ENFIN un cameraman qui a le génie de filmer l'entrée successive de chaque groupe d'instruments révélant comment cette mélodie extraordinaire a été composée
Le réalisateur a placé astucieusement un cadreur ( je préfère les mots : cameraman ou camera-woman 😂 ) près de chaque pupitre instrumental ! En plus d’être un fin technicien c’est aussi un fin mélomane car quelle superbe vidéo musicale ! Et chapeau bas à… Lully 👍👏
They start playing the march first with the base line only, then at each repeat another part is added until the main theme joins. So from start to end, it's actually the same march played over and over again. Very smart arrangement.
This plays automatically when I open my garage doors, I have yet to convince my neighbours to give a courteous bow. At the moment it's just the cat and he just gives a curious look.
I remember studying Jean Baptiste Lully in music history class in college. I remember saying to my professor how much I enjoyed his compositions, and my teacher assured me that many other people like his works too!
I first heard this piece years ago in the film ‘Tous les Matins du Monde’, with Gerard Depardieu in the lead role, conducting, staff in hand, as Lully would have done. I was enchanted by the music and the whole performance - it seemed so familiarly baroque yet mysteriously remote, in time as well as place. This performance takes it to new heights. Lully’s artistry brought to life across nearly 450 years with the use of gorgeous period percussion instruments, the music arranged to slowly build up, like an Ottoman army approaching from the distance and camping before the gates. Beautiful arrangement, beautiful performance.
Exact ! La scène du film " Tous les matins du monde" a été tournée à Paris dans la Grande Galerie de la Banque de France (Hôtel de Toulouse)...Très beau film avec la participation de Jordi Savall...
Very cool version of one of my fave tunes ever. It begins subdued and hesitant. It builds up slowly, you wait for that bombastic surge. Then very organic and clean. I like this a lot! Thank you so much for´this! Wonderful!
Votre performance de Lully est la meilleure ! Joué à un haut niveau - des professionnels! Dans votre orchestre, toutes les personnalités sont brillantes et individuelles.
Jean Baptiste Lully, born Italian but worked in the French Court, wrote this spirited and delightful March for the Turkish Ceremony. Notice the predecessor to the conducting baton, a heavy staff to establish and keep a steady tempo. (And the conducting staff that led to Lully's death.) Also, notice the baroque bassoon and flutes and the large staff with bells. This short, uplifting composition is sure to lift your mood!
That huge instrument is called a Turkish Crescent. I always thought it was an Ottoman invention for the Mehteran bands but reading about it blew my mind as I found out that it has Turkic origins, brought from Central Asia all the way to Anatolia, it was originally used by Turkic Tengrist Shamans for ceremonies around fire.
Exactly I agree. Unfortunately nobody knows this. Mozart has been heard and yes he is a great composer. but Lully is a very, very important composer too. but even classical music lovers do not know this.
@@rinmatsuoka4677 müthiş. Yanlış anlamayın ama Jean Baptiste Lully’i bilen birine denk gelmeme pek sevindim. Klasik müzik dinleyenler bile bilmiyor. Ben Lully’e biraz takınyılım da o yüzden ☺️ ben müzik öğretmeniyim fakat, Lully’i bilmeyen bu marşı hayatında duymamış olan yüzlerce müzik eğitimcisi bile bulurum. Üzücü bir durum. Bilmenize nedense pek sevindim. 😊
Çok güzel bir eser Türkiye'den yazıyorum yüz yıllar önce yapılmış bu müzikte şanlı tarihimizin en güzel yüzünü görüyorum ihtişamlı müthiş bir şaheser..
Straordinario Lully.. Dopo due secoli dove siamo finiti, cosa abbiamo perso...ogni volta che lo risentiamo ci si accorge del vuoto di questo tempo.. giù il cappello signori..
Antoine Durandy But other sources say that This march was requested by Louis XIV after a Turkish ambassador had visited Paris. In the time of the French-Ottoman Alliance.
Youssef Tammouni But the most credible sources state that it was made to Mock ottomans that visited France, and shortly after it was written for a play with characters dancing funnily and wearing huge round hats (mocking the Turkish sultan)
the original of this is outstanding. And I love this version as well. The last stanza is very clearly the original, however the remainder is an excellent lead up to that. It is perfect. You can truly imagine yourself in a procession of the Sultan's Palace or in his train as he goes elsewhere and his domains. An excellent evoking piece of music.
