Yes, I'd love to hear you discuss the linear gamma instead of traditional. I've used both, but I seemed to have had a few problems with my color grade breaking with linear when upstream from other nodes. I'm sure it's something I don't understand. Thanks, Qazi. Really appreciate you!
@theqazman This is really crazy...🤯🤯 You have built an super toolkit which puts everything else out there in the dust...all the necessary stuff and no crap! The inclusion of charts is super useful ❤
Everyone's asking for linear node tree grading. Very interesting but i find it will be more exciting to watch you in swimming pool with some drink in the hand talking about your transformation and experience over the last 14 years as colorists. What you are thinking about?
That’s funny. Personally I also care about those things. Unfortunately, I feel like on this channel. Nobody wants to hear about my personal side and they only want to see what I can do in adventure resolved.
Qazi is there any way you can find a way to convert DJI Dlog M so we can work in Davinci Color Management or CST. It’s frustrating we are stuck grading Mavic 3 Pro Dlog and Dlog M in Rec709. Just wondering if you could find a way or create a DCTL so we can get Dlog and Dlog M into the wider Davinci Wide Gammut. You would be an absolute hero if u could find a solution to this as DJI are refusing to answer this question about why they haven’t gave Davinci Resolve the Dlog, DlogM Input Color Space and Gammut white paper info to add to the library of Input Color Spaces. See what u could come up with Qazi please 🙏
You know what buddy, you will keep bringing horses to the water but some horses are too arrogant to even know there’s absolute GOLD IN THE WATER. I am a noob and i don’t know how to use your tools but showing my clients the things I have managed to do, they’re blown away. Genius
Thanks for this video ! Let's take into account that the plan correction has already been done. When building a look, do you put the split toning before or after the look's contrast curve ?
hey what's your preferred contrast curve method? Using S-Curve or Linear setup within project settings before you prep the grade? I believe some have this turned off for doing linear contrast and then finesse doing S-curve roll off using curve tools via the node tree.
SO... how your tools work together behind the scenes to complement each other is incredible 😮, and I'm seriously considering investing in QT, but I have two quick questions for you: I'm a wedding filmmaker, so not a professional colorist, but someone for whom image, look, feel, SKIN TONES, etc., are really important and can be a big differentiator. 1. Given all the changing lighting conditions I encounter in (primarily outdoor) weddings, and the fact that except for the reception, I really don't have much control over the light, would the QT tools be helpful, or so powerful as to be "too much" to use for all the different uncontrolled lighting conditions? 2. I currently color correct everything with a fixed node tree, then add all clips in a scene (or the entire film, depending) to a group, where I do global adjustments to keep a given look consistent across the scene/film. Then I'll go back into the individual clip nodes and adjust to taste as necessary. Would that be a good general workflow for using QT, or would you recommend some other overall process? Thanks in advance, and keep up the awesome work, man. Your content is SO useful and I've learned a ton from you over the past couple years! 👊🏻
it is made for you, bro. I’ve worked the weddings in the past and grading using your primaries and traditional tools become a really big problem, especially if you wanna create a dope ass look because you’re gonna have to get into your secondaries and that’s where the grade falls apart when the lighting changes. and as you saw on this example, that’s the strength of Qazi‘s tool kit. I made it specifically so it can shine in difficult situations. That’s why all they say. The school is not only for Hollywood Colorist. It is made for film makers because nothing else in the market can do with this can offer. So get it and let me know when you’re on the other side. 💪🏽
@@theqazman Thanks for the detailed response, man - I really appreciate it! So in this tutorial vid you created this look and then applied it to two other similar shots - same general color temp, quality of light, etc. Let's say this woman is actually a bride taking the subway to her wedding (it could happen! 🤣), and in the next scene she walks out of the subway and goes above ground into her ceremony in an outdoor park. Totally different lighting temp, sources, quality, direction, etc. Where are you making adjustments to keep a similar look, but with the new lighting conditions? Is the QT-created look robust enough to keep the same general T&O look for that and just adjust the color correction nodes? Or is it a combination of adjustments to the correction nodes above and minor adjustments to the QT look nodes themselves? Or do you think you'd need to create an entirely new 7-node QT look? I know you can't definitively answer this hypothetical (and it's somewhat dependent on the narrative and story anyway); I'm just trying to get a feeling for how you use QT to keep a consistent look across multiple scenes. Thanks again, dude! 👊🏻
This is Fire my guy! What camera was this filmed on? I Cant wait to try this out for my Gh5 footage, I film in HLG and can't wait to see how this tool will affect the HLG workflow. Thx in advance for your response.
