I worked at a Gibson dealer back in the mid to late 1990s and remember when these came out. These came out to compete with both PRS and Hamer USA guitars. At that time Hamer were gaining a ton of buzz with their double cut guitars. Those mid/late 90's Hamer USA guitars really gave Gibson a run for their money, but ultimately Gibson came out on top. By 1998 and on, Gibson Custom Shop really ramped up and they started upping their game ten fold. I think it was both the pressure from PRS and Hamer, but I distinctly remember Hamer being of more concern to our Gibson reps back then. PRS guitars back then were very expensive, and Hamer stuff was priced below Gibson prices. We couldn't keep Hamer stuff in stock it would sell so far, where as Gibson stuff would sit on the wall and fade pretty bad from the lights. Gibson nitro finishes back then were not as durable as they are today.
Guitars like this were pretty much for Doctors and Lawyers back in the 90s. The regular double cuts were somewhat more affordable for the rest of us 90s kids, plus they had humbuckers which were more desirable than p90s (at least from what I remember). Hamer might have been cheaper but with out the push of the guitar player in No Doubt, I don't think they would have had nearly the relevance that they did. My opinion though.
Michael doesn’t have much of a channel though I’d love to hear more from him. He just weird enough to be very interesting and his playing was off the charts great! Oh and sweet guitar. We’d love to see the latest Trogly guitar collection if you need some easy content.
You might want to dig down a little deeper my friend, that Gibson "snakehead" headstock is a lot older than you might know. It dates back to 1924 on mandolins and 1924 on L-3/L4 archtop guitars, about the time PRS was entering his daddy's mind as a lustful thought in grammar school, so think again. Hardly a PRS copy, in fact quite the opposite. You can find them on modern electrics as in 1981 ES-369's, a couple years before PRS guitars was established.
Haven't even seen the wonky spec and I'm already in love with the colour! Hell, I have a tele neck on my Epiphone Les Paul Special II, so im all for the concept of doofy headstocks. Greetings and well wishes from Utah man!
When I was around 12 I saw this guitar on the internet and it was the first guitar I ever wanted. Even before I knew a thing about guitars. Still do not own it today but its definitely a bucket list guitar.
I love those DC pros with the snake head stock. Very cool guitars and one with P-90s would be super cool. Reminds me a lot of a 1978-ish Hamer Sunburst, which is also a great playing guitar. Almost bought a DC Pro in a burst in the '97- '98 time but wanted a CS Strat more. Oh well...still gots the Strat, though. :)
I think Austin should change the name of the channel to "Trogly's All Gibson Show". I get that he specializes in Gibson, but c'mon man... There are other companies doing equally good guitars without all the stupidity that Gibson is delivering! The guitar world DOES have other brands than Gibson! Try Cort... Old Hamers... Vola... Mayones... Evil Evil... Dean B. Zelinksy... Dantzig... G&L... Saito... Crimson... Chapman... Solar... Barlow... Framus... I love the channel and I find Austin entertaining, but the constant barrage of Gibson's is crazy!
Hey trogly! I have some info on the guitar marketing! I work at a music store and we have some vintage guitar magazines that i read through and i found the add for the guitar! They were called Les Paul DC Pro regardless of pickups and bridge. You could find in any configuration. They were in butterscotch, fade cherry, indigo, and black. Retail was between $3950 and $4195 which i assume is because of specs
Underrated series of guitars. I have an Amber colored Les Paul Standard Lite DC with humbuckers and it's such a resonant and lively guitar to play. Sounds amazing too. I would love to add a sister guitar with P90's.
This illlustrates the issue with fetishizing guitars for their colors, finishes, headstock design etc, etc, etc...it still sounds like crap...the wrap tailpiece isn't a problem for Trogly since he doesn't mind playing a guitar that's out of tune or badly intonated, but personally I loathe them - and I love P90 guitars...I own 2 and am currently looking around for a 3rd...it won't be this dog, however
It's nice to see someone really rip on a guitar but your playing shows the tones of the instrument very well. Don't put yourself down Austin, your playing has improved a lot over the years.
