TRUE international blend: Korean studying in France, specializing in everything with a highly polished, elegant style of performing. Truly a new generation legend in the making. Very masterful 24 prelude! Thank you Seong jin Cho!
This should silence, indeed stagger, pianophiles who consign Cho to a lower tier of Warsaw winners than Argerich, Pollini or Cho’s mentor Zimerman. Take just one Prelude - not the 24th, that erupts under Cho’s transcendental technique, but the “easy” 4th in e minor. Have you ever heard this piece played more beautifully? Even by Cherkassky, Cortot or Novaes at New York’s Town Hall. Cho turns the two minute Prelude into a Pushkin novel of loss and bewilderment as pure and poetic as a Lensky - or a Seong-Jin Cho. Zimerman spotted a winner even before the judges’ verdict. Thanks for posting.
Well said. Couldn't agree more. The 4th isn't technically demanding but so challenging to express fully and in a controlled manner. This is why Cho's interpretation stands out.
Summary: You were deeply moved! Apologies but I'm not inclined towards the endless ranking of geniuses. Seems pointless to me. The most sublime of arts goes beyond this. Koreans would love your analysis to a man. As do many from the various nations as regards their fellow countryman but this entirely misses the point of this art which of all the arts points towards transcendence of such nonsense as microscopic matters such as ethnicity and race in the midst of a vast mysterious universe. Listen to the music folks and leave aside your deeply engrained materialism.
@@profelimofficial...En mi opinión, pienso que no me atrajo su enfoque. Rebuscado! Nada espontáneo! Un preludio ideal para un pianista de jazz tipo Bill Evans! Hay un mundo más interesante que descubrir! Por su melodía y su armonía. Lo escucharía de nuevo, para corroborar un cambio de opinión al respecto. De todas maneras, un gran pianista Cho!
00:03 1번 Agitato in C+ , 재회 00:48 2번 Lento in A-, 죽음의 예감 03:06 3번 Vivace in G+, 꽃과 같은 당신 04:07 4번 Largo in E-, 질식 06:22 5번 Molto allegro in D+, 불확실 06:56 6번 Lento assai in B-, 타종 08:51 7번 Andantina in A+, 폴란드 무희 09:33 8번 Molto agitato in F#-, 절망 11:27 9번 Largo in E+, 환상 13:07 10번 Molto allegro in C#-, 밤나방 13:38 11번 Vivace in B+, 날으는 용 14:18 12번 Presto in G#-, 결투 15:47 13번 Lento in F#+, 상실 19:18 14번 Allegro in E flat - ,공포 19:53 15번 Sostenuto in D flat +, 빗방울 25:59 16번 Presto con fuoco in B flat -, 지옥 27:00 17번 Allegretto in A flat +, 파리, 노트르담 광장의 광경 30:28 18번 Molto allegro in F-, 자살 31:27 19번 Vivace in E flat +, 마음으로부터의 행복 32:51 20번 Largo in C-, 장송곡 34:39 21번 Cantabile in B flat +, 일요일 36:28 22번 Molto agitato in G-, 초조 37:07 23번 Moderato in F+, 즐거운 보트 38:05 24번 Allegro appassionato in D-, 폭풍우
Chopin piano interpreters: make way for Seong-Jin Cho! I think these preludes (precious gems) are how Chopin would have played them in the Paris salons where he performed. Delicate, fiery, passionate, tender, all of the human emotions that only the piano can give.
My God!!! He is performing just how I feel it and how I want it to hear, and how I would play (😊 but I cant) with the same passion or calmness, or tendeness, airiness, the same pauses length, or sorrow and so on. I think I wont be able to lusten to anybody else!
His interpretation is quite unique. I didn’t expect this from the world class no.1 competition winner. Because usually the very unique voices come from pianists like Salman, Koczalski, Fazil Say. Wonderful
Hi, sorry for being 'that guy' who would suggest something else xD, but I would recommend Dang Thai Son's (winner of 1980 Chopin competition) rendition of this prelude. I think his is the best and this is a close 2nd :) but I respect your opinion!
@@ShadowShinobi108 I think Dang Thai Son's ending is clearer. I also like his dynamics better than Cho's tbh. I still really like and enjoy his rendition. Cho ended it with some of the notes in the run sustained together with the accented D making it sound like a thunder. It just sounds different to others'. Nonetheless, Cho's and Dang's renditions are excellent imo!
