Badami cave Temple ಬಾದಾಮಿ ಗುಹಾಂತರ ದೇವಾಲಯಗಳು Bagalkot Tourism Chalukya Dynasty temple of Karnataka

#badamicaves
The Badami Cave temples were carved out of red sandstone hill in the 6th and 7th centuries in a stunning natural setting. In the video: Caves 1-4, Agastya lake, Lower and Upper Shivalaya temples, Bhootnath temples.
ಬಾದಾಮಿ ಗುಹಾಂತರ ದೇವಾಲಯಗಳು
Badami cave, Bagalkot Tourism, UNESCO World Heritage Site, temples of Karnataka Tourism Badami Chalukya .The Badami cave temples are a complex of Hindu and Jain cave temples located in Badami, a town in the Bagalkot district in northern part of Karnataka, India. The caves are important examples of Indian rock-cut architecture, especially Badami Chalukya architecture, and the earliest date from the 6th century. Badami was previously known as Vataapi Badami, the capital of the early Chalukya dynasty, which ruled much of Karnataka from the 6th to the 8th century. Badami is situated on the west bank of a man-made lake ringed by an earthen wall with stone steps; it is surrounded on the north and south by forts built in later times.
The Badami cave temples represent some of the earliest known examples of Hindu temples in the Deccan region. They along with the temples in Aihole transformed the Malaprabha River valley into a cradle of temple architecture that influenced the components of later Hindu temples elsewhere in India.
Caves 1 to 4 are in the escarpment of the hill in soft Badami sandstone formation, to the south-east of the town. In Cave 1, among various sculptures of Hindu divinities and themes, a prominent carving is of the Tandava-dancing Shiva as Nataraja. Cave 2 is mostly similar to Cave 1 in terms of its layout and dimensions, featuring Hindu subjects of which the relief of Vishnu as Trivikrama is the largest. The largest cave is Cave 3, featuring Vishnu-relate, and it is also the most intricately carved cave in the complex. Cave 4 is dedicated to revered figures of Jainism. Around the lake, Badami has additional caves of which one may be a Buddhist cave. Another cave was discovered in 2015, about 500 metres (1,600 ft) from the four main caves, with 27 Hindu carvings.
Badami, also referred to as Vatapi, Vatapipura, Vatapinagari and Agastya Tirtha in historical texts, the capital of Chalukya dynasty in the 6th century, is at the exit point of a ravine between two steep mountain cliffs. Four cave temples in the escarpment of the hill to the south-east of the town were carved into the cliff's monolithic stone face. The escarpment is above a man-made lake called Agastya Teertha, created by an earthen dam faced with stone steps. To the west end of this cliff, at its lowest point, is the first cave temple. The largest and highest cave is Cave 3, which is further to the east on the northern face of the hill.The fourth cave, Cave 4, is a few steps down further east.
Badami - the capital city of the Chalukya kingdom (also known as Early Chalukyas) - are dated from the late 6th century onwards. The exact dating is known only for Cave 3, which is a temple dedicated to Vishnu. An inscription found here records the dedication of the shrine by Mangalesha in Saka 500 (lunar calendar, 578/579 CE). The inscription, written in the old Kannada language, has enabled the dating of these rock cave temples to the 6th century. This makes the cave the oldest firmly-dated Hindu cave temple in India.
The Badami Caves complex is part of a UNESCO-designated World Heritage Site candidate under the title "Evolution of Temple Architecture - Aihole-Badami-Pattadakal" in the Malaprabha river valley, considered a cradle of temple architecture that formed the model for later Hindu temples in the region. The artwork in Caves 1 and 2 exhibit the northern Deccan style of the 6th and 7th centuries, while those in Cave 3 simultaneously represent two ancient Indian artistic traditions; the northern Nagara and the southern Dravida styles. Cave 3 also shows icons and reliefs in the so-called Vesara style, a fusion of ideas from the two styles, as well as some of the earliest surviving historical examples in Karnataka of yantra-chakra motifs (geometric symbolism) and colored fresco paintings. The first three caves feature sculptures of Hindu icons and legends focusing on Shiva and Vishnu, while Cave 4 features Jain icons and themes.
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[@RAMESHP79-79z]

Nice video

[@guruhungund1348]

❤️❤️badami is an emotion.

[@saisameer5842]

Super bro

[@avinashpatil9409]

Hu vatapi andi confuse ath... 🙄🙄

[@AGCREATIONSS]

About Dat link video coming soon..

[@mouneshpattar9836]

Niva heliddu tappu,Badami anno hesaru hege bantu anta

[@AGCREATIONSS]

I did video coming soon...on progress