Jules Massenet: Werther Pourquoi me réveiller Werther - Jonas Kaufmann Charlotte - Sophie Koch Conductor / vezényel: Michel Plasson Opéra Bastille 2010
He has the perfect voice and the perfect look for this role. I am french, and I can tell you his prononciation is good. Of course, I can tell he's not french, because of his little accent, but I can understand every word. And I cannot imagine how hard it must be to sing in french for non native speakers. In my opinion, it's way harder than German because of these damn vowels.
Though I generally don't like him as a singer, I must admit, he meets my imagination of how Werther looks like just perfectly. And speaking of French, the German sound system is surprisingly close to French, and the only things absent in german is the sound in the beginning of "oui" and nasal vowels
Werther en personne ! Incroyable interprétation,merveilleuse musicalité,impossible de faire plus beau. Et,pour ceux qui critiquent sa prononciation,je dirai simplement que j’adore son petit accent et que je le remercie de le chanter en français,ce qui est terriblement difficile pour un artiste étranger. En plus,il a une excellente diction puisqu’on comprend tout ce qu’il dit ! Comment critiquer un artiste doté d’une telle musicalité et d’une telle sensibilité,avec une voix aussi belle ? Vraiment je ne comprends pas.
Je n'ai pas eu l'occasion de lire ces critiques auxquelles vous faites allusion....mais suis tout à fait d'accord avec vous pour reconnaître l'immense talent de cet interprète qu'est Jonas Kaufmann !...
J'aime beaucoup Kaufmann dans d'autres registres mais à mon sens ce rôle-là n'était pas pour lui. Dire par ailleurs que son défaut de prononciation est négligeable et donne même un certain charme à son interprétation me semble un peu abusif : avoir ainsi le sentiment qu'un chanteur d'opéra ne saisit pas le sens de qu'il chante, la portée des mots qu'il prononce, c'est quand même un peu gênant, ne trouvez-vous pas !? Bref, encore une fois j'aime beaucoup la voix de Kaufmann mais pas pour ce Werther de Massenet, lequel, rappelons-le à d'autres commentateurs... n'était pas vraiment allemand.
Que voz maravilhosa!!! Voz máscula, escura, potente e bem projetada! Barítono com extensão até notas de tenor dramático! O melhor dos tenores após a era de Pavarotti, Carreras e Domingo!
@@Mariano-ge6de Son incontables los tenores que han interpretado Werther. La lista es larga. Algunos ejemplos: Domingo, Carreras, Corelli, Pavarotti, Vargas, Kraus, Di Stefano, Alagna, Tagliavini, etc.......
@@lifeisgood3087 Pavarotti nunca interpretó la ópera completa. Para mí Kraus, Thill, Gedda han sido las referencias en este papel. Kaufmann es un tenor con un canto de gola forzado que me duele al escuchar.
@@Mariano-ge6de Estoy en desacuerdo totalmente. Kaufmann no es engolado. Lo confundes con su timbre, tessitura y color de heldentenor. Kaufmann es cualquier cosa menos engolado.
“Para ser un gran Werther un tenor debe ser carismático pero libre, vocalmente apasionado pero etéreo. Mr. Kaufmann es ideal para el papel. Canta con su color oscuro, combinando cálida intensidad viril con poderosas notas altas. Hay una capa oscura muy suya en su sonido que presta una velada calidad al Werther de Mr. Kaufmann coincidente con la psicología del personaje.” Anthony Tommasini (crítico de música clásica del New York Times, pianista y escritor, gradudado en Yale y doctorado en Artes Musicales en Boston). Existen críticas similares de varios especialistas.
C’est un moment unique et merci de le partager. Le regard de « Charlotte » et son émotion ajoutent aussi à la beauté tragique de ce moment. Dommage que l’opéra Werther ne soit d’une telle intensité d’un bout à l’autre. Pas un fan de Massenet, personnellement.
eragonevb shows how many people truly misunderstand the voice and GREAT opera singers. Not a different age in singing but a COMPLETELY different approach. Some won't agree because they don't have the knowledge or understanding of vocal sounds and functions of the past greats. Speech therapy has am destroyed great singing. You can hear it in any genre.
