ลุมพินี 80 | คู่เอก "รักษ์ vs ยอดนำชัย"](http://i.ytimg.com/vi/ckLMRorsMeY/mqdefault.jpg)
My dog leaves the room when I go for the high notes. Bless his little heart.
My cat hates it
Bless his big heart.❤ Given a dogs' capacity to hear, it's a wonder that they don't bite us.
.
Mine, as soon as I pick up the soprano 😂
Mine starts to howl at any note and I play a tenor recorder.
Not only do I owe you a debt of gratitude for “repairing” my high notes - I’ve been struggling with them since I got my tenor recorder (only 4 1/2 days, but constant) - I’m quite sure that I wouldn’t be playing the recorder, if not for you. ❤ You’re the best.
Ah that’s great! ❤️
12:07 "Last week we had 800 subscribers" - wow, congrats! I think the 205 K nowadays is very well deserved.
Thank you for your channel!
Ah, I was holding my thumb wrong. So many thanks for fixing in 2 minutes a problem I've been struggling with for a week.
Ahh great!
Clarinet background here lol! This has been soooo helpful, especially the tips on thumb position. It's not something I every really think of when playing clarinet because the thumb hole is either just completely covered or off. Thank you very much!
I'm an ex clarinet player too, we did have it easy didn't we! (with our register key)
I've been playing a Yamaha 402B soprano recorder for 11 months now but not new to playing instruments as also play the alto sax and clarinet, as well as, the piano many years ago. Few weeks ago I was asked to play an accompaniment peice for the piano and soloist in a kids Christmas play. I took up the challenge. I worked hard on it-twenty-four hours of practice conservatively. It was simple. Clean. My only challenge was playing the high B's and C's. But on my own and with videos like this I was able to master them and had the entire song down pitch perfect. In practice with the rest of the group, however, it was an entirely different story. I am naturally an extremely introvert person and I lothe even being in a large gathering much less being up front. In practice everytime I cracked or flubbed my high B's and C's at random. Very embarrassing. I only had six practices with everyone together. It was a 2.5 minute song and so collectively I only had 15 minutes of practice with the group. That was hardly enough time for me to figure out what it was that I was doing wrong. So last night after another practice I made the call to scrap my recorder peice entirely. Tonight was the play and it was nice. Even though it disappointed some people, at least I won't be up all night huanted by my trainwreck.
the first CLEAR explanation I've found about this matter. Thank you so much
Makes so much more sense than when I was a kid and had a Soprano Recorder.
I went from a Saxophone to Recorder, and my Recorder playing in my youth paled in comparison. Saxophone was much easier. I never understood why I could never get a decent tone out of a Recorder.
Over the past month since getting my Tenor Recorder, this has been by far one of my favorite Channels.
Thanks Sarah!
Oof
You have such enthusiasm. It was time we all learned the explanation of four registers, which don't follow the octaves at all.
Thank you for your many videos of good clear instruction, which you can create because you know what you are doing. Also, thank you for your book suggestions.
My daughter is still learning how to control her air stream and articulation -- she's 6 -- however, I will frequently adjust my intonation to match hers so she understands the notes as a "duet". Then she copies me, and tries to match my intonation, and poof! She's starting to understand the amount of control needed. It's by no means second-nature to her, but she loves it, and she likes to play tunes for her little brother -- my son is 2 -- and I'll play harmony or a variation on the piece, while the toddler either taps out a beat, or tries to strum his ukulele. I tuned it to G, and all our tunes are in G, so it's a cute wee jam session.
I'm finally playing the second register clean. Having played piano for 45 years, anything out of tune is painful. :-) But with my daughter, I just want her to be able to enjoy it, although both instinctively feel when a note is off. She's also learning keyboard hand position the way I did, so she'll be able to play for hours without getting CTS/RSI.
I SOoooooooo needed this lesson. Hitting the higher registers is the bane of my existence right now (Been playing a total of 3 days, LOL). I'll get it, but right now it's a struggle :P
I'm in the same boat, my friend. The high C, D and up on my alto is really tricky
Just descovered your channel..playing the recorder is sooo relaxing it’s insane. Groetjes uit Brabant❤
The quality of your instructional videos is always outstanding, I'm sure I'm not the only one who you have inspired to pick up their old school recorder - and then of course buy many newer and better ones :o)
Thank You.
Thank you!
Sarah, you are absolutely amazing. This is the clearest explanation I have seen on how to play those pesky high notes. Your videos are like gold to me. Your message gets across because you are so expressive and entertaining as well. Would you consider recording a video on how to play two recorders simultaneously? You would be the perfect person to do that. Thank you so much!
omgosh! You helped me SO much! I was trying to use the center of my thumb to cover the hole...as soon as I tried using the part of my thumb you suggested in this video...I nailed the high note I was looking for on my first attempt! :D
Thanks a lot!! :D
Sarah, just discovered your videos and find it so helpful the way you break down the technique. I'm going to focus on my airflow for the low and high notes in my next practise sessions. Thank you so much.
