Sehr schön gespieltes konzert von vivaldi das op 10 nr 3 in d dur der stieglitz alle 3 sätze sehr genau und wirklich genau wie antonio vivaldie es vorschreibt grosses lob an james galway dem orchester und dem dirigenten
EXACTLY. THE LARGO MOVEMENT. SUBLIME IS THE WORD. AMONG THE ALL-TIME BEST PIECES OF CLASSICAL MUSIC ---THAT MOVEMENT. Galway plays it slightly too slow IMO. Vivaldi wouldve wanted it SLIGHTLY faster
Il Gardellino est un ensemble belge de musique baroque créé en 1988 sous l'impusion du hautboïste Marcel Ponseele et du flûtiste Jan De Winne. Il Gardellino (Damme - 2012) Description Modifier L'ensemble tire son nom du concerto (op. 10 n° 3, en ré majeur, RV 428) pour flûte, hautbois, violon, basson et basse continue d'Antonio Vivaldi : Il Gardellino (de l'italien cardellino qui signifie chardonneret). Cet ensemble travaille à l'occasion avec d'autres formations telles que la Cappella Amsterdam et le Gesualdo Consort. Parmi les musiciens réguliers figurent les violonistes Ryo Terakado (de), François Fernandez ou Sophie Gent (de), Mayumi Hirasaki, Joanna Huszcza, le claveciniste israélien Shalev Ad-El, le gambiste Vittorio Ghielmi (en) et les violoncellistes Michel Boulanger ou Hervé Douchy. L'ensemble a fait de nombreux enregistrements pour les labels Accent, Klara, Eufoda, Signum ou Passacaille. Des voyages de concert l'ont amené dans la majorité des pays européens, en Amérique latine, aux États Unis, en Russie ou au Japon.
@@alhdgysz dynamics in general are incredibly a new thing for modern orchestra. So here you are right. The discussion on dynamics could last hours because there are someone that say p or f is just an idea the musician has in his mind and pass to the audiance, other say p is p, and f is f, stop with bullshits just beacause you can't do it. And then there are exagerations....bad taste really, and a lot of period instrumentist once (1980-till now) used to simply force everything in the execution of frasing. More can be said about baroque/rococò dynamics range: period instruments could not play so pp like the modern ones. Then you mention vibrato....I saw guys stop talking to each other for a matter of vibrato!!! Ahahah and I'm not jocking. Galways is old school, my friend, but with intelligence: if you notice here he isn't a fucking goat. He uses it gently or sometimes not at all (and for Galway is a real happening!!). I end saying that we don't know exactly if 300 years ago every musicians existing on earth didn't use it at all or somethimes or when the Devil knows!
@@marcolucca6241 IF you want to play in style you cannot use ANY vibrato. This comes from the fact that in period instrument you really cannot do it (finger vibrato is your only option). And yes, Galway really did an effort here, but that is not enough... Here are some samples of this (vibrato and bad tone quality) 0:30 1:17 1:41 2:28 3:18 3:49 4:00 (the whole 2nd movement is a tasteless mass of vibrato) 7:13 Get tired of it....
@@alhdgysz "on period instruments you can't do vibrato" you say....FALSE! think of violin or flute, maybe oboe is more difficult to do vibrato. Human voice, guitar, lute...almost 90% of baroque era instruments can do vibrato, but is evidently a different vibrato not a romantic one of couse. Classic example: at the end of a long introduction note you can do it, but obviously with the taste of the era, let's say, 70% port de voix andthen you start vibrato
@@marcolucca6241 on a wooden baroque flute it is tremendously hard to do any nice vibrato. Therefore it was not in fashion. However later, on the metal flute vibrato got easier, and we would like to add to the baroque music. However this is a really bad idea from stylistic standpoint. So baroque (flute) music ment to be without any vibrato.
James plays so well, the notes fly like a honey bee fleetingly, landing on flowers on a merry journey, that never ends 🙂
It is one of the best performances of this concert.Great Galway!
Gracias Dios por tener el deleite de escuchar lo que pones de talento en hombres como estos.
Second movement is absolutely beautiful
My favorite super flutist ❤️🙌🏼
Sehr schön gespieltes konzert von vivaldi das op 10 nr 3 in d dur der stieglitz alle 3 sätze sehr genau und wirklich genau wie antonio vivaldie es vorschreibt grosses lob an james galway dem orchester und dem dirigenten
The homophony of the first movement with the octave jump down in the main theme is so powerful
MERAVIGLIOSO IL TUTTO!!!😍
The melodic theme at 4:00'' is just sublime.
EXACTLY. THE LARGO MOVEMENT. SUBLIME IS THE WORD. AMONG THE ALL-TIME BEST PIECES OF CLASSICAL MUSIC ---THAT MOVEMENT. Galway plays it slightly too slow IMO. Vivaldi wouldve wanted it SLIGHTLY faster
God bless them all. Great orchestra and conductor as well.
The flutist touches my inner chords.
1st movement: 0:00
2nd movement: 4:00
3rd movement: 6:43
The conductor's smile is just infectious
Noooooooo nnnnoooooo
Uuuuuuuuuuuu
Felicitationspour cette tres belle version👏👏👏
C trop beau j'ai écouter ça pour un de mes devoirs
El "tono" del Maestro James Galway excelente...el del Maestro Ignacio Guzmán..... Sin palabras....en La OSX....
Antonio Vivaldi es uno de los mejores músicos de la historia. Un genio.
Perfect double tonguing, so beautiful
Lindo, Belíssimao, Envolvente, Maravilhoso, e Estimulante Fisico e Mental. Graças ao Compositor Antinio Vivaldi.
Bravo! Just inspiring
Excelente intérprete, deixou sua sensibilidade nesse concerto.
