An American in Paris: Cassatt, Degas, and the Impressionists in the 1870s

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  • เผยแพร่เมื่อ 28 ธ.ค. 2016
  • Erica Hirshler, Croll Senior Curator of American Paintings, Art of the Americas
    “I took leave of conventional art,” related Mary Cassatt about her arrival in Paris in 1874. “I began to live.” Explore Cassatt’s innovative paintings and prints in the context of the international art scene of the French capital at the dawn of the Impressionist movement.
    April 12, 2016

ความคิดเห็น • 19

  • @goodearthgardens6337
    @goodearthgardens6337 8 หลายเดือนก่อน

    Amazing lecture! Erica Hirsher is my new idol! A knowledgable and delightful speaker. Bravo!

  • @gloriapinskerportraits4801
    @gloriapinskerportraits4801 3 ปีที่แล้ว

    Erica Hirschler is always a delight to hear. Love her lectures. Cassatt is a favorite artist of mine.

  • @aatt3209
    @aatt3209 4 ปีที่แล้ว +2

    I cried a bit learning about Cassatt's struggle to achieve her status as a impressionist painter in her own right. She deserve to be well-known by a wider audience. I am so glad that Hirshler's lecture opened up my eyes to Cassatt's incredible contribution to impressionism and I hope to see her paintings in person soon. Thank you so much for this informative lecture on Cassatt.

    • @opera93
      @opera93 3 ปีที่แล้ว

      Thanks, as struggling artist myself........ Cassatt’s works great!......

  • @popajr58
    @popajr58 5 ปีที่แล้ว +1

    Thank you for the tour I loved it.

  • @kevinchambers1101
    @kevinchambers1101 ปีที่แล้ว

    A truly excellent lecture.

  • @irener1892
    @irener1892 4 ปีที่แล้ว +1

    Wonderful lecture

  • @melindacopper2481
    @melindacopper2481 3 ปีที่แล้ว

    just discovered these lectures, Degas and Cassatt are my favorite artists and I never get to see them in person, so appreciate these overviews. I love figure drawing, and finding people who will sit still is hard, having lights in the theater so you can draw people sitting still would be so great... musicians hop around now too.

  • @janicebrown3333
    @janicebrown3333 4 ปีที่แล้ว +2

    Wonderful!♥️

  • @hassanmannana8731
    @hassanmannana8731 6 ปีที่แล้ว +1

    i like this spacial presentation make me soothed ...thank you for sharing ; and i have the pleaser to see the news...

  • @gabyroberts9601
    @gabyroberts9601 4 ปีที่แล้ว

    Thank you very much

  • @samuelmarkpack5308
    @samuelmarkpack5308 3 ปีที่แล้ว

    30:30 In the painting of the Spanish period (right), instead of a cookie I think the bullfighter is holding an "azucarillo" (a rigid, sugar foam used to sweeten glasses of water). it was popular in the 19th Century. You can still buy azucarillos in the Riojano pastry shop near Puerta del Sol in Madrid.

  • @ChiaraOdessa
    @ChiaraOdessa 6 ปีที่แล้ว +1

    the subtitles would be appropriate and very useful

  • @wendywenham6842
    @wendywenham6842 3 ปีที่แล้ว +1

    Tickle the ivories means play the piano.

  • @AleadaA
    @AleadaA 3 ปีที่แล้ว +1

    So sticking your leg up while showing your underwear was more relevant than ladies having tea - no matter how well painted - has society changed is the big ?

  • @Johnconno
    @Johnconno 2 ปีที่แล้ว

    Picasso hated America.

  • @gparrish1978
    @gparrish1978 2 ปีที่แล้ว

    It is unfortunate that the banal story of Impressionism still resonates in the minds of benighted art historians. Mary Cassatt is interesting when one removes her context, exhibiting next to other, better painters with skill and insight. These painters were not impressionists. Impressionism appeals to amateurs and also-rans.

  • @artsiecrafty4164
    @artsiecrafty4164 5 ปีที่แล้ว

    What’s wrong with wanting to beautifully render a human form? Oh, I forgot, this is the age of ugliness.