I’m surprised that no key signatures are used at all. Even at this level of chromaticism, key signatures would make the large-scale key areas more legible. The only section that should use accidentals to spell out all keys is the development section of the first movement.
..no sé cómo puede uno gozar de la belleza en medio de tanto dolor y la música de Turina lo consigue, será que allí donde hay amor hay dolor.
Not too long, tuneful and not excessively difficult: the absence of this work from the common repertoire is a crime!
Me alegra que este vídeo tenga 43.000 visualizaciones al menos
fab music,,, bravo! so good these unknown composers are being heard at last
Very beautiful and sensitive music.
Grateful to have the score - thank you.
Por cierto, la partitura tiene indicaciones manuscritas del propio Turina ;-) maravilla
Gracias por notarlo
Wonderful music. Turina is the best!
Turina in first three measures: Okay let me write something in this new style everyone's talking about...
Turina after: Nah
great music! thanks for the score!
I’m surprised that no key signatures are used at all. Even at this level of chromaticism, key signatures would make the large-scale key areas more legible. The only section that should use accidentals to spell out all keys is the development section of the first movement.
Actually, Turina never used any key signature after his Opus 19 (1917?). I find it curious too.
Hi! Could you send a score of this piece? I will be grateful!
It's on public domain, you can find it here: digital.march.es/turina/es/fedora/repository/jt%3A25283 :)
Thank you sooo much!
one more question: voices for violin and cello are not available, true?
I don't think so, sorry... I'm afraid you'll have to pay for the book if you want them