I need to tell you something of critcal importance! I care about you as a person, and I very much urge you to listen to this to the finish: The scriptures tell us that Jesus Christ died for people's sins- now I say "our", but I speak for all who God mercifully appointed from eternity past to have hearts to receive the knowledge of this truth: that our nature is sinful and that we have transgressed God and owe Him a debt to be repaid; ( being hell; just forget your human logic behind justice ); But with God's remarkable free gift of justification and forgiveness, with Christ's death+punishment and resurrection from the dead, being the "means" you could say, for this to be won: whoever will have their faith ( and, according to my interpretation that this is not just a hearing of the facts, and saying "I believe it" with your mouth, or raising your hand at the end of sermon after the pastor's got you pumped up and asks 'who wants to say the sinner's prayer', but rather a faith that cries out to God "have MERCY on me!" and depends on Him as your only hope for forgiveness and being saved Him, that through Him, they'll be pardoned from the Judgement of their Sins by God, will be pardoned, because of His finished work, in what He came into this life to do, and be reborn, ( a change of heart about your life and reality with your knowledge of the truth that sets you free ) and will be saved! Now, being a believer is not "going to church on sundays" or wearing a cross chain or putting a cross bumper sticker on your car; in fact there's so many people who *think* they're Christiand it's scary. Once God does a work in your heart, marking you as His Own ( with the presence of the Holy Spirit ), this will bring about a life, bearing fruits of repentance! And you will be reborn as a new creature! Walking by the Spirit and not by the flesh (the will of your sinful self, and passions contrary to the things of God) Amen and good day my beloved, i hope all who read this have a heart to hear; eternity is ETERNITY, and this life is NOT eternity; it's like a vapor in the wind My prayers and best wishes to you all who read this, Grace and Peace from the Lord Jesus Christ and God the Father be with you!!
"Hats off, Gentlemen! A genius!" Schumann would say this again, if he saw Cho's performance. I would like to express my gratitude for him being contemporaneous with me😍
A masterful performance! Seong-Jin's elegant hands just naturally command the keyboard in any Chopin piece. Cho's presentation of these preludes is without equal.
He hammer his left fist on the final note of the final movement!!! Oh my god! Even it is not written on the score by Chopin, but the sound it produces which is quite appropriate romantically. What a pianist... Proud of Korea gloming such young great talent.
An incredible journey into the heart of Chopin, somewhat like the Winterreise from Schubert. Such an immense variety of emotions, of colours. I love Cho's rendering, full of subtlety and finesse. His phrasing is quite personal with a lot of rubato, but he never sounds of ill taste. On the contrary he conjures an almost 20th century atmosphere with all the dissonances highlighted. A milestone performance.
The rendering of Op. 28 no. 24 is one of the high-points of human existence. The last 2 Death Knells, and the break of the right-hand arpeggio with pedaling for the left-hand is haunting. Seong-Jin Cho is the Chopin interpreter of our generation.
Crisp,l clear with elegant cantabile and superb pedalling...this performance has it all. I only wish I could play these pieces half as well. Thank you to Gilmore Piano Festival for a really first-rate offering. More please.
프렐류드 24번 최고로 멋있어요~~~ 저렇게 피아노 치고 일어설 수 있나요??? 후덜덜.... 피아노 안치고 있을 때 손이 얼마나 근질근질할 까요... 평소 몇 시간씩도 멍때리고 있을 수 있다는 얘기가 이해가 갈 듯... 가만이 있어도 저 음악들이 머리 속에서 많은 이야기를 할 듯...요즘 세상에서 젤 예쁜 사람~ 이렇게 예쁜 사람을 본 적이 없어요~
One could spend hours in any one of these interpretations, liquid, effervescent, and at times vanishing into thin air, leaving you breathless. And while each interpretation is decidedly uncommon, like the near dissonance of the second prelude, Cho pulls you into the music, allows you to join him in exploring anew a Chopin you thought you knew. Brilliant and gifted, a refreshing thoughtful talent that brings even deeper grace to and already graceful Chopin repertoire.
It is the unspeakbaly great genius of Chopin we admire, rather than the pianist who plays so well and permits is to do this. This is the third or fourth time Im listening to this recital and I will do so again. He may have some personal touches in his tempo and rubato and dynamics but they are born out of his understanding of the music. We don't just reproduce the notes on the page but have to receate them in our own minds. This is what makes Seong-Jin so outstanding. Incredibly there are 207 dislikes. There is no knowing what goes on in some people's minds. I have looked through quite a lot of the comments and no-one explains what they object to.
i like this a lot, but I can see how some can feel he's too soft and delicate for many of the pieces. For example, no13 and 15. But not everyone plays like Pollini and thats a good thing too.
