I'm not a musician and barely listen to classical music. I discovered this piece from Nodame Cantabile live action and I never forget it ever since. I really love the sound and the harmony.
This sonata is of superb beauty. The dialogue between the two instruments leads to an magnificent masterpiece. The timing between the musicians is perfect. The two players are amazing. The sensitivity of the theme is sublime and only one of the greatest composers of all time could have written it. This was the best interpretation I have ever heard for this sonata. Bravissimo for this extraordinary recording.
The lyricism of the playing and the balance between Anne-Sophie Mutter's violin and Lambert Orkis' piano are nothing less than remarkable. Truly if Beethoven himself had heard this rendition of his beloved Spring Sonata, he would have exclaimed: "Das ist es--genau was ich wollte!" With all their considerable gifts, Mutter and Orkis are able to show us how to "put the music first" in the true spirit of the artistic intentions of the composer, as their violin and piano are indeed the "instrumentalities" of the presentation of this music to those fortunate enough to have been in the audience!
I have listened to much Beethoven, and I suspect like all composers, certain pieces stand out more than others. This is one. I enjoy the whole composition, but the adagio is so beautiful it brings tears to the yes. For me, Beethoven can dig into the soul like no other.
Many listeners still loves the "Kreutzer" sonata, but the "Spring" is my favourite of all Beethoven's 10 violin sonatas. It's so bucolic, poetic and beautiful... Thanks Mutter & Orkis!
Anne Sofie Mutter's exquisite, full-boiced lyricism transports me to the transcendant spring that Beethoven must have been dreaming when he wrote this divine sonata.
That sounds beautiful 🥹 i love parent musicians I play violin and my boyfriend plays guitar and sax and we love playing pieces together😊 i cant wait to play for my kids
Adagio ... divine ... six minutes of intimacy with Beethoven. Timeless, as is all beauty. Beethoven, one of the greatest human beings to have ever walked the earth!
I can't believe all the negative comments I'm reading here about this performance/the performers!! You people are insane! Seriously,these two are an absolutely brilliant team and flawless performers!! Wonderful renditions of every piece I've ever heard them do,and I am grateful for them. By the way----great performers make faces when they perform! LOL It has nothing to do with them "showing off"--it has to do with the feelings they are experiencing whilst performing the music. Don't like the faces? Dont look. LOL I for one am listening to the music first,looking at the performers second. It's the music that counts not the visuals. (I would also be willing to bet that the composers of the music they interpret would be thrilled to hear such wonderful renditions of their music. Bravo Mutter and Orkis!!
So true, I just keep coming back. Pure brilliance. My canary bird "Tweety" absolutely loves and sings to this every morning. Even he can appreciate it. Anyone not liking this interpretation doesn't understand how this beautiful piece was meant to be played ! And as for her facial expressions, body and mind creates the perfect harmony. It creates true felt musical expression, making this interpretation so unique to the ears. I LOVE IT !
***** See, I'm back again. I can't help it. Music's an opinion. Sometimes when I play Chopin, I choose to interpret the same song differently depending on my mood. They could have chose to do it differently. I personally love something new and different, otherwise acoustic music would be boring, and interpretations would always sound the same. "You have to be displaced from whats comfortable and routine, and then, you get to see things with fresh eyes, with new eyes". "As long as habit and routine dictate the pattern of living, new dimensions of the soul will not emerge."
Beethoven, Bach, Brahms were prodigious improvisers and creative dynamos. Mutter and Orkis are on the mark when they inject the music with personal surprises. It gives just the right atmosphere of spontaneity that would have existed when this music was first played. These two are the masters and we are mere mortals. As Itzhak Perlman once explained, "I have to keep creating music - - re-creating!!". Be prepared to listen and you might learn something about real music, and great ART. Bravo, M & O.
+Dick Moores Actual!!! < Talk Classcal> Forum < Sexualisation of women in the classical music industry> Time and time again people have certainly opined on the presentation of female performers, wether it be Yuja Wang's dress, Lara St. John's CD covers or Anne Sofie Mutter's pose (recently those violinists were pointed out in the worst cd covers thread). Each of these cases, according to different people, have come down to a general conclusion that sexist inclinations of today have influenced their physical appearance (on varying levels). Even on this site there have been debates as to modesty on stage, the importance of appearance, wether women should conduct an orchestra and so on, which all end up boiling down to the same (if not a similar) debate.