March for the Turkish Ceremony (Marche pour la cérémonie des Turcs) was written by Jean-Baptiste Lully in 1670. It is taken from the ninth comedy-ballet entitled « Le Bourgeois Gentilhomme » by the playwright Molière. Comedy-ballet is a combination of spoken comedies, singing, and dancing. This form was desired by king Louis XIV in order to sew together theater, music and dance without breaking the thread of the piece. Context: The King received the emissary of the Grand Turk represented by Suleiman Aga in 1669 but the diplomat's clumsiness and casualness turned into a caricature. It was then that the famous « Turkish ridiculous ballet » was born. The comedy-ballet is a veritable reservoir of the processes that Jean-Baptiste Lully will find in lyric tragedy. She is entirely instrumental and is intended to be danced. So it’s ballet music. To heighten the irony of this scene, the composer employs all the instruments at his disposal and uses also employs percussion with oriental sounds. The march is structured around two repeated musical phrases. From the first notes, everything is done to create a solemn character as the key of G minor, the dotted rhythms similar to opera overtures and supposed to represent the march of the Sun King. This colored piece also includes a small tessitura of which the repetitions offer a journey of exploration of the timbre in the composition. *Lucien*
"Cevgan" played by the crotales player must be one of a kind.. Cevgan is a unique Ottoman Mehteran Band musical instrument with chiming bells and horse tail. Rather interesting to see it being used so ingeniously by this great orchestra. Thanks to performers
@@pascalbrebion6682 it is still using nearly all around of europe, germany italy... Schellenbaum search it , ottoman had first military band in the world
Close your eyes... You see the Turkish delegation approaching from a distance. At exactly 01:48 minutes into the music, the Turkish delegation passes in front of you... We can say this music is the first and most significant piece where elements of Ottoman military band music are distinctly observed in Western music.
More sound from the viola voices! After all, the French baroque employs two of them. ;) Let that inner harmony shine! Though it seems here that the top viola voice is being played by violins (which would be 2nd violin) while the actual violas are playing the lower line.
So interesting to see a violinist playing left handed. That's so rare. I imagine the instrument would have to be constructed as a mirror image of a standard violin and strung in reverse.
Ce qui n’est pas forcément l’intérêt de la pièce. Les parties de Haute-contre, Taille et Quinte ont toujours été des parties qu’on peut s’en séparer et considérer comme moins essentielles. Je pense que l’immense quantité de partitions réduites d’opéras baroques français soutient cette idée.
@@tenor-haute-contre au contraire je trouve que c'est montrer leur importance dans l'assise du thème principal et que celle ci n'aurait pas la même puissance sans eux
@E. D. E. So why then the French people at that time was trying to dress like Turks? You can search it as Turquerie. Especially, it might be a criticizing purpose for French people who were trying to show their high status in the society by dressing likewise Turks 😉
@E. D. E. As far as I understand, the aim can not be for mocking about the Turks but the incentive behavior for Turkish Culture. So, this melody shows that the Turkish Culture and Power has been inspired by the Europeans even after Renaissance. That's why, we can be thankful to Monsieur Lully. France and Ottomans were two allies till the beginning of 1800s to Napoleon Bonaparte who devastated the France most(e.g. in Waterloo which is Pirus of France). So, the melody can not be towards Turks but the French who is Turquerie 👍.
@E. D. E. The schools are not teaching all the details about history. Whenever I deeply learn about it, you can catch the main idea. Especially, you don't want to understand what I exactly mean. My advice is for you to research more about the history 👍 even if the melody's purpose is for mocking aim, it can only be towards the wannabe persons who is in terms of Turquerie in France. 👍Kindly please open your mind and leave your cluelessness.
@E. D. E. Really? Did you research for Turquerie? Did you research for Waterloo(Mont-Saint-Jean War) operation? Did you research for the alliance of 4th Henry and Ottomans? You don't have any clue about history 😂😉 I am as educated person as I am. The cluelessness is the closing of your mind to the thoughts. You need my advices or you need to see a doctor. 😉
@E. D. E. I can understand what you say. You are proposing that a king of ottoman has told that he has better palace than Versailles and this melody was tuned to mock for it? If you are trying to tell something different, than it is due to English is not your native language 😉👍
LOVELY!!... I am afraid there should be no such gathering of the audience, as the Turkish Ceremony is in the middle of the play and it would be pretty bad if the gathering of any audience occurs half way through the play :-)))))
This is probably one of the best pieces of French Baroque.....
Certainement!
