Mahler traspose it from an ancient Abruzzo's song! "Mara Maje" or call it "Il Lamento di una Vedova"!!! Listen this version!!! th-cam.com/video/x64JFIoUZDk/w-d-xo.html
You mean to you don't like it when a classical piece over 130 years old performed by a group of outstanding music professionals is interrupted by a bombastic advertisement for an energy drink??? 😁
I listened to Gustav Mahler's 1st Symphony, 3 times per day for one complete year, thereby indelibly lodging it in my skull. This was before the days of earbuds, and as I enjoyed musical accompaniment, this was just the trick. Music on the go. To this day I still have the piece completely memorized. Fun things.
I listen to this piece of music with GUSTAVO DUDAMEL every morning of my life , it is like my early morning coffee , the way he conducts , the way he makes music live , the way he breathes life into the music-- it is magnificent .
Magie de Mahler dans ce mouvement, commencer par Frère Jacques transformé en marche funèbre, puis glisser doucement vers de la musique populaire. Un convoi en milieu rural qui se termine en rencontre presque joyeuse ? Excellente interprétation de Gustavo Dudamel !
G. Dudamel: merveilleux chef d'orchestre....le voir diriger est un "privilège"..Sa fougue, son amour des musiciens , sa gentillesse sont la marque d'un très grand!...Il rappelle un autre chef exceptionnel: Sergiu Celibidace...
@@denissuzi6949 well I'm here to learn the bass solo. My music teacher went well wouldn't that be fun to play :) Now I'm stuck learning a thumb position bass solo.
I wonder if dying is a bit like this: in the midst of all the suffering memories pop up in your mind, like the different melodies in this work. The moment just before you die maybe is like the ens of this, when all the melodies go together?
Reminds me of the soundtrack in Fiddler on the Roof... Just liker Mike Zhai said below, it harkens back to the tough life of people in Eastern Europe in the 1800s.
Gracias por subirlo. A mediados de la década de 1880, el prestigio de Gustav Mahler como director iba en franco aumento, y como compositor, podía mostrar un trabajo temprano, considerado su primera obra maestra, una cantata, terminada a los veinte años. De modo que podía presentarse al mundo como un compositor de genio que por el momento se ganaba la vida como director de variadas agrupaciones orquestales de gran parte de Europa. A la par, su extrema severidad, rectitud y capacidad de trabajo comenzaban a hacerse célebres, así como las habituales sesiones de ensayos interminables. Así pues, luego de cumplir dos exitosas temporadas como director del Teatro Alemán de Praga entre 1884 y 1886, Mahler consideró que la ciudad le había quedado chica y que ya era hora de buscar nuevos caminos. Su próximo destino fue Leipzig, donde un golpe de "suerte" -la repentina enfermedad del anciano director titular- lo colocó en una posición privilegiada. Las representaciones de El anillo del nibelungo de Wagner, bajo su batuta, consiguieron un éxito colosal. A partir de entonces, su reputación en Leipzig quedó asegurada. Al poco tiempo, trabó conocimiento con un nieto de Carl Maria von Weber, personaje que logró interesar a Mahler para trabajar en los bocetos de una ópera cómica que su abuelo había dejado inacabados. La tarea era enorme, de modo que las sesiones de trabajo se multiplicaron, buen número de ellas en casa del nieto, quien tenía por esposa a una bella mujer, de nombre Marion. El joven Gustav, de 27 años, no tardó en quedar prendado de ella. Es extendida la opinión de que la relación no fue correspondida, pero algunos testimonios aseguran que Marion también cayó bajo el hechizo del aclamado director. Al final del día primó la sensatez y según cuenta Alma Mahler en sus memorias, para Gustav "fue un alivio que el tren partiera sin que apareciera la mujer que iba a huir en su compañía". Con todo, el affaire tuvo una virtud: Mahler volvió a la composición y fruto de ello fue su Primera Sinfonía. labellezadeescuchar.blogspot.com/2015/03/mahler-sinfonia-no-1-mov-3.html
The trumpet countermelody duet at 8:35 is one of my favorite moments in classical music, period. I played 1st Trumpet on this piece when I was college, and it was one of my proudest moments in playing music.
Espectacular !!! Quisiera al despedirme de este mundo ,cuando el alma se separe de mi cuerpo ,se eleve con el sonido de este 3M ,fantástico . Por supuesto con la dirección de Boremboin , Dudamel o Simón Ratle , con cualquier filarmónica que ellos dirijan .
iI HAVE ALREADY SAID THIS , BUT THIS IS THE MOST BEAUTIFULLY CONDUCTED PIECE OF MUSIC EVER----EVER ! GUSTAVO"S WHOLE BEING LIVES IN AND THROUGH THE MUSIC .