The recording engineers play a big role in how it sounds. The pianist’s touch sounds a little aggressive, but could it be that the microphone is too close to the exposed ‘movement’ (internal mechanism) of the piano? If it is under the piano cover, presumably it must be correctly placed for an even sound across the piano’s register. I think this is a very good performance by very gifted pianist. Compare with Yuja’s performance, but allow for the very different recording conditions that were set up.
@@Davidfooterman - Yes, I often suspect recording techniques of being wrong. For example when in a Piano Trio the attention is focussed too much on the piano and the strings sound thin. But there is nothing wrong with Seong-Jin's interpretation or the recording.
@@felixdevilliers1 we should talk about the composer actually because without him none of this would happen, of course the artist brings it to life but we must put the composer first
사실 1번 처음에 음을 이어 붙이는건 왜 그랬을까? 생각했어요. 근데 나쁘지 않아요. 너무 좋아요. 왜 이렇게 칠 수 있죠.? 이 연주는 너무 좋은게 프렐류드의 모든게 하나의 스토리로 들린다는거에요. 하나의 곡을 끝으로 감정이 끝나지 않고 계속 이어지는게 너무나 좋습니다. 조성진 만의 연주같아요. 어디서도 못들은 귀한 연주입니다.
The best winner of the Chopin Competition since Zimerman won in 1975.
I like cho's ballades better than zimermans
@@ayushrudra8600 I liked his 4th ballad more than zimerman's
Cho is much BeTtEr for me
I agree. But... what about blechacz? Mmmmh...
@@paolofranceschi6874 He's up there, but not quite. I find his playing a little stiff in comparison.
Breathtaking performance. It couldn't be better. Bravissimo, Seong.
TRUE international blend: Korean studying in France, specializing in everything with a highly polished, elegant style of performing. Truly a new generation legend in the making. Very masterful 24 prelude! Thank you Seong jin Cho!
The 23rd leading into 24th was a Furious bravissimo!
24th prelude is out of this world
it looks so freaking difficult.
This should silence, indeed stagger, pianophiles who consign Cho to a lower tier of Warsaw winners than Argerich, Pollini or Cho’s mentor Zimerman. Take just one Prelude - not the 24th, that erupts under Cho’s transcendental technique, but the “easy” 4th in e minor. Have you ever heard this piece played more beautifully? Even by Cherkassky, Cortot or Novaes at New York’s Town Hall. Cho turns the two minute Prelude into a Pushkin novel of loss and bewilderment as pure and poetic as a Lensky - or a Seong-Jin Cho. Zimerman spotted a winner even before the judges’ verdict. Thanks for posting.
😊 very poetic description..
Well said. Couldn't agree more. The 4th isn't technically demanding but so challenging to express fully and in a controlled manner. This is why Cho's interpretation stands out.
Summary: You were deeply moved! Apologies but I'm not inclined towards the endless ranking of geniuses. Seems pointless to me.
The most sublime of arts goes beyond this.
Koreans would love your analysis to a man. As do many from the various nations as regards their fellow countryman but this entirely misses the point of this art which of all the arts points towards transcendence of such nonsense as microscopic matters such as ethnicity and race in the midst of a vast mysterious universe.
Listen to the music folks and leave aside your deeply engrained materialism.
@@profelimofficial...En mi opinión, pienso que no me atrajo su enfoque. Rebuscado! Nada espontáneo! Un preludio ideal para un pianista de jazz tipo Bill Evans! Hay un mundo más interesante que descubrir! Por su melodía y su armonía. Lo escucharía de nuevo, para corroborar un cambio de opinión al respecto. De todas maneras, un gran pianista Cho!