It is
Probablement ! Bravo à eux pour l'exploit qu'il ont réussi ! Entre "Grand Dieu sauve le roi" et cette mélodie, Louis 14 a été gâté !
Le Ciel announce à la Terre, la fin de cet échantement... 🌩️
Très clairement ! Et ce sont nos meilleurs ennemis/amis qui nous font cet hommage !
ENFIN un cameraman qui a le génie de filmer l'entrée successive de chaque groupe d'instruments révélant comment cette mélodie extraordinaire a été composée
y a pas qu'un seul caméraman hein 😂
Le réalisateur a placé astucieusement un cadreur ( je préfère les mots : cameraman ou camera-woman 😂 ) près de chaque pupitre instrumental ! En plus d’être un fin technicien c’est aussi un fin mélomane car quelle superbe vidéo musicale ! Et chapeau bas à… Lully 👍👏
Surtout quand on sait que cette mélodie a été créée au 17ème siècle, donc à l'époque de Louis 14.
Une lacune toutefois: il ne montre pas les aigus.
They start playing the march first with the base line only, then at each repeat another part is added until the main theme joins. So from start to end, it's actually the same march played over and over again. Very smart arrangement.
Nevermind! Really?
Same with the Bolero de Ravel
In the interest of historical accuracy, that would have been the most likely arrangement in the seventeenths century.
which is called 'ostinato' :)
Ilker Kamadan So, it’s a rondeau. Isn’t it?
This plays automatically when I open my garage doors, I have yet to convince my neighbours to give a courteous bow. At the moment it's just the cat and he just gives a curious look.
Amazing!
Excellent ! 😂
It is curious to the fact that the peasant human had not bowed before its Magnificence yet.
lol
👍😂
I remember studying Jean Baptiste Lully in music history class in college. I remember saying to my professor how much I enjoyed his compositions, and my teacher assured me that many other people like his works too!
wish i could spend my school time on that
Yo yambien soy de tu misma opiniom
Never been to college but I like history and music.
This is probably my favorite interpretation of this march. Very alive, great!
Ma marche préférée de Jean-Baptiste Lully et sa performance préférée. J'adore toute la troupe de musiciens chers à moi. Vous inspirez à vivre! ❤
Absolument d'accord avec vous
I first heard this piece years ago in the film ‘Tous les Matins du Monde’, with Gerard Depardieu in the lead role, conducting, staff in hand, as Lully would have done. I was enchanted by the music and the whole performance - it seemed so familiarly baroque yet mysteriously remote, in time as well as place.
This performance takes it to new heights. Lully’s artistry brought to life across nearly 450 years with the use of gorgeous period percussion instruments, the music arranged to slowly build up, like an Ottoman army approaching from the distance and camping before the gates. Beautiful arrangement, beautiful performance.
Exact ! La scène du film " Tous les matins du monde" a été tournée à Paris dans la Grande Galerie de la Banque de France (Hôtel de Toulouse)...Très beau film avec la participation de Jordi Savall...
I love that film
👍 très beau film, avec Depardieu père et fils et le grand Jean-Pierre Marielle bien sûr.
@@Lardenoy Look for "Le Roi Danse", a great movie about the King and JB Lully...
Fun to see the conductor actually conducting like Lully too
Just hope he doesn't kill himself the same way though
@@elizabethfrohn-hengst296 the most humiliating way by a gangrenous roe after hitting it with the baton
@@kingmichealthefirstofroman2278 ouch…
Very cool version of one of my fave tunes ever. It begins subdued and hesitant. It builds up slowly, you wait for that bombastic surge. Then very organic and clean. I like this a lot! Thank you so much for´this! Wonderful!
Jean Baptiste Lully was a genius
Votre performance de Lully est la meilleure ! Joué à un haut niveau - des professionnels! Dans votre orchestre, toutes les personnalités sont brillantes et individuelles.
Puissant, baroque, moderne, un son somptueux, une richesse polyphonique hors pair, le tout savamment dosé.
Superbe ! Tout simplement.
Bravo...
Jean Baptiste Lully, born Italian but worked in the French Court, wrote this spirited and delightful March for the Turkish Ceremony. Notice the predecessor to the conducting baton, a heavy staff to establish and keep a steady tempo. (And the conducting staff that led to Lully's death.) Also, notice the baroque bassoon and flutes and the large staff with bells. This short, uplifting composition is sure to lift your mood!
On retrouve le symbole du bâton lourd avec Gérard Depardieu, dans 'tous les matins du monde'
Not italien but florentin.