Dudamel did a great job on this Titan Mahler Symphony freight LA Philharmonic, a non orchestra Top however, well crafted, as was the case, it sounded fine. 3. movement [which begins with a funeral march] to me was wonderful, especially in lifaçoes between themes. The rubatos idisch in Natanz is wonderful. Dudamel Bravo!
Mahler's programing of abrasive street sound into the symphony, very proto-Ives, Too bad Mahler had to rush back to Vienna and couldn't program Ives 3rd. Also many directors love to soften this movement, especially the Bruder Martin cello theme, its supposed to sound off key, Abbado is who you turn to to hear true Mahler.
Bravo. Et la coupe, en fin de vidéo, est intelligente. Parce que le troisième et le quatrième mouvement sont enchaînés, certains coupent leur vidéo à la hache, en fin de troisième mouvement !
Max Pankau I agree the Klezmer bite isn't as good as say Bernstein/Vienna Phil but the schmaltzy/tender bits are just ever so perfect in this recording, I keep coming back to it for that reason
Major versus Minor... If you think the beginning of this movement sounds like FrereJacques but somehow sadder... I explain it all in this lesson.... th-cam.com/video/f2wyrJpm9k8/w-d-xo.html
The 3rd movement is complete in this video. That gesture of the conductor is to prepare the beginning of the fourth movement, which must be attached to the third (attacca). You cannot cut it without cutting also the resonance of the last note of this movement.
Algo hermoso no será más hermoso con la intención de decirlo más lindo,por que se caerá en los errores que acá se aprecian, versión carente de las ironías musicales que Mahler deseaba, oígan la versión de Berstein y la Filarmónica de Viena y entenderán
its too bad that the audience is a bunch of mostly white haired rich folks. Music like this ought to be listened by the masses. I remember going to Parsifal at the Dorothy Chandler, Nagano cond. I attended the pre-opera synopsis held in the upstairs balcony... a sea of white hair. One guy had a ventilator, I swear to God... lol.
I agree, if masses want to listen they can buy cheap CDs and go to concerts when they can afford it, orchestra would go bankrupt giving free concerts for masses all the time. costs are enormous.
I'm a not rich white guy but agree that music like this should be made more readily available to the citizenry at large. The trouble is it's quite expensive to mount a full symphony orchestra performance; hence CDs and MP3s. Where are the patrons who fund symphonies in the inner city. Even the Ravinnias, Tanglewoods and Wolf Traps are not located in areas where "poor folk" could access them even though once there the tickets are mostly affordable..."mostly".
Lovely sound......one of the best bass solos I've heard but terrible rhythmic problems in the upper winds, rushing 8th notes and noticeably shortened quarters. They aren't playing what the conductor is showing as far as phrasing and tempi.
![Christoph Eschenbach - Mahler - Symphony No.1 [3/5]](http://i.ytimg.com/vi/U5A5tFyXQio/mqdefault.jpg)
2:41 Some of the most beautiful music Mahler has ever written.
I also love that part. But its not the same in other recordings, it truly shines in this one.
the whole movement is awesome but how about the timestopping twinkly snowglobe at 5:35? heavenly!
My POV 😊
Mahler traspose it from an ancient Abruzzo's song! "Mara Maje" or call it "Il Lamento di una Vedova"!!! Listen this version!!! th-cam.com/video/x64JFIoUZDk/w-d-xo.html
Love it when there are ads throughout the video. Makes for a great listening experience.
You mean to you don't like it when a classical piece over 130 years old performed by a group of outstanding music professionals is interrupted by a bombastic advertisement for an energy drink??? 😁
I listened to Gustav Mahler's 1st Symphony, 3 times per day for one complete year, thereby indelibly lodging it in my skull. This was before the days of earbuds, and as I enjoyed musical accompaniment, this was just the trick. Music on the go. To this day I still have the piece completely memorized. Fun things.
Thanks for the idea.
Dudamel rewards his players with the ecstasy on his face, his smiles, his every move. They reward him in turn with ethereal beauty.
I listen to this piece of music with GUSTAVO DUDAMEL every morning of my life , it is like my early morning coffee , the way he conducts , the way he makes music live , the way he breathes life into the music-- it is magnificent .
Magie de Mahler dans ce mouvement, commencer par Frère Jacques transformé en marche funèbre, puis glisser doucement vers de la musique populaire. Un convoi en milieu rural qui se termine en rencontre presque joyeuse ? Excellente interprétation de Gustavo Dudamel !