+Georges Cancan For those of us who love women, Mutter's looks may be a bonus. But, I, for one can listen to her recordings without video, and be transported by her wonderful musicianship. That she is a great beauty, (as are Nadia Solerno-Sonnenberg,Janine Jansen, Sara Chang, and Arabella Steinberger, and Pamela Frank, and as was Jeanette Neveu and Camilla Wicks) and looks wonderful in her off-the-shoulder gowns (a look she pioneered years ago, and has been taken up by many younger lady string players) is a lovely addition to the whole. But, I, for one, don't think that that is the same thing as selling music with sexuality. By that standard, would David Oistrach have a star career, today?
ASM is not only the best technician alive, but she is also great in her ability to elicit such a fury of emotion among the commentators on this feed. Only a true artist who truly owns the music could result in such extreme reactions from an audience. Bravo for tugging our heartstrings.
Geoffrey Hamlyn Perlman has a better technique than Mutter, but she plays it freely, more expressive, we can feel the wind breeze in spring, birds sing.
Brilliant - the stunning Mutter performs "Spring" -- this performance rekindled My regenerative desires. The Pianist is Astounding too, but so sorry Mutter is Proof of Spring.
Esta obra maravillosa fué la que me "engancho" a la música clásica. Recuerdo mi infancia, tendría yo tal vez 6 o 7 años y mi padre llevó a casa una grabación de esta sonata. Era uno de esos viejos discos de vinilo, lo puso en el tocadiscos y yo, al escuchar esta fantástica música quede hechizado. Los intérpretes de esa grabación erán Arthur Balsam al piano y Nathan Milstein al violín. Gracias por subir este video, me trajo muy gratos recuerdos. Magnífica interpretación. Saludos desde México.
How does it feel to criticize this divine violinist? Do you at least feel cool, hip, to complain about her approach to Beethoven, or Mozart? Really? So, she learned how to play Mozart and Beethoven from Karajan, but YOU actually feel you know better how it should be played, and what’s allowed or not in the classical period?!?! Really????? It boggles my mind the guys you have.... So, let me ask you this, should she play EXACTLY the same like thousands of you, she should not have her own approach, never? Let me tell you something, this is what makes her who she is, and why she’s adored by millions of people. This is only one aspect. But instead of talking about the purity of her crystal clear sound, vibrato, perfect intonation, solidness, finesse,... You need to become a better human being in order to play well. Not a word about all the good stuff she does, but you felt the urge to say something negative, so you can show what? That you know Beethoven?!?! Wow... please go practice and if you ever achieve 10% of this purity, come back and argue about Beethoven or Anne Sophie Mutter. And one more thing: I was blessed enough to play in a major symphony orchestra in Germany around 1985-86 and she played Beethoven violin concerto. I shall never hear a better, more pure live performance other than hers...
The violinist and the pianist holy moley! they’re so good and both have the rights to be called professionals. I mean it is so difficult to play with a company i swear so the concentration and the talents they put here are beyond words
dos interpretes estupendos, presentación impecable, ambos vestidos con absoluta elegancia, Anne- Sophie preciosa, virtuosa, concentrada , un deleite total para una sonata de excepcional belleza.
I am currently practising this sonata with a very good pianist and only hope to achieve what was played here. I love it when music can come alive and not stay flat or without neshomah! Bravo!!!!! This performance inspires me to present it this year with life and enlightenment.
pure beauté, un moment affranchi de l'ordre du temps, surement comme ce printemps qui un jour est là sans qu'on l'ait vraiment vu venir: juste qq notes de couleurs ou de vent , et puis ça y est, il vient, il est là et s'enfuit.
How is posible to have 24 dislikers??!! It is an incredible play.! No puedo entender como existan 25 personas que no gusten de esta interpretación. Absolutamente bizarro..