He was also gay, like Michelango and Da Vinci.
Lully was french, end of.
Divine ! This is our French ⚜️Baroque 🇫🇷 ! Merci les anglais pour votre honneur à nous français .
Jean Baptiste Lully was italian
@@giovannimolinari4722 and his real name was Giovanni, such as yours.
Giovanni Batista lulli or something
Yes. You are right, and I'm proud to have his name!
Giovanni Molinari but naturalised French. ;) And he wrote this song in France, as a naturalised French man.
Such a clever arrangement! But the end movement is just heaven with the huge crotals sounding like a million little bells!
It is the same instrument being used in Ottoman Musical Band during that Era. (Mehteran Marche, the rhythm is so similar)
@@volkanerkan3910 yeah the war jiggling jhonny XD
I was super amazed to see that the tug (bells) they use is the exact same one that mehteran bands use
That huge instrument is called a Turkish Crescent. I always thought it was an Ottoman invention for the Mehteran bands but reading about it blew my mind as I found out that it has Turkic origins, brought from Central Asia all the way to Anatolia, it was originally used by Turkic Tengrist Shamans for ceremonies around fire.
La meilleure interprétation que je connaisse. Bravo à tout l’orchestre et son chef.
Amazing! Lully's march is magnificent and this arrangement makes it even more kick-ass.
So beautiful. So, so, so, so absolutely beautiful. Thank you.
I love how people saying they love this and giving details about this piece. Those details are just the Turkish music elements at that time. I love it
if you guys like this one, you should listen to lully's te deum, you'll be in heaven
I listen to this version so often. Completely underrated!
Jean Baptiste Lully wrote the Turkish March before Mozart. It is very interesting to learn this. Sadly, most people don't even know Lully's name
Exactly I agree. Unfortunately nobody knows this. Mozart has been heard and yes he is a great composer. but Lully is a very, very important composer too. but even classical music lovers do not know this.
@@asudeacar Türk birine denk gelmek de güzel oldu bu videonun altında :)
@@rinmatsuoka4677 yoksa Türk müsünüz :) isminiz değişik o yüzden sordum.
@@asudeacar Evet Türk’üm anime karakteri adı yapmıştım da😅
@@rinmatsuoka4677 müthiş. Yanlış anlamayın ama Jean Baptiste Lully’i bilen birine denk gelmeme pek sevindim. Klasik müzik dinleyenler bile bilmiyor. Ben Lully’e biraz takınyılım da o yüzden ☺️ ben müzik öğretmeniyim fakat, Lully’i bilmeyen bu marşı hayatında duymamış olan yüzlerce müzik eğitimcisi bile bulurum. Üzücü bir durum. Bilmenize nedense pek sevindim. 😊
King of baroque. What a wonderful performance.
Çok güzel bir eser Türkiye'den yazıyorum yüz yıllar önce yapılmış bu müzikte şanlı tarihimizin en güzel yüzünü görüyorum ihtişamlı müthiş bir şaheser..
Magnifica interpretazione .Lulli italiano di origine fiorentina ed emigrato in Francia alla Corte del Re Sole.
Straordinario Lully..
Dopo due secoli dove siamo finiti, cosa abbiamo perso...ogni volta che lo risentiamo ci si accorge del vuoto di questo tempo.. giù il cappello signori..
Mais qu'elle partition remarquable , savoir se laisser porter de ce passage qui j'avoue me laisse apprécier l'ensemble de ce groupe !!
remarquable interprétation
Im appreciating to frenchs for writing such a beautiful music like this for ottoman empire !!!!
lol
It was written to mock the Ottoman emissaries who went to Versailles, sorry to be the one telling you that.
@@rollolol6053 Well, i knew that. I made irony :)
Antoine Durandy But other sources say that This march
was requested by Louis XIV after a Turkish ambassador had visited Paris. In the time of the French-Ottoman Alliance.
Youssef Tammouni
But the most credible sources state that it was made to Mock ottomans that visited France, and shortly after it was written for a play with characters dancing funnily and wearing huge round hats (mocking the Turkish sultan)
the original of this is outstanding. And I love this version as well. The last stanza is very clearly the original, however the remainder is an excellent lead up to that. It is perfect. You can truly imagine yourself in a procession of the Sultan's Palace or in his train as he goes elsewhere and his domains. An excellent evoking piece of music.