G. Dudamel: merveilleux chef d'orchestre....le voir diriger est un "privilège"..Sa fougue, son amour des musiciens , sa gentillesse sont la marque d'un très grand!...Il rappelle un autre chef exceptionnel: Sergiu Celibidace...
Se me pueden salir las lagrimas oyendo esta música sin que me de cuenta. Mi conductor favorito. Te amoooo Gustavo.
I'm literally just here for the bass solo
Sirkaithethird me too
@@denissuzi6949 well I'm here to learn the bass solo. My music teacher went well wouldn't that be fun to play :) Now I'm stuck learning a thumb position bass solo.
WAATCHEr oh okay good luck . i am a piano player .
Sirkaithethird same
SAMEEE HAHAHAHA
00:58 I see Mr. Mahler himself decided to supervise as first violin
Jesse L hahaha lol I can see what you mean
hahaha
TwoSet Violin brought me here. I heard the melody when I was a kid, but never knew the name of the song.
I came here because of them, too! I was watching their Violin Charades!
Lol me too🤣🤣🤣
Same
I wonder if dying is a bit like this: in the midst of all the suffering memories pop up in your mind, like the different melodies in this work. The moment just before you die maybe is like the ens of this, when all the melodies go together?
This is a fantastic live recording. I want to go see them live! Dudamel is amazing.
Reminds me of the soundtrack in Fiddler on the Roof... Just liker Mike Zhai said below, it harkens back to the tough life of people in Eastern Europe in the 1800s.
Mahler based some of the motives in this movement on Jewish folk music
excelent bassoonist
Gracias por subirlo.
A mediados de la década de 1880, el prestigio de Gustav Mahler como director iba en franco aumento, y como compositor, podía mostrar un trabajo temprano, considerado su primera obra maestra, una cantata, terminada a los veinte años. De modo que podía presentarse al mundo como un compositor de genio que por el momento se ganaba la vida como director de variadas agrupaciones orquestales de gran parte de Europa. A la par, su extrema severidad, rectitud y capacidad de trabajo comenzaban a hacerse célebres, así como las habituales sesiones de ensayos interminables.
Así pues, luego de cumplir dos exitosas temporadas como director del Teatro Alemán de Praga entre 1884 y 1886, Mahler consideró que la ciudad le había quedado chica y que ya era hora de buscar nuevos caminos. Su próximo destino fue Leipzig, donde un golpe de "suerte" -la repentina enfermedad del anciano director titular- lo colocó en una posición privilegiada. Las representaciones de El anillo del nibelungo de Wagner, bajo su batuta, consiguieron un éxito colosal. A partir de entonces, su reputación en Leipzig quedó asegurada.
Al poco tiempo, trabó conocimiento con un nieto de Carl Maria von Weber, personaje que logró interesar a Mahler para trabajar en los bocetos de una ópera cómica que su abuelo había dejado inacabados. La tarea era enorme, de modo que las sesiones de trabajo se multiplicaron, buen número de ellas en casa del nieto, quien tenía por esposa a una bella mujer, de nombre Marion. El joven Gustav, de 27 años, no tardó en quedar prendado de ella.
Es extendida la opinión de que la relación no fue correspondida, pero algunos testimonios aseguran que Marion también cayó bajo el hechizo del aclamado director. Al final del día primó la sensatez y según cuenta Alma Mahler en sus memorias, para Gustav "fue un alivio que el tren partiera sin que apareciera la mujer que iba a huir en su compañía". Con todo, el affaire tuvo una virtud: Mahler volvió a la composición y fruto de ello fue su Primera Sinfonía.
labellezadeescuchar.blogspot.com/2015/03/mahler-sinfonia-no-1-mov-3.html
Por algo yo decía que me siento en las épocas de Napoleón Bonaparte en la Gran Arme
The trumpet countermelody duet at 8:35 is one of my favorite moments in classical music, period. I played 1st Trumpet on this piece when I was college, and it was one of my proudest moments in playing music.
Dudamel understands Mahler. Great performance from thne orchestra
@Dan Wruck yess, but haitink?
Sounds like Frère Jacque has been hit with a serious case of depression
thats exactly what it is
It’s a variation of Frère Jacque in Minor
ARE YOU *SLEEPING*
Because it's the bomber command time
I mean it is meant to be about animals escorting a great hunter to his grave
this is the most beautifully conducted piece of music EVER..GUSTAVO DUDAMEL IS A GENIUS.
the conducting of this Mahler by Gustave Dudamel is immaculate..he makes the music breathe..the orchestra is so sympathetic and alive. BRAVO.
