I Have A New Theory About Small Amps || Gibson Skylark GA-5T
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- เผยแพร่เมื่อ 5 ธ.ค. 2018
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Rhett Shull Thanks, Rhett for another amazing video that I had to come back and watch again. A quick question concerning your Skylark - are there any modifications to the amp, ie; 3 prong plug installed, tone sucking circuit removed etc? I’m in the market for a skylark tremolo like yours and am curious as to what you have to say about trying to pick these up. Thanks again, I absolutely love your channel.
Hey, love your videos. Big Fan. And here is the question, how did you deal with that "hiss" from the amp when you recording and produce your video.
@@HendryHZ Yea how did you deal with that hissing sound comming from your skylark amp ?
Do you have a certain way you eq your tweeds? Just bought a 58 super and noticed my eq's are very high in order to get a great warm tone
Solution is use a power soak with it. I generally dont get it if Brian may can run three modded ac30s tbx amps revamped by mike hill, then you should be able to crank it like je does. I do. Even at church. I use the bm rig too. Fab!
There's an equivalent to this in the automotive world, too: It's more fun to drive a slow car fast than it is to drive a fast car slow. Keeping a lower-wattage amp cranked is more fun than keeping a high wattage amp at 1/4 volume. I ditched sold my Marshall half stack years ago and switched to a 25 watt Peavey combo amp. Everything gets mic'd and run through the PA anyhow.
Your miata is showing
Sold my Fender Custom Shop Tonemaster 120 Watt hand wired head with matching 4x12 cabinet. I was never able to crank it to work the tubes. Rocking a Vox AC-15c1 now and have never been happier. 🇺🇸
@@chuckdriver8269 That’s an insane rig, couldn’t even imagine that volume.
25 watts is still loud though
"I've been wearing skinny jeans for a while..." sounds like the opening to a support group meeting. ;D
Hi, Im Rhett and I wear skinny jeans.
Skinny jeans squish my nuts lol no thanks
Fuck 4/4 Yep couldn’t do it. I’m out of style in my relaxed jeans but I’m comfy. After 30 nobody expects you to be in style do they? My kids wouldn’t give me any credit even if I was in style. Haha
@@forester057 yeah i feel yeah, my kids arent old enough to understand styles but im sure if they could they would make fun of me for wearing comfy pants lol
Shane Gochenouer I’m skinny, so I just wear jeans...that fit
Man, you're putting the rest of us to shame with them cinematography chops! Great vid.
And you’re putting me to shame with them guitar chops!
I know ...right???
Playing and mix is also next level
Ya Rhett and Paul David’s great in that area
Skylark prices just went up 25% on Reverb.
Lol
@@CocoKoi321 Best amp I ever heard or played through was a very early fender amp my best friend got from his grandfather. That thing SCREAMS!
@@CocoKoi321 I had a '59 Champ that sat in a closet for decades. I got it for $10 in the 90's in my teens. Best amp I will ever own. A former friend stole it in 2001 and I swear I've never gotten over it.
What hasn't gone up that greedy leader.
Dr. ew a ga5t is a lot cheaper than $990 ;p
Great amp! I totally agree re wattage. In the "old days", as venues got bigger, and audiences got louder, the small amps couldn't be heard so well due to the P.A. s not taking guitar amps. So, the monster rigs developed. However, these days, with more efficient P.A.s and fold-back speakers, wee amps are becoming more popular again. Why have a 100w amp turned WAY down, when you can have a small amp cranked? For me, small amps all day! :)
I've had your videos pop up in my recommendations regularly. At first I wasn't really into it, lots of fancy equipment, and whole lot of boutique, just a lot to take in at first. I will admit, your content has grown on me, this is probably the tenth video I've seen by you and I'm absolutely sold, very well put together, tons of information, and a lovely amplifier. Absolutely earned my sub after this vid.
Thanks Casey!
My favorite amp I’ve ever owned is a 4W Alamo Capri with a 10” Weber. It takes pedals unbelievably well, is super punchy at living room volumes, and breaks up gorgeously without killing the ears. I was so excited to see such an amazing guitarist preaching the same idea!
