Off the String Secrets (Spiccato) with Richard Amoroso (member of the Philadelphia Orchestra)

For online instruction, email:
[e-mail]
0:11 Intro
0:28 Physics of the bow and how it works.
0:50 Bow taking flight on its own
1:20 Adding a bow hold
1:35 First step, moving the bow with arm and a heavy sound
3:05 Lighten and add speed
3:55 Simple motion of the hand and arm explained
4:20 Review
4:45 One added point of the position of the violin
Please comment below your thoughts.
To learn more about preparing for violin auditions, go to:
www.richardamoroso.com
[e-mail]
오케스트라 바이올린 연주 단절 레슨 (Okesteura baiollin yeonju danjeol leseun)
"管弦乐小提琴摘录课程" (guǎnxián yuè xiǎotíqín zhāilù kèchéng).
"管弦楽のヴァイオリン抜粋のレッスン" (kangen gaku no vaiorin bassui no ressun).
For Online Zoom lessons, email: [e-mail]

[@daviddobrydnio1746]

Thanks. You seem to hold your bow slightly higher up like a Baroque bow hold. Or maybe my 3rd finger on the eye of the frog is too low. Also can i play spicatto nearer the frog below the balance point. What is customary in your experience or is it a function of the weighting of a professional pernambuco bow mine is a hybrid carbon less than $250.