Very well articulated. Hope things get back in balance in few years when we realize we are trading patience, focus, happiness for short, addictive content and consciously move away from it. And get back to enjoying proper craft, art, books .
Exactly! I strongly believe that short form content is changing the way we consume other content too. We are used to seeing something new every few seconds while scrolling social media and we are subconsciously seeking the same while watching movies or web series too. We need something that jolts us at least every few minutes. The higher ‘rate of revelation’ (the pace at which the story moves forward) the more engaging the movie. Keeping out star-driven movies, this might be the reason why thrillers have a better success rate than movies of other genres.
Very insightful thoughts. I feel the storyteller got more avenue to tell his/her story in today's world. He or she can pre decide where the story can travel (OTT, youtube or theatre) the way forward is co-exist together. About audiance patience or in general, the pandemic made huge impact on everyone life. I feel last decade or so we didn't evolve well (women excluded) it's like you driven by narrative or hashtags. In large scale this impacted lot of stuff in our day to day life. Like hemanth rao said, cinema has become 5th or 6th entertainment in last decade. I remember post lucia you with couple of other directors started doing audiance engagement, Q&A to build audiance base and with thought what more we can give to ticket buyer. If possible pls start townhall again. Thank you.
No sir , it's simple that people have widend their perspective for cinema after they have watched world cinemas, they need that quality of writing and direction. Many are failing in writing.. only the trailer or teaser or poster looks promising but when you watch the movie it's same old thing. Most of the movies are like that.
Amazing Pawan...very good point ...had agreat time acting in your movie Dhoomam.... You're a very sensible guy guru!! Can't wait to see the next big film...based on this new learning!
I have a seminar tomorrow to present and I was worried about the content and the flow to engage the audience till the end. I guess what you mentioned for the movie scripting holds good for a talk or a seminar too. This was much needed and came at the right time for me! Thank you so much ✨️
Pawan Sir your good man told every thing in vlog if some one else .... made a class and took 99 Rs or 9 Rs new trap.... asked later 15 K....😊...... Be a same genuine man..... but put the same in writing..... you will be more alive .....
I understood your thoughts, and that made me to express my thoughts, I am 23 year old and I fall into the category of young audience you mentioned, whatever you have mentioned is yes, it is true but I think you are viewing it from a single perspective, yes the audience is craving the quick change, and what change does is, it keeps the evolution going, and we humans are not in a place to decide the rate of change is overspeeding Or not, the only thing we can do is to try to know at what stage of evolution we are in, and I think we are all in the stage of evolution where everything is conneced, web what we call it as, like a single short video is Commucating many different things to different consumers, like there is education, music, motivation, comedy and many things in a single video, and people are taking what they find in it, and if we want to serve righly and also get succeed in it, we also should start getting connect with each other, see the political evolution has reached a stage of democracy means each and everyone is involved in decision making for themself, so the same thing can be followed else where also, It really requires a lot of words to describe exactly what I am trying to say, if you see some truth in my thoughts, give me a opportunity to communicate in a simple, practical way with you, who knows it may help me Or you or something else
Films are made to a niche audience , so that commercial success is guaranteed. Audience suffer from attention deficit. Audience also has an option of avoiding theatres altogether and opting for OTT at its convenient time and place, where browsing caters to its crazy attention deficit ! So along with hitherto concerns of Content and Form, film makers have to be engaging with creative narration. Screenplay must hold the attention of the fleeting audience somehow ! 😊
2nd time watching this video... Bro nev yavdadru movie madi Bro for audience like me.. We are waiting for your direction. Climax with Kapila awesome... Love from Chikmagalur
Very good analysis sir love your dept of thought! I love your great insights...you are gift to kfi. I am huge fan of your intelligence. I admire you always
I don't know, but old movies of Dr. Rajkumar, Vishnuvardhan, Shankar Nag and Anant Nag feel still connected while watching them. I am sure there are many people who feel the same. Wondering what will be the factor which makes it still connected with many like me.
Pawan, I don’t know if you will read this, but you have nailed it with your analysis. However, I fear this might lead you to question your filmmaking approach and even doubt your own potential. When you made Lucia, many in the audience felt it was ahead of its time, they didn’t watch it in theatres but praised it later after downloading it from torrents. With Dhoomam, the audience rejected it, calling it an outdated script, and preferred to watch such content on OTT platforms. Unfortunately, the traditional cinema approach doesn’t always work anymore. Larger-than-life, fantasy, and no-brainer films often have the edge. I watch movies every weekend in theatres for the experience, which I simply don’t get from a laptop. As a hardcore film lover, I have noticed a pattern: the first 10 minutes of a film need to hook the audience, the interval block should be mind-blowing, and the last 20 minutes are make-or-break. If you can master this structure, the film will likely generate strong word-of-mouth and achieve the success it deserves.
Hey Pavan - Your views and thoughts are intriguing. In my view, audiences have always looked at content as a means to escape reality or reinforce their reality and, in the process, educate or entertain themselves. Instagram Reels and YT Shorts has given quick access to escape reality multiple times daily. Having said, the audiences have probably never consumed such a 5-10hr web series at a stretch. It seems to me the audience switched modes. While watching reels/ shorts, they know they need to keep the phone down when an office call rings or a kid calls at home. But while watch web series or movies they are fully open to be invested for several hours. Within that script, innovations like what Breaking Bad attempted (high open and close points for every episode) or what Jailer did ( still a lot of slow burn-in the interval scene and crown stealing scene) both work. Insta reels are written to create relatability and that quick laugh, movies should not adapt the Reels style. I think the magic of long format should remain intact ( ofcourse with innovations to capture audience attention within that) What do you think?
My 2 cents: - Audiences come to theatres to experience cinema, not to just watch it. - Unique characters give us an experience which stays with us for quite some time, if not for ages. Even a wafer-thin story brings people to theatres, if the characters are written well AND the scenes are new - Animal was a slow paced cinema that was over 3 hours. Characters were quirky there, scenes were fresh. Duration didn't really matter there, because experience was new - Saripodha Sanivaram had quirky characters, but the scenes were at least 15 years old. So, it didn't do as much as it was expected to - 30 seconds/ 1 minute theory is totally untrue. Human mind isn't a machine, it understands what to expect out of a 2h 30 mins movie. If you fail to engage them for 20-30 mins, that is when people slowly start getting restless - For example, Manjummel Boys had a flat first 30 minutes. Yet, people loved what followed, and the rest is history! - Bottomline is, entertain people. They will make your cinema a blockbuster!
Totally agree.... Wanna add one more point here... In fact the audience also don't know what exactly they want.. anything that surprises them will entertain them.
Sir, what about the segment who like the old school way of storytelling in cinema. That slow character introductions- prepping the audience for the narration- main story- holding on to the one emotion or two emotions of the main story- subtle twists. I think the old form of film making will be a breath of fresh air amidst all the fast paced/ new age movies. I feel ibbani tabbida ileyali has that in it and I’m very much planning to watch it in theatre. I will only know it once I’ve watched it.