You're welcome!
I picked up the recorder after some 15 years and I've learnt to appreciate it so much more! thank you for these incredibly useful videos!
You're a generous teacher, Sarah Jeffery, and it's a pleasure to learn from you.
I had no idea that the amount of thumb hole coverage mattered, thank you that has made such a difference to getting the high notes. I have learnt so much from your videos - and so many things I was taught wrong!
Same. Geez...
It feels like those high notes hurt not only my ears, but my recorder too.
Sarah... I just wanted to take a moment to let you know that I think you're a great musician and a fantastic teacher. Since I have discovered you, I started playing not only the recorder, but also the tin whistle and the ocarina! My repertoire is quite small at the moment limited to nursery rhymes and simple folk tunes, but hope to learn some longer classical pieces soon. Thank you for sharing your knowledge, please keep up the awesome work!
Must say: The tip about not needing the thumb pad and covering more or less of the hole helped a bunch.
Thanks, Sarah.
Hi Sarah, this is excellent. In my own case I feel that the position of the recorder has an impact on hitting high notes or not: if I blow in the recorder when it is too close my body that do not work ; if I raise my arms (the recorder in a more horizontally position) that's fine!
Thank you so much! Now I can finally play „across the stars“!!
This is exactly what I needed. Thank you!
Haven’t played in 20 years, just deafened neighbours trying to remember the notes. Got to upper B eventually on soprano. You just reminded me of the rest.
Fantastic clear instructions with a great friendly teaching attitude, thank you so much! This was a joy to watch.
cold vs warm blowing made the difference (my instrument is similar to a recorder, a csakan, so no thumb hole!) Thank you!
On the Yamaha (plastic) the thumb hole only needs to open a 'crack'. I've been unsucesdful with high notes for ages as I was bending my thumb and doing a half open. Doing the thumb role and only a crack open was a good tip. Wow I am so happy I have so many more notes to play!
Super helpful! Could not consistently hit anything in back half of the second octave at all until I watched this.
I can finally play two full octaves! This was very helpful, thank you 😊❤
Thank you Sarah for this in-depth information. Now I know that it's me and not my recorder. I cannot thank you enough and I will get onto my practise.
It works!!!!!! High A in J.S.Bach Solo Partita (BMW 1013) Cm for Alto Recorder.
Oh golly yes, that’s so true: the fear of of a looming high F. Thank you for your encouraging and informative tips and exercises! Armed with these I hope to get on top of that fear 🎶
Yasss I didnt even realize I was doing that either😅 but it is so me lol
What a fantastic video. I can actually reach some of those high notes at last. Will definitely be watching your other videos.
I'm glad I found this channel. I've stopped playing recorder for a while now, only touching it once or twice a month. I think I'm ready to give this another chance. I'm always scared to play those high notes cause of how cheap plastic recorders sound. If you break a note it will sound 10x more horrible. What a time to be alive. When I started self learning music 9-10 years ago, there's no such channel on youtube, most are for flute. I'm subscribing!
The arpeggio exercises are an excellent
practice
Trying to play the heidi almost made me want to give up playing the alto recorder. but watching this video again I have hope that maybe I can get it. You’re a very fun entertaining teacher. Thank you so much.
Thank you so much for your excellent work😉
Thanks for all the helpful tips Sarah. You're truly a wonderful teacher!
Thanks a lot! I follow you since lockdown and I do really like your videos. Greatly helpful and very motivating.
To play the recorder, you must have to be a sweet person! I am starting a recorder group and your videos will be required watching. Wonderful! Thank you for explaining how to get those high notes I thought were impossible.
I have noticed that shading the left ring finger's hole during the attack on the high C on Yamaha tenor provides a steadier and softer note. I always do that for that sixth jump in BWV 1031 second movement.
Omg so not just me then!! 😆 I find this helps for all the sizes of Yamaha (I have the treble and descant) and even on my Mollenhauer Denner alto. Seems to be specifically top C... Or F on the treble.
I've picked up my recorder again after years of not playing and on my alto everything higher than d3 just didn't work. Your video has been really helpful! My teacher back then never truly showed me how to breathe (maybe because I was a child? I don't know, but that school was weird, they kinda wanted all of us to later switch to the flute...)
Hi Sarah, I have recently discovered your videos and really enjoy them. Thank you for sharing your tips and passion for the recorder.
You're welcome, welcome to Team Recorder!