1989 - i show up to a recording session with my two most AWESOME amps (I was SO proud): a 1987 25/50 watt Marshall Silver Jubilee with 2x12" Marshall cab and a 100 watt Mesa/Boogie MkIII Simul-Class 1x12" combo. Everyone ooh'ed and aah'ed over my "cool" amps. Two hours later we still were not getting the sounds we wanted. The engineer - my best friend to this day - said, "Hey, why dont we try my little '71 Fender Champ ?" After a few chuckles we set it up, mic'ed it up....and for the rest of the afternoon we were tracking the BEST tones I'd ever heard in my life!!!!!!!
_It wasn't very large,_
_There was just enough room to cram the drums in the corner over by the Dodge_
_(It was a '64 with a mashed up door)_
_And a cheesy little amp, with a sign on the front saying "Fender Champ"_
_And a second-hand guitar -- it was a Stratocaster with a whammy bar_
Frank Zappa, _Joe's Garage_
Why Small Amps sound BIG in recording is because the Volume is not so loud the sound into the mic is more balanced and not so spiky as with big louder Amps...
Thanks for reuniting me with the Skylark, my first amp. Paid $35 for it. Paired with an Epiphone electric hollow body non-cutaway Granada, the rig was dubbed "The Feedback Machine." Although wattage impaired, I was always being told to "turn that damned thing down!" Like you, I always ran it at 10.
I had one of those back in the late 70s and it sounded awesome! Never thought I'd see one again, but there it is, and it sounds just as good as it did then.
Amazing tone... & great plain talk mate... definitely helps my search for a smaller, easy-lift rig...
Cheers for the high quality sound clips
Rhett... for a good laugh ... go back and watch Marty crank up the amp in Doc's lab in Back to the Future..., the one that blows him off his feet,... when he's dialing up the knobs you'll catch site of the model ... its a GA-5 !! Hahahahah ... Great video and great playing as always :-) Thanks Rhett ...
That why I love my old Silverface Champ so much; sounds great by itself, takes pedals very well, and the volume is not crazy, and it has tones!
Thank you-so glad you moonlight on Rick’s channel; what you add and offer on your own carries great value.
That and you play well too.
Within the last year I bought a Peavey Classic 20 MH (tweed) and a 1-12 matching cab. Could NOT be happier. Phenomenal attenuated amp that can be found for a steal.
It sounds like you could use new plate load resistors. That white noise is indicative of them going bad. Upgrade them 2w metal oxide and it will bullet proof forever.
Agreed that's annoying sounds like someone's taking a shower
White noise
Sounds like a skinhead band!
The amp is dimes you idiots!
Absolutely nothing wrong with that amp mijo’s
I have the same issue with my showman, gotta her looked at
Unfortunately it's pretty unavoidable when using carbon composition resistors, I learnt that the hard way after building a champ using nothing but carbon comps.
I just discovered the Pignose amp used by Frank Zappa for example. That things sweet- My thought is that, you should go for smaller, and if you ever make it to a big stage you can plug up your head or small amp to bigger speakers for the occasion. Small amps are so much fun because they break up so soon and get you to pay attention to your dynamics more.
Great points Rhett. Such a common sense post. I have always been amazed when people take equipment meant for a stage and put it inside in a room that is essentially a small enclosure. Of course it will be a different experience. Great channel.
I love these types of vids, “here’s why common perception is wrong”. Well done, sir.
I grew up with a Skylark in our living room, where there was also a heavy-a$$ Magnatone. Good times.
Ha! I grew up with an 81 Les Paul custom and a Princeton reverb. My old man had an AC30 too but he sold it in like 1990. Still have the other gear along with his 70 something martin D-28, and his first guitar a 65 tele. Pretty cool growing up in a rock and roll household.
I just found you and I don't know why not sooner. Just got one more subscriber, with notifications bell turned on. Great playing and maybe even better sounds.
I’ve owned many amps big and small over the years. I finally settled on two that I use all the time. A Carvin V3 head which goes to a 412 cab. And my house jamming amp a fender hot Rod Deville with 212s. I also run a pedal called the little black amp. It’s a volume control that runs through my effects loop. This allows me to crank those 212 speakers and amp until break up and then I just lower the volume. It sounds great and saved me a lot of divorce fees.