Le pire est probablement que parmi les dislikers, il doit y avoir des admirateurs d'André Rieu ! Quelle horreur… ceci ne m'empêche pas, malgré la splendeur de cette version, de préférer encore l'absolue perfection de David Oistrakh/Lev Oborine, Quoique je pense ne pas avoir été le seul à avoir la larme à l'œil lors du sublime deuxième mouvement ! Merci de toute façon pour tant de beauté…
What an innovative and bold interpretation! Beautiful sound by the fiddle. The pianist did some truly subtle things. The first time I listened it sounded sketchy but a second listen revealed so much richness about the music.
Bela música, belos instrumentos. belas interpretações. Duas vozes se respeitando e mostrando a música de quem a compôs. Tudo de bom que se pode produzir. Nada para estragar o belo. Só admirando.
This is certainly an idiosyncratic account of the sonata. But it's none the worse for that. There are plenty of superb and more mainstream versions available for when we want to listen to them. Meanwhile, this is a very able, fresh and springlike interpretation, performed with all Ms Mutter's normal artistry.
Diez sonatas para violín y piano escribió Beethoven en el lapso de catorce años, de 1798 a 1812, aunque nueve de ellas nacieron durante un periodo bastante más breve, de 1798 a 1803, año de publicación de la famosísima Sonata "Kreutzer". Casi diez años transcurrieron, pues, entre esta célebre novena sonata y la última, de 1812, completando así el corpus de diez sonatas que en la obra de cámara del maestro de Bonn se acomodan graciosamente en un segundo lugar en importancia, solo superadas por los cuartetos de cuerda. La sonata No 5 en Fa mayor, opus 24, fue compuesta entre 1800 y 1801, cuando los inicios de la sordera ya comenzaban a preocuparlo. Aun así, es un periodo tranquilo y fructífero para el maestro, asentado en Viena desde 1792. Compuesta en conjunto con la sonata No 4, es contemporánea del Concierto para piano No 3 y de la Primera Sinfonía. Publicada en 1801, está dedicada al conde Moritz von Fries, generoso mecenas de Beethoven y recurrente dedicatario de su obra (a él será dedicada la Séptima Sinfonía). Conocida también como sonata "Primavera", junto a la Kreutzer constituyen las únicas dos sonatas que llevan título con el que se popularizaron luego de la muerte del autor. Sus primeros bocetos datan de alrededor de 1795, de modo que la influencia mozartiana en ella es más o menos visible, o si se prefiere, "audible", en todas las secciones que la conforman, una estructura en cuatro movimientos que Beethoven utilizará por primera vez en este género, si bien hay que señalar que el scherzo agregado dura un minuto y poco más. Su audición completa lleva poco más de veinte minutos. Movimientos: 00:00 Allegro - El violín canta, generosamente lírico, sobre un delicado acompañamiento del piano. 11:51 Adagio molto espressivo - Una melodía nostálgica, presentada primero por el piano. 18:10 Scherzo: Allegro molto - Momentos deliberadamente asincrónicos entre los dos instrumentos. 19:32 Rondo: Allegro ma non troppo - Quizá el más "mozarteano" de los movimientos. La versión es de la violinista alemana Anne-Sophie Mutter y el pianista estadounidense Lambert Orkis.
This is Beethoven in the begining of romantismo I have heard these sonatas by allmost the great artists of the past and hapily everyone reads Beethoven in a diferente way. There is no right or wrong readings by great artists Simply diferent !!!
Preciosura de MELODÍA que solamente un GENIO pudo producir... y, la interpretación del DÚO de virtuosos del VIOLÍN y el Piano es extraordinario. Anne S., Hilari y Jannine J. son un grupo de damas extraordinarias en su presentaciones y, todo ello gracias a este medio llamado youtube por el que se les puede VER !!!!... GRACIAS Kamngaty, saludos desde Perú.
Anyone who accompanies Frau Mutter must be at the very top of their field (pianist, conductor, orchestra). She's indeed probably the most difficult soloist to accompany.......
I'm here from Chapter 74 of Little Mushroom, lol. It's pretty. Edit: Four years later, I'm rereading it again. It's chapter 42 of volume 2. It's still pretty.
