Rameau: Les Boréades - Suite ∙ hr-Sinfonieorchester ∙ Riccardo Minasi
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- เผยแพร่เมื่อ 28 พ.ค. 2024
- Jean-Philippe Rameau:
Suite aus der Oper »Les Boréades« ∙
zusammengestellt von Riccardo Minasi ∙
(Auftritt) 00:00
Ouverture. Vif - Menuet - Allegro 00:28
Entrée de Polymnie, des Muses, Zéphirs, Saisons, Heures et Arts 06:23
Entrée des Peuples bactriens (de la suite de Borilée et Calisis) 11:56
Contredanse (pour la suite de Borilée et Calisis) 15:41
Suite des vents 18:16
Première gavotte pour les Heures et les Zéphirs - Deuxième gavotte - Première gavotte 21:47
Premier menuet (pour les suites de l’Amour et du Plaisir) - Deuxième menuet 24:14
Première contredanse (pour les suites de l’Amour et du Plaisir) - Deuxième contredanse - Première contredanse 28:34
hr-Sinfonieorchester - Frankfurt Radio Symphony ∙
Riccardo Minasi, Dirigent ∙
Barock+ ∙
hr-Sendesaal Frankfurt, 21. Februar 2020 ∙
Website: www.hr-sinfonieorchester.de ∙
Facebook: / hrsinfonieorchester - เพลง
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Divine music, intence performance...Bravi!
Rameau Rameau ....Che Potenza....Che Bellezza....Che Eleganza queste note...Monsieur Jean Philippe Rameau Merci' beacoup 😊☺👑🎼🎹🎺📯🎻🎶🎶🎶🎶🎶❤🎶🎶
Serving my 28th season as solohorn in the Czech Philharmonic Orchestra (beside my conducting career) I must just deeply bow in respect to those symphonic hornplayers who ocassionally take natural horn and can give such finest and authentic performance like those two brave colleagues...Bravi,guys!!! This is an excellent performance in general,everyone play stunningly. A pleasure to watch such communicative and musical conducting, too. Very glad I found this recording just by coincidence. Thanks!
Sorry, I cannot agree. I seen exactly one natural horn player in my 72 years, and it was actually a vented horn, that played it well enough for me to consider that I was hearing an "authentic" performance. The short harmonics are a veritable mine field for intonation and that invariably kills the performance for me.
@ Czech. Agree!!!
Большое спасибо за чудесный концерт!
Excelente composición de Rameau. Se distinguen los colores tímbricos de cada instrumento.. Con deleite escucho. Bravo.
Just fabulous!! Gorgeous music by Rameau (love the mesmerizingly beautiful and moving movement at 6:17 and the wind machine (zephyrs) at around 18:00) --- really great conducting and an extraordinary orchestra! It is no wonder to me that Rameau created a groundbreaking treatise on Harmony, he was a master of that and melody and (it seems) orchestral color. This underappreciated composer (who wrote this opera at 80!) needs to be brought to the fore!
Merveilleux de pouvoir entendre les differents instruments de facon aussi claire; bravo!
Beautiful Rameau ....performed by one of the greatests orchestras in the world..🌠🌠🌠🌠🌠
Previous comments are correct - God touched Rameau, made evident in this stunning and joyful performance. It has to be the best version I have heard and I will be playing it again and again and again.
I like the entire piece but the suite des vents est ma préférée!
New to me. Very nice composition, and a very well played performance. Thanks to all participants in performing and presenting this music on youtube.
unbeschreiblich intensiv gespielt.....schön, sehr schön....
Música músicos FUERA DE SERIE. GENIALES Y MARAVILLOSA DIRECCIÓN BRAVISSIMO
Thank you! Vielen Dank! So grateful to have this video, having just days ago attended a particularly shabby performance in Paris, in which the orchestra failed to do justice at all to Rameau's pure, limpid, evocative score (even though the chorus and some of the soloists were indeed excellent). Opera, as well as symphony or great theatre, is a collaborative discipline. All elements must work together smoothly to succeed in delighting the audience.
Ho conosciuto Riccardo da giovane promettente e geniale violinista barocco, quindi è con sorpresa che invito chi volesse apprezzarne le doti direttoriali ad ascoltare la sua incantevole interpretazione della Orgelsinfonie di Saint-Saëns. Per quanto riguarda le qualità di insieme e flessibilità di questa ottima orchestra che qui in molti punti paiono soffrire (anche fisicamente) per sonorità e agogiche incontrollate e ineguaglianze ineguali, ho imparato ad apprezzarle visceralmente con le sinfonie di Schostakovisch (Leningrad di Mäkelä in primis) e lì torno per esplorarne le ulteriori gemme esecutive.