March for the Turkish Ceremony (Marche pour la cérémonie des Turcs) was written by Jean-Baptiste Lully in 1670. It is taken from the ninth comedy-ballet entitled « Le Bourgeois Gentilhomme » by the playwright Molière. Comedy-ballet is a combination of spoken comedies, singing, and dancing. This form was desired by king Louis XIV in order to sew together theater, music and dance without breaking the thread of the piece. Context: The King received the emissary of the Grand Turk represented by Suleiman Aga in 1669 but the diplomat's clumsiness and casualness turned into a caricature. It was then that the famous « Turkish ridiculous ballet » was born. The comedy-ballet is a veritable reservoir of the processes that Jean-Baptiste Lully will find in lyric tragedy. She is entirely instrumental and is intended to be danced. So it’s ballet music. To heighten the irony of this scene, the composer employs all the instruments at his disposal and uses also employs percussion with oriental sounds. The march is structured around two repeated musical phrases. From the first notes, everything is done to create a solemn character as the key of G minor, the dotted rhythms similar to opera overtures and supposed to represent the march of the Sun King. This colored piece also includes a small tessitura of which the repetitions offer a journey of exploration of the timbre in the composition. *Lucien*
💙 ça fait vraiment plaisir, l'une des meilleures interprétations que j'ai entendu.
I love this version, so beautiful. What a genius, Lully, and the great conductor to be able to reveal more of how awesome this march is.
"Cevgan" played by the crotales player must be one of a kind..
Cevgan is a unique Ottoman Mehteran Band musical instrument with chiming bells and horse tail.
Rather interesting to see it being used so ingeniously by this great orchestra.
Thanks to performers
Thank you! I was wondering what that instrument was called. :)
Oui merci, j'ai cherché longtemps !!! Tchogan en français. C'est magnifique ! Quel son, quel présence ! Merci beaucoup
@@pascalbrebion6682 it is still using nearly all around of europe, germany italy... Schellenbaum search it , ottoman had first military band in the world
Très étonnante, et magnifique cette version, et superbement filmée !
Am addicted to this!
Je ne m’en lasse pas, la grande classe ! 1000 bravos et autant de… mercis ❤
The best interpretation I'v ever heard. Chapeau bas !!!
I just adore the guy with the crotals :D
You're not alone. He made a good job.
Close your eyes... You see the Turkish delegation approaching from a distance. At exactly 01:48 minutes into the music, the Turkish delegation passes in front of you... We can say this music is the first and most significant piece where elements of Ottoman military band music are distinctly observed in Western music.
senin taşşaklarına kurban, güzel anlatmışsın
Perfectly spirited tempo...makes this perfectly regal!
Always amazing music.
oh la la, y'a rien de plus beau, vive Lully, vive la France, vive le Roy Louis
Awesome way to expose the very structure of that play
Certainement la meilleure interprétation . Magnifique aussi dans le tempo . Bravo.
E' un brano strepitoso. Grandissimo Lully!!!!!
C'est la marche de mon âme ! ❤
Marche obsédante, magnifique.❤
magnifique version....qui introduit petit à petit le thème...
I like it very much, thanks indeed.
Belle interprétation!
It is just unreal!!)))
Wonderful...
2:06 the guy with the bell stick, what a star!
Потрясающая вещь, мои ассоциации, триумф Духа над плотью!
MERCI BRAVO Monsieur LULLY , merci.
I adore this fantastic version.
Mille fois merci
More sound from the viola voices! After all, the French baroque employs two of them. ;) Let that inner harmony shine! Though it seems here that the top viola voice is being played by violins (which would be 2nd violin) while the actual violas are playing the lower line.
amazing
Beautiful!
The chief is François-Xavier Roth, and the musicians are " Les Siècles " orchestre..
Some ensembles don t use the "chinese hat" for their versions...here its give a certain power...
So interesting to see a violinist playing left handed. That's so rare. I imagine the instrument would have to be constructed as a mirror image of a standard violin and strung in reverse.
Tüm Türkler adına, ışıklar içinde uyu Jean-Baptiste Lully.
Amen
Lully, Rameau ve Couperin üçlüsü Fransız Barok'unun şahaneleri. Enfes bir müzikalite, tam bir Fransız tadı. Bayılıyorum gerçekten.
Ne yazik ki Lully pek dinlenmiyor Turkiye'de
Enfin une version où on distingue les parties accompagnés du thème principal
Ce qui n’est pas forcément l’intérêt de la pièce. Les parties de Haute-contre, Taille et Quinte ont toujours été des parties qu’on peut s’en séparer et considérer comme moins essentielles. Je pense que l’immense quantité de partitions réduites d’opéras baroques français soutient cette idée.