Qué gusto y qué placer da, con todo lo que se critica a Kaufmann, ver que mantiene esa bendita E en el agudo del "réveiller". Muy pocos se molestan en hacerlo, incluso se lo hemos tenido que soportar algún que otro súper famoso tenor elevado a los altares. Eso dice mucho de este hombre y por eso me suena tan bien cuando canta. A pesar de ser tan distintos, tanto Kaufmann como Kraus son mis favoritos para este aria a pesar de que no pueden ser más opuestos vocalmente. Por supuesto solo es mi humilde opinión.
Not sure why people are carping about Kaufmann. He is a great artist and whether you like his vocal technique or not, he is simply transcendent in this role. Trying to compare lyric tenors with spintos is not an apples to apples comparison. If you prefer lyric tenors in this role, that's all well and good but the spinto voices will always have a different sound and approach.
Brilliant aria and fantastically sung! I saw him onstage as Werther in New York. At 2:15 listen to Massenet’s extraordinary orchestration - the octaves start in the high strings, then go down down down to the double basses to illustrate Werther’s descending soul. Miraculous.
Pourquoi me réveiller, Ô souffle du printemps? Pourquoi me réveiller Sur mon front je sens tes caresses, Et pourtant bien proche est le temps Des orages et des tristesses! Pourquoi me réveiller, Ô souffle du printemps? Demain dans le vallon Viendra le voyageur Se souvenant de ma gloire première. Et ses yeux vainement Chercheront ma splendeur. Ils ne trouveront plus que deuil Et que misère! hélas! Pourquoi me réveiller, Ô souffle du printemps?
@@akedem Amos, can you please provide a link to your videos to hear/view/analyze/scrutinize so that, in the event you sound as though you have a sick jammed down your throat, we can publicly shame you? This man doesn't sell out the world's greatest opera houses because he sounds as though he's suffering from serious constipation. How many opera houses have you sold out? And how many people pay a crap-ton of money to fly across the world simply to hear your sweet angelic voice?
Mr brown, I never said I was a singer. you say thousands fill up opera houses just to hear this imposter (yes, the constipated baritone)? well millions voted for adolph hitler and hussein obamajihad ; stupidity has no limits. But someone has to cry out loud: "THE KING IS NAKED."
@@akedem I agree absolutley with you. Kaufmann is a baritone indeed and when he tries to sing high notes( from G 3(4)) he look likes sufferinf from a very serious constipation!!
Köszönöm! Akkor még 20 éves koromban szerepet is kaptam benne. Akkor ment az opera a Nagyházban .Kelen Péter énekelte...Hálás vagyok érte! Szívbéli köszönettel, M Kata /MÁO/ köszönettel,
better than Pavarotti? better than Juan Diego Florez? You must be hallucinating. Just because he's good looking doesn't mean he's a good tenor. As a matter of fact he's a baritone
SP if you think KAKAufman is the best one today then it seems your age caught up with you. When KAKA tries to sing tenor arias in any language other than German he sounds as though he's having serious constipation. Let me tell you a story: the jackass went to G-d one day and said: G-d Almighty, why did you make me a jackass? everyone is making fun of me. So G-d asked him: what would you rather be? and the jackass replied: I want to be a bird. A bird with wings and with a beak. So G-d Almighty said to him: go back home and when you wake up tomorrow morning you'll be a bird with wings and with a beak. So the jackass did just that. The next morning he woke up, ran to the mirror and looked at himself; he had wings and a beak. He was so happy. He opened his mouth to chirp a song but all that came out was: eeh-ah, eeh-ah. What the moral of the story? jonas KAKA may want to be a tenor but he's always going to remain a jackass and, sorry, a baritone.
just trying to inform as many people that the king is naked. I'm just tired when radio stations play his recordings too often when in fact they could play REAL tenors, present and past. Now, you probably didn't like Pavarotti
Je n'aime pas trop le timbre de sa voix, qui n'est pas, selon mois, appropriée pour Werther. Mais il a une telle musicalité quand il chante, une telle vérité d'inspiration, une telle capacité de devenir vraiment le personnage, qu'il dépasse, à mon avis, même Kraus. Seulement Florez aujourd'hui pourrait mieux faire. Bravo Jonas.
Jonas sings this aria brilliantly with all the emotion. I just wanted him to 'connect' and direct these emotions to Charlotte, rather than just sing the aria.