![Beethoven.Violin.Sonata.No.6.Op. 30.[Anne-Sophie Mutter.-.Lambert Orkis]](http://i.ytimg.com/vi/ecQrcoANwck/mqdefault.jpg)
![Beethoven.Violin.Sonata.No.6.Op. 30.[Anne-Sophie Mutter.-.Lambert Orkis]](/img/tr.png)
![Beethoven.Violin.Sonata.No.7.op.30.No.2.[Anne-Sophie.Mutter.-.Lambert.Orkis]](http://i.ytimg.com/vi/EQVixrP7Sxs/mqdefault.jpg)
I'm not a musician and barely listen to classical music. I discovered this piece from Nodame Cantabile live action and I never forget it ever since. I really love the sound and the harmony.
As a musician I’m actually so glad that you use the word “piece” instead of “song” lol
@@mssid4 yeah, I learn a lot from watching twosetviolin :D
I play the violin and since I was on my mother's belly my parents played classical music for me. It is the style of music that I like the most.
@@karmakichi ayyy nice I also watch twoset
Yes Nodame! i have been a fan of the anime.
This sonata is of superb beauty. The dialogue between the two instruments leads to an magnificent masterpiece. The timing between the musicians is perfect. The two players are amazing. The sensitivity of the theme is sublime and only one of the greatest composers of all time could have written it. This was the best interpretation I have ever heard for this sonata. Bravissimo for this extraordinary recording.
👋👋
The lyricism of the playing and the balance between Anne-Sophie Mutter's violin and Lambert Orkis' piano are nothing less than remarkable. Truly if Beethoven himself had heard this rendition of his beloved Spring Sonata, he would have exclaimed: "Das ist es--genau was ich wollte!" With all their considerable gifts, Mutter and Orkis are able to show us how to "put the music first" in the true spirit of the artistic intentions of the composer, as their violin and piano are indeed the "instrumentalities" of the presentation of this music to those fortunate enough to have been in the audience!
I have listened to much Beethoven, and I suspect like all composers, certain pieces stand out more than others. This is one. I enjoy the whole composition, but the adagio is so beautiful it brings tears to the yes. For me, Beethoven can dig into the soul like no other.
So beautifull!~~ Bravi~!!!!!!! 1. Allegro 01:00~ 11:45
2. Adagio molto espressivo 11:50~ 18:03
3. Scherzo: allegro molto 18:09 ~ 19:30
4. Rondo: allegro ma non troppo 19:32 ~ 27:05
*Brava
super schöne Musik von einer super tollen Frau
황영윤 thank you!
황영윤 面不
감사합니다
Many listeners still loves the "Kreutzer" sonata, but the "Spring" is my favourite of all Beethoven's 10 violin sonatas. It's so bucolic, poetic and beautiful... Thanks Mutter & Orkis!
It is my favourite.
@@malcolmabram2957 Welcome to my club, too! 👍
Anne Sofie Mutter's exquisite, full-boiced lyricism transports me to the transcendant spring that Beethoven must have been dreaming when he wrote this divine sonata.
No one Will EVER beat my parents totally nailing this piece! So proud! They just loved practicing!!!🎻🎹🎻🎹🎶🎵
That sounds beautiful 🥹 i love parent musicians I play violin and my boyfriend plays guitar and sax and we love playing pieces together😊 i cant wait to play for my kids
Adagio ... divine ... six minutes of intimacy with Beethoven. Timeless, as is all beauty. Beethoven, one of the greatest human beings to have ever walked the earth!
Vincent Lombardo I
hi.. a year later.. same comment. thanks
You may add Mozart without ever being a menace to Beethoven, they both suffered a lot .... sure you had him on your list too!
I can't believe all the negative comments I'm reading here about this performance/the performers!! You people are insane! Seriously,these two are an absolutely brilliant team and flawless performers!! Wonderful renditions of every piece I've ever heard them do,and I am grateful for them.
By the way----great performers make faces when they perform! LOL It has nothing to do with them "showing off"--it has to do with the feelings they are experiencing whilst performing the music. Don't like the faces? Dont look. LOL I for one am listening to the music first,looking at the performers second.
It's the music that counts not the visuals.
(I would also be willing to bet that the composers of the music they interpret would be thrilled to hear such wonderful renditions of their music. Bravo Mutter and Orkis!!