Layla... recorded with a Fender Champ 😉
I play mostly at home and I have a one watt Marshall JVM. It’s the 50th anniversary one made in England. Has an 8 inch speaker but I also have a 12 inch in a separate cab. I mostly use the clean channel with no master volume and I keep it cranked using the volume to clean it up if need be. I get the sound I crave to hear- real power amp distortion and speaker flap. It’s like going back in time. Now don’t get me wrong it can still be loud especially if I use a boost or go into the preamp channel. Most time I am on the half power setting ( yup .1 of a watt) and it’s a great volume for messing around. I can get champ sounds and basically cover the history of rock guitar with just the volume knob. People are in awe of a good one watt amp. There are 5 tubes in this mini beast and the quality of plug and play sound is amazing. Highly recommend low wattage amps
Is that the one with gold plating everywhere?
I have the Class 5, which is still too loud for an apartment setting. Your review of the 1 watt amp might have convinced me to pick one up.
I totally agree with u, I had a Randall 100 watts 4x12 several years when I was younger. As a MEtal head it cranked well, but after several years I realized they are heavy, especially for national tours, u end up turning the volume down, especially when u want to mic them, since the PA is the one doing the job, u also turn the volume down, for hearing better tour drummer, etc, etc, etc.
I moved to a Fender 2x12 and that´s basically everything I need now
Love small amps. I can't afford some of the really great ones, but I've gigged and jammed many times with a VHT Special 6 and love it. The thing is bullet proof, and its design let's me experiment with a variety of tubes for different tones. Great little amp.
Great video! I remember the great Terry Kath of the band, Chicago used to use a small Pignose amp to get those great guitar sounds in the recording studio. Ah, “25 or 6 to 4”
In the studio, all amps a huge amps.
Always got the best sounds/results out of amps under 50 watt and with a single driver
in my 40 plus years of recording.
I subscribed after seeing RJ interview you this past week. Great content/subjects. I have been wanting to go to a smaller amp size and your video was right on time. Thanks.
Waw the fuzz was really killer! Thank you for posting!
Whoa, what a monster tone! Sounds better with modulation than some 100w amps. Killer video, thank you! :)
Vox AC10 here. Not sure what would make me upsize.
totally agree. I went from 100 watt marshalls to 5-20 watt amps and get awesome tone and natural ovedrive without the decibel hangover
Great video. The Skylark sounds really good. My go to recording amp is my silver face Champ for many of the same reasons you mention here.
Rock on.
3:42 If that's "a little spring reverb," what's a lot?
@@CocoKoi321 I am fine with different sounds, but to say that was a "little" makes me wonder where the upper edge is. :D
I never get why people demonstrate 1 piece of equipment while masking the sound with another
@@Captain_Aardvark Well, I don't think that's what he did. You have to play some guitar, with some pickup configuration into the amp, so you start right away with some variation -- the amp and the guitar affect the tone. Then, I think he is trying to show how this amp takes on pedals, which is the next part of your tone modifiers. I have a Gibson GA20 RVT "Minuteman," and it was modified before I bought it. It sounds pretty good over all, but the reverb & tremolo don't work at this time, so it would be odd for me to use it with no effect pedals.
The purist in me says "that's not a spring reverb... THAT'S A DIGITAL PEDAL!"
It's a little spring reverb by Kevin Shields standards
I use a 15 Watt Fender Rumble Bass amp, I love using it for recording. It is a great little amp and gives a great bass amp.
I just ordered a Princeton with a 12" speaker, and this vid made me even more excited for it to arrive. Great stuff, subbed.
I've owned quite a few tube amps over the decades, including 100 w and 50 w Marshalls, mostly combo's. But THE ONE AMP I wish I still had today, was my little black face Fender Champ. Everyone went nuts over that little amp, it was SO sweet.
Totally agree! Small is the way to go! For gigging I use a Vox AC15, but even that can be too much in certain rooms. For practice and recording I have been using a Fender Champion 20 that I bought used at Guitar Center for $25. For a cheap little 20 watt solid state amp with an 8" speaker it sounds amazing. Thanks for the great videos. Always enjoy your perspective!
Can you gig with this amp?
I brought a small amp recently for £40.... I wish I'd have done it sooner, they don't need to be fancy tube boutique amps to sound good. Mine needs help with a reverb pedal, I had been playing through 70 watt, 100watt amps turned low, and I wish I'd have just sold them after I stopped being in bands . Better late than never I guess.
I agree with this video wholeheartedly, but lets face it- To get a loud, very clean tone, these low wattage amps just don't cut it. Depends on style and genre of course, on how important this is. I've played a lot of jazz and funk, where things need to stay pretty clean. Of course at home and in a studio with mics, not so much of an issue. More of a live performance issue.