I don't get it,does the Trog Meister own a music store and make videos on the side. He seems to do a lot of business sending guitars and receiving them in the mail. Please enlighten me because I'm confused. ( by the way I love binding. Period )
I used to own a 1998 LP DC Standard Plus. I actually thought it was the amber one Trogly unboxed a while back but the serial number was different. I couldn’t justify keeping it after the band broke up so I eBay’ed it (yeah, gear logic, lol). I wish I would have kept it. I still look for it occasionally on Reverb and eBay.
My favorite is the 120th Anniversary Les Paul Double Cut with the Les Paul type matching horns. Not to hip on the wide shoulder version or the SG buds type. But I’m glad that you reviewed this, you are educating me on Gibson guitars and other name brands as well. Thank you.
I’m a fan of both Gibson and PRS, but in my opinion, PRS didn’t base their body shape off of the DC series of Gibsons. I have never heard any reference to that in the history of PRS guitars.
Actually.... it was Hamer Guitars that really made this "shape" popular with their "Sunburst" and later their Special. PRS came up with their "shape" by combining the lower half of a Les Paul and the upper half of a Stratocaster. That "weird" headstock should be their new standard one. Much better string angle.
I didn’t know Pat Martino had passed. So sorry to hear that news. Saying he was one of a kind sounds so shallow but he truly was one of a kind. Troubled as his life was he was virtuoso. RIP Pat Martino.
Irrelevant to the topic in my opinion. They weren't a big player at this time. These were done to complete with PRS Hamer is important to bring up for the birth of flame top DC models back in the late 70s though th-cam.com/video/xU6Dh7bmb10/w-d-xo.html
My fave episode - thank you for this Austin; this axe template should be a standard offering on the Les Paul menu. I bashed Gibson before, but after perusing the official site (and the Epiphone offerings, too), I’m looking to buy some instruments. A basic iteration of this DC is offered at Custom Shop level ($5k) along with some DC mahogany slab guitars ($4k). IMHO, Gibson would find serious students buying DC slabs with p-90s at the current listed Les Paul Special Tribute ($999) sector: the bodies would be 4 pieces, with a 2 piece neck, having an EXTENDED TENON (played SGs - the lower horn is an obstacle and the neck joint has stability issues), the electronics and hardware would be identical to the current LPST fare. Some people possess the mindset that ‘only a single blank is good enough for a body and neck - I’ll settle for nothing less’. My tack is that not only would a mahogany ‘scraps’ guitar be cheaper, but it would be structurally sound and resonant as well; an average 8-12 year old child’s parents would be able to place a quality USA made instrument in their child’s hands. A Gibson consumer-for-life is born. In the 50s & 60s this guitar type was a BUDGET axe. Now, the LP Juniors and Specials sell at the $1.5k to $4k price point in the 2022 catalog. My fave student/budget model - the Melody Maker is conspicuously absent from the Gibson lineup ( I’m buying a pair of Joan Jett Epiphone Signature guitars. One will remain stock - the other will be modded with a nylon nut, oil & paper caps, ‘61 to ‘65 spec premium pots, a Switchcraft selector and jack, and a NON-ADJUSTABLE premium bridge. A String Butler will be employed, also. Vintage sound and daily driver). Two Epi LP Special guitars will be bought, also. One will remain stock; the other similarly modded with the addition of replacement Gibson P-90s. The Modern menu LP Special and Studio listings IMHO are the BEST damn things in the catalog - I’m likewise picking-up a pair of each. PRS, ESP, Heritage, and um,…. uh….. other Gibsons can’t compete. No neck binding or nibs to cause a player or maintenance tech to fret - a compound radii board and thinner neck profile would be icing, though. The only things that would make these axes BETTER, nay….. PERFECT: stock Grover locking tuners (even some Epis have ‘em), a stock TP-6 fine tuning tailpiece (the marginal price increase would yield priceless playing rewards on EVERY Gibson - surprised that these buggers weren’t mandated since the introduction decades ago), the headstock featured in this Trogly vignette (again, this design would bump-up both aesthetics and functionality a few notches on most every Gibson model), and lastly the CHAMBERED, DOUBLE CUTAWAY body. The symmetry is easy on both the eyes and the fingers. The reduced weight is felt, and the resonance heard. Again, the Gibson DCs have been around since the 50s and IMHO should have been a perennial model(s) in the Gibson/Epiphone catalog from student level slabs to the elite Les Paul Customs. If anyone has data on how Hamer, Washburn, and PRS scored a hit with the DC formula circa ‘80s, whereas Gibson didn’t, then please post. Gibson owned this genre. Decades later PRS sued the big G, after introducing basically schizophrenic Gibson clones. p.s. Austin, please cover a wine red LP Studio and a burst LP Special in a future episode - these instruments define value at the $1.2k to $1.6k price point. Godin, ESP, and PRS simply plagiarize and flatter, but don’t deliver.
