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Mary Cassatt's Formation: Forging a Path as a Woman in a Man's World
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- เผยแพร่เมื่อ 1 ส.ค. 2024
- Elliot Bostwick Davis, John Moors Cabot Chair, Art of the Americas
Cassatt’s upbringing and early development as an artist in the United States and Europe contributed to her distinctive artistic vision. This overview of Cassatt’s career focuses on her growth and training as a professional artist, with her role as an advocate for her own work and that of her contemporaries on both sides of the Atlantic.
April 5, 2016
Outstanding knowledge
It's inspiring for all of us to hear how she persevered through all the stupid hang-ups of her era and brought something beautiful to the world regardless.
In the painting by Degas where he has painted Cassatt, don't the cards/pictures she is holding look like a visual replacement of a fan?
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A very interesting lecture but with a few quibbles.The maid servant in the painting by Manet is not an African American,, she is an African who lives in Europe, and Carmen worked in a tobacco company in Seville either rolling or selling cigars, not cigarettes.
Gosh! Thank you! I was listening to the lecture and as soon as I heard african-american I was like this is where white political correctness stumbled upon incorrectness. For crying out loud white people you can even say black if you don't know where the person came from, and it will make more sense, but slapping this term of african-american on every black person is simply wrong. What if she was Jamaican and has nothing to do with Africa or America.
Thnak you for the commom sense.
why would a French artist painting in France have an "African American" woman in his painting? Wouldn't the woman with the flowers just be considered a French woman?
You are absolutely correct, or at least mostly correct. In Manet's painting Olympia, the maidservant with the flowers is the model named Laure ( her last name is sadly unknown), who has been described as African or Caribbean, but definitely NOT African American. But hey, I guess these women were only concerned with giving a shit about the lighter-skinned females. Yes, well done guys.
Sometimes galleries are just full of fear of being politically incorrect and make stupid mistakes. Maybe talking for hours about art is pointless. If I like the painting regardless of what is painted I will go and see it and I don't no lecture will make me.
This lecture is part of the problem.