So true, I just keep coming back. Pure brilliance. My canary bird "Tweety" absolutely loves and sings to this every morning. Even he can appreciate it. Anyone not liking this interpretation doesn't understand how this beautiful piece was meant to be played ! And as for her facial expressions, body and mind creates the perfect harmony. It creates true felt musical expression, making this interpretation so unique to the ears. I LOVE IT !
***** See, I'm back again. I can't help it. Music's an opinion. Sometimes when I play Chopin, I choose to interpret the same song differently depending on my mood. They could have chose to do it differently. I personally love something new and different, otherwise acoustic music would be boring, and interpretations would always sound the same. "You have to be displaced from whats comfortable and routine, and then, you get to see things with fresh eyes, with new eyes". "As long as habit and routine dictate the pattern of living, new dimensions of the soul will not emerge."
So true. They say once you 'Get the face' you know you're a pro.
thetopofbroadway i dont have 'the face' that's why i suck playing piano :(
Mat Rix ，
Beethoven, Bach, Brahms were prodigious improvisers and creative dynamos. Mutter and Orkis are on the mark when they inject the music with personal surprises. It gives just the right atmosphere of spontaneity that would have existed when this music was first played. These two are the masters and we are mere mortals. As Itzhak Perlman once explained, "I have to keep creating music - - re-creating!!".
Be prepared to listen and you might learn something about real music, and great ART.
Bravo, M & O.
Thank you for your comment.
1:06 is the actual start.
+Dick Moores Actual!!! < Talk Classcal> Forum
< Sexualisation of women in the classical music industry>
Time and time again people have certainly opined on the
presentation of female performers, wether it be Yuja Wang's dress, Lara
St. John's CD covers or Anne Sofie Mutter's pose (recently those
violinists were pointed out in the worst cd covers thread). Each of
these cases, according to different people, have come down to a general
conclusion that sexist inclinations of today have influenced their
physical appearance (on varying levels). Even on this site there have
been debates as to modesty on stage, the importance of appearance,
wether women should conduct an orchestra and so on, which all end up
boiling down to the same (if not a similar) debate.
+Georges Cancan For those of us who love women, Mutter's looks may be a bonus. But, I, for one can listen to her recordings without video, and be transported by her wonderful musicianship. That she is a great beauty, (as are Nadia Solerno-Sonnenberg,Janine Jansen, Sara Chang, and Arabella Steinberger, and Pamela Frank, and as was Jeanette Neveu and Camilla Wicks) and looks wonderful in her off-the-shoulder gowns (a look she pioneered years ago, and has been taken up by many younger lady string players) is a lovely addition to the whole. But, I, for one, don't think that that is the same thing as selling music with sexuality. By that standard, would David Oistrach have a star career, today?
Dick Moores aaqa
Dick Moores 我們什麼👌、在：在你、他、他！但！他、、他也、、他也在，
singyuso wtf
Why are people looking at her face? They should be too engrossed in the music to even notice her face! Best 30 minutes of my life.
To be fair, I am looking at her hair. It's ... different. Usually, it reminds me of a lion's mane. ^^
The advantage of watching a live performance over listening to a recording is precisely that one can see the musicians' faces.
ASM is not only the best technician alive, but she is also great in her ability to elicit such a fury of emotion among the commentators on this feed. Only a true artist who truly owns the music could result in such extreme reactions from an audience. Bravo for tugging our heartstrings.
Geoffrey Hamlyn Perlman has a better technique than Mutter, but she plays it freely, more expressive, we can feel the wind breeze in spring, birds sing.
That vibrato is what I'm trying to accomplish on cello before I die LOL - and what a stunning 2nd movement. Bravo to Anne and the pianist!!
Brilliant - the stunning Mutter performs
"Spring" -- this performance rekindled
My regenerative desires. The Pianist is
Astounding too, but so sorry Mutter is
Proof of Spring.
This is my favourite sonata and played by my favourite player.
Love the sound of that violin and that piano together.
Esta obra maravillosa fué la que me "engancho" a la música clásica. Recuerdo mi infancia, tendría yo tal vez 6 o 7 años y mi padre llevó a casa una grabación de esta sonata. Era uno de esos viejos discos de vinilo, lo puso en el tocadiscos y yo, al escuchar esta fantástica música quede hechizado. Los intérpretes de esa grabación erán Arthur Balsam al piano y Nathan Milstein al violín. Gracias por subir este video, me trajo muy gratos recuerdos. Magnífica interpretación. Saludos desde México.
