I understand your videoing restrictions. However they are well used and show more or less what you are doing. I love the sound change at around 1.30 that's where the organ really sings to me.
Great way to get spoiled!! Thank you for the compliment, I have known this melody for a long time, but never recorded it before. I have no doubt KG would have recorded this one if he had lived longer, but it was written several years after he died.
@@HAMMONDGuy-B3X66 Yes, it certainly speaks Ken Griffin in the same sweet tones. I wish you had such videos when you were producing all those great CD's. I am enjoying seeing your interesting playing style which is renewing my enjoyment playing these again and visualising seeing yow you produced the effect of virtually three people playing at once. Back then I pictured you adding pre-played sections in the audio editor and now surprised how little of that you had actually done.
@@swipewrite As I imagine Ken did, I did a considerable amount of overdubbing on my previous audio CDs, but video is a different ballgame now. The only overdubbing I do now is perhaps playing other instrumental parts, like a celesta or a guitar or saxophone ahead of time, and then the video of the Hammond is real time. I only have two devices at the present that can serve as video cameras, one of which is an iPad which I also use to do my guitar simulations, so obviously I can't use it as a video cam when I'm also using it as a guitar which is why I never show any of my iPad or keyboard playing in the videos. I generally record these ahead of time and then just do pretty much what I did when on a gig with a band, and just play the Hammond along to my previously recorded other instrument sounds. I keep the second camera on a low tripod overlooking the Hammond's pedals so I can use that if I think I might be doing some interesting pedal work. So basically the extra audio sounds (not the Hammond) are overdubs, and the Hammond videos and its audio are real time, so I use every playing trick I know to get it to sound like I have extra hands if it is physically possible!
![fellow fellow - พรุ่งนี้ไม่มีใครรู้ feat. INK WARUNTORN [OFFICIAL MV]](http://i.ytimg.com/vi/QP6JyjYx_W0/mqdefault.jpg)
I understand your videoing restrictions. However they are well used and show more or less what you are doing. I love the sound change at around 1.30 that's where the organ really sings to me.
Wow, getting spoiled here. Another great uplifting arrangement. The first time I have heard you play this song.
Great way to get spoiled!! Thank you for the compliment, I have known this melody for a long time, but never recorded it before. I have no doubt KG would have recorded this one if he had lived longer, but it was written several years after he died.
@@HAMMONDGuy-B3X66 Yes, it certainly speaks Ken Griffin in the same sweet tones. I wish you had such videos when you were producing all those great CD's. I am enjoying seeing your interesting playing style which is renewing my enjoyment playing these again and visualising seeing yow you produced the effect of virtually three people playing at once. Back then I pictured you adding pre-played sections in the audio editor and now surprised how little of that you had actually done.
@@swipewrite As I imagine Ken did, I did a considerable amount of overdubbing on my previous audio CDs, but video is a different ballgame now. The only overdubbing I do now is perhaps playing other instrumental parts, like a celesta or a guitar or saxophone ahead of time, and then the video of the Hammond is real time. I only have two devices at the present that can serve as video cameras, one of which is an iPad which I also use to do my guitar simulations, so obviously I can't use it as a video cam when I'm also using it as a guitar which is why I never show any of my iPad or keyboard playing in the videos. I generally record these ahead of time and then just do pretty much what I did when on a gig with a band, and just play the Hammond along to my previously recorded other instrument sounds. I keep the second camera on a low tripod overlooking the Hammond's pedals so I can use that if I think I might be doing some interesting pedal work. So basically the extra audio sounds (not the Hammond) are overdubs, and the Hammond videos and its audio are real time, so I use every playing trick I know to get it to sound like I have extra hands if it is physically possible!