I suggest listening to Yuja Wangs preludes, they are enjoyable to listen to as is Cho’s :)
I love his taste, from soul I said: wonderful playing. « for the sake’s sound »
00:03 1번 Agitato in C+ , 재회
00:48 2번 Lento in A-, 죽음의 예감
03:06 3번 Vivace in G+, 꽃과 같은 당신
04:07 4번 Largo in E-, 질식
06:22 5번 Molto allegro in D+, 불확실
06:56 6번 Lento assai in B-, 타종
08:51 7번 Andantina in A+, 폴란드 무희
09:33 8번 Molto agitato in F#-, 절망
11:27 9번 Largo in E+, 환상
13:07 10번 Molto allegro in C#-, 밤나방
13:38 11번 Vivace in B+, 날으는 용
14:18 12번 Presto in G#-, 결투
15:47 13번 Lento in F#+, 상실
19:18 14번 Allegro in E flat - ,공포
19:53 15번 Sostenuto in D flat +, 빗방울
25:59 16번 Presto con fuoco in B flat -, 지옥
27:00 17번 Allegretto in A flat +, 파리, 노트르담 광장의 광경
30:28 18번 Molto allegro in F-, 자살
31:27 19번 Vivace in E flat +, 마음으로부터의 행복
32:51 20번 Largo in C-, 장송곡
34:39 21번 Cantabile in B flat +, 일요일
36:28 22번 Molto agitato in G-, 초조
37:07 23번 Moderato in F+, 즐거운 보트
38:05 24번 Allegro appassionato in D-, 폭풍우
S ol 오..이런 부제가 있었군요.
Thanks so much for the time stamps!
부제 감사해요ㅎㅎ
부제 알고 들으니까 더 마음에 와닿는 것 같아요.. 특히 4번은 원래도 안타까운 느낌이 많이 들었는데 부제가 질식이였다니.. 저도 숨이 모자란 느낌이 들어요ㅜㅜ 엄청 먹먹하고 그만큼 표현도 너무 잘 된 것 같아요ㅜㅠ
재회 쳐봤는데 저렇게 빠르게 칠수가 없음
I had so much fun watching him have fun playing no. 3.
The D minor Prelude at the end was simply devastating - bravo!!
Chopin piano interpreters: make way for Seong-Jin Cho! I think these preludes (precious gems) are how Chopin would have played them in the Paris salons where he performed. Delicate, fiery, passionate, tender, all of the human emotions that only the piano can give.
My God!!! He is performing just how I feel it and how I want it to hear, and how I would play (😊 but I cant) with the same passion or calmness, or tendeness, airiness, the same pauses length, or sorrow and so on. I think I wont be able to lusten to anybody else!
C’est tout simplement magnifique et magique 😂!!
He is a rare genius pianist. His sound of piano is a sound in heaven.🤚🤚🤚
추천을 안 누를수가 없네. 한국에서 태어나줘서 고마울 정도
한국인으로써 동의할수밖에 없네요.....
그럼 한국서나지 어디서 ? ;
@@한안어진 뭔 소리임 ㅇㅅㅇ
@@한안어진 ? 그냥 한국에서 태어나줘서 고마울 정도라는 건데...
@@한안어진 뭔 말인지... 한국에서 태어나 줘서 고맙다는 건 한국의 명예를 높여 주어서 하는 말인데요
Mr. Cho, we just love you so much! Thank you!
Seong Bravisimi !!!!Mejico. 🎉🎉🎉🎉🎉🎉🎉🇮🇷🙏🥰
What a broad range of sonorities he is able to conjure..each one perfectly suited to the music...so many moving and magic moments..so impressed!
조성진의 연주는 아무리 들어봐도 듣는 사람을 집중하게 만드는 신기한 능력이 있네요..
너무 매력적인 남자..
我也认为是这样的，这个能力太强大
여러 연주자의 쇼팽의 프렐류드를 들어봐도 결국에는 성진씨의 연주로 되돌아 와 듣게되는 이 기적.💟
legend.
That was a gigantic performance!!!🎉🎉
너무 당연한 얘기지만 저걸 다 외워서 치는게 너무나 놀랍다
我的人生存在像這些雋永的片刻片段就夠了！
上帝的恩典，我無以回報
Один из лучших пианистов сегодня! Браво.
,,.
His interpretation is quite unique. I didn’t expect this from the world class no.1 competition winner. Because usually the very unique voices come from pianists like Salman, Koczalski, Fazil Say. Wonderful
Une interprétation à la hauteur du pianiste... Je reste bouche bée.
Amazing artist !!!👏👏👏💋💋🙏🙏
잘못눌러서들어왓는데40분동안꼼짝없이듣게되는영상..