This piece is so beautiful, even TH-cam forgot to play my third ad during the second movement 😂
How does it feel to criticize this divine violinist? Do you at least feel cool, hip, to complain about her approach to Beethoven, or Mozart? Really? So, she learned how to play Mozart and Beethoven from Karajan, but YOU actually feel you know better how it should be played, and what’s allowed or not in the classical period?!?! Really????? It boggles my mind the guys you have.... So, let me ask you this, should she play EXACTLY the same like thousands of you, she should not have her own approach, never? Let me tell you something, this is what makes her who she is, and why she’s adored by millions of people. This is only one aspect. But instead of talking about the purity of her crystal clear sound, vibrato, perfect intonation, solidness, finesse,... You need to become a better human being in order to play well. Not a word about all the good stuff she does, but you felt the urge to say something negative, so you can show what? That you know Beethoven?!?! Wow... please go practice and if you ever achieve 10% of this purity, come back and argue about Beethoven or Anne Sophie Mutter.
And one more thing: I was blessed enough to play in a major symphony orchestra in Germany around 1985-86 and she played Beethoven violin concerto. I shall never hear a better, more pure live performance other than hers...
Dude can we just voice our opinions? Kind of like how you are
Many of those people complaining are pretentious wannabes. I wouldn't pay attention to them
I have been her fan since 20 yrs ago. ❤ She is the best.
how in the world I haven't heard of this Beethoven piece till now? more reasons to adore his music
Yo tampoco la conocia ! Escucha Sinfonia Coral para coros y orquesta Opus 80 de Beethoven. Te encantara
The violinist and the pianist holy moley! they’re so good and both have the rights to be called professionals. I mean it is so difficult to play with a company i swear so the concentration and the talents they put here are beyond words
F major is such an amazing key - it’s so bright and happy!
@Petercross These puns...
@Petercross oh god
take my damn like
How well Sophie Mutter plays the violin. Her gestures are very expressive like music, you can tell that she really feels it.
I think the second movement is one of the most beautiful and soothing pieces ever composed. I love it.
A bit more rubato than I'm used to hearing, but she's very artistic in its use, and persuasive enough for me to enjoy it 😁😁😁
Very well said. I can relate.
A beautiful music by a beautiful
Musician
For our evening enjoyment! Thank you ! PAH
Sehr feinfühlig, frühlingshaft romantisch! 🦋 Einfach wunderschön - ein Erlebnis❣️
Lovely. Simply Lovely
dos interpretes estupendos, presentación impecable, ambos vestidos con absoluta elegancia, Anne- Sophie preciosa, virtuosa, concentrada , un deleite total para una sonata de excepcional belleza.
For me,the best interpretation I ever heard,melodie feels like blowing with the wind,floating on air,very romantic
I am currently practising this sonata with a very good pianist and only hope to achieve what was played here. I love it when music can come alive and not stay flat or without neshomah! Bravo!!!!! This performance inspires me to present it this year with life and enlightenment.
We're not meant to idolise any human being but I think it's fair to say that this lady is a goddess of the violin.
What about Hillary? Much better in my opinion
But why Hilary and not Sophie?
جزيل الشكر على هذه الروائع
pure beauté, un moment affranchi de l'ordre du temps, surement comme ce printemps qui un jour est là sans qu'on l'ait vraiment vu venir: juste qq notes de couleurs ou de vent , et puis ça y est, il vient, il est là et s'enfuit.
bien dit
The second Mov. is gorgeous. Pianist is so good, and Anne Sophie just compliments so beautifully. Very serious duo to beat.
2nd movenent was exquisite. I love her tone but they are playing allegretto and not the written allegro on the first movement.
This really is the most beautiful version of Beethovens Frühlingssonate I've ever heard!!!
Bu güzel eseri çok güzel ve ustaca yorumlayarak Beethoven'in coşkulu duygularını yansıtmışlar. Teşekkür ve takdirlerimi sunarım.
