Saxophone Lesson: Basic Embouchure with Eric Marienthal || ArtistWorks

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  • เผยแพร่เมื่อ 9 ก.พ. 2025
  • Try one month of online saxophone lessons with Eric Marienthal for only $10! Sign up today and use code TRIAL at checkout here: bit.ly/3Cmkgne
    In this online saxophone lesson, Grammy Award-winning saxophonist, lead alto chair of Gordon Goodwin’s Big Phat Band, and former member of the Chick Corea Elektric Band, Eric Marienthal teaches the basic methods for developing a proper embouchure and provides a handful of techniques to employ when practicing and refining your embouchure and tone.
    More on "Jazz Saxophone with Eric Marienthal:"
    Have you always wanted to learn how to play jazz saxophone? Through our comprehensive saxophone lessons online and Video Exchange Learning platform here at ArtistWorks, you can learn from internationally renowned players, like Eric Marienthal, and get personal feedback on your playing.
    Eric’s course starts with the basics and teaches everything from beginner saxophone to advanced performance techniques, improvisation methods, jazz standards, and beyond. So, whether you’re a beginner, intermediate, or advanced player, all levels are welcome and all students will grow and improve their skills as saxophonists and musicians.
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ความคิดเห็น • 25

  • @РифхатТуктаров
    @РифхатТуктаров 2 ปีที่แล้ว +2

    Hi, Eric, I'M A BEGINNER SAX PLAYER FROM Russia, nice to meet you because you are lord and king of SAXOPHONE

  • @bobbywolff1274
    @bobbywolff1274 2 ปีที่แล้ว +1

    my pride in learning this on the alto - even shaved my reeds THANK YOU

  • @janidosax
    @janidosax 6 หลายเดือนก่อน

    Vc e o cara ❤❤❤

  • @cesax72
    @cesax72 2 ปีที่แล้ว +1

    Gracias.

  • @vivianastridge2167
    @vivianastridge2167 ปีที่แล้ว

    Have you produced a video offering instructional material on the Jazz Subtone? If you have, could you please give me the link to this video. Thanking you.

  • @johndeer4250
    @johndeer4250 ปีที่แล้ว +8

    the guy sounds great when trying to sound bad lol

  • @1.nf674
    @1.nf674 ปีที่แล้ว +1

    It's not a fit everyone's physiology, but the double lip embouchure is an option. (works for me)

    • @eliottmorst
      @eliottmorst ปีที่แล้ว +2

      me too

    • @tomaszszlapanski5988
      @tomaszszlapanski5988 ปีที่แล้ว +1

      Right, I'm learning but Matthew, saxophone studies, play with double embouchure but "whistle" shape, no teeth touch either lips or mouthpiece! Very difficult for a lot but he doing it for decades and produces a biggest sound I ever heard.

  • @SpeakerBuilder
    @SpeakerBuilder 13 วันที่ผ่านมา

    You are missing THE MOST IMPORTANT LESSON - I call it lower lip in (and just over the top of the bottom teeth) vs lower lip out (no teeth involved). Your playing, clearly seen from watching you, utilizes lower lip out. Most students are being taught lower lip in. This is a HUGE difference. Many great jazz horn players use the lower lip in and get great sound. And many great players are like you using lower lip out and getting great sound. But you MUST address this, and no problem , VERY FEW are talking about this. Has got my head spinning around. Bottom line, there is no CORRECT way to play, each method has its place, its strengths and its drawbacks. I am at this point undecided, working on lip out having played lip in for the past six months of starting back playing. Your comments would be greatly appreciated.

  • @khalidsharif
    @khalidsharif 2 ปีที่แล้ว

    Thanks for sharing , is that Beechler custom bellite mouthpiece?

    • @jiriholecek9697
      @jiriholecek9697 2 ปีที่แล้ว

      This is Beechler Bellite 7 REFACE😊

  • @julioperez3936
    @julioperez3936 2 ปีที่แล้ว

    Excelent , very good. Well though.
    What ligature he is using with the mouthpiece in the video

  • @johndeer4250
    @johndeer4250 ปีที่แล้ว

    wish selmer is that one?

  • @magdisalama7437
    @magdisalama7437 2 ปีที่แล้ว +3

    What is actually the difference in embouchure between alt and tenor ? Kind regards Magdi Victor

    • @НикитаПорошин-г2ф
      @НикитаПорошин-г2ф 2 ปีที่แล้ว +1

      not difference, ONE EMBOUCHURE for all kindes saxophone

    • @sat.chid.ananda
      @sat.chid.ananda 2 ปีที่แล้ว +1

      when you get to the point where you physically understand your air column, embouchure doesn't matter all that much between different saxophones (atleast, just for producing sound, of course it's gonna vary for producing a GOOD tone)

  • @apimpnamedslickback2634
    @apimpnamedslickback2634 2 ปีที่แล้ว

    ok

  • @bythewei1245
    @bythewei1245 2 ปีที่แล้ว

    🎷♥️♥️♥️♥️♥️😊

  • @chrismills5110
    @chrismills5110 2 ปีที่แล้ว +1

    Why bite a Mouthpiece? It is a form of musical self-harming. Teeth achieve nothing but inhibiting flexibility in both lips. You only do it because your teacher when you were young, to young to question, told you to do it. A double lip embouchure, no teeth, is only way to go. Throw these crutches away please, and stop teaching it to those who know no better

    • @davidgradalski
      @davidgradalski ปีที่แล้ว +3

      I have to disagree with you on this one. There is not only
      „one right embouchure“ out there. Of course double lip has its advantages, as has every embouchure. It depends on your physiology, playing style and the music you are into, altough one can switch to different embouchures, it only takes time to adapt to.
      I also think you misunderstood „biting the mouthpiece“ with having enough pressure on the mouthpiece and reed from below and from the sides of your mouth. Those are two very different things. It is all about balance…

    • @1.nf674
      @1.nf674 ปีที่แล้ว +1

      Whatever works, everyone is built differently. Double lip for me. As a bonus, no mpc savers needed.

  • @garyballard723
    @garyballard723 2 ปีที่แล้ว +1

    Theres a large movement to rename the"Trumpet" by the leftist community.

  • @homeandfamilyservices2650
    @homeandfamilyservices2650 8 หลายเดือนก่อน

    Might be being small minded here but when grown men pose like this with an alto sax it just looks stupid. The alto looks a bit toy ish. Do you ever see serious career musicians pose like this?? Of course time change etc, but could you imagine Bird, Hodges, Desmond, Woods and the like posing like this. Embarrassing really