I wanna experience the film in theatre. As per my understanding , a scene should connect to audiences.. And i had this strong feeling that "Audience don't know exactly what they want.... Anything that surprises them will entertain them, so surprise them. Excite them." For Pawan sir : You are known face to Karnataka, even for outside the state.. you have face value.... Sir, Even if u do a low budget film, for OTT, by utilising new comers, genuine artists, with a genuine audition. I had this strong feeling that, people will watch it, and also it does a good business. Bring back some banger like lucia sir.!!
Hi Pawan sir, hope this message finds you well. I really see an idealist and idealistic thought which isn’t totally gone and I find it is a very hopeful sign for us. I see great observations and I find them reasonable yet there are few elements that I want your insights on.. - when we talk about filmmaking, wouldn’t you agree that the most fundamental element of it is still the same? Being a director one needs to be an excellent decision maker when it comes to decide what is best for the cinema as a whole. Don’t we see that most of the directors now behind dealing with technical know how than why this piece has to be the cinema? - ಈಗಿನ ಜನರ ಸಿನಿಮಾ ನೋಡುವ ತಯಾರಿ ಬಗ್ಗೆ ಮಾತು ಬಂತು. ಅದು ನಿಜ. ಸಿನಿಮಾವನ್ನು ನೋಡುವ ಕಲೆಯ ಮತ್ತು ಅದರ ಮಾನಸಿಕ ತಯಾರಿಯ ಬಗ್ಗೆ ಈಗ ಇರುವಷ್ಟು ಕಮ್ಮಿ ತಿಳುವಳಿಕೆ ಈ ಹಿಂದೆ ಇದ್ದದ್ದಿಲ್ಲ ಎಂದು ಮೇಲ್ನೋಟಕ್ಕೆ ತಿಳಿಯುತ್ತೆ. ಪ್ರತಿಯೊಬ್ಬ ಪ್ರೇಕ್ಷಕನಿಗೂ ಕೂಡ ಈ ಸಿನಿಮಾವನ್ನು ಈ ರೀತಿಯಾಗಿ ಕಟ್ಟಬಹುದಿತ್ತು ಅನ್ನುವ ಬಗ್ಗೆ ವಿಚಾರಗಳು ಅಥವಾ idea ಇರೋದನ್ನು ಎಲ್ಲರೂ ಗಮನಿಸಿದ್ದೇವೆ. ಅದೇ ರೀತಿ ಒಬ್ಬ ಸಿನಿಮಾ ನಿರ್ದೇಶಕನಾದವನಿಗೆ ಅಥವಾ ಕಥೆಗಾರನಿಗೆ ಒಂದು ಕಥೆಯ narrative ಕುರಿತು effective ಅನ್ನಿಸುವ ರೀತಿಯಲ್ಲಿ ಹಾಗೂ ತಾನು ವಯಕ್ತಿಕವಾಗಿ ನೋಡಬಯಸುವ ರೀತಿಯಲ್ಲಿ ಕಟ್ಟುವ ಕ್ರಮವೇ, ಈಗಿನ ಸಿನಿಮಾ ಕಟ್ಟುವ ಕ್ರಮ ಎಂದು ನಿಮಗೆ ಅನ್ನಿಸುವುದಿಲ್ಲವೇ? - Talk about the technology- The current problem unlike the old days is technology overpowers the creativity. There was very limited technological advancement yet because of their creative process and artistic enrichment, they used the technology wisely to fulfill the need for cinema. Now, technology dominates the writing. The basic element has always been good writing; finding an intangible and unseen light that becomes the reason for your tomorrow’s nostalgia. I think the writers are failing to create or give a space for that mischievous element get created by itself - Makers now decide on the form of constructing the story than seeing through the writing and let it decide the form by itself. - Finally, we have constantly failed to make audience fall in love with the character. Characters aren’t complex or nuanced enough to engage the audience and if we make that happen, the pacing of the cinema is the least bothered element across all generations including GenZ.. I hope I get to discuss further with you on this. Thank you!
all the points you have mentioned are insightful. Filmmaking is a complex art form... and its takes many attempts to get somewhere. Where do we give a filmmaker an opportunity to try creating something honestly without the market pressure and demands... and then learn from it and make the next one. We are writing off creators after one film which doesn't work. So... everyone is trying to use the formula of what has worked to play it safe... it is very rarely someone goes off the beaten track and finds success. The system we have in place can easily burn out creators with potential. So we are al clapping n hooting for the Box office numbers but not for the craft. Atleast a marginal number of the population which caters to the financial investment should look into Craft and not BO numbers.
@@directorpawan thank you sir. Fairly put and it’s true about the current fate of filmmakers and the attitude of the producers and the audience. It’s also very unfortunate that the medium itself is such a costly one. When art and creativity takes precedence over numbers, a lot can happen, just like the producers saying in my dreams, “we shouldn’t aim at MAKING money; money should just HAPPEN.”
When people are watching reels 30sec video,there mind fixed to see only some sec. so thats why people are scrolling. but when people are watching movies then they know and they fix there mind into 2 hours.. So its a mind set, thats it..
Pawan, i have been following since Lucia hoping you will bring in some good movies to KFI however looking at your research you seem to have given up your hopes. Maybe you are correct in your research or analysis but don't stop. You may be overthinking too. Just go ahead and do some thing in Kannada. Trymaadi..
I don't think he is overthinking,you saw what happened to sse ,Swathi mutthina male haniye ,when I went to watch swathi muutu total only 5 people,I mean I could predict the ending but I wanted the journey how the director would make me feel & stuff ,I doubt hemanth rao will make another epic movie like sse again ,he would have felt that
I disagree your opinion sir . Pepole always choose good film Screenplay that's it . We should make only good story with connect to pepole that's it . 60 second reels thara cinema madre adhu cinema agala sir . Watch once premalu slow narration but content so good Pepole enjoyed . Also manjumal boys , maharaja , vazhai . That only thing script & Screenplay good Pepole celebrating with any language barrier. We schold try to make unknown story's. In Hollywood most on story made by in novel . But in Indian cinema We only making cinema nodi cinema madthidhiri . . Pepole always genius We should work with best gripping Screenplay writing that's it sir .
Traditional film making was carrying one or two emotions for 2 to 3 hours. With handheld devices in just a few minutes there are at least 10 to 20 different emotions being seen, which is actually bad for humans. If a movie showcases one or two emotions, it has to register it very strongly otherwise it has to show many emotions which are not doable by a normal human being. This is my observation from the past few years. Thanks for bringing this topic.
Yeah, comedy+emotional, emotional+action, emotional+drama, thriller(horror)+comedy these are the deadly combinations,but emotion is a basic ingredients
I have a question, if fast paced films is the answer, how did Oppenheimer work so well in Indian? Cannot be Nolan factor since his last film Tenet was a flop.
Now to watch movie in theatre 1. people want to feel the highs and lows in screenplay every 15min or big plot twist. otherwise they will decide watch in OTT. without theatrical success OTT will not come for small movies 2. whoever mixes love/comedy/action/crime/sadness/songs well within a good story also succeeds. 3. whatever you have told in the video, lucia ticks all the points and both the points i mentioned. 4.simple point is every scene should consist of either drama/laugh/sadness or big curiosity hook for rest of the movie.