A este gran artista sólo le falta una técnica exquisita para poderse comparar con otros grandes. La voz y su interpretación son excelentes. Calificarlo de excelente globalmente es desconocer la técnica de voz libre. Sus pianos le delatan, no están bien hechos. Su voz está en parte frenada y eso le da el dramatismo que a muchos les encanta, como hacía Plácido, pero escuchen a Pavarotti, Vickers, Gedda, Caruso, del Monaco, o incluso a Beczala ( no tan excelente) y escucharán una voz libre de verdad. Su vídeo con Pappano hablando de los pianos en la voz roza lo esperpéntico. Cuanto ego! Pero huelga decir otra vez que es una gran voz y un gran artista.
He has the perfect voice and the perfect look for this role. I am french, and I can tell you his prononciation is good. Of course, I can tell he's not french, because of his little accent, but I can understand every word.
And I cannot imagine how hard it must be to sing in french for non native speakers. In my opinion, it's way harder than German because of these damn vowels.
Though I generally don't like him as a singer, I must admit, he meets my imagination of how Werther looks like just perfectly. And speaking of French, the German sound system is surprisingly close to French, and the only things absent in german is the sound in the beginning of "oui" and nasal vowels
Werther en personne ! Incroyable interprétation,merveilleuse musicalité,impossible de faire plus beau. Et,pour ceux qui critiquent sa prononciation,je dirai simplement que j’adore son petit accent et que je le remercie de le chanter en français,ce qui est terriblement difficile pour un artiste étranger. En plus,il a une excellente diction puisqu’on comprend tout ce qu’il dit !
Comment critiquer un artiste doté d’une telle musicalité et d’une telle sensibilité,avec une voix aussi belle ? Vraiment je ne comprends pas.
Je n'ai pas eu l'occasion de lire ces critiques auxquelles vous faites allusion....mais suis tout à fait d'accord avec vous pour reconnaître l'immense talent de cet interprète qu'est Jonas Kaufmann !...
Lo critico perché non è Werther ma un ORCO. Non sente come INTUBA, INGROSSA senza bisogno le note centrali e come la voce va indietro?
En plus, Werther est allemand, non? ;-)
@@andreapatrizi1783 y ‘
J'aime beaucoup Kaufmann dans d'autres registres mais à mon sens ce rôle-là n'était pas pour lui. Dire par ailleurs que son défaut de prononciation est négligeable et donne même un certain charme à son interprétation me semble un peu abusif : avoir ainsi le sentiment qu'un chanteur d'opéra ne saisit pas le sens de qu'il chante, la portée des mots qu'il prononce, c'est quand même un peu gênant, ne trouvez-vous pas !? Bref, encore une fois j'aime beaucoup la voix de Kaufmann mais pas pour ce Werther de Massenet, lequel, rappelons-le à d'autres commentateurs... n'était pas vraiment allemand.
Que voz maravilhosa!!! Voz máscula, escura, potente e bem projetada! Barítono com extensão até notas de tenor dramático! O melhor dos tenores após a era de Pavarotti, Carreras e Domingo!
Per me non regge il paragone dei grandi tenori del passato!!!
Kaufmann owns this aria.
th-cam.com/video/mgdo0uJO4zE/w-d-xo.html
Me parece que ha escuchado a pocos tenores cantando este papel.
@@Mariano-ge6de Son incontables los tenores que han interpretado Werther. La lista es larga. Algunos ejemplos: Domingo, Carreras, Corelli, Pavarotti, Vargas, Kraus, Di Stefano, Alagna, Tagliavini, etc.......
@@lifeisgood3087 Pavarotti nunca interpretó la ópera completa. Para mí Kraus, Thill, Gedda han sido las referencias en este papel. Kaufmann es un tenor con un canto de gola forzado que me duele al escuchar.
@@Mariano-ge6de Estoy en desacuerdo totalmente. Kaufmann no es engolado. Lo confundes con su timbre, tessitura y color de heldentenor. Kaufmann es cualquier cosa menos engolado.
Incomparable ,absolutely divine voice, can't think about anybody in this role but Kaufmann!
❤❤❤❤
My favourite aria of all time. Just amazing.