Nice work great info. But whats the use of investing my so much time here learning color grading and editing when instagram is going to compress my video uploaded from android (not high end device) and make it look like shit. What wrong with instagram.
Color grading is very different than compression. That’s like saying, they shouldn’t have graded Dune and Blade Runner because when I watch it on Instagram, it looks like log. No one ever complains about that. The thing that we always get frustrated over is the artifacts and compression that the grades the image not necessarily the colors.
Greetz from germany, you and superman have never been seen in the same room before, no coincidence, right? I am happy to be able to breathe the same air as you.😃
@@theqazman After i sold my car, i will buy this. :D Just joking, unfortunately, I can't afford it, but if it's worth buying something, it's probably this. Everyone should understand how much work goes into it by how many people and then it's probably not enough money.
thank you, and yes, I saw the trailer and it looks delicious. I did do a video on the latest joker trailer so make sure to check that out on the channel.
I disagree. The black points are still very close to being neutral, and most importantly there is no hard rule that you cannot have a certain color in your shadows and highlights.
@@theqazman I know, the grade always looks better cleaned up that way with all the tutorials I’ve watched from you in the past. I don’t dislike it, it just feels more IG/Trendy than a full fledged grade
Imagine there was a video like "traveling with a conventional vs secret method", and in the first part it's a regular video about planning and booking and the second part is "yeah well just buy yourself a jet it's much easier to travel that way". I'm not saying the toolkit is bad, but this title is kind of misleading.
Sorry brother but the analogy makes very little sense. I showed you both ways and didn't hold anything back. So if buying a toolkit is a HUGE problem than you're more than welcome to use the conventional method. You get to choose.
![Watch these 25 mins to FULLY Understand Color Management [Beginners Guide]](http://i.ytimg.com/vi/AAeZKZ5feGA/mqdefault.jpg)
![ตีสิบเดย์ [FULL] | นางเอกหมอลำเงินล้าน "อุ๋งอิ๋ง เพชรบ้านแพง" & ไฮโซสาวสุดฮอต "ลิลลี่ เหงียน"](http://i.ytimg.com/vi/jPxQS_EgrJ4/mqdefault.jpg)
Yes, please do a video about working in the linear color space. It's something I keep hearing and I would like to understand further.
Will do
Yeah, I second this as well - thanks!
Yes, I'd love to hear you discuss the linear gamma instead of traditional. I've used both, but I seemed to have had a few problems with my color grade breaking with linear when upstream from other nodes. I'm sure it's something I don't understand. Thanks, Qazi. Really appreciate you!
Cullen kelly made a video on linear vs log if you‘re interested
Dude, I tried the Split tonning basic technique, and those 4 nodes changed everything in my current project. Sooooo goooood omg!!
Yes! After buying QT bundle, THIS is the video I needed!!! Thanks bro!
- AFree
Let's go!
@theqazman This is really crazy...🤯🤯 You have built an super toolkit which puts everything else out there in the dust...all the necessary stuff and no crap! The inclusion of charts is super useful ❤
Let's go brother. Appreciate the love and yeah man I can't live without it now. 😂♥️
Please do a video about linear exposure
Everyone's asking for linear node tree grading. Very interesting but i find it will be more exciting to watch you in swimming pool with some drink in the hand talking about your transformation and experience over the last 14 years as colorists. What you are thinking about?
That’s funny. Personally I also care about those things. Unfortunately, I feel like on this channel. Nobody wants to hear about my personal side and they only want to see what I can do in adventure resolved.
Wow, Qazi! This one goes deep, mate!! I needed this to climb the learning curve on the QT Bundle. Thanks. 🙏
so happy to do it, brother and enjoy using QT
Qazi is there any way you can find a way to convert DJI Dlog M so we can work in Davinci Color Management or CST. It’s frustrating we are stuck grading Mavic 3 Pro Dlog and Dlog M in Rec709. Just wondering if you could find a way or create a DCTL so we can get Dlog and Dlog M into the wider Davinci Wide Gammut. You would be an absolute hero if u could find a solution to this as DJI are refusing to answer this question about why they haven’t gave Davinci Resolve the Dlog, DlogM Input Color Space and Gammut white paper info to add to the library of Input Color Spaces. See what u could come up with Qazi please 🙏
Send me some footage on my IG and I'll play with it.