The Gibson ES-346 also known as the Paul Jackson Jr. Model had that same headstock too. And my chief inspiration Daryl Stuermer played a Gibson ES-346 durin' Phil Collins's Final Farewell tour in 2004-05
I happily own the trans black Les Paul DC pro P90-Wraptail version with the "Viper Head" head stock, That I love and prefer , it looks awesome and is so unique, looks like a viper's head, It is bad "ars " not "goofy" bro
??? Trogly due, did you know when you edidiph us about the pickups on a VOM and you read off what the meter reads off 7.8 to 7.6 those are resistor readings and on the display it might read 7.8 ohms or 78 X 10 or 78 × 10 × 10 × 10 or 10 to the 3rd power and you can use the probes on meter and you can get a resistor reading with the vol controls are closed meaning turn off the volume so that the volume resistor is on it's maximum strength and most likely to read 250k or 500k ohms or killi-ohms. When you turn up volume to are releasing the signal to let it go about it's business. Honestly for Gibson's volume controls are up front (I believe) the tones in the back, should be the same as in front but with .33 micro faird that's a capacitor changing time sequence from a volume pod creating tone.
What i would give for Gibson to do that headstock back again Not to mention a dc special with humbuckers in the usa/Epi range like that custom shop you briefly showed with the 4 knobs
I hate that headstock actually . I’m a fool for the Gibson les paul headstock. It’s so absolutely perfect . I know they break but it’s like a beautiful but fragile sexy lady.
Hey Michael I love the head stock of these gibsons it's probably cause Pat Martino guitar was like that he was one of my favorites how do I find out how to buy the Martino guitar of this one 😀 thanks
I remember seeing these around, the top is gorgeous but I never cared for this body style or that headstock either. That transition on the back,of the guitar from the neck to the body could’ve also been done nicer too.
I worked at a Gibson dealer back in the mid to late 1990s and remember when these came out. These came out to compete with both PRS and Hamer USA guitars. At that time Hamer were gaining a ton of buzz with their double cut guitars. Those mid/late 90's Hamer USA guitars really gave Gibson a run for their money, but ultimately Gibson came out on top. By 1998 and on, Gibson Custom Shop really ramped up and they started upping their game ten fold. I think it was both the pressure from PRS and Hamer, but I distinctly remember Hamer being of more concern to our Gibson reps back then. PRS guitars back then were very expensive, and Hamer stuff was priced below Gibson prices. We couldn't keep Hamer stuff in stock it would sell so far, where as Gibson stuff would sit on the wall and fade pretty bad from the lights. Gibson nitro finishes back then were not as durable as they are today.
I remember my local shop kept their small stock of Gibsons in a display case that protected them from the light.
Guitars like this were pretty much for Doctors and Lawyers back in the 90s. The regular double cuts were somewhat more affordable for the rest of us 90s kids, plus they had humbuckers which were more desirable than p90s (at least from what I remember). Hamer might have been cheaper but with out the push of the guitar player in No Doubt, I don't think they would have had nearly the relevance that they did. My opinion though.
I have a 94 Hamer Studio and it's an absolute beauty! It's one of those guitars that feels like it's playing itself.
Thought it was going to be a Gibson DC XPL with the "Banana" or 'Hockey Stick' headstock.