Quelle bonne humeur merci
Wind Machine at 18 minutes! Perfection!
La música más hermosa del mundo ,Rameau me transpota
One of the best version on TH-cam. I adore Jordi Savall but on this one, this video wins
But I wish they'd done a clap-along encore the way Savall did.
Bravo (pour tout ) je veux dire ici bravo pour le choix des morceaux pour constituer une suite d'orchestre. Notamment pour l'entrée de Polymnie juste après l'ouverture. Bravo et merci pour cela.
Ah et puis pour tout : ni trop surexcité ni trop classique : le "goût", quoi !
Performance, direction, engineering -- nothing I know comes close to hr-Sinfonieorchester presentations. Thank you so much.
For this repertoire? William Christie / Les Arts Florissants, or Mark Minkowski / Les Musiciens du Louvre???
0:29 1st movement | 2:09 repeat intro | 5:55 outro | 6:25 2nd movement (magical) | 15:42 3rd movement (unique clumsy march) | 18:19 4th movement | *24:15 5th movement (favorite) | 27:17 6th movement | 28:35 7th movement |
Phantastische Musik
00:00 Ouverture. Vif - Menuet - Allegro
02:09 - Vif
03:25 - Menuet
04:22 - Allegro
06:23 Entrée de Polymnie, des Muses, Zéphirs, Saisons, Heures et Arts
11:56 Entrée des Peuples bactriens (de la suite de Borilée et Calisis)
15:41 Contredanse (pour la suite de Borilée et Calisis)
18:16 Suite des vents
21:47 Première gavotte pour les Heures et les Zéphirs - Deuxième gavotte - Première gavotte
24:14 Premier menuet (pour les suites de l’Amour et du Plaisir) - Deuxième menuet
28:34 Première contredanse (pour les suites de l’Amour et du Plaisir) -
29:24 Deuxième contredanse - Première contredanse
This is wonderful performance! Thank you.
Pour l'innocence et pour la paix.
Why not? What else is left in the end?
Bravi. This is an elegant, brisk, precise, and clean rendition. And, incidentally, what a remarkably versatile orchestra -- equally at home in this work as it is performing Jörg Widmann's music.
I SEE you...and I RAISE you! BRAVI from San Agustinillo!
@@steveegallo3384 greetings from Chicago to San Augustinillo.
It’s a very interesting approach to baroque performance: semi-modern setup, with wooden modern system flutes, and natural horns
Those are (modern) piccolos and they are most of the times made of wood anyways
Sander Fagot true but the flutes were wooden (Les Boreades only calls for piccolo in a few movements) which is unusual for major orchestras
what is a natural horn? Is it different from the supernatural ones?
18:16 LOOOOOVE that wind machine!!!!
Stunning!
좋습니다.
Impresionante dirección, interpretación y mención especial a los Oboes. Muchas gracias.
Genial!!👌
This is a great performance! :)
That guy doing the wind thingy, you know his arms have gotta be getting tired,
15:41 Contredanse: Rameau EST le Roi!
Elegante und wunderschöne Aufführung dieser fein komponierten Suite mit gut harmonisierten und perfekt synchronisierten Tönen aller Instrumente. Der intelligente Maestro dirigiert das ausgezeichnete Orchester im veränderlichen Tempo und mit angenehmer Dynamik. Alles klingt echt vorrevolutionär!
06:24 Entrée de Polymnie - der schönste Teil
I couldn't possibly agree more.
Sie müssen Recht haben, denn ich finde die Tränen in den Augen. Für mich ist Rameau eine neue Entdeckung-nach 72 Jahren-und ich stehe vor dieser Musik voll Erstaunen und Dankbarkeit!
@@richardclark8656 Ja, so ähnlich war es für mich auch!
❤
6:26 God touches Rameau.
You should Vikingur Olafsson play it. It's almost impossible to believe.
15:41
Genial idea to use a couple of oboes instead of a couple of flutes...
3:16
What is that rotating drum he's cranking?
Its a windmachine
Je ne me retrouve pas
Baroque ou classique ?
Il me semblait que Rameau appartenait au Baroque
Est ce l interprétation ?
Kmozart
Fai una nuova intro
Gracieux! Et un peu triste!… “Je te vois”, Jean-Philippe!
Les Allemands ne comprennent rien à la musique française. Rameau est massacré.
Not so much.
N'importe quoi 😅
Vous pourriez développer, par exemple...
Examples please for the real French interpretation as you said ...
Je ces pas si tous les allemands ne comprennent rien à la musique Française, mais là, je suis d'accord, je trouve très "die große Kavallerie". Je ne trouve aucune légèreté ni fraicheur. Même la contredanse est lourde, lourde et pateuse, c'est pas parce que ça s'agite dans la graisse que ça donne envie de bouger...