Sir I like to debate , the other way around is too much of polluted scripts have spoiled audience . We can on the other way around bring back audience in the theatre with a proper and fresh content .
My simple thought is for a film authentic story teller’s story is the fundamental thing what he want ‘s to tell and show is purely his choice , you may call him director …and my,I personal opinion is for a real good film does not require any appreciation but it’s easy to says
This is swalpa misleading i feel, I feel regardless of the pace of the events or the movie is, it's driven by conflicts that makes the story moving, given that some filmmakers are very traditional in following your words because of Lucia or Lifu istene, i feel what you said very superficial and can confuse an enthusiast.
Sirr please its my humble request.. kichha sudeep sir avrge one movie madi sirr please.. eedi jagatte tirgi nimna nodo haage.. aa capacity.. power nimmalide trust on uuu sir plzzzz🎉
what you said is true sir. being film enthusiasts I try to watch every possible movie from all languages in theatre and I watch with different friends, recently In any good movie only thing that I hear from my friends is that or they talk about is scenes , opening scenes , pre intervals, interval , pre climax and climax not the whole story or experience as whole, people want something to happen at regular intervals of time in movie , if the conversation are too long or we are spending too much with charcters people loose interest even most of the reviews watched by large audience only to know the film has enough high points.
Mostly people make up their mind as to which movie to watch in theaters and which ones on the small screen. A family watching a movie in a theater is an expensive affair. It should be worth the time and money spent.
🙏 full video nodide, good but innu 2013 timenalle idiya anstu, sometimes naav el lock agidivi heng block agidivi, anno vishya namg matra gottiralla, adre 10 varsha admel block agidvi anta ansutte adre ninginnu e vishya arta agilla ansutte, hope u understood pawan, once again congrats for ur past movies, which I have liked lot ie lifu ishtene, lucia, u turn.... that's it. bro e nadve enne odkond media li attu kardu nuisance madtilla yake. ofcorce u r a best actor, genuine mannerism ide, adre innu hero agi movie madlilla yake? en mollagru maga? . Like you ❤ hi🎉
I don't think so .. people watched fast paced movies like kgf and also people liked maharaja and 96 kind of movies i only believe make chtranna add some kadle bija I mean some high moments at every 10-15 min only kadle bija also be boring and only chitranna also be boring now days directors job is to make chitranna with balancing the ingredients 😂
Pawan sir, Even big brand names can't guarantee a movie's success nowadays. Directors who write beautiful dramas are also not always succeeding. I think writers should incorporate at least one psychological aspect, like innocence, nostalgia, or violence, along with good writing
Indian Cinema is nearing 100 years. The content created in all these years will obviously empty the barrel and directors have to create something new. Along with this, more no. of content creators force you to increase the speed of the making. Otherwise the same idea might be used somewhere else before you publish. One thing is constant. For any work to be a masterpiece, it has to be good frame by frame and in full.
I see where you are coming from, but disagree partly. People do appreciate immersive experiences - Charlie, GGVV, SSE are examples of slow/old school cinema finding traction. The only thing is some popular names should be associated with it...absolute newbies can't get away with it. A movie like Ulidavaru Kandanthe would have enjoyed a much better run today...as people are more exposed to innovation and plurality. Pacing issues can be mitigated insofar as the trailer sets expectations correspondent to the overall film. As for stories around 'mature love' finding few takers, well, a beginning has to be made - perhaps, with modest budgets, established names and a marketing strategy that sends constant feelers to the film's target age group and its neighbours.
Theatrical experience bagge heliddu anthu thumba nija , I watch atleast 5 films a month , and everytime, I get annoyed with ringtones , and people doesn't even care and talk so loud . And children below 5 must not be allowed at all , they cry a lot and ruin our experience.
Sir then in that case why are current new gen audiences are enjoying and connecting to your LUCIA or U Turn or both? These might have not watched it in theatres mind u...but I respect the fact what u said about theatre discipline. Sum sumne phones takondu less attention span aliens gal tara nodtirtare, they disturb everyone else around as well..
Strongly disagree.. People like both old and new (as you mentioned every 30 second cut).The only thing is it has to be engaging.. Actor performance dilogue and background music is the main in the slow phase story
@@muralimohana0712 erli bidu.. But ultimately we should not focus on only one angle.this is a creative field.. Business adre ellaru opkothare ella andre reasons analysis madthare..
11:48 This is also why photography and videography is prohibited in temples. People dont understand the basic etiquettes even in a worshipping place, let alone cinemas.
Sir, ivaagina movie team ene eludrunu theatrical experience gintaa, mobile alli headphone haakondu OTT alli nodo experience tumbane cenaagirutte...adkene jana theater ge bartillaa...idukku meeri jana theater ge barbekandre ticket rate kammi madbeku, haaganta yavdo ondu movie team ticket rate kammi madudre, movie cenaagilla adke rate kammi irbeku ankotare...ellaa movies gu chamber & theater owners matadkondu rate kammi madbeku...jotege Superb story-screenplay madbeku,Different aagi excite aago taraa publicity madbekuu...illaandre as a movie lover aagi eltidinii, industry ulyode doubt...yavdo star hero movie na, avna fans maatra 3 days nodkondu, manege hogtaraste....🤔🤔🤔
Bro don't think too much, as per me There is no formula to make successful film, and every successful film has various reasons for its success, Ya I agree for big star film there is market recovery, apart from that if you need big comercial success from limited budget and starcast, First thing the film must be 1,comercial 2, engaging 3, suitable screenplay 4,it should experience the audience something new with entertaining, Now kanthara, manjumel boys done that long back ur lucia also done that.
😅 Reality is playing full video with 2X speed. Same way can't even controle the curiosity.😮 Love you pavan Bro.❤.. Pls any update about upcoming movie 🎦 directions? Pls update big fan from Chikmagalur
I feel nothing rewired kind of things happened just directors need to create more livable scenes with different perspectives . Nowadays actors bringing personal outside attitude in the films through dialogues , punches in fact acting skill is going down . actors should live the character that's what needed. Quality of film making is going down which includes stories, acting skills.
Hale rajkumar movies ad bidi mungaru male, galipata adela eglu est sari nodidru bor agala.. Screen play swalpa tight agidre saku swalpa hinde munde madbeku +ond ole kate beku.. Interval ali wow factor irbeku... Climax chenagirbeku... Ela film full chenahidu climex dull hodudru film flop agute bcz janrige memory power kami ole twist atwa wow factor erle beku ela enta hero commercial movie edru flop agute + elra acting super agirbeku + publicity ole wow moment du promo create madi viral madbeku trend agbeku mouth publicity inda hit agute i am a good writer nima script bariyoke bekadre serskoli... I am uppi fan
Please do a movie on struggles of a middle class man. Mainly the influence of income tax burden on him. Because, as per data analysis only 5% of Indian population pay tax. Out of which majority are from income group. This middle class person not getting benefitted from the govt in any sort even though the whole nation burden is on him. Only upper class like business tycoons and lower class are benefitted. Mostly farmers. Farmers are getting benefitted more than anyone. They get tax free status. What happens if am income group middle class people switch over to agriculture. Then from whom will take the burden of the nation Please do a movie on middle class person struggle to uphold the financial status of the nation.