How is posible to have 24 dislikers??!! It is an incredible play.!
No puedo entender como existan 25 personas que no gusten de esta interpretación. Absolutamente bizarro..
Oscar Alfonso Sanchez Melendez 514...
Se deben al Parkinson.
Le pire est probablement que parmi les dislikers, il doit y avoir des admirateurs d'André Rieu ! Quelle horreur… ceci ne m'empêche pas, malgré la splendeur de cette version, de préférer encore l'absolue perfection de David Oistrakh/Lev Oborine, Quoique je pense ne pas avoir été le seul à avoir la larme à l'œil lors du sublime deuxième mouvement ! Merci de toute façon pour tant de beauté…
Zusammen mit dem Frühling in Lissabon- einfach primavera !
Franchement belle sensible interprétation... Beethoven doit être comblé
What an innovative and bold interpretation! Beautiful sound by the fiddle. The pianist did some truly subtle things. The first time I listened it sounded sketchy but a second listen revealed so much richness about the music.
Not keen on the "pulled-about" interpretaton, but the way the violin and piano are perfectly syncronised is incredible.
mechanical didgeridoo especially since they are not playing in tempo 😃😃 the fact that they still sound synchronized is awesome
This is so much better (in so many ways) than almost anything it's ridiculous! Mutter rules!!
Bela música, belos instrumentos. belas interpretações. Duas vozes se respeitando e mostrando a música de quem a compôs. Tudo de bom que se pode produzir. Nada para estragar o belo. Só admirando.
An excellent performance of this masterpiece by Ludwig von Beethoven.
Man this *song* is so good! Thank you Beethoven for composing such a nice *song* ! I listen to this *song* every day! Such a beautiful *song* !
lol
Anne Sophie M. toujours dans l’excellence 👍💔👍💔👍💔👍
This is certainly an idiosyncratic account of the sonata. But it's none the worse for that. There are plenty of superb and more mainstream versions available for when we want to listen to them. Meanwhile, this is a very able, fresh and springlike interpretation, performed with all Ms Mutter's normal artistry.
Замечательная соната. Прекрасное, живое исполнение!!!
ikr
Thank you Anne and Lambert. Thank you Ludwig!
Nice.
Withme Whostoned amei ❤️❤️
Diez sonatas para violín y piano escribió Beethoven en el lapso de catorce años, de 1798 a 1812, aunque nueve de ellas nacieron durante un periodo bastante más breve, de 1798 a 1803, año de publicación de la famosísima Sonata "Kreutzer". Casi diez años transcurrieron, pues, entre esta célebre novena sonata y la última, de 1812, completando así el corpus de diez sonatas que en la obra de cámara del maestro de Bonn se acomodan graciosamente en un segundo lugar en importancia, solo superadas por los cuartetos de cuerda.
La sonata No 5 en Fa mayor, opus 24, fue compuesta entre 1800 y 1801, cuando los inicios de la sordera ya comenzaban a preocuparlo. Aun así, es un periodo tranquilo y fructífero para el maestro, asentado en Viena desde 1792. Compuesta en conjunto con la sonata No 4, es contemporánea del Concierto para piano No 3 y de la Primera Sinfonía.
Publicada en 1801, está dedicada al conde Moritz von Fries, generoso mecenas de Beethoven y recurrente dedicatario de su obra (a él será dedicada la Séptima Sinfonía). Conocida también como sonata "Primavera", junto a la Kreutzer constituyen las únicas dos sonatas que llevan título con el que se popularizaron luego de la muerte del autor.
Sus primeros bocetos datan de alrededor de 1795, de modo que la influencia mozartiana en ella es más o menos visible, o si se prefiere, "audible", en todas las secciones que la conforman, una estructura en cuatro movimientos que Beethoven utilizará por primera vez en este género, si bien hay que señalar que el scherzo agregado dura un minuto y poco más. Su audición completa lleva poco más de veinte minutos.
Movimientos:
00:00 Allegro - El violín canta, generosamente lírico, sobre un delicado acompañamiento del piano.
11:51 Adagio molto espressivo - Una melodía nostálgica, presentada primero por el piano.
18:10 Scherzo: Allegro molto - Momentos deliberadamente asincrónicos entre los dos instrumentos.
