An outstanding ability to take an almost impossibly difficult series of concepts to a point of understanding for me! Also, I will say that it is uncommon to have someone who can both teach so well and play so beautifully! Thanks once again for the effort you clearly put in!
Thanks again Damian, great explanation on the relationship between some unusual and pretty chords and their respective altered scale. Looks like a lot to remember but little by little, some of the more basic chord-scale relationships will hopefully start to become second nature. Keep the lessons coming!
Thanks for writing! Yes, I admit, it is complex. But on the subject of an introduction to jazz itself, I wouldn't recommend this approach. I'd recommend you start with some simple standards (Summertime, Blue Bossa, Autumn Leaves), since you can play these really nicely using pentatonic and diatonic scales. You just have to navigate the occasional key change.
Another great video of knowledge and instruction. Your teaching method is excellent, the way you give information so that it is easily understood is fantastic.
Great job...I dont see myself playing over chords like that lol. and that was a more scary introduction than you think ... I still have to think too hard about chord tones while playing in a diatonic progression, but I can rip blues rock live :P
Thanks for the comment. Yes, unfortunately, there's only so "simple" this stuff can be made. I tried to help with the onscreen graphics, etc., but I admit, it's a dense topic.
I'm learning guitar after having spent the last 4 years learning piano and music theory, as well as a bit of bass guitar. I'd love you to do a video on learning guitar with that music knowledge, so not a first instrument as a teenager. Example: People talk a lot about CAGED but that might be a backward step for me? Love to know your thoughts. At the moment - early stages - I'm learning to play the triads of a chord progression up and down the neck, but slowly and deliberately.. Really enjoy your channel, happy to be a new subscriber! :)
Hi, and thank you for writing. My next video is actually going to be on the process of learning the fretboard, and my philosophy is that you don't need a "system" like CAGED. Rather, you need to identify the specific skills you want to acquire, and when you practice these skills, you'll in essence be teaching yourself the neck. That video will be released this coming Sunday!
Love your direct no nonsense approach to teaching! Keep up the great work! I'm a singer/songwriter who plays guitar and keys and take influences from jazz and prog in my writing. I'm at a place where I'm confused how to balance my instrumental practice(vocals, guitar and keys) and songwriting. Should there even be a balance or should one go all in on one thing? What would you suggest?
Thanks for watching! As far as your question, it's a tough call. I could say, focus on your favorite, but that's kind of weak advice. Here's a thought: take a composition class (there are plenty online). You can complete the composition assignments on either guitar or keys (although keys will likely be a little easier). You can then apply the compositional knowledge you've gained to any instrument, including your voice.
@@GuitarJourney1 Thanks for your answer. I do have a thorough knowledge of theory and harmony and a good ear. Should I just try to put them to use on my instrument?
@@Theprogressivemusician Yes, but the question is how. I'm a big believer in learning somewhat more complex songs (do you have a copy of the "Real Book?"). These songs are great platforms to practice a higher level of improvisation, as well as deeper, more challenging chords and so forth. So, if you feel pretty comfortable with theory and harmony, I'd recommend starting to learn a bunch of Real Book songs, and see if you can apply the concepts therein to your own writing.
An outstanding ability to take an almost impossibly difficult series of concepts to a point of understanding for me! Also, I will say that it is uncommon to have someone who can both teach so well and play so beautifully! Thanks once again for the effort you clearly put in!
Thank you so much for the feedback. I really do appreciate it. 😸🎸
I love that you're open to and promoting the use of different "styles" of scales for different genres. Well done.
Thank you very much. We never want to limit ourselves! 🎸😸
Great content! Thanks for opening up my eyes and ears to these different types of scales.
Thank you so much for watching. Glad you enjoyed it. 🎸👍
Wow! Totally cool! Thanks for a great lesson!
Much appreciated! 🎸👍
Awesome solo! It brings the technical content into focus.
Thank you very much. I appreciate the feedback!
This is very deep, but great information and well-presented, for anyone looking to add some sophistication to their improvisation.
Thank you for the feedback. I'm doing my best to clarify some difficult topics!
Thanks again Damian, great explanation on the relationship between some unusual and pretty chords and their respective altered scale. Looks like a lot to remember but little by little, some of the more basic chord-scale relationships will hopefully start to become second nature. Keep the lessons coming!
Thank you so much for watching. I'm really glad you enjoyed it!
Chord - scale compatibility is fascinating!
It really is incredibly deep. Thank you for writing! 🎸🎻
Good introduction to jazz, but complicated
Thanks for writing! Yes, I admit, it is complex. But on the subject of an introduction to jazz itself, I wouldn't recommend this approach.
I'd recommend you start with some simple standards (Summertime, Blue Bossa, Autumn Leaves), since you can play these really nicely using pentatonic and diatonic scales. You just have to navigate the occasional key change.
That was intense! Beautifully played solo that brought it all together. Awesome video!
Thank you so much. I really appreciate it! 🎸👍😸
Another great video of knowledge and instruction. Your teaching method is excellent, the way you give information so that it is easily understood is fantastic.
Thank you! I know it's a deep topic, but it's also really beautiful once you get into it.
Great job...I dont see myself playing over chords like that lol. and that was a more scary introduction than you think ... I still have to think too hard about chord tones while playing in a diatonic progression, but I can rip blues rock live :P
Thanks for the comment. Yes, unfortunately, there's only so "simple" this stuff can be made. I tried to help with the onscreen graphics, etc., but I admit, it's a dense topic.
I'm learning guitar after having spent the last 4 years learning piano and music theory, as well as a bit of bass guitar. I'd love you to do a video on learning guitar with that music knowledge, so not a first instrument as a teenager. Example: People talk a lot about CAGED but that might be a backward step for me? Love to know your thoughts. At the moment - early stages - I'm learning to play the triads of a chord progression up and down the neck, but slowly and deliberately..
Really enjoy your channel, happy to be a new subscriber! :)
Hi, and thank you for writing. My next video is actually going to be on the process of learning the fretboard, and my philosophy is that you don't need a "system" like CAGED. Rather, you need to identify the specific skills you want to acquire, and when you practice these skills, you'll in essence be teaching yourself the neck. That video will be released this coming Sunday!
Incredible sounding sequence. A number of your progressions sound similar to your Highway DVD
GN
Thank you very much, and yes, you're correct. Having a "home base" key, but spicing it up, is a playing/composing style I really enjoy.
Love your direct no nonsense approach to teaching! Keep up the great work! I'm a singer/songwriter who plays guitar and keys and take influences from jazz and prog in my writing. I'm at a place where I'm confused how to balance my instrumental practice(vocals, guitar and keys) and songwriting. Should there even be a balance or should one go all in on one thing? What would you suggest?
Thanks for watching! As far as your question, it's a tough call. I could say, focus on your favorite, but that's kind of weak advice.
Here's a thought: take a composition class (there are plenty online). You can complete the composition assignments on either guitar or keys (although keys will likely be a little easier).
You can then apply the compositional knowledge you've gained to any instrument, including your voice.
@@GuitarJourney1 Thanks for your answer. I do have a thorough knowledge of theory and harmony and a good ear. Should I just try to put them to use on my instrument?
@@Theprogressivemusician Yes, but the question is how. I'm a big believer in learning somewhat more complex songs (do you have a copy of the "Real Book?"). These songs are great platforms to practice a higher level of improvisation, as well as deeper, more challenging chords and so forth. So, if you feel pretty comfortable with theory and harmony, I'd recommend starting to learn a bunch of Real Book songs, and see if you can apply the concepts therein to your own writing.