Exactly...once you add a drummer, loud clean is out of the question!
That is what the '59 Bassman is for
@@fullclipaudio Hell yeah! A true legend.
This doesn't really matter if you have a mic and PA and know how to use your volume knob. Clapton kept a mic'd up Champ behind his inactive Marshalls back in the day.
@@TheAlpineProject Really? Why would I want my tone jacked up by an SM57 (frequency response looks like a rollercoaster) and some crappy house PA system when I can blast a place with a 30 watt combo? Very few local venues require more than that.
I agree so much. 4 years ago, I went to a tweed deluxe (5e3 circuit) clone build by a non-professional local tech.
It sound incredible
I use it live in outdoor stage without micing it and it was just great, I only raised the volume to 3 instead of 1.5 on rehearsal.
Today I'm considering an even smaller amp like a champ or a priceton.
Glad I found this channel!! Amazing camera work
This was a great video. Thanks. Nice to have a support system for us small amp people...I always liked that you could crank a low wattage amp and get that saturation going on, but after this I may go even smaller than I've done before. I hit the sub. Interested to see what else you've got to say. It's an education just reading the comments you drew from this vid.
I have a GA 40-t Les Paul Crestline 1962. With receipt and schematic and original Gibson tubes.
Great video. You’re SO right about many famous and LOUD, with sustain, songs- have been done with small amps
Thanks for the video I've been using a fender Princeton reverb for 40 years solid, it's all I ever needed
Just found you and have no idea who you are, but damn, Brother, you can jam! Nice video.
Trying to find my first guitar amp. This helps alot. Was thinking about a Super REverb. Now expanding the search. Thank you and keep doing what you do. drb St. Augustine, FL
get a princeton if you want those tones at a “quiet” volume. Not the quite the same but similar
Nice! I've had a '64 GA-8T Discoverer and a '61 GA-6 Lancer. Phenomenal tones, the old Gibson amps are real sleepers.
Sounds great! My journey begins.
I did the same thing. My first amplifier was a Fender Vibro Champ. It fell into non use and time took its toll. When I finally grew up a bit musically. I went back to that old Vibro Champ, but it was to late. I plugged it in and let the magic smoke out. I had the amplifier worked over by the guys at Kendricks. I use that old Vibro Champ for almost everything now.
It's funny, but I feel that I have come full circle.
Love the sounds, want to use a strat and tele to get some or all of those sounds! Were the best sounds with humbuckers although! I'm gonna try and find that amp! I do have a fender deluxe with some modeling that sounds good! But I love your demo with fuzz and tremolo sounds great! Where's a good place to find a skylark? Thanks for a great video, I subscribed to your posts!!!
I really appreciate how informative you are thanks so much!!
sounds fantastic! Loved the ambient sound
I have a '58, and a '64. I absolutely love them.
All the stuff he said he very true for a certain type of style of music. I play metal. I understand that 100watts of tube is not needed at all. But high wattage amps sound better and more clear when tuning lower then traditionally. And in metal pre amp distortion is what most guitarist are after. It's fun to have a low wattage amp and crank it though. Awesome video!
The bottom end and tightness of bigger amps is unmatched by small amps , you notice the chug esp from lower tunings from the different tubes , bigger transformer, higher wattage and power amp push compared to smaller amps . I have a 15 watt 30 and 90 watt amp , there is a difference . But for light blues , rnb it's fine not for metal like you say
@stephentherarabear get a big amp crank them side by side to a decent Drum level and come back and comment. Don't get lower than 30 for metal with a full band if you want tight low chugging
Rhett loves FX, and isn’t necessarily chained to analog ones either. But his comments are really directed to music styles that employ subtle approach’s. Metal is not noted for this, and higher wattage probably is better adapted to it. Punk would be another genre that isn’t going to benefit from what he is talking about. Nothing wrong with either type, and no one ever said one size fits all. But the headroom/breakup foundation that so many studio players want is in these smaller amps. Next time we’ll talk about schlepping big stacks around and what it does to the back.
@@Snoopdave2000 thats how I see it too, I gig a 22 watt fender and I can make it do most things from clean to searing leads. The one thing it simply wouldn't do well at all is metal, it just doesn't have the low end thump or the tightness, even when put through a bigger cab.