Nan prakara yavde generation movie adru set up thumba agathya ide yavde character jothe connect agde namige 2hr movie nodak agalla reels galalalli set up agathya illa yakandre adru duration kuda hage idhe mathe reels nodi entertain ago audience igin generation alli theatre kade barodilla , movie nodo audience ge character gala jothe emotional connection thumba agathya ide nav technology balskondu hosa hosa thara igin generation ge cinema thorisbeku adre every 30 sec bere bere scene andre thale nov start aguthe 2hr koothu nodak agalla nan prakara story set up ge time thagondu later on pace jasthi madi unusual pre climax jothe satisfying climax idre movie hit aguthe antha Naan nim ella movies follow madidini iam 22yr old now nanige nim ella movies ishta agidhe except dhoomam dhoomam nanig avg film agithu yakandre nim lusia u turn kudu edamaithe series nodi ondu mind blowing and satisfying climax na expect madthidde adre movie mugdmele ardam barda anstu mathe eshto scene galu authentic agi irlilla yavdo vishyad bagge information kodo thara ithu ,adre nim uturn movie ivagin generation allu remake agthide nan friends ella ivagin generation avru avrige a movie galu ishta agthide andre neevu scene galna barkondiro reethi inda prathi scene hosadu thorsodinda alla
I am a TH-camr i have another channel and you are right i am also an editor we edit videos to make it look more like a reel like changing scenes every 10 to 30 second, in the middle part of the video we keep it more detailed and before ending video we again do the same trick of changing scenes and adding interesting scenes or talk, this way we can retain audience by playing with his mind, the goal is NOT to make the video boring but interesting, KGF was the best example of how we must edit a movie or Video.
I agree or have shared the same thought , for example when I went to watch "sapta sagaradaache ello"(both on 1st day ) expecting it would be a serious drama & director would want the characters to pass through us to feel the whole thing ,I will forever say that is amazing movie passing that bar is not easy it will take time ,but almost many people around me or majority who watched hated because it is slow, boring, nothing mass type or comedy etc ,I just typed what you said lol,i want to write or speak about this but I think not many share the same thought or have same taste in movies,music etc ,I don't know why I typed all this ,just venting I guess ,but nenu ole drama adre madu guru there are people but as you already know yest Jana idare anta may be,ella andre raj b Shetty heldange 1 movie to make money 1 for passion/art or for his soul
There is a certain repetitiveness to SSE, with all those jail scenes, which gives it a sort of stagnant feel and curtails its appeal. Its slowness is not the problem, Garuda Gamana was slow too, but people lapped it up. Amruthavarshini is a great example of how you can be slow, yet never repetitive or stagnate. Still, SSE (Side A) making 25 Crs should give hope to filmmakers like Pawan to experiment.
@@alok8582 Garuda gamana had violence/sick music & that one scene transition part in it that's why the movie got a good reviews from average fans ,even raj b Shetty knows & that was a commercial movie if you as him but other toby & Swathi mutthina male haniye was a closer to his art non-commercial (which wants to do every movie but obviously not good on financial part)SSE jail scenes were core part of the movie which hemanth rao wanted the audience to go through feel the characters pain or suffering or worst case ATLEAST empathize with him,I would d!3 on that hill saying both SSE were landmark movie ,maybe someone WILL replicating those 2 movies but passing that bar or going Parallely seems impossible in our country,yes I have seen (not Indian movie obviously)some solid movie with very basic story but taking audience with the characters with such good screenplay, hemanth rao man serious talent dude we should support or protect him at all cost or will lose a artist ,dude is something else & amruthavashini audience timeline was different ,i can't believe you compare Garuda gamana with SSE both are incomparable to each other & what are the repetitiveness you saw or think ?I will break it down why & the reason it needed
Respect button for pawan ❤🎉
Very well articulated. Hope things get back in balance in few years when we realize we are trading patience, focus, happiness for short, addictive content and consciously move away from it. And get back to enjoying proper craft, art, books .
Exactly! I strongly believe that short form content is changing the way we consume other content too. We are used to seeing something new every few seconds while scrolling social media and we are subconsciously seeking the same while watching movies or web series too. We need something that jolts us at least every few minutes. The higher ‘rate of revelation’ (the pace at which the story moves forward) the more engaging the movie. Keeping out star-driven movies, this might be the reason why thrillers have a better success rate than movies of other genres.
Your thoughts are absolutely correct but SIR please you also continue your direction 🙏
Very insightful thoughts.
I feel the storyteller got more avenue to tell his/her story in today's world. He or she can pre decide where the story can travel (OTT, youtube or theatre) the way forward is co-exist together.
About audiance patience or in general, the pandemic made huge impact on everyone life. I feel last decade or so we didn't evolve well (women excluded) it's like you driven by narrative or hashtags. In large scale this impacted lot of stuff in our day to day life.
Like hemanth rao said, cinema has become 5th or 6th entertainment in last decade.
I remember post lucia you with couple of other directors started doing audiance engagement, Q&A to build audiance base and with thought what more we can give to ticket buyer. If possible pls start townhall again. Thank you.
Thank you for coming ok TH-cam sir
Glad to See you ❤
No sir , it's simple that people have widend their perspective for cinema after they have watched world cinemas, they need that quality of writing and direction. Many are failing in writing.. only the trailer or teaser or poster looks promising but when you watch the movie it's same old thing. Most of the movies are like that.
💯
Operation alamelamma is best example, simple yet fast paced narration after interval Kudos to simple suni.
Amazing Pawan...very good point
...had agreat time acting in your movie Dhoomam.... You're a very sensible guy guru!! Can't wait to see the next big film...based on this new learning!
i watched ibbani tabbida ileyali movie it's just travel with me what a movie , what a screen play just wow
I have a seminar tomorrow to present and I was worried about the content and the flow to engage the audience till the end. I guess what you mentioned for the movie scripting holds good for a talk or a seminar too. This was much needed and came at the right time for me! Thank you so much ✨️
All the best
@@sheshadrisheshadri1389Thank you 😊🙏 I an happy to say that seminar went well. So thank you Pavan Sir 🙏
Blog,,, vlog,,, ಏನೋ ಅಂತಿರಲ್ಲ ಅದು....😅
Pawan kumar is now victim of genaration gap...😂
ನೆನ್ನೆ ಲೂಸಿಯಾ ನೋಡಿದೊರೆಲ್ಲಾ ಕೈ ಎತ್ತಿ👍🏻
Pawan Sir your good man told every thing in vlog if some one else .... made a class and took 99 Rs or 9 Rs new trap.... asked later 15 K....😊...... Be a same genuine man..... but put the same in writing..... you will be more alive .....
