Oh my goodness! 60 years singing and I learn more from you in 10 minutes than years of other teachers! Thank you for your dedication to teaching. Blessings on you!
Tremendousssss information Freya! This is soo gooood, woww! I am gonna try all these to check where my voice sounds better for a given song and how I can maintain that throughout... You are awesome Freya, thank you so so much! (y)
You answered equation or 2 I couldn't find the answer to. You solved couple mysteries and sang well to show the answers. Thank you Going to church now thanking God the father Jesus the son and the sweet holy spirit for your video gift of excellence.
If I could only sing half as good as you Freya I would be happy. It took weeks for me to lay down a vocal track worthy of keeping. I'm getting better but this video shows me how little I know about singing.
Hi Freya, did I miss the word twang in your video? I've not heard you explain twang before. My vocal coach uses it a lot and I wondered why you don't. Thank you for all that you do. x
How interesting! I only learnt about harmonics and overtones to the voice today and now I'm wondering: Can a voice be too overtone heavy? As in it sounding too one-dimensional when singing higher? I feel like I'm losing some depth when going higher, maybe even sounding childlike (I know you have videos on this) and wonder if it's a characteristic of my (female) vocal cords or if I can work on "adding" more undertones.
You are spreading some misinformation here. Even if we, as singers, feel simpathetic vibrations on the chest it doesn't mean the sound resonates on the chest, it doesn't. And you are talking about different things as if it were the same thing. Squillo and twang are not the same thing and work veeeery differently. What creates twang is a narrowing of the aryepiglotic sphincter that makes the larynx narrow and the vocal folds have more compression without necessarily being the cricothyroid muscles the ones that bring them together. To achive squillo though, you need to make the vocal folds come together with the cricothyroid muscles wich are what allow chest voice to be developed (as you see it has nothing to do with chest resonance), and without narrowing the larynx. To have squillo not only the overtones have to be amplified, the fundamental pitch is also amplified. The example you used to show squillo didn't have squillo, you need a chricothyrod dominant production and a low larynx to have squillo wich wasn't the case. When having squillo the vowels are crisp and clear, wich wasn't the case either. To me you didin't do any specific sound through all the video that wasn't nasal.
@@margicates553 you are welcome. All of this misrepresentation and false information about singing technique has held me back for years and has caused me a lot of vocal problems and frustration.
Sunsun DKS if you lift the soft palate you can’t make a nasalized sound. The soft palate has to lower so that the voiced signal can flow through the nose
You”ve said that you could sing for over five hours, but you’ve never said that you could sing for five hours straight. Could you be more specific in your next live video? 5 hours without taking breaks means that you are a god. From what I’ve know is that gods don’t exist, but you could prove me wrong. Please, do so. Explain.
Try singing for 5 hours straight. Your voice will finally be completely warmed up and the next day, you will be amazed by how you sound. ( I discovered this when I went to an all day choir workshop. It was more than 5 hours. All day and a concert that night. If you are singing correctly, it's very good for the voice to have occasional marathons. You won't get good until you sing, constantly, every chance you get.
Oh my goodness! 60 years singing and I learn more from you in 10 minutes than years of other teachers! Thank you for your dedication to teaching. Blessings on you!
Amazing! Objective and straight to the core.
So wonderful that I cannot help praising your teaching.
So clear to understand with your voice examples!
Thank you So much!
Beautifully explained.
Freya the kind of girl, trying to make things simple, then bringing in the complicated things then again making them easy :)
Tremendousssss information Freya! This is soo gooood, woww! I am gonna try all these to check where my voice sounds better for a given song and how I can maintain that throughout... You are awesome Freya, thank you so so much! (y)
You answered equation or 2 I couldn't find the answer to. You solved couple mysteries and sang well to show the answers. Thank you
Going to church now thanking God the father Jesus the son and the sweet holy spirit for your video gift of excellence.
Love you pronouncing "squillo". Greetings from Italyyyy 💌
Wonderful teaching!
Espectacular.- Danke
I cannot wait to try this out. 🙂THANK YOU for all your tips!
If I could only sing half as good as you Freya I would be happy. It took weeks for me to lay down a vocal track worthy of keeping. I'm getting better but this video shows me how little I know about singing.
Thanks for this one.You gave me explanation for what I was looking for.
Love you so much. Thats really help me thanks
Thanks for the info ma'am 🙂
Hi Freya, did I miss the word twang in your video? I've not heard you explain twang before. My vocal coach uses it a lot and I wondered why you don't. Thank you for all that you do. x
Most tenors sing with chest and middle voice , while overtones , and high resonance produces squillo.
How interesting! I only learnt about harmonics and overtones to the voice today and now I'm wondering: Can a voice be too overtone heavy? As in it sounding too one-dimensional when singing higher? I feel like I'm losing some depth when going higher, maybe even sounding childlike (I know you have videos on this) and wonder if it's a characteristic of my (female) vocal cords or if I can work on "adding" more undertones.
The best example of squillo is Giacomo Lauri-Volpi
You ROCK!! XXXXXXX
thanks for info
Great video! Thank you!
Still I am not sure is pitch as same as tone, or "pitch" means "tone+something"?
Can't wait to do this topic with you, though I've learned about them by myself!
Can you teach how to sing Shallow? :0
You are spreading some misinformation here. Even if we, as singers, feel simpathetic vibrations on the chest it doesn't mean the sound resonates on the chest, it doesn't. And you are talking about different things as if it were the same thing. Squillo and twang are not the same thing and work veeeery differently. What creates twang is a narrowing of the aryepiglotic sphincter that makes the larynx narrow and the vocal folds have more compression without necessarily being the cricothyroid muscles the ones that bring them together. To achive squillo though, you need to make the vocal folds come together with the cricothyroid muscles wich are what allow chest voice to be developed (as you see it has nothing to do with chest resonance), and without narrowing the larynx. To have squillo not only the overtones have to be amplified, the fundamental pitch is also amplified. The example you used to show squillo didn't have squillo, you need a chricothyrod dominant production and a low larynx to have squillo wich wasn't the case. When having squillo the vowels are crisp and clear, wich wasn't the case either. To me you didin't do any specific sound through all the video that wasn't nasal.
I MP I knew there was something off there! Thank you for sharing your observations.
@@margicates553 you are welcome. All of this misrepresentation and false information about singing technique has held me back for years and has caused me a lot of vocal problems and frustration.
STFU pedantic snob
How can we develop and use squillo?
@@sebastianelytron8450 I didn't insult anyone did I? Then why are you insulting me?
Is there a exercise for overcompressed voice ?
Freya Casey thank you 🙏😊
First comment
2:48 you can’t lift the soft palate while doing an mmm lmaooo this woman 🤦♂️
You can xD
Sunsun DKS if you lift the soft palate you can’t make a nasalized sound. The soft palate has to lower so that the voiced signal can flow through the nose
This woman? Really? ...🙄
You”ve said that you could sing for over five hours, but you’ve never said that you could sing for five hours straight. Could you be more specific in your next live video? 5 hours without taking breaks means that you are a god. From what I’ve know is that gods don’t exist, but you could prove me wrong. Please, do so. Explain.
Try singing for 5 hours straight. Your voice will finally be completely warmed up and the next day, you will be amazed by how you sound. ( I discovered this when I went to an all day choir workshop. It was more than 5 hours. All day and a concert that night. If you are singing correctly, it's very good for the voice to have occasional marathons. You won't get good until you sing, constantly, every chance you get.