Absolutely an awesome video and thanks for sharing your tips .
A few years ago I bought a Fender Greta, one of their Pawnshop series of amps, it's a little 1 or 2 watt amp that looks like an old tube radio. I'm a bass player and wanted a small amp for practicing guitar on. Later I got an Orange 1x8 8 ohm external speaker to use with it, adds a bit of volume and really improves the tone. When my band went into the studio last year to record, we were stuck on this one song that needed a heavy power chord rhythm guitar sound, so I set up my little Greta rig, the engineer mic'd it up, and I cranked it wide open and played the part we were looking for. Sounds awesome on the final recording. Sadly Fender discontinued the tiny Greta, but I got mine and plan on keeping it. Fits on a bookshelf and has actually proven useful for more than just living room practice.
Before I watch the video: I love smallp amps, I find it easier to get a grittier tone but I can also get a lot of space from the room. I record at home and I use a small diaphragm condenser (some audio technica mike that comes bundled with others for a drum kit) an SM57 and I recently bought an AKG P420.
I haven't used the AKG on an amp but it works wonderfully with the acoustic guitar, the mike being on omni with the dB pad on
The late great Rory Gallagher used an AC30 for his sound, miked up to Marshalls for the bigger gigs. That way he could always drive the Vox at its sweet spot.
Well put, you have philosophized my cheat sheet for recording. Don't need those huge amps to get a recording level, and I get the proper break-up, tube sat, when turned up to those high levels on a "low" powered amp. My Fender Bassman 20 was a beautiful investment on this note! GREAT video and demo of rock n roll tech psychology! To boot, if you buy tubed gear the watts are a lot louder than not, there is less energy being emitted as heat instead of vacuumed signal, cleaner, purer, more efficient, but yes heavier - Arr, another reason to buy small! That was the dilemma with solid and modelers, hence, they had to increase the wattage to achieve similar levels. You just reaffirmed my decision to by an old fender of low watts! Thanx, Rhett, and God bless, friend.
Your bass tones are overlooked. All your tracks you play bass on the tone is just killer
Broke down and bought a hot rod DeVille for my gigs after my band mate left for college and I could no longer fiend off his orange stack. Don’t get me wrong, it’s a great amp, but it’s nearly unusable in bedroom recording settings and I always have to keep it quiet on stage. Just glad I’m learning this lesson at 17 instead of 37.
If the amp is too small the sound will be too thin and wont cut through the drums
Im 54 and have been around the block,I use a Marshall combo 100w and a fender deluxe 100w and A B them toghether with my guitar processor so when i need lower sound for small gigs i can limit that with my volume peddle and when i have an outdoor gig i have the two amps opened up to make a full sound to cut through.also angle the fender in on the stage so the band gets a monitor feed..There is lots to learn
I run my Egnater at 1w with a hard hitting drummer and my bass player still thinks I’m too loud. And that’s with a lot of headroom to spare. Every time I buy what’s meant to. E a primary amp, I get one with less wattage: 100w Marshall-> 30w Vox-> 30w Egnater run low wattage. My next amp might be a 5-10w Fender or Vox...
Also you can just about always mix it...
Try a 12AY7 in the first gain stage. Makes it a LOT more usable at lower volumes, which are there, now that there's not a 100 Mu 12AX7 in the first stage.
i use a fender blues deluxe and have NEVER had to push it past 4.
Hmmm... I kinda wonder about the low end and overall range. Like what if you hooked it to a 4x12? That Pedal Show did a recent video on small amps through big speakers... would be curious with this one
I originally used a fender super reverb (4x10” speakers). After I got tired of lugging that thing around...
I got a vox ac10c1 (1x10” speaker) and I’m soooo happy! Totally loud enough for practice and most gigs. If the place is big enough that the ac10 needs to be louder they have a PA to mic it. Also, keeping the stage volume lower is really nice. Sounds great clean or dirty. I’ve been on the small amp train for several years but wish I had switched much earlier.
Had a Gibson GA5 thirty plus years ago, great amp. I went through the giant amp phase and they were great when I was young and. they didn't seem to weigh a ton. Now at 65 I just don't want to lug a ton of crap somewhere and play with the volume on 2. Nowadays I play through a 1971 Gibson G10 with a Jensen C10R speaker and mic this into a modified Fender Excelsior Pro. It's a great sound for the early 60's rock and roll that I love so much. Also the Fender won't break my back loading and unloading.