Complimenti un bell concerto
Recorded in the Sala del Maggior Consiglio, Palazzo Ducale, Venezia. Listen to the music and admire the paintings.
Bravo !!!
Sehr schöne Interpretation vom Maestro!!
Très belle version de ce Gardellino
Il Gardellino est un ensemble belge de musique baroque créé en 1988 sous l'impusion du hautboïste Marcel Ponseele et du flûtiste Jan De Winne.
Il Gardellino (Damme - 2012)
Description
Modifier
L'ensemble tire son nom du concerto (op. 10 n° 3, en ré majeur, RV 428) pour flûte, hautbois, violon, basson et basse continue d'Antonio Vivaldi : Il Gardellino (de l'italien cardellino qui signifie chardonneret).
Cet ensemble travaille à l'occasion avec d'autres formations telles que la Cappella Amsterdam et le Gesualdo Consort.
Parmi les musiciens réguliers figurent les violonistes Ryo Terakado (de), François Fernandez ou Sophie Gent (de), Mayumi Hirasaki, Joanna Huszcza, le claveciniste israélien Shalev Ad-El, le gambiste Vittorio Ghielmi (en) et les violoncellistes Michel Boulanger ou Hervé Douchy.
L'ensemble a fait de nombreux enregistrements pour les labels Accent, Klara, Eufoda, Signum ou Passacaille. Des voyages de concert l'ont amené dans la majorité des pays européens, en Amérique latine, aux États Unis, en Russie ou au Japon.
So beautiful sound!
"La flauta de oro", el maestro James Galway. Grandísimo.
Excelente James Galway.... Hace muchos años...mi Tío Ignacio Guzmán.... acompañado por la OSX.... IGUALMENTE la interpretó!!!!!
I like it perfect
MERAVIGLIOSO
Ravissant !
Sir James Galway grande flautista tem um timbre espetacular (Fernando Terruel ).
Excelente... sin mas palabras...
Sublime
Omg so cute ahhh
HERMOSO
Eccelso gardellino e naturalmente i solisti veneti!
The flute imitates the song of the bird Goldfinch 🤗
Very, very nice. Alison played the flute at one time.
Супер! Вивальди слышит! Vivaldi entend!
Perfect tone and very natural interpretation, not like some foolish
Nope. His dynamics are waay off, and you don't put ANY vibrato into baroque music....
@@alhdgysz dynamics in general are incredibly a new thing for modern orchestra. So here you are right. The discussion on dynamics could last hours because there are someone that say p or f is just an idea the musician has in his mind and pass to the audiance, other say p is p, and f is f, stop with bullshits just beacause you can't do it. And then there are exagerations....bad taste really, and a lot of period instrumentist once (1980-till now) used to simply force everything in the execution of frasing. More can be said about baroque/rococò dynamics range: period instruments could not play so pp like the modern ones. Then you mention vibrato....I saw guys stop talking to each other for a matter of vibrato!!! Ahahah and I'm not jocking. Galways is old school, my friend, but with intelligence: if you notice here he isn't a fucking goat. He uses it gently or sometimes not at all (and for Galway is a real happening!!). I end saying that we don't know exactly if 300 years ago every musicians existing on earth didn't use it at all or somethimes or when the Devil knows!
@@marcolucca6241 IF you want to play in style you cannot use ANY vibrato. This comes from the fact that in period instrument you really cannot do it (finger vibrato is your only option).
And yes, Galway really did an effort here, but that is not enough... Here are some samples of this (vibrato and bad tone quality)
0:30
1:17
1:41
2:28
3:18
3:49
4:00 (the whole 2nd movement is a tasteless mass of vibrato)
7:13
Get tired of it....
@@alhdgysz "on period instruments you can't do vibrato" you say....FALSE! think of violin or flute, maybe oboe is more difficult to do vibrato. Human voice, guitar, lute...almost 90% of baroque era instruments can do vibrato, but is evidently a different vibrato not a romantic one of couse. Classic example: at the end of a long introduction note you can do it, but obviously with the taste of the era, let's say, 70% port de voix andthen you start vibrato
@@marcolucca6241 on a wooden baroque flute it is tremendously hard to do any nice vibrato. Therefore it was not in fashion. However later, on the metal flute vibrato got easier, and we would like to add to the baroque music. However this is a really bad idea from stylistic standpoint.
So baroque (flute) music ment to be without any vibrato.
Lindo!
What a good interpretation !
Nope. His tone is thin, and he uses vibrato in a baroque poece....
Wonderful. But did tis video get cut off with anyone else?
Cool.
😍😍😍
المقنين الزين
Meu Deus q lindo. Parece um passarinho mesmo
Por incrível que pareça, acho Vivaldi melhor que funk e sertanejo universitário!!!!
@@luizeduardogomespinto846 kkkkk comparando Vivaldi a isso?Que pecado
Non tiengo palabras
THE FATHER OF ALL WE ARE BABIES
Ufffffffffffffffffff....!!!
This would be good for rap samples, but in reality, a lot of classical music can apply to this, but this felt special to me.
de pana
Lo más cercano a Dios.
붉은방울새
ヨーロッパの冬ですね。
🇰🇷🇰🇷🇰🇷🇰🇷🇰🇷👍👍👍🙂🙂🙂😇😇😇🙏🙏🙏🙏🙏🙏🙏
Documentarse bien. "Il cardellino" (el jilguero), no "il gardellino" (¿?).
Quietly leads them, as soloist, on his terms. And then fades in and out in an Irish folk way. Your turn, now mine...
I hate the camera work. Why show all those paintings when what matters is to see the flutist playing?
.
VIBRATO IN BAROQUE PIECE?????!!!!!!!!
Its interpretation, isnt a competition
Perfect double tonguing, so beautiful