I bought that red one from him, and it rules, but I totally wanted this one back in the day. Could never afford it.
Michael doesn’t have much of a channel though I’d love to hear more from him. He just weird enough to be very interesting and his playing was off the charts great! Oh and sweet guitar. We’d love to see the latest Trogly guitar collection if you need some easy content.
He's good look for his rendition of "Maggot Brain". 🤯
He's a heavy strummer.
I am sure Trogly will be reviewing his current collection at the year end - it seems to be his tradition every year.
Total Angus Young fire and bludgeon to his playing. Dude attacks the ax with the fire you love to see. Awesome, brutal spank.😊
That headstock would be a huge Improvement to all of Gibson's tuning issues with pull straight through the nut
honestly its a bit weird but seriously they need to fix that string pull
Straight string pull should be the standard….beautiful guitar! Thanks for the demo.
One of the ugliest headstock ever, I mean this one makes the Tyler HS look amazing
You might want to dig down a little deeper my friend, that Gibson "snakehead" headstock is a lot older than you might know. It dates back to 1924 on mandolins and 1924 on L-3/L4 archtop guitars, about the time PRS was entering his daddy's mind as a lustful thought in grammar school, so think again. Hardly a PRS copy, in fact quite the opposite. You can find them on modern electrics as in 1981 ES-369's, a couple years before PRS guitars was established.
Now that is a headstock worth loving in the same way the Fender telecaster headstocks are worth loving. Not bulky but streamlined.
Can you please do a review on one of those custom shop Les Paul Specials (DC) with the flame tops??
Same!
What a beautiful LP DC.
I have a 98 double cut studio. Almost the same guitar.
Amazing guitar face by the demo guy
This is why I like HAMER guitars, no single only double cut.
When I saw this I thought PRS so it makes sense this was Gibson's answer to PRS guitars. Ugly headstock though
Daaaaaannnnng! That guitar is ALL THE THINGS!!!! I'm in love
Haven't even seen the wonky spec and I'm already in love with the colour! Hell, I have a tele neck on my Epiphone Les Paul Special II, so im all for the concept of doofy headstocks.
Greetings and well wishes from Utah man!
Homie playing the guitar sounded like christopher walken. The playing was great💯
I love it when they lose control of their face a little.
Trogly's in the HOUSE!!!
Greg’s in the HOUSE!!!
Indeed
Greg just won the fabulous Wallmart award dude your amazing 🍪
🍪 🍪 🍪
@@rondobondo6600 🍪
When I was around 12 I saw this guitar on the internet and it was the first guitar I ever wanted. Even before I knew a thing about guitars. Still do not own it today but its definitely a bucket list guitar.
That blue is 🤤
Love that guitar!
I love those DC pros with the snake head stock. Very cool guitars and one with P-90s would be super cool. Reminds me a lot of a 1978-ish Hamer Sunburst, which is also a great playing guitar. Almost bought a DC Pro in a burst in the '97- '98 time but wanted a CS Strat more. Oh well...still gots the Strat, though. :)
That playing demo was abysmal. How much prefer you probably doing your playing demos. Besides that I love the review!
I think Austin should change the name of the channel to "Trogly's All Gibson Show". I get that he specializes in Gibson, but c'mon man... There are other companies doing equally good guitars without all the stupidity that Gibson is delivering! The guitar world DOES have other brands than Gibson!
Try Cort... Old Hamers... Vola... Mayones... Evil Evil... Dean B. Zelinksy... Dantzig... G&L... Saito... Crimson... Chapman... Solar... Barlow... Framus...
I love the channel and I find Austin entertaining, but the constant barrage of Gibson's is crazy!
That head stock gives a more straight pull. Would take purists by surprise, but make tuning issues a whole lot easier to contend with.