My little amp is an Alamo Challenger. I never miss my bigger amps when I plug that tone machine in.
Aaron Duck I had one of those suckers when I was a kid. Never realized what I had until much later after I sold it.
Great video, Rhett. With respect to the single-knob low-wattage amp category with headroom, check out the Benson Vinny (1W). Cheers!
Thank you for enlightening some of us to these amps…Stuff built from around the time I was born! Thank you for restoring my faith in some of the youth today, you have talent and a good head on your shoulders!
Completely agree.Blackstar 5W here. I love it. Big places have PAs anyway, so you get your sm57 out and you're good.
09:16 oh wow. WOWWWW
oh and By the by I actually have a Skylark here at home thanks to your video, and I am still very happy that I followed your recommendations.
Oh man, you're goddamn right! When I first started to look for an amp, small tube amps caught my attention, mostly 15w amps and even lower wattage amps, but when I told my cousin, my biggest refference on the subject, he told me "you'll need a bigger amp", "no one will hear your guitar with a 15 watt amp", "you need, at least 30w to cut through the mix", etc. Oh man, he was sooo wrong. See, I live in Mexico and most of the 30w tube amps are expensive as fu...n. So I thought " If I can't afford to buy a 30w amp, maybe I'll invest on my pedalboard" and that's what I did, naively thinking the wattage was everything. Anyway, the band splitted up, and finally I decided to get a small 4w amp, a Vox Ac4. Holly shi...ft! That thing is loud! My cousin couldn't believe how loud the amp is, but the most important thing, it sings! The tone, the warmth is finally there... I could have played all of my gigs with it and still, my bandmates would've asked me to turn the volume down (and they did, last year when we all met to gig and have some beers).
Now that I've learned the lesson I try to warn people about the wattage myth: the most important thing is tone! If you gig regularly, you know that most decent venues have a soundboard, and if your volume is not enough you can alway throw a mic in front of your amp. But if you prioritize volume, you may not be able to reach its sweet volume spot, you may not like its tone, and if you reach the sweet tone/volume spot it may be too loud for most of your venues and you'll end up carriying a heavy set for a mediocre tone
Had one sitting in corner of my studio for 25 years. Finally replaced caps and put a Jensen c10q in it. Wow sounds great. Very clean cranked and bright therefore it is extremely pedal friendly and easy to sculpt the sound you want.
i totally agree with you about low-watt amps...
i bought a new vox ac4-c1-12 a few years back & i love it...
it's simple to use, records well, & it sounds HUGE!
Alright!..
*buys a fender mini tweed*
The OG of Tone.
I've recorded guitar from danelectro backon'n'eggs once. It's sounded right for this record 😂
*buys a marshall ms-2*
Niceee
Built a 5w all tube amp a couple months ago and its amazing how loud even 5 watts is
I put a Smicz tube adapter on mine.. Drops it to 1+ watt of real pentode tone.
Picked up a '66 Sound Projects R203 not long ago, 2.5 watts class A through an 8" alnico...if you ever get the chance to check one out, they're amazing
@@jasondorsey7110 I'll have to look into that
J. Chandler Stewart in Media PA (outside of Philly) is an electrician who got sick of carrying around huge loud amps to gigs. He makes awesome hand-wired amps that sound great and won't break your back. He even tunes the amps individually for your tastes, so if you want to fuzz out you can. His amps are truly stellar.
You absolutely moved me with your playing and tone What you're saying about small, low-watt amps is true. I hadn't heard the Gibson until now.
I use a 15 watt Fender Super Champ with a boost and it sounds awesome. Great video. Sounds amazing!
PJ Cobarrubias have you tried it with band practice?
I also have the Super Champ XD, killer amp..
Great lil amps for sure . Very versatile !
Crank the power section into breakup don't need the boost unless it has no preamp gain
Just ordered the exact same one! my rivera 15" breaks my back!
I giged my ancient tweed Champs for a long time. Ran her wide open with a mic. Used the guitar's volume knob as a channel selector. Let the monitors handle the stage volume and the PA handle the room.
Christmas, 1964: my dad received a Sears guitar and a Skylark GA-5 amp. The amp was missing for about 20 yrs after he & my mom broke up. My old man passed away in 1997.