@@tenor-haute-contre au contraire je trouve que c'est montrer leur importance dans l'assise du thème principal et que celle ci n'aurait pas la même puissance sans eux
The conductor better be wearing steel toe boots.
Waw it's perfect
Quel Grandeur, quel magnificence
i did not heard such a variant)
This beautiful version sounds very Renaissance...
Maravilloso, gracias ❤
1:37 first Time I see left handed violin
Fantastic performance!
The Sun King is about to appear.
Magistral!!!👏👏👏👏👏
C est la plus belle version, mais où et quand ?
Amazign performance i've ever heard!!! Which orchestra?
Les siècles by François Xavier Roth
I can see why France was the most powerful military power in the world what a great military march😉😊
@E. D. E. So why then the French people at that time was trying to dress like Turks? You can search it as Turquerie. Especially, it might be a criticizing purpose for French people who were trying to show their high status in the society by dressing likewise Turks 😉
@E. D. E. As far as I understand, the aim can not be for mocking about the Turks but the incentive behavior for Turkish Culture. So, this melody shows that the Turkish Culture and Power has been inspired by the Europeans even after Renaissance. That's why, we can be thankful to Monsieur Lully. France and Ottomans were two allies till the beginning of 1800s to Napoleon Bonaparte who devastated the France most(e.g. in Waterloo which is Pirus of France). So, the melody can not be towards Turks but the French who is Turquerie 👍.
@E. D. E. The schools are not teaching all the details about history. Whenever I deeply learn about it, you can catch the main idea. Especially, you don't want to understand what I exactly mean. My advice is for you to research more about the history 👍 even if the melody's purpose is for mocking aim, it can only be towards the wannabe persons who is in terms of Turquerie in France. 👍Kindly please open your mind and leave your cluelessness.
@E. D. E. Really? Did you research for Turquerie? Did you research for Waterloo(Mont-Saint-Jean War) operation? Did you research for the alliance of 4th Henry and Ottomans? You don't have any clue about history 😂😉 I am as educated person as I am. The cluelessness is the closing of your mind to the thoughts. You need my advices or you need to see a doctor. 😉
@E. D. E. I can understand what you say. You are proposing that a king of ottoman has told that he has better palace than Versailles and this melody was tuned to mock for it? If you are trying to tell something different, than it is due to English is not your native language 😉👍
Just an unspeakable MIRACLE...!!!
De dónde es esta Orquesta?
Una maravilla!!!
Sublime musique. Vive la France éternelle. 🇫🇷
davvero? :-))
🤣@@Carl9Ken
I imagine the conductor hit his foot while conducting
Just like Jean Baptiste Lully was
Least it wont kill him
Stunning !
Glorious music ❤❤
C'est un montage vidéo trés bien réalisé.
It is "Marche pour la Cérémonie des Turcs", not March for the Turkish Ceremony. Mon Dieu.
Рафаэль Преза j’ai failli faire une syncope en lisant ce titre.
🤓🤓🤓🤓🤓☝️☝️☝️☝️☝️☝️☝️☝️
🤓👆
Mon Dieu… pourqui les gens sont comme ça, je comprends pas
@@ChamMansour Je ne comprends pas * 😉
Came here from research of brain wave frequencies, amazing piece for synchronising to alpha ❤
This, Madame, is Versaaaailles 😻
Absolutely brilliant!!!!
Bravo!!!!!
I think it's cool that they are using a real Turkish tuğ for this: 2:10
trés beau !
and again, and again, and again
все знают семь нот октавы но только Люли может сочинять оперы. Великолепно
fantastisch....
this is a very cool version of this. who is the group performing it and where?
+Jonathan Brandt i found that "François-Xavier Roth (conductor) & French orchestra Les Siècles / 2013"
+Jonathan Brandt I love how this arrangement starts off quiet, as if the musicians are gently coaxing the audience into enjoying the piece.
Kyte Mode Same :)
LOVELY!!... I am afraid there should be no such gathering of the audience, as the Turkish Ceremony is in the middle of the play and it would be pretty bad if the gathering of any audience occurs half way through the play :-)))))
At The Royal Albert Hall, London, as part of the BBC Promenade Concert series in 2013. One is held every year.
Excellent !!! Quelle pêche ! Quelle SUPER pêche !!!
💙💙💙