I prefer headstocks with straight stringpull, not everybody can play around an out of tune guitar like Hendrix, and still sound good....😁🎸🤘
Hey trogly! I have some info on the guitar marketing! I work at a music store and we have some vintage guitar magazines that i read through and i found the add for the guitar! They were called Les Paul DC Pro regardless of pickups and bridge. You could find in any configuration. They were in butterscotch, fade cherry, indigo, and black. Retail was between $3950 and $4195 which i assume is because of specs
Underrated series of guitars. I have an Amber colored Les Paul Standard Lite DC with humbuckers and it's such a resonant and lively guitar to play. Sounds amazing too.
I would love to add a sister guitar with P90's.
That's super cool, what a finish and the uniqueness of the headstock, wrap-around and P-90's!
This illlustrates the issue with fetishizing guitars for their colors, finishes, headstock design etc, etc, etc...it still sounds like crap...the wrap tailpiece isn't a problem for Trogly since he doesn't mind playing a guitar that's out of tune or badly intonated, but personally I loathe them
- and I love P90 guitars...I own 2 and am currently looking around for a 3rd...it won't be this dog, however
Depends on the wraparound bridges, prs' is great
@@Kyush4 Fair enough, I'll take your word on that - I was thinking particularly of Gibson/Epiphone when I made that comment...
It's nice to see someone really rip on a guitar but your playing shows the tones of the instrument very well. Don't put yourself down Austin, your playing has improved a lot over the years.
the headstock looks weird sure, but this shouldve been stock from the very beginning of gibson. This wouldve helped with tuning stability a lot.
Gibson should have kept that headstock. Straight pull FTMFW.
It is a thing of beauty and that headstock angle seems off.
One of my dream guitars actually. Beautiful, understated, and fairly unique
I have a LP Special DC in TV Yellow, but I'm dying for the DC Gold Top Standard.
I don't get it,does the Trog Meister own a music store and make videos on the side. He seems to do a lot of business sending guitars and receiving them in the mail. Please enlighten me because I'm confused. ( by the way I love binding. Period )
MW playing was sloppy and annoying..
I used to own a 1998 LP DC Standard Plus. I actually thought it was the amber one Trogly unboxed a while back but the serial number was different. I couldn’t justify keeping it after the band broke up so I eBay’ed it (yeah, gear logic, lol). I wish I would have kept it. I still look for it occasionally on Reverb and eBay.
Why would any modern Gibson buyer want a wrap tail?
Rocky Mounatin Way would sound great on this guitar
How to get away with wearing a neckerchief ~ play guitar like a boss while wearing it.
Whoa, the guitar dude is back. Welcome, guitar dude!
Wow. 24 frets. Upside-down headstock.
Absolutely f'n great idea! ...to have on guest guitarists trying out the guitars....more moRE MORE!!!
P90's in da house
That's a Santana PRS
Have you demo'd a Hamer double cut on your show ?
Trogly how many guitars do you have in your personal collection that you keep and not for sell
#7, I'm getting quicker!
??
Indeed
Uh give yourself a bit more credit please HK. You sir are 6th! Still a formidable ranking IMO. 👍🎸
@@PopeyeFPV ??
@@scottstetzer It's a game on who gets the first comment per video....
That DC Pro is hot. I'd rock it.
Didn't it start with Epiphone?
My favorite is the 120th Anniversary Les Paul Double Cut with the Les Paul type matching horns. Not to hip on the wide shoulder version or the SG buds type. But I’m glad that you reviewed this, you are educating me on Gibson guitars and other name brands as well. Thank you.
I love that headstock!
Please review a Tak Matsumoto DC les pauls. They're so cool, some are even korina.
Simi hollow
I’m a fan of both Gibson and PRS, but in my opinion, PRS didn’t base their body shape off of the DC series of Gibsons. I have never heard any reference to that in the history of PRS guitars.
Paul said so himself. The old 50s dc Junior/specials
I love all the videos and I watch them daily, But please, Trogly, review more Fender/PRS guitars!!!
Well, Ithe Firebird (sometimes, it’s inconsistent) has straight string pull.
The chambering layout just screams for this to have f-holes.
That DC Pro Custom you had on your channel a few years back would be so sick to have and this top looks just as nice.
HOLY HELL. That Michael Webber dude is a freaking maniac. I don't know where you found that dude but god damn.
