Giuseppe Torelli - 12 Trumpet Concertos (c. 1690)
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- เผยแพร่เมื่อ 16 มิ.ย. 2024
- Giuseppe Torelli (22 April 1658 - 8 February 1709) was an Italian violist, violinist, teacher, and composer of the late Baroque era.
Torelli is most remembered for contributing to the development of the instrumental concerto., especially concerti grossi and the solo concerto, for strings and continuo, as well as being the most prolific Baroque composer for trumpets.
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12 Trumpet Concertos (c. 1690-1695)
1. Trumpet Concerto in D major 'Estienne Roger' (0:00)
2. Sonata in D major G.1 (4:57)
3. Sinfonia in D major, G.2 (11:04)
4. Sonata à cinque in D major, G.3 (15:13)
5. Sinfonia in D major, G.4 (19:17)
6. Sonata à cinque in D major, G.5 (22:09)
7. Sonata à cinque in D major, G.6 (25:24)
8. Sonata à cinque in D major, G.7 (28:56)
9. Sinfonia in D major, G.8 (34:03)
10. Sinfonia in D major, G.9 (38:30)
11. Sinfonia in D major, G.10 (42:25)
12. Sinfonia in D major, G.14 (46:57)
Thomas Hammes, trumpet and the European Chamber Soloist conducted by Nicol Matt
Torelli was born in Verona. It is not known with whom he studied violin though it has been speculated that he was a pupil of Leonardo Brugnoli or Bartolomeo Laurenti, but it is certain that he studied composition with Giacomo Antonio Perti. On 27 June 1684, at the age of 26, he became a member of the Accademia Filarmonica as suonatore di violino. He was employed as a viola player at the San Petronio basilica beginning in 1686, where he stayed until 1695. or January 1696. when the orchestra was discontinued because of financial constraints. On 1687 Giuseppe Corsi da Celano played Torelli's music, from Op. 3, in Parma at the Sanctuary of Santa Maria della Steccata. By 1698 he was maestro di concerto at the court of Georg Friedrich II, Margrave of Brandenburg-Ansbach, where he conducted the orchestra for Le pazzie d'amore e dell'interesse, an idea drammatica composed by the maestro di cappella, and the castrato Francesco Antonio Pistocchi, before leaving for Vienna in December 1699. He returned to Bologna sometime before February 1701, when he is listed as a violinist in the newly re-formed cappella musicale at San Petronio, directed by his former composition teacher Perti.
He died at age 50 on 8 February 1709 in Bologna, where his manuscripts are conserved in the San Petronio archives.
Giuseppe's brother, Felice Torelli, was a Bolognese painter of modest reputation, who went on to be a founding member of the Accademia Clementina. The most notable amongst Giuseppe's many pupils was Francesco Manfredini. - เพลง
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I was in shock thinking this would be a concerto for 12 trumpets
It was quite hard compose interesting music for the trumpet and for the horn in those times. The notes available were those of the harmonic series and were used those high notes that could play in a certain way tuned and deliver melodic passages and not only fanfare-like arpegiation work. Currently in baroque orchestras is quite common the usage of the "baroque" trumpet and horn that are modern recreations based on the the natural ones that include the so called "vent holes" (one to four vent holes) that create a node inside the tube as they are open. This makes the picth go up the player can adjust the intonation.
Wunderschöne Interpretation dieser zwölf kompakten und fein komponierten Konzerte mit brillantem Ton der genialen Solotrompete sowie gut harmoniserten und perfekt entsprechenden Tönen der anderen Instrumente. Der intelligente und erfahrene Dirigent leitet das ausgezeichnete Kammerorchester in verschiedenen Tempi und mit künstlerisch kontrollierter Dynamik. Alles ist faszinierend!
Hasta los comentarios son muy buenos, muchas gracias a todos. Saludos
Very fine performance of these enchanting Trumpet Concertos ~ thank you!
Wonderful Concerti!.....a whole school of music....
Gracias, lo estamos necesitando
Gracias Bart
Otra vez gracias por tu trabajo. Saludos
Perfect indeed! 👌🏻👌🏻👌🏻 ❤️🎼🎶🎵❤️🎼❤️🎶🎵🤗
Very good
Can you please reupload your video with Bruckner's six choral pieces? Something like that cannot be found on another channel...
I didn't realize it was blocked worldwide.
Let me look at it. Locus iste is blocked the rest seems ok. I will re-upload it again without that number.
The name of the video was:
Anton Bruckner - 6 Famous Choir Works
why did this composer compose so much in D major? Please explain. Thanks.
D major was regarded as a heavenly key. So I guess he did it to praise god. I'm actually not sure if these concertos have been originally composed for trumpet. If yes then it's also obvious why he chose D major, because the trumpets back then were mostly in the key of D (or C) and could only play in this key.
Simple: They used trumpets in D and natural trumpets (that's what they used in Torelli's age) are almost unusable out of their home key and neighbouring keys. A D trumpet can play well only D4 A4 D5 E5 F5 G5 G#5 A5 Bb5 C5 and other notes are either impossible or very hard to play.
@@SimoneBattaglia94 that makes sense now
@@lalalalelele1189 yep thanks
Yes, natural trumpets, common in the Baroque era were limited to notes in the harmonic series of whatever fundamental note (or key) they were pitched in. And I believe D trumpets were either the most common or the most popular. Would need to check back on some Music History textbook for reference.
Still, OP has a point. Couldn't Baroque court composers have snuck in a trumpet concerto in B minor (the relative minor of D major) here and there to spice things up, having the the orchestra play the leading tones to make up for the lack of accidentals on the trumpet?
Scarsa la tromba...