It's the urge to release the dopamine. The dopamine has adjusted to 4 - 5 seconds and people don't get that dopamine rush if they stop scrolling.
I understood your thoughts, and that made me to express my thoughts, I am 23 year old and I fall into the category of young audience you mentioned, whatever you have mentioned is yes, it is true but I think you are viewing it from a single perspective, yes the audience is craving the quick change, and what change does is, it keeps the evolution going, and we humans are not in a place to decide the rate of change is overspeeding Or not, the only thing we can do is to try to know at what stage of evolution we are in, and I think we are all in the stage of evolution where everything is conneced, web what we call it as, like a single short video is Commucating many different things to different consumers, like there is education, music, motivation, comedy and many things in a single video, and people are taking what they find in it, and if we want to serve righly and also get succeed in it, we also should start getting connect with each other, see the political evolution has reached a stage of democracy means each and everyone is involved in decision making for themself, so the same thing can be followed else where also, It really requires a lot of words to describe exactly what I am trying to say, if you see some truth in my thoughts, give me a opportunity to communicate in a simple, practical way with you, who knows it may help me Or you or something else
Films are made to a niche audience , so that commercial success is guaranteed.
Audience suffer from attention deficit.
Audience also has an option of avoiding theatres altogether and opting for OTT at its convenient time and place, where browsing caters to its crazy attention deficit !
So along with hitherto concerns of Content and Form, film makers have to be engaging with creative narration.
Screenplay must hold the attention of the fleeting audience somehow !
😊
Sir Very well side and you read audience mindset. am always trust you make a good movie Sir.
Thank you so much Pawan sir!
Very true and informative. Instead of scrolling watching multiple times. I wish you have a great time ahead.
2nd time watching this video... Bro nev yavdadru movie madi Bro for audience like me.. We are waiting for your direction. Climax with Kapila awesome... Love from Chikmagalur
Very good analysis sir love your dept of thought! I love your great insights...you are gift to kfi. I am huge fan of your intelligence. I admire you always
I don't know, but old movies of Dr. Rajkumar, Vishnuvardhan, Shankar Nag and Anant Nag feel still connected while watching them. I am sure there are many people who feel the same. Wondering what will be the factor which makes it still connected with many like me.
Upendra tried to rewire audions from A, Upendra, Supper, U2, and now UI 😻
We need one more Lucia....
Congratulations 🎉🥳 Pavan Bro for 1 lakh subscribers ❤
Much needed 🎥
Great analysation. Good guide to new gen
Even the movie critic is changed which changes watching the movie from the Director's point of view to the reviewers point of view
Pawan, I don’t know if you will read this, but you have nailed it with your analysis. However, I fear this might lead you to question your filmmaking approach and even doubt your own potential. When you made Lucia, many in the audience felt it was ahead of its time, they didn’t watch it in theatres but praised it later after downloading it from torrents. With Dhoomam, the audience rejected it, calling it an outdated script, and preferred to watch such content on OTT platforms.
Unfortunately, the traditional cinema approach doesn’t always work anymore. Larger-than-life, fantasy, and no-brainer films often have the edge. I watch movies every weekend in theatres for the experience, which I simply don’t get from a laptop. As a hardcore film lover, I have noticed a pattern: the first 10 minutes of a film need to hook the audience, the interval block should be mind-blowing, and the last 20 minutes are make-or-break. If you can master this structure, the film will likely generate strong word-of-mouth and achieve the success it deserves.
Hey Pavan - Your views and thoughts are intriguing. In my view, audiences have always looked at content as a means to escape reality or reinforce their reality and, in the process, educate or entertain themselves. Instagram Reels and YT Shorts has given quick access to escape reality multiple times daily. Having said, the audiences have probably never consumed such a 5-10hr web series at a stretch. It seems to me the audience switched modes. While watching reels/ shorts, they know they need to keep the phone down when an office call rings or a kid calls at home. But while watch web series or movies they are fully open to be invested for several hours. Within that script, innovations like what Breaking Bad attempted (high open and close points for every episode) or what Jailer did ( still a lot of slow burn-in the interval scene and crown stealing scene) both work. Insta reels are written to create relatability and that quick laugh, movies should not adapt the Reels style. I think the magic of long format should remain intact ( ofcourse with innovations to capture audience attention within that) What do you think?
True..I am watching this at 1.5x speed😊
My 2 cents:
- Audiences come to theatres to experience cinema, not to just watch it.
- Unique characters give us an experience which stays with us for quite some time, if not for ages. Even a wafer-thin story brings people to theatres, if the characters are written well AND the scenes are new
- Animal was a slow paced cinema that was over 3 hours. Characters were quirky there, scenes were fresh. Duration didn't really matter there, because experience was new
- Saripodha Sanivaram had quirky characters, but the scenes were at least 15 years old. So, it didn't do as much as it was expected to
- 30 seconds/ 1 minute theory is totally untrue. Human mind isn't a machine, it understands what to expect out of a 2h 30 mins movie. If you fail to engage them for 20-30 mins, that is when people slowly start getting restless
- For example, Manjummel Boys had a flat first 30 minutes. Yet, people loved what followed, and the rest is history!
- Bottomline is, entertain people. They will make your cinema a blockbuster!
Totally agree....
Wanna add one more point here...
In fact the audience also don't know what exactly they want.. anything that surprises them will entertain them.
@@akshayr6281 exactly! Filmmakers should not over analyse viewers’ taste. It changes with time. If your script is outdated, you should fix that first.
Sir, what about the segment who like the old school way of storytelling in cinema. That slow character introductions- prepping the audience for the narration- main story- holding on to the one emotion or two emotions of the main story- subtle twists.
I think the old form of film making will be a breath of fresh air amidst all the fast paced/ new age movies. I feel ibbani tabbida ileyali has that in it and I’m very much planning to watch it in theatre. I will only know it once I’ve watched it.
I wanna experience the film in theatre.
As per my understanding ,
a scene should connect to audiences..
And i had this strong feeling that
"Audience don't know exactly what they want....
Anything that surprises them will entertain them, so surprise them. Excite them."
For Pawan sir : You are known face to Karnataka, even for outside the state.. you have face value....
Sir, Even if u do a low budget film, for OTT, by utilising new comers, genuine artists, with a genuine audition.
I had this strong feeling that, people will watch it, and also it does a good business.
Bring back some banger like lucia sir.!!
i used to listen lockdown tapes. which was one of entertainments in lockdown.
ಹಾಗಿದ್ರೆ ಹೊಸಬರು ಸಿನಿಮಾ ಫೀಲ್ಡ್ ಗೆ ಬರೋದು ಒಳ್ಳೆದ ಅತ್ವ ರೀಲ್ಸ್ ಮಾಡೋದು ಬೆಸ್ಟ್ ಆ
Hi Pawan sir, hope this message finds you well. I really see an idealist and idealistic thought which isn’t totally gone and I find it is a very hopeful sign for us. I see great observations and I find them reasonable yet there are few elements that I want your insights on..