대체 하나의 프렐류드안에서 음색이 몇번 변하냐.. 오케스트라가 연주하는 것 같다
Fantastic performance!
he ended the "storm" prelude (no. 24) like a storm. best one i've ever listened to!
Hi, sorry for being 'that guy' who would suggest something else xD, but I would recommend Dang Thai Son's (winner of 1980 Chopin competition) rendition of this prelude. I think his is the best and this is a close 2nd :) but I respect your opinion!
@@ShadowShinobi108 I think Dang Thai Son's ending is clearer. I also like his dynamics better than Cho's tbh. I still really like and enjoy his rendition.
Cho ended it with some of the notes in the run sustained together with the accented D making it sound like a thunder. It just sounds different to others'. Nonetheless, Cho's and Dang's renditions are excellent imo!
Pogorelich is most passionate recording IMO
Fantastic interpretation of a Polish / French Compositor, by a Korean pianist! Music has really no borders....
Polish 😋 not Polish/French
@@drmantistoboggan7336 His parents were French. His name was French. But his heart was Polish!
@@stavrostimiadis6464 Seu pai era francês,mas sua mãe era polonesa
@@stavrostimiadis6464 His father was French who moved to Poland as a teenager and stayed there the whole life. Chopin's mother was Polish
악보를 해석하는 능력이 천재적임.
그냥 작곡한 사람의 마음을 꿰뚫어 버리는 능력과
그걸 피아노로 해석하는 Artist.
이게 다르다...
한 시대를 살고 있다는게 감사할 정도.
할튼. 나 지금 위로 받음.
고마와.
오바 ㄴㄴ
이렇게 피아노 연주를 잘하는 사람은 처음 보았어요. 정말 피아노의 신 같습니다.
조성진님은 우주에서 가장 아름다운 고귀한 피아니스트.
Thank you dude, best Performance since Martha 🎉
Quick bravo to the audio engineers who captured the piano incredibly well!
Wonderful playing, what a fantastic evening of music.
조성진의 연주를 듣고있으면 어느덧 그의 고뇌와 영혼의 향기가 느껴진다.얼마나 많은 시간들을 피아노 앞에서 기쁨과 절망을 느꼈을지 차마 가늠조차 못하겠다.그럼에도 불구하고 나는 그의 음악에 늘 위로 받는다.
透過他才明白了蕭邦的偉大，他是波蘭人的驕傲，我是台灣人，因為這樣我更勇敢去世界和平會！從小我被媽抽著學鋼琴，到世界和平會我才稍微做我自己，像個美術系貼募款海報的，感謝波蘭......
如果我媽媽能一直住在台灣嘉義的芳草里就好了！出（愛國救人）忠烈祠的~
오바 ㄴㄴ
댓글을 보니 착각하시는 분들이 계신데 24 번이아니라 24 개의 프렐류드입니다. 쇼팡이 모든 장조와 단조 키의 24 개의 건반에 하나씩 짧은 곡을 작곡한 것이지요.
I need to tell you something of critcal importance!
I care about you as a person, and I very much urge you to listen to this to the finish: The scriptures tell us that Jesus Christ died for people's sins- now I say "our", but I speak for all who God mercifully appointed from eternity past to have hearts to receive the knowledge of this truth: that our nature is sinful and that we have transgressed God and owe Him a debt to be repaid; ( being hell; just forget your human logic behind justice ); But with God's remarkable free gift of justification and forgiveness, with Christ's death+punishment and resurrection from the dead, being the "means" you could say, for this to be won: whoever will have their faith ( and, according to my interpretation that this is not just a hearing of the facts, and saying "I believe it" with your mouth, or raising your hand at the end of sermon after the pastor's got you pumped up and asks 'who wants to say the sinner's prayer', but rather a faith that cries out to God "have MERCY on me!" and depends on Him as your only hope for forgiveness and being saved Him, that through Him, they'll be pardoned from the Judgement of their Sins by God, will be pardoned, because of His finished work, in what He came into this life to do, and be reborn, ( a change of heart about your life and reality with your knowledge of the truth that sets you free ) and will be saved! Now, being a believer is not "going to church on sundays" or wearing a cross chain or putting a cross bumper sticker on your car; in fact there's so many people who *think* they're Christiand it's scary. Once God does a work in your heart, marking you as His Own ( with the presence of the Holy Spirit ), this will bring about a life, bearing fruits of repentance! And you will be reborn as a new creature! Walking by the Spirit and not by the flesh (the will of your sinful self, and passions contrary to the things of God) Amen and good day my beloved, i hope all who read this have a heart to hear; eternity is ETERNITY, and this life is NOT eternity; it's like a vapor in the wind
My prayers and best wishes to you all who read this,
Grace and Peace from the Lord Jesus Christ and God the Father be with you!!