19:32 Rondo: Allegro ma non troppo - Quizá el más "mozarteano" de los movimientos.
La versión es de la violinista alemana Anne-Sophie Mutter y el pianista estadounidense Lambert Orkis.
👏👏👏💝🙏🙏🙏🙏🙏🌹🇷🇴
the music is so wonderful, how can the violin blend with the piano so well. Thanks for the concert
Thank you for the wonderful concert
One of my favourites from Beethoven!
This is Beethoven in the begining of romantismo I have heard these sonatas by allmost the great artists of the past and hapily everyone reads Beethoven in a diferente way. There is no right or wrong readings by great artists Simply diferent !!!
This was uploaded on my 6th birthday...Im glad to have discovered this
I am The Center Of Everyting That Happens Actually Apparently we share the same birthday. This is uploaded on my 7th birthday
@Julian Huang
Imao wtf do u know the difference between 6 and 7??
@@ketelsuw 8
Ms. Mutter you are divine, and divine you shall remain into eternity. Beethoven.
Yesss
How many different speeds do you want in the first movement?
Rubato
A performance like a violin crying and singing
In short, great
amazing. So unbelievably gifted.
Sencillamente genial, sublime.
Schönes Kleid, geschmacklose Interpretation.
_Adagio molto espressivo_ made me cry. Can't imagine more tender rendition.
Wonderful performance - I sure would like to have my way with that violin - beautiful tone!
Amo esta sonata desde que tenía 7 años ❤
This piece has been my ringtone for the last 3 years. It's the only ringtone I've never got sick of.
If it were my ringtone, it would take nearly thirty minutes for me to answer any call. This piece is just incredible!
Delicate and delightful playing. I have never heard her play, but it's no wonder I have heard of her!
Das kann niemand besser. Niemand. Diese Seele ist so einzigartig.
Das ist absolut fantastisch!!!
Danke
Absolutely FAHNtastic! 🎻
Some debate is good, but I'm sure Beethoven didn't intend the music to be played in the ONLY way
Totally agree. It is in fact the different ways in which performers interprete those pieces that makes the whole recording industry meaningful.
Beautiful ! Thank you very much !
Nghe tiếng đàn,thấy Xuân bước nhẹ trên cành non lá mới.
Beautiful playing. Flexible rhythmic concept, but certainly not out of the question.
Preciosura de MELODÍA que solamente un GENIO pudo producir... y, la interpretación del DÚO de virtuosos del VIOLÍN y el Piano es extraordinario. Anne S., Hilari y Jannine J. son un grupo de damas extraordinarias en su presentaciones y, todo ello gracias a este medio llamado youtube por el que se les puede VER !!!!... GRACIAS Kamngaty, saludos desde Perú.
she is very very very tremendous violinist!
Yes she is, but her strained, affected interpretations of Beethoven are downright PERVERSE.
Magnificent! Thank you kamngaty for sharing!
Anyone who accompanies Frau Mutter must be at the very top of their field (pianist, conductor, orchestra). She's indeed probably the most difficult soloist to accompany.......
Emocionante y bellísimo
amazing playing but the rubato was a bit over the top imo
Right. Rubato, unfortunately, creates this awful lurching feeling.
sophisticated and beautiful performance, i have never
had such a happy time.
Sonata Primavera gusta con escucharla por primera vez. Todos mis elogios y mas. Me encanta
Perfectly good rendition by Ms. Mutter of a popular sonata by Beethoven. All the comments critical of her playing smack of snobbery!
I'm here from Chapter 74 of Little Mushroom, lol. It's pretty.
Edit: Four years later, I'm rereading it again. It's chapter 42 of volume 2. It's still pretty.
Such a beautiful song!
Great rendition 🎻
Bravo...for spring!
Hahahahaha ~ The commentators on this video are so hilarious.
What a beautiful piece of music we have to enjoy, thanks to Beethoven!
spectacular!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Simply superb. A joy to hear again and again!
I agree
جميلة اوييييييييييييييي موسيقه بيتهوفن!
Maravilloso
TRULY BEAUTIFUL
Прекрасное исполнение!
Violintastic! Loved the song when I just heard it.
心が癒されます。