I watch this everyday of my life..morning and evevning..wonderful..Gustavo Dudamel breathes music.
Gustavo Dudamel.......is so perfect conducting this Mahler’s Sinfonie, full of passion💝.
I love this movement so much!!!
I love the end of the video where he's building up all this energy, and when he releases it, it cuts off XD
Why is watching Dudamel conduct so strangely satisfying?
Imagine this move was the first Mahler you ever heard in your life, and you will understand what happened to me some 22 years ago (2:39)
Eines der schönsten Sätzen von Gustav Mahlers Symphonien
Espectacular !!! Quisiera al despedirme de este mundo ,cuando el alma se separe de mi cuerpo ,se eleve con el sonido de este 3M ,fantástico . Por supuesto con la dirección de Boremboin , Dudamel o Simón Ratle , con cualquier filarmónica que ellos dirijan .
Esto es un claro ejemplo de lo que la IA jamás podrá siquiera igualar.
Exquisito. Con Dudamel.
These part at 9:20 always gives me the chills. Like a nightmare or a horrormovie.
5:33-7:52 The most beautiful part of this magnificent symphony.
😎🎹
best ever conductor..best.! !!! ever!!! he just makes music breathe.Dudamel .!!!
This is a beautiful interpretation!
Notevolissima questa lettura di Dudamel ; centra perfettamente il ritmo ipnotico del brano.
why the crate at the beginning we do not hear the bass drum ???
Excellent. Love Mahler. Room for different interpretations and this one is very engaging. Lobe Abba do also . And Stutzmann. All quite different.
amazing😱😍😍
I want this to be played at my funeral
I'd take the funeral march from Eroica first, I think. Or, an orchestrated version of the funeral march from Beethoven's 12th piano sonata.
Are you aware of the story of the hunter's funeral associated with this movement?
WHY?
this is a children's song turned into a funeral march.
Are you sure? Not the "Resurrection" symphony? 😂
iI HAVE ALREADY SAID THIS , BUT THIS IS THE MOST BEAUTIFULLY CONDUCTED PIECE OF MUSIC EVER----EVER ! GUSTAVO"S WHOLE BEING LIVES IN AND THROUGH THE MUSIC .
oboe is on point
Dudamel did a great job on this Titan Mahler Symphony freight LA Philharmonic, a non orchestra Top however, well crafted, as was the case, it sounded fine. 3. movement [which begins with a funeral march] to me was wonderful, especially in lifaçoes between themes. The rubatos idisch in Natanz is wonderful. Dudamel Bravo!
merveilleux !
Is it possible to see part 4 of this concert?
2:07 I think he hit his nose.
ThickBeet agreed
ThickBeet he probably did, that ought to hurt.
Don't Judge me on my USERNAME, couldn't think of a good one.
ChocolateApple 129 lmfaoooooo I wont judge your name if you don’t judge my profile picture that I desperately want to change but can’t figure out how.
Not at all! It is the filming angle and the bow behind him that may confound. Watched ten times.
Mahler was such a great composer
excelente
Does anyone know the name of this oboist?
Al principio de la melodia es como si me sintiera en la época de Napoleon Bonaparte en la Gran Arme
Oh my Goooood I am crazyyyyy!!!!!
Interesting orchestra layout
11:18 Top 10 Beats That Never Dropped
i'm about to cry
Wir müssen das gerade auf dem Klavier spielen,ist nicht schwer XD
❤️
grande gustavo
Mahler's programing of abrasive street sound into the symphony, very proto-Ives, Too bad Mahler had to rush back to Vienna and couldn't program Ives 3rd. Also many directors love to soften this movement, especially the Bruder Martin cello theme, its supposed to sound off key, Abbado is who you turn to to hear true Mahler.
He's apparently doing without a score?!
Does everything like that. Unbelievable genius.
got that right JJay
That's pretty common
It just really bothers me that the channel owner put adds in the middle of this video instead of the beginning or end. 😒
What was the conductor doing at the end?!
Prepare for the outburst of the finale
*WHAT THE FU(K???!!!!!!!* Gustav Mahler had turned the children's song Frère Jacques into a minor-key funeral march!!! IS HE DRUNK?!?!?
railroad hill 0철덕 🗿🗿🗿 maybe if you looked what this movement was about, you’d understand
Railroad Hill 0철덕 no quite the contrary! 😂
3:25 has me in a trance
2:35 is when it gets good.
Ωmega Technology sounds like something straight out of The Godfather
0:00 is when it gets good
Aquí, hablando en plata... Se la sacó Mahler, brutal
Reminds me of my older cousin who died in a car crash.
c bien
this starts with 3 Blind Mice ??