@@theqazman defo bro. It will be from the Scottish highlands
You know what buddy, you will keep bringing horses to the water but some horses are too arrogant to even know there’s absolute GOLD IN THE WATER.
I am a noob and i don’t know how to use your tools but showing my clients the things I have managed to do, they’re blown away.
Genius
Hey man i'd like to know more about linear color space
You are the best teacher, i have ever had 😁😁. Love your work. Keep inspiring us 😉
appreciate the love, brother. Will do.
I appreciate you! Thank you for all of your hard work and willingness to teach others👑
Appreciate the love
Hey Qazi, thank you for the upload, I´m a Final Cut user but this helped me understanding more how colors work
Happy to help bro.
This is fantastic brother! Much appreciated! 😊
I got so many requests from QT owners to do an in depth vid so happy that you found it helpful.
best davinci guy on yt (if u want skill)!!!!
My man. ♥️🙏🏽
@@theqazman U ARE THE MAN
@@theqazman provide link to discord server
Thanks for this video ! Let's take into account that the plan correction has already been done. When building a look, do you put the split toning before or after the look's contrast curve ?
that is explained in the video so your split toning will not come before you make your balance adjustments.
Yes it would be very helpful if you make video about why you use linear and why film look creator have better grain!
Will do bro. Thanks for the questions.
hey what's your preferred contrast curve method? Using S-Curve or Linear setup within project settings before you prep the grade?
I believe some have this turned off for doing linear contrast and then finesse doing S-curve roll off using curve tools via the node tree.
So detailed & usefull........ BRAVO
Ty brother. ♥️
Will you have a video on balancing for the new node tree using your tools?
Any video on creating the node tree before we add the qt tools?
This video 😀
Duuude you killed with this tools. Hopefully I be able to get it soon..:)
thank you so much, brother. Appreciate the love. Hit me up when you get it. 💪🏽
@@theqazman I will do indeed ✌🏽😎
visto che per te ormai è diventata un'ossessione Joker, farò del tutto per farti avere una parte importante nel prossimo film che dovrà uscire!!!
Thats great as always! But please do make a video on linear as I believe many people like me have no idea about it
Will do bro.
So many golden nuggets. Thanks bro
You’re welcome
Please make that video of "Node > Gamma > Liner Space".
Will do
Clutch.. always fire tips
My man ✊🏽
Cool tools, I’ll use then if I become a colourist. Or when I hit the big lotto payout! (:
Let’s see a video on linear space!
Génial bro thanks you make a tutorial for beginner please on the color grading in DaVinci resolve please 🎉🎉🎉🎉🎉
Is there a color transform that you recommend for using for GoPro Max in log or any GoPro cameras?
SO... how your tools work together behind the scenes to complement each other is incredible 😮, and I'm seriously considering investing in QT, but I have two quick questions for you: I'm a wedding filmmaker, so not a professional colorist, but someone for whom image, look, feel, SKIN TONES, etc., are really important and can be a big differentiator.
1. Given all the changing lighting conditions I encounter in (primarily outdoor) weddings, and the fact that except for the reception, I really don't have much control over the light, would the QT tools be helpful, or so powerful as to be "too much" to use for all the different uncontrolled lighting conditions?
2. I currently color correct everything with a fixed node tree, then add all clips in a scene (or the entire film, depending) to a group, where I do global adjustments to keep a given look consistent across the scene/film. Then I'll go back into the individual clip nodes and adjust to taste as necessary. Would that be a good general workflow for using QT, or would you recommend some other overall process?
Thanks in advance, and keep up the awesome work, man. Your content is SO useful and I've learned a ton from you over the past couple years! 👊🏻
it is made for you, bro. I’ve worked the weddings in the past and grading using your primaries and traditional tools become a really big problem, especially if you wanna create a dope ass look because you’re gonna have to get into your secondaries and that’s where the grade falls apart when the lighting changes. and as you saw on this example, that’s the strength of Qazi‘s tool kit. I made it specifically so it can shine in difficult situations. That’s why all they say. The school is not only for Hollywood Colorist. It is made for film makers because nothing else in the market can do with this can offer. So get it and let me know when you’re on the other side. 💪🏽
@@theqazman Thanks for the detailed response, man - I really appreciate it! So in this tutorial vid you created this look and then applied it to two other similar shots - same general color temp, quality of light, etc.