@@Team_Recorder Ms. Jeffery, I must say that you, and whatever people might comprise Team Recorder, do a superb job both of instruction and creating enthusiasm for the recorder; your obvious enthusiasm is quite contagious. I can't recall the specific video, but I was particularly impressed with your mention of just how much the performing of music, and I believe the recorder in particular as it presents such a challenge, engages the brain and sharpens one up. This will come in quite handy when I a) explain to my wife why we are now a 5 recorder family (Yamaha 300 series) and b) just why my transverse flute and my oboe are currently suffering from significant, but not total,, neglect.
I must add that after about 55 years of playing the concert flute and innumerable lessons, I have been humbled by how difficult it is to play the recorder well, or semi well at this point (semi demi hemi quaver well might be more accurate), but I'll get there. Well, get closer.. On the off chance that reading this has not yet induced coma, I offer you my most sincere thanks.
@@rickmccloy4201 You’re very welcome, Rick! You caught me at my laptop so you get a fast reply 😊
Oh wow - I just put up a post about this, then discovered the video when I was watching another one! My next practice tomorrow - trying all of this! Thank you SO MUCH for all of these wonderfully informative lessons!
You are teaching me so much. I was so entertained I didn't even notice.
Informative...
When it comes to finger nails, some instruments like piano, violin, cello, it is recommended that you keep it short because they get in the way.
Yes, short fingernails work for most instruments - until you start learning classical guitar and then you are socked with being required to grow plectrums on your right hand fingers and thumb!
Hi Sarah! Thank you for this video...I have found with my brother David 36 sounds considering the natural sounds, sharp sounds and flat sounds or pitches. A total of 3 registers in the Tenor recorder in C, the Alto recorder in F, the Soprano recorder in C and Sopranino in F. However, I play most of the time with the 1st and 2nd registers...in each recorder I play them with different clef as well. In the Tenor recorder I use the D clef and the 1st register I use the Treble clef. In the Alto recorder I use the A clef and in the 1st register I use the D clef. In the Soprano recorder I use the E clef and to play the 1st register I use the A clef. And in the sopranino recorder I use the B clef and in the 1st register I use the E clef. Greetings from Tijuana, Mexico!
Thanks for this Sarah. My thumb position has been wrong for a ages and I never realised it until I watched this video.
Haha "rule of thumb" was that intentional?
Thankyou. Thumb position important!
I really love your videos because you're teaching it soooo clearly . Thank you very much ❤
That was so hard for me to hit the high notes in the video of all the notes and how to play them! Thank you!
Hi Sarah,
This was very useful ... and funny :)
thanks - Philippe
Ahhh thus would explain why I have to blow with an open mouth for the D and C and also why I can play the lower range if pachelbel’s canon fine but go up an octave the same notes are all wrong. Great tips.
I had no idea there were that many high notes! When we learned recorder, we only learned up to high D.... and didn't learn any sharp or flat notes
Because we were 8-9 year olds.
USA. Recorder in 3rd grade, in 4th grade you can start orchestra, band, and choir.
Same when I was at school as well!
Now this is the info I need. 🎉. A few years ago I purchased the full line of recorders from a widower of a pro recorder player 😢. Which one would be easiest to learn and practice upper registers on. Or are they all the same. Thank you for your excellent explanation!!
This has been one of my biggest mind effs since picking up the Tenor Recorder.
Wrapping the mind around this. Since watching your videos, it's starting to make more sense, even if some of this I started intuitively getting on some other level.
On a synthesizer or keyboard workstation... it's much easier to find that "exact" note. In this case, it depends on what you're actually feeding into the instrument.
So understanding articulation, breath pressure, and understanding how the Registers work are really some of biggest "secrets" of Recorder playing, yes?
I've been playing the recorder for 40 years and yet I've learnt so much in the last few months since finding your channel. Thank you
Quick question, i recently purchased a, not very expensive, maple wood descant recorder but was having a nightmare playing top b and c (strangely the d and e are ok) but today I accidently discovered covering the end hole works to give a clear strong b and c! Have you ever come across this before?
Oh! Yes! Sometimes weird and wonderful fingering combi’s like that do work... If it works for you and isn’t too awkward with the leg coordination, then go for it!
Thanks. I was looking for a tutorial of the recorder and yours is pretty complete and instructive. Cheers from Mexico.
Good advice about making friends with the high notes. I am a beginner that has stayed in the first register and am very shy about tackling the next level.
Thanks Sarah, so great, you are....I just play descant and happen to like high notes when I get them right! Your videos help a lot!
Thanks for sharing your knowledge with us, you make me really want to play.
Hey Sarah! LOVE your videos, am learning the recorder for a show right now, and you may have just solved my register issues!!! thanks for being awesome
Ah great, you're welcome!
would love how to get those "gluk" sound away. SO how... a video on how to do difficult trills. Struggling with the high e two high d for example on tenor in Badinerie for example ..... Ignore everything I said. Found the video. IT is great. Thanks.