The fact that the solo of the double bass was perfect kind of annoyed me haha
Bravo. Et la coupe, en fin de vidéo, est intelligente. Parce que le troisième et le quatrième mouvement sont enchaînés, certains coupent leur vidéo à la hache, en fin de troisième mouvement !
The Frere Jacques parts are as soft and tender as I could ever want them, but the Klezmer parts are a bit tame and lack the right amount of bite.
Max Pankau I agree the Klezmer bite isn't as good as say Bernstein/Vienna Phil but the schmaltzy/tender bits are just ever so perfect in this recording, I keep coming back to it for that reason
01:40 Mathieu Dufour 😍
he escuchado esta y otras interpretaciones felicitaciones LOS ANGELES su director de orquesta pronto sera un dios enel minuto 9:5 te lo deja saver
Bien guez
11:17
La lechuza, la lechuza, hace "sh"....
:´( Campane e ro , campane e ro, duerme ya, duerme ya, toca las campa a nas , toca las campa a nas. Ding -dong -Dang , Ding-Dong-Dang :´(
5:33
FORMIDABLE A JOUER EN ORCHESTRE FABULEUX A ENGTENDRE CF
1:28 the way he stares at us is creepy
DUDAMEL ROCKS!!!!!!
Actually, he's too young, or something, to have a consistently good handle on Mahler (yet).
9:00
5:40 가곡 두 개의 푸른 눈 선율
This song is about animals celebrating a hunters death. The music is beautiful yet the backstory is scary
Major versus Minor... If you think the beginning of this movement sounds like FrereJacques but somehow sadder... I explain it all in this lesson.... th-cam.com/video/f2wyrJpm9k8/w-d-xo.html
wtf was the ending?
The 3rd movement is complete in this video. That gesture of the conductor is to prepare the beginning of the fourth movement, which must be attached to the third (attacca). You cannot cut it without cutting also the resonance of the last note of this movement.
7:54
What's at 7:54
Algo hermoso no será más hermoso con la intención de decirlo más lindo,por que se caerá en los errores que acá se aprecian, versión carente de las ironías musicales que Mahler deseaba, oígan la versión de Berstein y la Filarmónica de Viena y entenderán
Want to SLAP the people coughing!
relax, dude
often, the very sick are taken to performances such as this...
@@victordez3770 There must have been a bad epidemic of the common cold or the flu going around in that symphony hall.
Damn bro chill out they had coronavirus we just never knew it
@@josephanthony5937 well...
Mahler asks the contrabass solo to be played "like a little child would play it". That's not what I hear here.
Вообще-то, я такое слышал только у Бернстайна. Звучало, как на фабричном, не настроенном инструменте.
Force Pushes the camera man.
im just doing this cause homework and for that all those orchestra enthusiasts are gonna shun me
Sad, decaying world of Eastern European villages and Jewish shtetls in the 19th century... like Marc Chagall's paintings
Tedious. Mahler at his most grotesque, and this sounds like Boston Pops.
its too bad that the audience is a bunch of mostly white haired rich folks. Music like this ought to be listened by the masses. I remember going to Parsifal at the Dorothy Chandler, Nagano cond. I attended the pre-opera synopsis held in the upstairs balcony... a sea of white hair. One guy had a ventilator, I swear to God... lol.
+tmc359 Those "white haired rich folks) are probably helping to keep the LA Phil alive. How are you helping? Writing snotty comments on TH-cam?
I agree, if masses want to listen they can buy cheap CDs and go to concerts when they can afford it, orchestra would go bankrupt giving free concerts for masses all the time. costs are enormous.
Orchestras should be supported by the government.
WHY?
I'm a not rich white guy but agree that music like this should be made more readily available to the citizenry at large. The trouble is it's quite expensive to mount a full symphony orchestra performance; hence CDs and MP3s. Where are the patrons who fund symphonies in the inner city. Even the Ravinnias, Tanglewoods and Wolf Traps are not located in areas where "poor folk" could access them even though once there the tickets are mostly affordable..."mostly".
两只老虎，两只老虎，
跑得快，跑得快，
一只没有耳朵，
一只没有尾巴，
真奇怪！真奇怪！
Every five seconds somebody coughs. Ridiculous and disrespectful
Yeoo I swear these people better learn how to hold their coughs in
0:05 il n'entend pas les tembours
Lovely sound......one of the best bass solos I've heard but terrible rhythmic problems in the upper winds, rushing 8th notes and noticeably shortened quarters. They aren't playing what the conductor is showing as far as phrasing and tempi.