Very few are given the gift. Cho is one of them.
27:00 행복해서 눈물날것같아 .. 이런 음악을 감히 유튜브로 들어도 되는것일까..
"Hats off, Gentlemen! A genius!"
Schumann would say this again, if he saw Cho's performance.
I would like to express my gratitude for him being contemporaneous with me😍
he said it because of Chopin's genius as a composer.
@@militaryandemergencyservic3286 for both
터치 한 번에 라이크 한 개씩 누르고 싶다...
악 ㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋ 완전 공감요!
터치는 홀수인가 짝수인가
솔직히 이 영상 볼때마다 돈 내고 봐야할거 같은 이 귀한걸 유튜브만 키면 공짜로 본다니 너무 감사함
2n-1(단, n은 정수)
@@ensemble2504 터치가 홀수라는거?
피아노가 이렇게 멋진악기라는걸 알려준 사람 성진님 께 감사드립니다~!!!
amazing how softly he played #4 largo, best interpretation ive heard by far
Masz rację, dziękuję :)
성진쵸 내한(?) 한대서 영상 돌려보고 있는데 ㅠㅠ 저렇게 가까이서 직관하면 미쳐버릴듯
ㅎㅎ
what a technique. look at him play the last D using his fist
26:00 진짜 압도적이다
그 많은 악보가 머리속에 있다는 게 신기하고 손은 바쁘면서 표정은 어떻게 저렇게 여유로울까요
그러게요
A masterful performance! Seong-Jin's elegant hands just naturally command the keyboard in any Chopin piece. Cho's presentation of these preludes is without equal.
HIS CONTROL AND APPROPRIATE APPLICATION OF PRESSURE IS MASTERFUL IN THESE PRELUDES IN PARTICULAR.
Thank you very much.
Absolutely stunningly elegant!
건반위의 손이
너무 정갈하고
아름답다
Piękno muzyki Fryderyka Chopina to fenomen graniczący z cudem.
No.4’s sound is so beautiful
I was really impressed by it.
no. 13 Lento (15:46)....my favorite part., so precious... 💞
저런 터치가 어떻게 가능한지 정말 믿어지지가 않을 정도임.
맞아요
정말요!.....진짜요!!!!
터치하는 건반 하나하나가 오케스트라같음
정말 말할것도 없죠.... 조성진은 그냥 미쳤어요
고급진 연주..성진님 없는 세상 상상할 수 없어..사람 마음 움직이는것은 타고났네.모든게 완벽하니 내가 반하니 안반하니...왼손 선율 잘 살리는 너란 청년..피아노는 그대가 원탑..
저도 왼손음이 짐머만은 시끄럽게 들리는데 조성진은 편안해서 듣기좋던데
음악모르는 제가 조성진 좋아하는 이유
30:28 이 곡 진짜 많이 들어봤는데 진심 최고다... 어떻게 저 짧은 텍스쳐 안에 저렇게 다양한 감정을 표현하나. 와 진짜 몰아치는데 답이 없다 정말. 이 연주만 보면 성진님 엄청 다혈질에 화내는 사람같음
누가 지은건지 몰라도 부제가 '자살'인것만 빼면요 ...출판사짓이겠죵?
이렇게 아름답고 격정적인 프렐류드를 어케 들어야 저런 부제로 연상하지
막귀인가
@@Augustine_Lee 헉 이게 자살인가요! 모르고 있었다는.. 근데 그 제목을 떠올리며 들으니 소름돋네요..!!
@@Augustine_Lee 꼭 그런 곡이라해서 긍정적인 부제만 있는건 아님
말문이 턱막힌다 넋놓고 감상하게 되는 그의 연주...황홀경 그자체ㅠㅠㅠㅠㅠㅠ
666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666
@@donghyunnoh5333 6666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666666
Quelle merveilleuse version de ces préludes si sublimes. Merci de cette merveilleuse vidéo de Seong-Jin Cho.
He hammer his left fist on the final note of the final movement!!! Oh my god! Even it is not written on the score by Chopin, but the sound it produces which is quite appropriate romantically. What a pianist... Proud of Korea gloming such young great talent.