- when we talk about filmmaking, wouldn’t you agree that the most fundamental element of it is still the same? Being a director one needs to be an excellent decision maker when it comes to decide what is best for the cinema as a whole. Don’t we see that most of the directors now behind dealing with technical know how than why this piece has to be the cinema?
- ಈಗಿನ ಜನರ ಸಿನಿಮಾ ನೋಡುವ ತಯಾರಿ ಬಗ್ಗೆ ಮಾತು ಬಂತು. ಅದು ನಿಜ. ಸಿನಿಮಾವನ್ನು ನೋಡುವ ಕಲೆಯ ಮತ್ತು ಅದರ ಮಾನಸಿಕ ತಯಾರಿಯ ಬಗ್ಗೆ ಈಗ ಇರುವಷ್ಟು ಕಮ್ಮಿ ತಿಳುವಳಿಕೆ ಈ ಹಿಂದೆ ಇದ್ದದ್ದಿಲ್ಲ ಎಂದು ಮೇಲ್ನೋಟಕ್ಕೆ ತಿಳಿಯುತ್ತೆ. ಪ್ರತಿಯೊಬ್ಬ ಪ್ರೇಕ್ಷಕನಿಗೂ ಕೂಡ ಈ ಸಿನಿಮಾವನ್ನು ಈ ರೀತಿಯಾಗಿ ಕಟ್ಟಬಹುದಿತ್ತು ಅನ್ನುವ ಬಗ್ಗೆ ವಿಚಾರಗಳು ಅಥವಾ idea ಇರೋದನ್ನು ಎಲ್ಲರೂ ಗಮನಿಸಿದ್ದೇವೆ. ಅದೇ ರೀತಿ ಒಬ್ಬ ಸಿನಿಮಾ ನಿರ್ದೇಶಕನಾದವನಿಗೆ ಅಥವಾ ಕಥೆಗಾರನಿಗೆ ಒಂದು ಕಥೆಯ narrative ಕುರಿತು effective ಅನ್ನಿಸುವ ರೀತಿಯಲ್ಲಿ ಹಾಗೂ ತಾನು ವಯಕ್ತಿಕವಾಗಿ ನೋಡಬಯಸುವ ರೀತಿಯಲ್ಲಿ ಕಟ್ಟುವ ಕ್ರಮವೇ, ಈಗಿನ ಸಿನಿಮಾ ಕಟ್ಟುವ ಕ್ರಮ ಎಂದು ನಿಮಗೆ ಅನ್ನಿಸುವುದಿಲ್ಲವೇ?
- Talk about the technology- The current problem unlike the old days is technology overpowers the creativity. There was very limited technological advancement yet because of their creative process and artistic enrichment, they used the technology wisely to fulfill the need for cinema. Now, technology dominates the writing. The basic element has always been good writing; finding an intangible and unseen light that becomes the reason for your tomorrow’s nostalgia. I think the writers are failing to create or give a space for that mischievous element get created by itself
- Makers now decide on the form of constructing the story than seeing through the writing and let it decide the form by itself.
- Finally, we have constantly failed to make audience fall in love with the character. Characters aren’t complex or nuanced enough to engage the audience and if we make that happen, the pacing of the cinema is the least bothered element across all generations including GenZ.. I hope I get to discuss further with you on this. Thank you!
all the points you have mentioned are insightful. Filmmaking is a complex art form... and its takes many attempts to get somewhere. Where do we give a filmmaker an opportunity to try creating something honestly without the market pressure and demands... and then learn from it and make the next one. We are writing off creators after one film which doesn't work. So... everyone is trying to use the formula of what has worked to play it safe... it is very rarely someone goes off the beaten track and finds success. The system we have in place can easily burn out creators with potential. So we are al clapping n hooting for the Box office numbers but not for the craft. Atleast a marginal number of the population which caters to the financial investment should look into Craft and not BO numbers.
@@directorpawan thank you sir. Fairly put and it’s true about the current fate of filmmakers and the attitude of the producers and the audience. It’s also very unfortunate that the medium itself is such a costly one. When art and creativity takes precedence over numbers, a lot can happen, just like the producers saying in my dreams, “we shouldn’t aim at MAKING money; money should just HAPPEN.”
When people are watching reels 30sec video,there mind fixed to see only some sec. so thats why people are scrolling. but when people are watching movies then they know and they fix there mind into 2 hours.. So its a mind set, thats it..
Pawan, i have been following since Lucia hoping you will bring in some good movies to KFI however looking at your research you seem to have given up your hopes. Maybe you are correct in your research or analysis but don't stop. You may be overthinking too. Just go ahead and do some thing in Kannada. Trymaadi..
I don't think he is overthinking,you saw what happened to sse ,Swathi mutthina male haniye ,when I went to watch swathi muutu total only 5 people,I mean I could predict the ending but I wanted the journey how the director would make me feel & stuff ,I doubt hemanth rao will make another epic movie like sse again ,he would have felt that
I disagree your opinion sir . Pepole always choose good film Screenplay that's it . We should make only good story with connect to pepole that's it . 60 second reels thara cinema madre adhu cinema agala sir . Watch once premalu slow narration but content so good Pepole enjoyed . Also manjumal boys , maharaja , vazhai . That only thing script & Screenplay good Pepole celebrating with any language barrier. We schold try to make unknown story's. In Hollywood most on story made by in novel . But in Indian cinema We only making cinema nodi cinema madthidhiri . . Pepole always genius We should work with best gripping Screenplay writing that's it sir .
Agreed 👍🏻
Agree
I'm watching in 1.5x Speed
Mine 2x😅
Thanks bro you remembered me 😂😂
Good thought ❤
Thanks for your golda words sir🙏
Gultoo was one of the finest movie and we need more fresh content and scripts.😇❤️
Traditional film making was carrying one or two emotions for 2 to 3 hours.
With handheld devices in just a few minutes there are at least 10 to 20 different emotions being seen, which is actually bad for humans.
If a movie showcases one or two emotions, it has to register it very strongly otherwise it has to show many emotions which are not doable by a normal human being. This is my observation from the past few years.
Thanks for bringing this topic.
Yeah, comedy+emotional, emotional+action, emotional+drama, thriller(horror)+comedy these are the deadly combinations,but emotion is a basic ingredients
I have a question, if fast paced films is the answer, how did Oppenheimer work so well in Indian? Cannot be Nolan factor since his last film Tenet was a flop.
All for the hype! Trust me not all have enjoyed Oppenheimer in india. Ask anyone who has watched Oppenheimer to explain what they understood!
Now to watch movie in theatre 1. people want to feel the highs and lows in screenplay every 15min or big plot twist. otherwise they will decide watch in OTT. without theatrical success OTT will not come for small movies 2. whoever mixes love/comedy/action/crime/sadness/songs well within a good story also succeeds. 3. whatever you have told in the video, lucia ticks all the points and both the points i mentioned. 4.simple point is every scene should consist of either drama/laugh/sadness or big curiosity hook for rest of the movie.