Sure would love this with the classic Gibson headstock but I get what they were trying
Actually.... it was Hamer Guitars that really made this "shape" popular with their "Sunburst" and later their Special. PRS came up with their "shape" by combining the lower half of a Les Paul and the upper half of a Stratocaster. That "weird" headstock should be their new standard one. Much better string angle.
Looks and sounds great! I wish I could afford it but glad you showcased the model and information about it.
I didn’t know Pat Martino had passed. So sorry to hear that news. Saying he was one of a kind sounds so shallow but he truly was one of a kind. Troubled as his life was he was virtuoso. RIP Pat Martino.
Have you not been around long enough, to not see that these look like a Hamer?
Irrelevant to the topic in my opinion. They weren't a big player at this time. These were done to complete with PRS
Hamer is important to bring up for the birth of flame top DC models back in the late 70s though th-cam.com/video/xU6Dh7bmb10/w-d-xo.html
My fave episode - thank you for this Austin; this axe template should be a standard offering on the Les Paul menu. I bashed Gibson before, but after perusing the official site (and the Epiphone offerings, too), I’m looking to buy some instruments. A basic iteration of this DC is offered at Custom Shop level ($5k) along with some DC mahogany slab guitars ($4k). IMHO, Gibson would find serious students buying DC slabs with p-90s at the current listed Les Paul Special Tribute ($999) sector: the bodies would be 4 pieces, with a 2 piece neck, having an EXTENDED TENON (played SGs - the lower horn is an obstacle and the neck joint has stability issues), the electronics and hardware would be identical to the current LPST fare. Some people possess the mindset that ‘only a single blank is good enough for a body and neck - I’ll settle for nothing less’. My tack is that not only would a mahogany ‘scraps’ guitar be cheaper, but it would be structurally sound and resonant as well; an average 8-12 year old child’s parents would be able to place a quality USA made instrument in their child’s hands. A Gibson consumer-for-life is born. In the 50s & 60s this guitar type was a BUDGET axe. Now, the LP Juniors and Specials sell at the $1.5k to $4k price point in the 2022 catalog. My fave student/budget model - the Melody Maker is conspicuously absent from the Gibson lineup ( I’m buying a pair of Joan Jett Epiphone Signature guitars. One will remain stock - the other will be modded with a nylon nut, oil & paper caps, ‘61 to ‘65 spec premium pots, a Switchcraft selector and jack, and a NON-ADJUSTABLE premium bridge. A String Butler will be employed, also. Vintage sound and daily driver). Two Epi LP Special guitars will be bought, also. One will remain stock; the other similarly modded with the addition of replacement Gibson P-90s. The Modern menu LP Special and Studio listings IMHO are the BEST damn things in the catalog - I’m likewise picking-up a pair of each. PRS, ESP, Heritage, and um,…. uh….. other Gibsons can’t compete. No neck binding or nibs to cause a player or maintenance tech to fret - a compound radii board and thinner neck profile would be icing, though. The only things that would make these axes BETTER, nay….. PERFECT: stock Grover locking tuners (even some Epis have ‘em), a stock TP-6 fine tuning tailpiece (the marginal price increase would yield priceless playing rewards on EVERY Gibson - surprised that these buggers weren’t mandated since the introduction decades ago), the headstock featured in this Trogly vignette (again, this design would bump-up both aesthetics and functionality a few notches on most every Gibson model), and lastly the CHAMBERED, DOUBLE CUTAWAY body. The symmetry is easy on both the eyes and the fingers. The reduced weight is felt, and the resonance heard. Again, the Gibson DCs have been around since the 50s and IMHO should have been a perennial model(s) in the Gibson/Epiphone catalog from student level slabs to the elite Les Paul Customs. If anyone has data on how Hamer, Washburn, and PRS scored a hit with the DC formula circa ‘80s, whereas Gibson didn’t, then please post. Gibson owned this genre. Decades later PRS sued the big G, after introducing basically schizophrenic Gibson clones.
p.s. Austin, please cover a wine red LP Studio and a burst LP Special in a future episode - these instruments define value at the $1.2k to $1.6k price point. Godin, ESP, and PRS simply plagiarize and flatter, but don’t deliver.