Then you'll be treating your neighbours to some lovely high notes! :-D
And accidentally kill the nice cat lady next door
Thanks so much!! Honestly that tip on changing up just how much thumb to use saved my life~~ I just could not figure out why I couldn't go beyond G😂
I can’t get the high “B” to sound (properly) on my plastic Yamaha Recorder. Great info! Thanks! Happy holidays! 🌞🎅🏻🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉
Great video as always, Sarah. On my Yamaha YRA-312 alto, I find that at certain head joint extensions, it is impossible for D6 or F6 to speak clearly, no matter what I do with breath or thumb hole adjustment. However, if I push-in or pull-out the head joint by 0.5mm or so, they suddenly come back to life.
I try, Sarah))) With love from Moscow Russia
Thanks for the help! Now I can master high notes like high A or high G#!
I struggle with low F more than the higher notes. Not sure if it is a blowing issue or the fact that I find it difficult to reach with my small hands and especially tiny little fingers on my alto. Although I'm not far enough into my recorder journey to venture much higher than F. I have a standard alto (rosewood denner) as well as a modern alto with F foot (pearwood) and am having more issues with F on the modern because the fingering is a bit funkier with a bunch of half-open holes. Still, it has such a warm open sound, I just love playing it. Thanks for the video, I don't think I would have even thought about learning recorder if I didn't find your videos.
Hi Sarah, please make a video about the advanced recorder range !
I don't know why I waited so long to watch this video. My high notes were getting better with practice so I figured I was doing the right kind of thing to get there in the end. Turns out I knew nothing about registers! I was pretty much ok in the second register and haven't played many pieces needing the third register, just one that needed an E flat. I confess I'd literally never managed to hit a note in the 4th register until I watched this. Doing a two octave scale or arpeggio wasn't happening I'd always miss the top F/C, I'm not going to worry about beyond that just yet but having finally managed to hit a note in the 4th register feels good.
Great! Thanks for the help given to know the real technique to play high notes.
Subscriber number 30,000! That's a pretty big stadium full of fans... Great work Sarah, keep it up!
Thanks Steve! 😊
Very useful and helpful information 🎶 Thank you very much!!!!
this is so incredibly helpful!!! I recently on a whim bought almost 20 vintage recorders(I was unsupervised with job money and goin' thru it) and now I'm trying to become at least moderately proficient with them! Do you have a preferred recorder to practice with? I find I tend to go for the tenor(my lowest right now) more often than not because it's just so dang pleasant sounding (Vintage wooden Gill) but it doesn't have the baroque double hole as it has a key instead on the bottom, but I also have been experimenting with a couple of alto recorders and many many sopranos.(I lot my train of thought as I was typing this but I hope it makes sense!)
the exercises you suggest are excellent - thank you!
Omg that airatream part helped me hit my highnote better thank you so much
omg!!! i shortened my thumb nail and it fixed my high e 🤯
Hurrah!
Thank you Sarah. Just what I needed to get me over the hurdle on Soprano. BTW I was just thinking the other day, "I wish I could have Sarah Jeffery as my own teacher." And then I realized, "hey, wait a minute, there she is right there in front of me on my computer!" Isn't that awesome?
Very good stuff! Thank you, Sarah!
Awesome. Thanks for the solid advice.
Hi Sarah thanks so much. I've been playing the alto for many years. I wonder if there's a way you could film your thumb's movement when you switch from a low register to a high F on the alto. Like having a camera film from below the recorder? What I need to understand is the thumb's movement, apart from its position. Thanks so much for listening.
Watching your videos is more affective than taking anti-depressants.
Thank you very much. this realy healped me.
Dumb question. Is there a way where can you attach a slide thingy that could cover the thumb hole so you can precisely control the opening? Like on some coffee mugs with slide lids..Or any way that could control the size of the opening mechanically. Would it make it easier?
I really find this useful. Thanks to this. What I need now is a massive long tone practice XD
this video helped so much! Thank you!!!
Wat een goede tips! Bedankt!
Excellent! Thank you.
Great vid. On the exercises you mention between registers, I find doing the same slurred adds a further level of interest (?). The Bousquet Etudes have some good pieces for this.
Yes!
Fantastic video again! Thanks a lot!
Hey Sarah, YOUR CHANNEL HELP ME LOTS!!!!!!!!!!!
😘
Great stuff!
Good tips about the thumb position.
Thanks 🙏 god bless you 🙏💞
I don't know if it's just my subjective impression, but it seems easier to reach the higher notes cleanly on a wooden recorder than a plastic one.
It's not just you. I have the plastic one and its not easy to get clean high notes.
Gotta buy a wooden one.
I don't have a wooden, but I'm guessing your right based on my plastic one
Hi Sarah your vids are fab and so helpful.