Aaaagree
He joined Dang Thai Song and Eric Lv...
@@SL-lk9bw more like he stole it from dang thai song
Loads do that ? It's histrionics
@@samaritan29 Why "stole"
The first prelude is just so lovely
Very sensitive chopinian interpretation... Bravoooo !
Chopin's 15th prelude is just so inspiring.
Mr Cho-alien..!! - We wellcome you!! Mr awesome pianist .-)
이 연주 왜케 맘에 들지... 다른 데서 더 잘 칠 때도 많은데 이건 엄청 집중해서 듣게 되네
Beautiful playing.
An incredible journey into the heart of Chopin, somewhat like the Winterreise from Schubert. Such an immense variety of emotions, of colours. I love Cho's rendering, full of subtlety and finesse. His phrasing is quite personal with a lot of rubato, but he never sounds of ill taste. On the contrary he conjures an almost 20th century atmosphere with all the dissonances highlighted. A milestone performance.
You are born as a Chopin player
Fantastic! Seong Jin Cho!
Actually far more than Chopin player!!
Actually far more than a Chopin player!! If you have heard most of his performances...
조성진 어떻게 안 사랑해.... 전주곡 아무리 들어도 안 질려요
그나저나 공연장이 연주자랑 정말 가깝네요? 저런 공연장에서 연주 한 번만 들어보면 소원이 없겠어요...🥹
A young maestro - beautiful and magical!
저 바로 뒤에서 감상하는 분들 솔직히 로또 당첨된 기분 아니냐!!
No 24 is the one to die for 🤧
성진군 덕분에 음 하나하나를 즐기는법을 배워가고 있습니다. 성진군 20살쯤 되었을 때 같은데 베토벤 피협 4번 연주를 예당에서 듣고 잊고 있었던 감성이 돌아옴을 느꼈죠. 태어나 줘서 감사해요.
Our life is like these preludes, sometimes up and sometimes down. Seong-jin portrayed it really well.
His skill in ' rubato ' is well executed.... especially in no.2.....excellent TOUCH.
The rendering of Op. 28 no. 24 is one of the high-points of human existence. The last 2 Death Knells, and the break of the right-hand arpeggio with pedaling for the left-hand is haunting. Seong-Jin Cho is the Chopin interpreter of our generation.
Juspreet Sandhu I
Juspreet Sandhu yep, dang thai son and eric lu also did the fists with the two low ds. Just haunting! Goosebumps!
Eric Lu is also masterful with Chopin
And rubenstein
Definitely the best and better rounded performance of the Op.28. Thank you for this.
Crisp,l clear with elegant cantabile and superb pedalling...this performance has it all. I only wish I could play these pieces half as well. Thank you to Gilmore Piano Festival for a really first-rate offering. More please.
BRAVO 👏👏👏👏👏👏Kazakhstan 🇰🇿
프렐류드 24번 최고로 멋있어요~~~ 저렇게 피아노 치고 일어설 수 있나요??? 후덜덜.... 피아노 안치고 있을 때 손이 얼마나 근질근질할 까요... 평소 몇 시간씩도 멍때리고 있을 수 있다는 얘기가 이해가 갈 듯... 가만이 있어도 저 음악들이 머리 속에서 많은 이야기를 할 듯...요즘 세상에서 젤 예쁜 사람~ 이렇게 예쁜 사람을 본 적이 없어요~
너무나 예쁜사람이...한국사람인것이 자랑스럽고 행복합니다..ㅠㅠ
Roughly from 38:20, you can see the size of his left hand when stretched as much as possible.
신께서 조성진님께 특별한 능력을 주시고
그 능력을 신께 감사하는 맘으로
한계를 뛰어넘는 노력으로
만인에게 천상의 행복을 주는 조성진님
너무나 감사 합니다 존경합니다~♡♡
놀라움 .
쇼팽.조성진 환상의 조합 .멋집니다.
CD 음원 듣는 느낌........... 미스조차 없고. 아니 뭐라고 설명 불가...... 숨막힌다 쇼팽의 환생
One could spend hours in any one of these interpretations, liquid, effervescent, and at times vanishing into thin air, leaving you breathless.
And while each interpretation is decidedly uncommon, like the near dissonance of the second prelude, Cho pulls you into the music, allows you to join him in exploring anew a Chopin you thought you knew.