Nijavaglu nimma maatinalli tuka edey really nivu helodu nija sir mansin maatu nim enda barta edey Haag ansta edey really ❤
Reel is free but for movie, people pay and come. So they know what content and screenplay is expected
Hey Pawan, seeing after a long long time. Keep the good workgoping - Shashikanth Gatti (Ball Pen)
We love to hear your voice ofcourse sir, very informative 👏keep it coming!!
Sir I like to debate , the other way around is too much of polluted scripts have spoiled audience . We can on the other way around bring back audience in the theatre with a proper and fresh content .
wish this channel was in English... rest of us could also have enjoyed it fully. still not bad, understood and enjoyed partially.
My simple thought is for a film authentic story teller’s story is the fundamental thing what he want ‘s to tell and show is purely his choice , you may call him director …and my,I personal opinion is for a real good film does not require any appreciation but it’s easy to says
ಸರಿ ಇದೆ ರೀತಿಯಾಗಿ ಸಿನಿಮಾ ಮೇಕಿಂಗ್ ಬಗ್ಗೆ ಮಾಹಿತಿ ಕೊಡ್ತಾ ಇರಿ ನಮಗೆ ಇನ್ನು ಹೆಚ್ಚು ಕಲಿಯುವುದಕ್ಕೆ ಸಿಗುತ್ತೆ ತುಂಬಾ ಧನ್ಯವಾದಗಳು ಸರ್ 😊🙏🏻❤️
This is swalpa misleading i feel,
I feel regardless of the pace of the events or the movie is, it's driven by conflicts that makes the story moving, given that some filmmakers are very traditional in following your words because of Lucia or Lifu istene, i feel what you said very superficial and can confuse an enthusiast.
Sirr please its my humble request.. kichha sudeep sir avrge one movie madi sirr please.. eedi jagatte tirgi nimna nodo haage.. aa capacity.. power nimmalide trust on uuu sir plzzzz🎉
Director ❤
Sir nimm ತಲೆ ಯಲ್ಲಿ ಏನು ಬರುತ್ತೆ ಅದನ್ನ ಮಾಡಿ 💯 yellru ಒಂದೇ ತರ movie madok agalla 💯 but screen play tight agi ಇಡಿ ಅಷ್ಟೇ...
what you said is true sir. being film enthusiasts I try to watch every possible movie from all languages in theatre and I watch with different friends, recently In any good movie only thing that I hear from my friends is that or they talk about is scenes , opening scenes , pre intervals, interval , pre climax and climax not the whole story or experience as whole, people want something to happen at regular intervals of time in movie , if the conversation are too long or we are spending too much with charcters people loose interest even most of the reviews watched by large audience only to know the film has enough high points.
I like your giving room to openness to accept others opinion
Mostly people make up their mind as to which movie to watch in theaters and which ones on the small screen. A family watching a movie in a theater is an expensive affair. It should be worth the time and money spent.
ನಿಮ್ಮ ಸೂಕ್ಷ್ಮ ಗ್ರಹಿಕೆಗೆ ಸಲಾಮ್ ಸರ್...
🙏 full video nodide, good but innu 2013 timenalle idiya anstu,
sometimes naav el lock agidivi heng block agidivi, anno vishya namg matra gottiralla, adre 10 varsha admel block agidvi anta ansutte adre ninginnu e vishya arta agilla ansutte,
hope u understood pawan, once again congrats for ur past movies, which I have liked lot ie lifu ishtene, lucia, u turn....
that's it.
bro e nadve enne odkond media li attu kardu nuisance madtilla yake.
ofcorce u r a best actor, genuine mannerism ide, adre innu hero agi movie madlilla yake? en mollagru maga?
.
Like you ❤
hi🎉
Thoughtful
ಚಿಂತನೆಗೆ ಆರ್ಹ
I don't think so .. people watched fast paced movies like kgf and also people liked maharaja and 96 kind of movies i only believe make chtranna add some kadle bija I mean some high moments at every 10-15 min only kadle bija also be boring and only chitranna also be boring now days directors job is to make chitranna with balancing the ingredients 😂
Pawan sir, Even big brand names can't guarantee a movie's success nowadays. Directors who write beautiful dramas are also not always succeeding. I think writers should incorporate at least one psychological aspect, like innocence, nostalgia, or violence, along with good writing
World is content Adda ❌, content ADHD ✅
I can exactly connect with what you said 💯
Indian Cinema is nearing 100 years. The content created in all these years will obviously empty the barrel and directors have to create something new. Along with this, more no. of content creators force you to increase the speed of the making. Otherwise the same idea might be used somewhere else before you publish.
One thing is constant. For any work to be a masterpiece, it has to be good frame by frame and in full.
I see where you are coming from, but disagree partly. People do appreciate immersive experiences - Charlie, GGVV, SSE are examples of slow/old school cinema finding traction. The only thing is some popular names should be associated with it...absolute newbies can't get away with it. A movie like Ulidavaru Kandanthe would have enjoyed a much better run today...as people are more exposed to innovation and plurality. Pacing issues can be mitigated insofar as the trailer sets expectations correspondent to the overall film.
As for stories around 'mature love' finding few takers, well, a beginning has to be made - perhaps, with modest budgets, established names and a marketing strategy that sends constant feelers to the film's target age group and its neighbours.
Theatrical experience bagge heliddu anthu thumba nija , I watch atleast 5 films a month , and everytime, I get annoyed with ringtones , and people doesn't even care and talk so loud . And children below 5 must not be allowed at all , they cry a lot and ruin our experience.
Pawan you have to stay young at heart to make films for 18 to 24 also
Sir then in that case why are current new gen audiences are enjoying and connecting to your LUCIA or U Turn or both? These might have not watched it in theatres mind u...but I respect the fact what u said about theatre discipline. Sum sumne phones takondu less attention span aliens gal tara nodtirtare, they disturb everyone else around as well..
Strongly disagree.. People like both old and new (as you mentioned every 30 second cut).The only thing is it has to be engaging..
Actor performance dilogue and background music is the main in the slow phase story
Nin comment nu disagree maadoru irtare. Nenpirli
@@muralimohana0712 erli bidu..
But ultimately we should not focus on only one angle.this is a creative field..
Business adre ellaru opkothare ella andre reasons analysis madthare..
@@muralimohana0712 Hope people watched this full video even if there is distractions around them..
ಲೂಸಿಯಾ ಫ್ಯಾನ್ಸ್❤
Hats off to all those who watched full 15 mins... Even at 1.25x or 1.5x 🎉
11:48 This is also why photography and videography is prohibited in temples. People dont understand the basic etiquettes even in a worshipping place, let alone cinemas.