And my favourite singer too :)
Jonas Kaufmann is the best
@@patriziabiagi5092 No, he's one of the worst.
th-cam.com/video/Mkb085Jx9TI/w-d-xo.html
“Para ser un gran Werther un tenor debe ser carismático pero libre, vocalmente apasionado pero etéreo. Mr. Kaufmann es ideal para el papel. Canta con su color oscuro, combinando cálida intensidad viril con poderosas notas altas. Hay una capa oscura muy suya en su sonido que presta una velada calidad al Werther de Mr. Kaufmann coincidente con la psicología del personaje.” Anthony Tommasini (crítico de música clásica del New York Times, pianista y escritor, gradudado en Yale y doctorado en Artes Musicales en Boston). Existen críticas similares de varios especialistas.
Possibly the perfect voice for this aria.
Not even close. This is the perfect voice for this aria: th-cam.com/video/xKG2XP_dhZg/w-d-xo.html
Jonas Kaufmann is an extremely great singer. He sings the opera Werther with an extraordinary voice.
I suggest to listen to singers like Tito Schipa, Beniamino Gigli, Franco Corelli and Enrico Caruso too
he is Whether. I totally believe this character and feel his pain feel his desperation
th-cam.com/video/xKG2XP_dhZg/w-d-xo.html
@@xxsaruman82xx87 Nessun altro come pipo, la mia versione preferita di questa aria
C’est un moment unique et merci de le partager. Le regard de « Charlotte » et son émotion ajoutent aussi à la beauté tragique de ce moment. Dommage que l’opéra Werther ne soit d’une telle intensité d’un bout à l’autre. Pas un fan de Massenet, personnellement.
Just heard Kaufman and Koch singing this at the Met. It was sublime!
fwp209 moi aussi! Sublime est le mot!
This production is far better than the Met's, singers included.
...a hangja egyedi, utánozhatatlan és varázslatos. Száz evben szuletik egyszer egy ilyen elképeszto hangú tenor.A.ma élo legjobb...
Cuánto sentimiento entrega con su mágica voz; bellísima interpretación.
Magnifique
Beautiful baritone as well as lovely tenor notes! I love this aria!
This Massenet guy nailed it. Perfect in every way. Jonas & camera angles.
absolutely perfect
THE BEST BY FAR . HE UNDERSTANDS THE LYRICS PERFECTLY AND HIS SOMBER VOICE IS PERFECT FOR THIS PART. BRAVO JONAS!!!!
This dude is straight fucking garbage.
surprising how contrasting these comments are on the same content
eragonevb shows how many people truly misunderstand the voice and GREAT opera singers. Not a different age in singing but a COMPLETELY different approach. Some won't agree because they don't have the knowledge or understanding of vocal sounds and functions of the past greats. Speech therapy has am destroyed great singing. You can hear it in any genre.
Well I recommend to listen to Alfredo Kraus, now that is close to perfection....
He could at least learn to pronounce French: it is "reveiller" not riveilliiir"
Вот жешь Боженька поцеловал, а Йонас не расслабился. Шикардос!!! Мастер молодец!!!
Вертер и Йонас - это единый, целостный образ романтического героя. Возвысившие любовь до прекрасной , трагической высоты
Non e' forse un miracolo quello che ha fatto?Con una voce di cosi grande spessoreriuscire magnificamente questo pezzo?Bravissimo!
ahhh, quelle émotion. bouleversant
Jonas Kaufmann est sans aucun doute un des meilleurs interprètes de Werther de sa génération
Not one of the best, THE best, period.
Braviiiiiiiiiiiiiiiiiiiiiiiiiiiii Jonas Kaufman ... that divine voice ~
Mesmerizing!
Intense -- I LOVE IT!
Que de beauté dans cette sublimissime interprétation
Qué gusto y qué placer da, con todo lo que se critica a Kaufmann, ver que mantiene esa bendita E en el agudo del "réveiller". Muy pocos se molestan en hacerlo, incluso se lo hemos tenido que soportar algún que otro súper famoso tenor elevado a los altares. Eso dice mucho de este hombre y por eso me suena tan bien cuando canta. A pesar de ser tan distintos, tanto Kaufmann como Kraus son mis favoritos para este aria a pesar de que no pueden ser más opuestos vocalmente. Por supuesto solo es mi humilde opinión.
Josué Sánchez
Kraus era Wherter. La perfección absoluta. Pero me ha sorprendido gratamente Kaufmann.
Oh how soon we forget the great Schipa…
Pues creo q Krauss es perfecto en la tècnica però no me emociona !!!
Magnifique !!! Quelle voix
How people can fucking dislike this?!?!? Wtf, it's awesome!!!!