The Gibson ES-346 also known as the Paul Jackson Jr. Model had that same headstock too. And my chief inspiration Daryl Stuermer played a Gibson ES-346 durin' Phil Collins's Final Farewell tour in 2004-05
That headstock should be the standard.
But does it chug…??
I happily own the trans black Les Paul DC pro P90-Wraptail version with the "Viper Head" head stock, That I love and prefer , it looks awesome and is so unique, looks like a viper's head, It is bad "ars " not "goofy" bro
??? Trogly due, did you know when you edidiph us about the pickups on a VOM and you read off what the meter reads off 7.8 to 7.6 those are resistor readings and on the display it might read 7.8 ohms or 78 X 10 or 78 × 10 × 10 × 10 or 10 to the 3rd power and you can use the probes on meter and you can get a resistor reading with the vol controls are closed meaning turn off the volume so that the volume resistor is on it's maximum strength and most likely to read 250k or 500k ohms or killi-ohms. When you turn up volume to are releasing the signal to let it go about it's business. Honestly for Gibson's volume controls are up front (I believe) the tones in the back, should be the same as in front but with .33 micro faird that's a capacitor changing time sequence from a volume pod creating tone.
Austin needs a new Gibson Custom Shop Murphy Lab 1960 Les Paul Junior Double Cut Reissue...they are listing in Uk for £6,999.00
Actually I don’t mind the headstock. Looks nice and it’s a better design.
I'm practicing my deadpan-face after watching Michael..... Got rid of my DC pro because i couldn't get along with the Gibson scale with 24 frets.
Straight pull rules
Did the video jump to 1.5x during the Michael Weber demo or what?? 😂😂😂
This headstock reminds me more of the PRS Santana headstock. Extremely similar. This thing has PRS vibes written all over it.
I wonder how it would sound with either, ' Deluxe ' mini humbuckers, or Firebird mini humbuckers? Just a thought....
I feel like trogly should check out a danelectro guitarlin, I feel like he’d like it
I've been listening to Pat Martino all Month. R.I.P. Mr. Pat. Maybe a review of His Gibson signature some day? ;-)
P90s on a DC all day
We’re going to imagine it’s like a Les Paul Junior or Special? That’s basically what it is dude, you don’t have to imagine.
What i would give for Gibson to do that headstock back again
Not to mention a dc special with humbuckers in the usa/Epi range like that custom shop you briefly showed with the 4 knobs
WOW!!! 6.5K for this one?? Gosh, they are REALLY expensive.
I hate that headstock actually . I’m a fool for the Gibson les paul headstock. It’s so absolutely perfect . I know they break but it’s like a beautiful but fragile sexy lady.
Beautiful guitar and sounds great!
OMG. Of course you can get to the 24th fret. Even if you grip the neck like a baseball bat. LOL
Hey Michael I love the head stock of these gibsons it's probably cause Pat Martino guitar was like that he was one of my favorites how do I find out how to buy the Martino guitar of this one 😀 thanks
Can you confirm that Gibson done a Paul Jackson Jr signature model with the same head stock maybe?
I remember seeing these around, the top is gorgeous but I never cared for this body style or that headstock either. That transition on the back,of the guitar from the neck to the body could’ve also been done nicer too.
Love it! $6500 is a lot but if you have the means....
Simply Beautiful and I love the P90's! Thank you.
Love that guitar. That’ll be my next guitar (if I can find one,)
I had a chance to buy one of those a few years ago, at the time I didn’t have $1700. That they were asking for it…
Awful soldering job if it's factory...
The guy doing the demo.. It's almost like he's not human. But he is in fact playing.
The best headstock I've ever seen on LP DC! Much tastier than those usual mustaches! 🧐
There’s a black one for sale on Reverb. Unfortunately the seller is in Hong Kong. Man I want one of these
The neck pickup rout looks like Michaelangelo from TMNT
Hark, we can actually hear how it's supposed to sound...
I hate when someone says about LP DC "it's PRS style" NO !!