Let's say this woman is actually a bride taking the subway to her wedding (it could happen! 🤣), and in the next scene she walks out of the subway and goes above ground into her ceremony in an outdoor park. Totally different lighting temp, sources, quality, direction, etc. Where are you making adjustments to keep a similar look, but with the new lighting conditions?
Is the QT-created look robust enough to keep the same general T&O look for that and just adjust the color correction nodes?
Or is it a combination of adjustments to the correction nodes above and minor adjustments to the QT look nodes themselves?
Or do you think you'd need to create an entirely new 7-node QT look?
I know you can't definitively answer this hypothetical (and it's somewhat dependent on the narrative and story anyway); I'm just trying to get a feeling for how you use QT to keep a consistent look across multiple scenes. Thanks again, dude! 👊🏻
Yes, I don't get the linear thing… 😄😄 A longer explanation would be amazing 👌🏻
Will do
This is Fire my guy! What camera was this filmed on? I Cant wait to try this out for my Gh5 footage, I film in HLG and can't wait to see how this tool will affect the HLG workflow. Thx in advance for your response.
Ty brother. 🙏🏽 My talking head was shot on Sony fx30.
PLZ give us the "Linear node" tutorial!!!!!!
Will do.
Secret tool? I'm going to take a wild stab in the dark and say it's QT 😂
Bingo
sir is this toolkit required lot of gpu power like dehancer
Nice work great info. But whats the use of investing my so much time here learning color grading and editing when instagram is going to compress my video uploaded from android (not high end device) and make it look like shit. What wrong with instagram.
Color grading is very different than compression. That’s like saying, they shouldn’t have graded Dune and Blade Runner because when I watch it on Instagram, it looks like log. No one ever complains about that. The thing that we always get frustrated over is the artifacts and compression that the grades the image not necessarily the colors.
Greetz from germany, you and superman have never been seen in the same room before, no coincidence, right?
I am happy to be able to breathe the same air as you.😃
Hahaha. My man. ✊🏽
@@theqazman After i sold my car, i will buy this. :D Just joking, unfortunately, I can't afford it, but if it's worth buying something, it's probably this. Everyone should understand how much work goes into it by how many people and then it's probably not enough money.
I love your grades and all but knowing I can't follow the tutorial because I have to buy some plugin is just heartbreaking 😢😢😢😢😢
but you actually can because I gave you two different versions for that reason so the first version is completely free.
linear video please
Will do
Do you have a discord server??
Very informative vid, please React to the New Joker trailer
thank you, and yes, I saw the trailer and it looks delicious. I did do a video on the latest joker trailer so make sure to check that out on the channel.
@theqazman Awesome, I can't wait until it is on the channel cause it came out a couple days ago. The colors are just chefs kiss
Link to the LUT ain't workin 😉 It's a footage instead !
Happy grading !
Good call. Fixed it. Try now bro.
"Welcome back to another video I've been grading for 14 years" bro why you spending over a decade for ONE video?????
My last video took 20 years. Can't rush perfection my guy.
yeap plz the linear video
Added to the future episode of Ask Qazi
I feel like this grade goes against what you normally preach, anchored skin tones and blacks, I don’t see it here
I disagree. The black points are still very close to being neutral, and most importantly there is no hard rule that you cannot have a certain color in your shadows and highlights.
@@theqazman I know, the grade always looks better cleaned up that way with all the tutorials I’ve watched from you in the past. I don’t dislike it, it just feels more IG/Trendy than a full fledged grade
Imagine there was a video like "traveling with a conventional vs secret method", and in the first part it's a regular video about planning and booking and the second part is "yeah well just buy yourself a jet it's much easier to travel that way". I'm not saying the toolkit is bad, but this title is kind of misleading.
Sorry brother but the analogy makes very little sense.
I showed you both ways and didn't hold anything back. So if buying a toolkit is a HUGE problem than you're more than welcome to use the conventional method.
You get to choose.
@@theqazmanok but Qazi you spent like the whole hour not mentioning that it’s like 700 something dollars
@@notaninstrument7707 crazy right! if het was a 150 dollar than more people wil buy than now! too expensive