Brilliant and gifted, a refreshing thoughtful talent that brings even deeper grace to and already graceful Chopin repertoire.
조성진의 연주를 듣고 또 듣고 끊임 없이 듣는다. 말이 필요 없다. 건반 위에서 모든 인간의 감정과 자연 현상을 다 듣고 볼 수 있다. 그가 한국인이어서 더 감사하고!
오바 ㄴㄴ
03:06 이거 듣는순간 좋아요를 누르지 않을 수가 없었어요ㅠㅠ
이걸 이렇게 칠수가있구나 ㄹㅇ괴물임ㅋㅋㅋㅋ
인간의 한계를 보는 느낌이랄까 아님 초능력? 이런 아름다운 음악을 들을수 있는 귀를 가졌다는 게 새삼 감사한 마음입니다
It is the unspeakbaly great genius of Chopin we admire, rather than the pianist who plays so well and permits is to do this. This is the third or fourth time Im listening to this recital and I will do so again. He may have some personal touches in his tempo and rubato and dynamics but they are born out of his understanding of the music. We don't just reproduce the notes on the page but have to receate them in our own minds. This is what makes Seong-Jin so outstanding. Incredibly there are 207 dislikes. There is no knowing what goes on in some people's minds. I have looked through quite a lot of the comments and no-one explains what they object to.
i like this a lot, but I can see how some can feel he's too soft and delicate for many of the pieces. For example, no13 and 15. But not everyone plays like Pollini and thats a good thing too.
@@johnbarry5036 - Too slow and delicate, my foot. It's simply a wonderful interpretation..
The recording engineers play a big role in how it sounds. The pianist’s touch sounds a little aggressive, but could it be that the microphone is too close to the exposed ‘movement’ (internal mechanism) of the piano? If it is under the piano cover, presumably it must be correctly placed for an even sound across the piano’s register. I think this is a very good performance by very gifted pianist. Compare with Yuja’s performance, but allow for the very different recording conditions that were set up.
@@Davidfooterman - Yes, I often suspect recording techniques of being wrong. For example when in a Piano Trio the attention is focussed too much on the piano and the strings sound thin. But there is nothing wrong with Seong-Jin's interpretation or the recording.
@@felixdevilliers1 we should talk about the composer actually because without him none of this would happen, of course the artist brings it to life but we must put the composer first
조성진씨 연주를 듣고 있으면 정말 놀라움의 연속이에요 아 음표들이 저런 모양, 색깔, 빛으로 살아나고 움직이고 싶었구나ㅠㅠ 이런 느낌... 이 세상에 태어나줘서 연주해줘서 고마워요 엉엉
04:10 Solitude, pain, and sadness are inherent in his playing.
삶의 즐거움이 하나 더 늘었어요 조성진씨 음악 듣는 것^^ 어떤 곡으로 또 클래식의 깊이와 아름다움을 느낄 수 있을지 매일매일이 기대됩니다
저두 이시국에 유일한 안식처는 성진님임다..
他彈得特別的好聽
오바 ㄴㄴ
wzruszajace wykonanie ,dziekuje
I cannot take my breath again this time. By his siriousness, by his fingers, by the sounds.
감사합니다.
사실 1번 처음에 음을 이어 붙이는건 왜 그랬을까? 생각했어요. 근데 나쁘지 않아요. 너무 좋아요. 왜 이렇게 칠 수 있죠.? 이 연주는 너무 좋은게 프렐류드의 모든게 하나의 스토리로 들린다는거에요. 하나의 곡을 끝으로 감정이 끝나지 않고 계속 이어지는게 너무나 좋습니다. 조성진 만의 연주같아요. 어디서도 못들은 귀한 연주입니다.
👍
오바 ㄴㄴ
정말 조성진답다.감히 뭐라 말할수가 없이 정직하다.최고닷.감사해요.성진군😍
31:27 One of the most difficult piano works ever written, but only those who study it really know !!
Yet he played it so clear and smooth, full of emotions.
I personally thought that it wasn't too bad. No 8 actually gave me the most trouble of the set.
27:00 Just exquisite! No words can describe this elegance.
I agree fully
what can I say...Just amazing!!!
忍不住讚美一翻！
趙先生銓釋的蕭邦，在不失其靈魂之中，注入了自己的風格，內斂而不張狂；特別是雨滴那一首，聽起來沒那麼沉重，反而在聽完後內心幽思低迴了許久........