So deep and precious
Un WERTHER inoubliable comme beaucoup de rôles que Jonas a marqués de son empreinte !
Best tenor and best interpretation ever !!! Ongelooflijk !!!!
Not even close
It is a very beautiful rendition!
Sublime!!!!
What a superb voice!!! Great tenor!! Thank you!!
JK un Werther Exceptionnel 😭❤️💕💕
Qué belleza!!! No me canso de escuchar ésta aria, y ésta versión es magistral, muy emocionante!!! Bravissimo Jonas!!! 👏👏
J'adoooooore et quelle superbe prononciation......
mais il prononce mal le francais !
Thanks so much. Can't wait till I see Jonas this weekend at the Opera House Sydney.
Not sure why people are carping about Kaufmann. He is a great artist and whether you like his vocal technique or not, he is simply transcendent in this role. Trying to compare lyric tenors with spintos is not an apples to apples comparison. If you prefer lyric tenors in this role, that's all well and good but the spinto voices will always have a different sound and approach.
he sang different years ago, or he made dramatic improvements over many aspects, he did close to perfection in total package, on this role...
I haven't words!!!🌟🌟🌟👏👏👏
Extraordinario
MERVEILLEUX MASSENET..MERVEILLEUX KAUFMANN..!!
Non Conosco l opera ma questo pezzo è stupendo ivana
Orribile
th-cam.com/video/Mkb085Jx9TI/w-d-xo.html
Brilliant aria and fantastically sung! I saw him onstage as Werther in New York. At 2:15 listen to Massenet’s extraordinary orchestration - the octaves start in the high strings, then go down down down to the double basses to illustrate Werther’s descending soul. Miraculous.
Maravilhosa música e incrível interpretação plena de sensibilidade, com uma voz belissima
One of his best ever!!!! Everything came together for Jonas on this aria!!!
Bravo maestro
Romanza che fa venire i brividi per la bellezza, il sentimento e la tristezza
love this aria, love Kaurmann
Pourquoi me réveiller,
Ô souffle du printemps?
Pourquoi me réveiller
Sur mon front je sens tes caresses,
Et pourtant bien proche est le temps
Des orages et des tristesses!
Pourquoi me réveiller,
Ô souffle du printemps?
Demain dans le vallon
Viendra le voyageur
Se souvenant de ma gloire première.
Et ses yeux vainement
Chercheront ma splendeur.
Ils ne trouveront plus que deuil
Et que misère! hélas!
Pourquoi me réveiller,
Ô souffle du printemps?
Thanks for the lyrics of this great aria
Wonderful, thank you
Wonderful ! He is Werther !
What a beautiful voice!!!
for a baritone, or for someone suffering from serious constipation
@@akedem Amos, can you please provide a link to your videos to hear/view/analyze/scrutinize so that, in the event you sound as though you have a sick jammed down your throat, we can publicly shame you? This man doesn't sell out the world's greatest opera houses because he sounds as though he's suffering from serious constipation. How many opera houses have you sold out? And how many people pay a crap-ton of money to fly across the world simply to hear your sweet angelic voice?
Mr brown, I never said I was a singer. you say thousands fill up opera houses just to hear this imposter (yes, the constipated baritone)? well millions voted for adolph hitler and hussein obamajihad ; stupidity has no limits. But someone has to cry out loud: "THE KING IS NAKED."
@@akedem I agree absolutley with you. Kaufmann is a baritone indeed and when he tries to sing high notes( from G 3(4)) he look likes sufferinf from a very serious constipation!!
@@akedem BRAVOOOOOOOO!!!!
김호중님 고마워요
트바로티 책을
많나 젊은 베르테르
슬픔 좋은 곡을
듣고갑니다~♡
Who's is Kim Ho-jung ?
What is Tvarotti's book ?
Ergreifend und toll gesungen,bravo!
Unforgettable!
...és mindhárom legjobb hangi adottságait egyesíti elképeszto hangjával...
Great SINGER and great ACTOR!
bravo grande voce
R.Pariente: Beau ténor, ; magnifique Werther
Bravo Bravo Kaufman
Stupenda voce e interpretazione. Bravo!
He sings it the best, BY FAR!
Quel bel air d’opéra, il y a tellement d’expression dans cette voix…
Best version
A mon humble avis, the best; et quelle belle diction !
Always superb
Please listen..Krauss..or Gedda...
Köszönöm!