In 2003, I found his GA-5 and began trying to restore it. Back then, it took the amp tech a year to find NOS tubes! Crazy.
I’ve spent some cash to have it restored but it’s been worth every penny. Now my son (a college student,semi-pro guitarist & Rhett’s biggest fan, LOL) uses it. Sure the amp sounds great but it’s cool to know three generations of family guitarists have been able to enjoy that little Skylark.
I've got a Gibson Falcon of the same era and I love it. It's trem is just amazing. It's not for everything, but it's got a great worn in Jensen and just sounds so "full".
doublestrokeroll Gibson’s trem was the best of the bias trems hands down.
My first amp was a Falcon I got for $50. It's a sin that we sell our old stuff to buy new stuff. I've stopped doing that, but not before selling a lot of stuff I regret. 😕 Oh, btw, I used the line out of the Falcon into my Dual Showman to get a more saturated sound. Both have been gone for over 40 years.
doublestrokeroll it’s good for everything except metal.
@@mateodelcastillo7186 It struggles a bit with rock too. It's a very clean amp. I prefer to not use pedals whenever possible but if I want some good solid rock tones out of the falcon I need to add a pedal.
The clean sound is very good but it does have a bit of a nasal quality many don't like and I get why. Personally I don't mind it, but I'd admit the pure "fender" clean is a little nicer to my ear. But it's a unique sound with an amazing Tremolo and I like the fact it doesn't just sound like a Fender.
Falcons are amazing. I have one with a Weber alnico. Ridiculous amp for $300.
This amp sounds amazing! Must start lottery.
I've been using the Fender Blues Jr. Tweed for a real overdrive sound. When I need a clean sound, I just roll off the volume knob on the guitar, sounds amazing! Peace
First amp I bought back in 1986 when I was a beginner was a 50 watt Marshall head. I didn't have a cabinet and thought I was going to plug in a home stereo speaker. Needless to say, I got it home and it was way louder than I expected. I packed it up and took it back and bought a Marshall 4203 30 watt combo. I remember telling the guy, "it's too loud!" I still have the 4203 which is also loud. It powers a 4x12 just fine.
I have a 1953 Magnatone that sounds similar to this Gibson. It's also a 5 watt beast!
Damn!!! That amp sounds tasty AF!!😮
Heard one of these for the first time Thursday afternoon at the Music Guild in Danbury CT. Wow!
Dude this is some quality sound and video. Love the massive sound comming out of that tiny little monster
Hey Rhett, good stuff, I like it . My last couple gigs I did with a Blackstar HT-5 head through a TRM hybrid 2x12, closed back and ported on one side and open back on the other side with Celestion 90th anniversary and alnico gold respectively. Killer tones and no complaints :0) Fun....
The older you get, the more the amps shrink LOL
Ted Hoffman truth. I’ll never own a stack again unless I’m touring stadiums. Then again, probably not then either.
As some one who use to play out alot yes stack and even half stack are a pain to lug around all the time.
Drum sets too!!! I only carry the bare minimum to gigs. Turns out you don't get paid more to carry more lol!
Is your profile pic a 1950 fender Stratocaster sea foam that's 899.99$? If so how do you like it Im thinking about getting one
That's because our backs like to remind us of how old we're getting!
Very well done...thanks!
Nothing sounds better than the swampy, boxy, bluesy drive sounds of a small vintagey amp screaming it's guts out. It just sounds so good for blues, blues rock, classic rock, SLIDE, etc. Bonus for it not blowing your walls down or knocking your house off it's foundation, lol. I currently have a Bassbreaker 15, which, unlike a lot of Fender tube amps, isn't insanely loud for it's wattage. What it does do well is deliver a great number of awesome tones. I ended up shelving all of my dirt pedals- because I don't need them. All I use now is a pedal tuner, a univibe, and a tremolo.
"RMS" that's the differnce between 37w and 37w RMS. Listen to how loud 1w RMS actually is if you get a chance ;)
Larry Carlton - Tweed Deluxe and Princetons when he was recording the Steely Dan stuff. What tone is better than that?
Gilmour's "Live at Pompeii" tone?
Your experience made me change my mind w.r.t my fender champion 20..
... Thank you 🤝
I believe the 10 watt was the "Minuteman" which was usually seen along with a Melody Maker or an SG "junior". Cheers !