Born to be a film maker forced to be a data analyst
Sir, ivaagina movie team ene eludrunu theatrical experience gintaa, mobile alli headphone haakondu OTT alli nodo experience tumbane cenaagirutte...adkene jana theater ge bartillaa...idukku meeri jana theater ge barbekandre ticket rate kammi madbeku, haaganta yavdo ondu movie team ticket rate kammi madudre, movie cenaagilla adke rate kammi irbeku ankotare...ellaa movies gu chamber & theater owners matadkondu rate kammi madbeku...jotege Superb story-screenplay madbeku,Different aagi excite aago taraa publicity madbekuu...illaandre as a movie lover aagi eltidinii, industry ulyode doubt...yavdo star hero movie na, avna fans maatra 3 days nodkondu, manege hogtaraste....🤔🤔🤔
Bro don't think too much, as per me
There is no formula to make successful film, and every successful film has various reasons for its success,
Ya I agree for big star film there is market recovery, apart from that if you need big comercial success from limited budget and starcast,
First thing the film must be 1,comercial
2, engaging
3, suitable screenplay
4,it should experience the audience something new with entertaining,
Now kanthara, manjumel boys done that
long back ur lucia also done that.
😅 Reality is playing full video with 2X speed. Same way can't even controle the curiosity.😮 Love you pavan Bro.❤.. Pls any update about upcoming movie 🎦 directions? Pls update big fan from Chikmagalur
watched full video / from
mangalore
totally agree with you ❤️❤️😊
I feel nothing rewired kind of things happened just directors need to create more livable scenes with different perspectives . Nowadays actors bringing personal outside attitude in the films through dialogues , punches in fact acting skill is going down . actors should live the character that's what needed. Quality of film making is going down which includes stories, acting skills.
Not sure what to tell about the information you said really it's connecting to me but to engage your thoughts I'm commenting your B-Vlog
Hale rajkumar movies ad bidi mungaru male, galipata adela eglu est sari nodidru bor agala.. Screen play swalpa tight agidre saku swalpa hinde munde madbeku +ond ole kate beku.. Interval ali wow factor irbeku... Climax chenagirbeku... Ela film full chenahidu climex dull hodudru film flop agute bcz janrige memory power kami ole twist atwa wow factor erle beku ela enta hero commercial movie edru flop agute + elra acting super agirbeku + publicity ole wow moment du promo create madi viral madbeku trend agbeku mouth publicity inda hit agute i am a good writer nima script bariyoke bekadre serskoli... I am uppi fan
Well said 👌
Thank you for your suggestions sir 😊
Very good analysis Pawan
Thanks sir
Please do a movie on struggles of a middle class man. Mainly the influence of income tax burden on him.
Because, as per data analysis only 5% of Indian population pay tax. Out of which majority are from income group.
This middle class person not getting benefitted from the govt in any sort even though the whole nation burden is on him.
Only upper class like business tycoons and lower class are benefitted. Mostly farmers.
Farmers are getting benefitted more than anyone. They get tax free status.
What happens if am income group middle class people switch over to agriculture. Then from whom will take the burden of the nation
Please do a movie on middle class person struggle to uphold the financial status of the nation.
Analysis ❤👌
I like your convent kannada 😄
Entertainment entertainment entertainment
Is enough
Wow
Lucia tara movie barli ivglu theater ge bandu nodthivi ❤
Nan prakara yavde generation movie adru set up thumba agathya ide yavde character jothe connect agde namige 2hr movie nodak agalla reels galalalli set up agathya illa yakandre adru duration kuda hage idhe mathe reels nodi entertain ago audience igin generation alli theatre kade barodilla , movie nodo audience ge character gala jothe emotional connection thumba agathya ide nav technology balskondu hosa hosa thara igin generation ge cinema thorisbeku adre every 30 sec bere bere scene andre thale nov start aguthe 2hr koothu nodak agalla nan prakara story set up ge time thagondu later on pace jasthi madi unusual pre climax jothe satisfying climax idre movie hit aguthe antha
Naan nim ella movies follow madidini iam 22yr old now nanige nim ella movies ishta agidhe except dhoomam dhoomam nanig avg film agithu yakandre nim lusia u turn kudu edamaithe series nodi ondu mind blowing and satisfying climax na expect madthidde adre movie mugdmele ardam barda anstu mathe eshto scene galu authentic agi irlilla yavdo vishyad bagge information kodo thara ithu ,adre nim uturn movie ivagin generation allu remake agthide nan friends ella ivagin generation avru avrige a movie galu ishta agthide andre neevu scene galna barkondiro reethi inda prathi scene hosadu thorsodinda alla
I am a TH-camr i have another channel and you are right i am also an editor we edit videos to make it look more like a reel like changing scenes every 10 to 30 second, in the middle part of the video we keep it more detailed and before ending video we again do the same trick of changing scenes and adding interesting scenes or talk, this way we can retain audience by playing with his mind, the goal is NOT to make the video boring but interesting, KGF was the best example of how we must edit a movie or Video.
ನಿಜ ಸರ್, ನೀವು ಹೇಳಿದ್ದು ಖಂಡಿತ ಸರಿಯಾಗಿದೆ, ಈ ರೀಲ್ಸ್ ಅನ್ನೋ ಒಂದು ದರಿದ್ರ ಕರ್ಮ ಬಂದು ಜಗತ್ತು ಎಕ್ಕುಟ್ಟಿ ಹೋಗಿದೆ.
I agree or have shared the same thought , for example when I went to watch "sapta sagaradaache ello"(both on 1st day ) expecting it would be a serious drama & director would want the characters to pass through us to feel the whole thing ,I will forever say that is amazing movie passing that bar is not easy it will take time ,but almost many people around me or majority who watched hated because it is slow, boring, nothing mass type or comedy etc ,I just typed what you said lol,i want to write or speak about this but I think not many share the same thought or have same taste in movies,music etc ,I don't know why I typed all this ,just venting I guess ,but nenu ole drama adre madu guru there are people but as you already know yest Jana idare anta may be,ella andre raj b Shetty heldange 1 movie to make money 1 for passion/art or for his soul
There is a certain repetitiveness to SSE, with all those jail scenes, which gives it a sort of stagnant feel and curtails its appeal. Its slowness is not the problem, Garuda Gamana was slow too, but people lapped it up. Amruthavarshini is a great example of how you can be slow, yet never repetitive or stagnate.
Still, SSE (Side A) making 25 Crs should give hope to filmmakers like Pawan to experiment.
@@alok8582 Garuda gamana had violence/sick music & that one scene transition part in it that's why the movie got a good reviews from average fans ,even raj b Shetty knows & that was a commercial movie if you as him but other toby & Swathi mutthina male haniye was a closer to his art non-commercial (which wants to do every movie but obviously not good on financial part)SSE jail scenes were core part of the movie which hemanth rao wanted the audience to go through feel the characters pain or suffering or worst case ATLEAST empathize with him,I would d!3 on that hill saying both SSE were landmark movie ,maybe someone WILL replicating those 2 movies but passing that bar or going Parallely seems impossible in our country,yes I have seen (not Indian movie obviously)some solid movie with very basic story but taking audience with the characters with such good screenplay, hemanth rao man serious talent dude we should support or protect him at all cost or will lose a artist ,dude is something else & amruthavashini audience timeline was different ,i can't believe you compare Garuda gamana with SSE both are incomparable to each other & what are the repetitiveness you saw or think ?I will break it down why & the reason it needed