Akkor még 20 éves koromban szerepet is kaptam benne.
Akkor ment az opera a Nagyházban .Kelen Péter énekelte...Hálás vagyok érte!
Szívbéli köszönettel,
M Kata
/MÁO/
köszönettel,
Perfection.
Une meraveglia....bravissimo JK
un phrasé parfait ! une voix superbe !
This is beautiful ❤❤
He is at his absolute best right here!!!
Magnifique!
Incroyable je pensais pas que l'on puisse égaler Nicolaï Gedda,ou même le surpasser.
Best Werther ever!
better than Pavarotti?
better than Juan Diego Florez?
You must be hallucinating.
Just because he's good looking doesn't mean he's a good tenor. As a matter of fact he's a baritone
Nagyon köszönöm!
Oh, me ha gustado!!!
Superb interpretation. So much emotion in this role. Respect and admiration.
amazing 🖤
Wunderschön!!
sencillamente maravilloso una voz nueva y fresca, pero en esta cancion nadie iguala a alfredo krauss
Schipa is far better then kraus
Wow. A powerhouse delivery.
Thanks
Aparece él mismo en el personaje, en su voz. Bravo!!!!!!!!!!
If you want hear this sung the right way, listen to Gedda.
Funny, I listened to him earlier today. Gorgeous interpretation. My favorite right now. Truly poetic singing which is perfect for Werther, no?
Gedda was the greatest!
I do not like to compare artist but no others like him right now. Superb.
Juan Diego Florez
@@akedem Juan Diego Florez is good.
SP if you think KAKAufman is the best one today then it seems your age caught up with you. When KAKA tries to sing tenor arias in any language other than German he sounds as though he's having serious constipation. Let me tell you a story: the jackass went to G-d one day and said: G-d Almighty, why did you make me a jackass? everyone is making fun of me. So G-d asked him: what would you rather be? and the jackass replied: I want to be a bird. A bird with wings and with a beak. So G-d Almighty said to him: go back home and when you wake up tomorrow morning you'll be a bird with wings and with a beak. So the jackass did just that. The next morning he woke up, ran to the mirror and looked at himself; he had wings and a beak. He was so happy. He opened his mouth to chirp a song but all that came out was: eeh-ah, eeh-ah. What the moral of the story? jonas KAKA may want to be a tenor but he's always going to remain a jackass and, sorry, a baritone.
@@akedem OMG your raging jelosy
just trying to inform as many people that the king is naked. I'm just tired when radio stations play his recordings too often when in fact they could play REAL tenors, present and past. Now, you probably didn't like Pavarotti
Gyönyörű ❤
Je n'aime pas trop le timbre de sa voix, qui n'est pas, selon mois, appropriée pour Werther. Mais il a une telle musicalité quand il chante, une telle vérité d'inspiration, une telle capacité de devenir vraiment le personnage, qu'il dépasse, à mon avis, même Kraus. Seulement Florez aujourd'hui pourrait mieux faire. Bravo Jonas.
Sir, to compare Kaufmann with Florez is close to idiocy.
Гениальный певец!
Linda, interpretação.
Essa música com Pavarotti, também é muito linda.
th-cam.com/video/n_ojGaC99Ls/w-d-xo.html
Jonas sings this aria brilliantly with all the emotion. I just wanted him to 'connect' and direct these emotions to Charlotte, rather than just sing the aria.
Sir, he is not singing for Charlotte: he is singing FOR YOU! Don't be ungrateful.
Que grantenor y que gra actor
Sublime.Point.
Grazie mille !!!
Fantastic!!!
th-cam.com/video/Mkb085Jx9TI/w-d-xo.html
Супер!!!
A este gran artista sólo le falta una técnica exquisita para poderse comparar con otros grandes. La voz y su interpretación son excelentes. Calificarlo de excelente globalmente es desconocer la técnica de voz libre. Sus pianos le delatan, no están bien hechos. Su voz está en parte frenada y eso le da el dramatismo que a muchos les encanta, como hacía Plácido, pero escuchen a Pavarotti, Vickers, Gedda, Caruso, del Monaco, o incluso a Beczala ( no tan excelente) y escucharán una voz libre de verdad. Su vídeo con Pappano hablando de los pianos en la voz roza lo esperpéntico. Cuanto ego!
Pero huelga decir otra vez que es una gran voz y un gran artista.