What a fabulous viola player. Wow, that incredibly controlled vibrato and perfect intonation, apart from the wonderful expression and projection is quite remarkable. One of the great viola players of this century. And a superb performance by the orchestra. FIVE STARS!
This guy is a true violist, he has the vibrato of a violist. Not like so many viola players who played the violin professionally and whiched to the viola! Bravo!!!
That's the kind of vibrato I aspire to have one day. I'm 19 now, and two years ago, I decided that I would learn a stringed instrument. I ended up choosing the viola because I didn't want to deal with a cello's size and because I actually prefer the tone of a viola over that of a violin. I did buy a cheap violin several months ago, but I much prefer playing my viola to it. I've heard that many violists started out as violinists, so I'm glad that I'm playing viola to begin with.
I read this comment several times and just now I realised "switched" is written "whiched". So there you go useful information for you about my fascinating life
@@masantonio8790 By that reasoning, cellists should vibrate even slower. So, nonsense. All players, of all 3 instruments, do, or should, vary the speeds of their vibratos according to desired expression. You might even find a few notes that Heifetz played with a rather slow vibrato. But virtuosi of all 3 instruments have fast vibrati at their disposal. There is no such thing as a "viola" vibrato. If you can't play a violin with an appropriate vibrato, then your vibrato could use some work.
Just cannot understand why this great work by Walton is not performed more often. The repertoire for viola and orchestra is very limited and it makes a nice change from the proverbial violin concertos.
@@robert-cristianpetracheno, The orquestra usually prefer play violin or piano concertos because It is The most popular instruments. So It is easier to bring people to watch
This is a fine, festive concerto with a strong final movement. It's good to hear occasionally, and this performance was a treat! Violist Tamestit is new to me; he is very impressive, with a great tone.
Amazing, amazing playing. He's really good. My only complaint about this video: during some of the most gnarly, technical viola passages-- when you really want to watch the soloist in action-- the camera is on the woodwind and brass players, who are just sitting there, sustaining long accompanying notes. Zzzzzzzzz. C'mon, really??
thats what happens, the camera crew isnt always musician... or better said, they are never musicians.... so they dont understand whats happening, and they often dont have anybody helping this matter..... so until theres no one to help this will happen again always!!! Sad but True
Agree, and it is a shame. This is hr-Sinfonieorchester, one of Europe finest. It's not the camera men job to decide what is finally presented to the video audience. That's the job of the video director. There is no excuse for sloppy work.
@@charlietian4023 Well in nearly 40 years of concert going I’ve never come across a performance. Absolutely brilliant work by a genuinely great composer.
Such a beautiful, vibrant work, by turns feisty and tender. Wonderful Tamestit, Maestro Honeck, and of course the Hessischer Rundfunk S.O. plays with its usual brilliance... What a gift this orchestra and its broadcasts are to the world!
One thing I've noticed is how good Antoine Tamestit can project. It's amazing considering he's playing on a viola. For example 4:35 when the music briefly moves through the cycle of fifths, you can hear him so clearly whereas if you listen to any other version on Spotify you can hear the soloists (even the likes of Maxim Vengerov) getting drowned out by the orchestra during that part. Tamestit is an absolutely amazing violist. (And this is coming from a violinist 😅)
Antoine Tamestit is a fantastic violist with a great sound. Some of the credit for the balance and for the viola being heard above the orchestra must also go to Maestro Honeck and the orchestra for playing so well without drowning out the violist. It's always such a delicate balance.
So hard to get the viola to carry over the orchestra, and carry the musical narrative all through: Violist Tamestit does it so well! Great phrasing, love it.
Da kommt ein richtiges Programm! Der süße Ton der Solobratsche klingt außergewöhnlich schön. Die zurückgehaltene Begleitung von diesem ausgezeichneten Orchester unter der künstlerischen Leitung von diesem genialen Dirigenten ist auch bemerkenswert.
Absolutely amazing. This is one of the great works of the 20th century. The performance by both the soloist and orchestra are fantastic. Thanks to all for presenting such a memorable concert.
Fun to see the viola get showcased for once! This instrument is so overlooked that I had never heard one solo before. Perhaps it is more than just a comically large violin! ;)
I played this piece in my high school orchestra, at that time I FEEL the magical moment of every single note (even when we played it poorly...) this music is incredibly fascinating.. beyond the words..
@@hyrumkohler Yes, a nice observation. Up the octave where possible and without embarrassing oneself, (and given the right musical context) I say why not? Tamestit gave a refreshing blast during this bar!
@@sergioazevedo7390 But in the end Walton preferred it and was meant to publish it in the revised version by F Riddle. Too bad it was incorrectly printed and now we have a debate on which score to honor (the original or the revised version)
Es ist unglaublielich dieses Koncert Ich habe in der letzen Jahr der Hochschule geheimnies gespielt So dieses Koncert hat mir so Gut gefalen Danke Immer Erfolgt Danke noch eimal
Is this the “Gustav Mahler” Strad? Such a well-rounded tone; it’s a beauty as is Antoine’s playing!
5 ปีที่แล้ว +8
Yes, probably. At 1:14 , 29:01 or 30:04 you can have a glimpse of its very specific wood pattern on the back tarisio.com/cozio-archive/property/?ID=41367
My favourite viola concerto, absolutely first class :) and Walton....such a small, calm and fragile man in posture....but listen to his music! so energetic and full of love and big, yet so little performed....such a shame
Wow!! What a wonderful performance by all the musicians involved. Thank you so much for making this available. Bravo to all, including the absolutely excellent videography!
Потрясающая музыка и прекрасное исполнение!!! Браво!!! Оставлю свой коммент на память) 1 часть играл на 3 курсе консы, 2 и 3 буду готовить на выпуск! )
Walton had Lionel Tertis in mind for the first performance but Tertis wasn't initially interested and so Paul Hindemith, no less, premiered it. Later Tertis had a radical enough change of mind to give the work its first US performance.
The minutes from ca 23:15 when it’s leading again to beginning theme over the eternal E-pedal point…everytime when I played this even with only piano accompaniment it gave me goosebumps. Once I had the privilege to play it with orchestra in a conductor student rehearsal I was too nervous to really feel it 🎻🎶 But this performance with Tamestid and hr is way the best I heard so far. Everything has to be perfect: the soloist but also performing the big youthful orchestration in a careful way. Here it just rocks. Viola at its best.
Walton was often degraded by ignorant music critics within his lifetime because he wasn´t avant-garde enough. Well those people are gone and forgotten now but Walton´s music lives on and is played more often in a more enlightened time even though this wonderful concerto doesn´t get the hearing it deserves probably because it´s for viola rather than violin
This is a great performance of the tricky and elusive viola concerto of 1929, revised in 1961 to thin the orchestration slightly. Paul Hindemith (great composer and fine violist) had apparently suggested the precise thinning which the composer made two years before Hindemith's death. The men were close friends for life and Walton frequently used the German composer's 'block chord' foundations in several works. The concerto had been written for Lionel Tertis but he found it too odd, writing later that he had been mistaken to pass on it and there was a delay in the projected premiere until Hindemith said that he would do it given enough full rehearsal time. He knew that he himself was not expert enough for some of the technical demands but his composer side recognized a great concerto when he saw one. When Hindemith had given the premiere and a couple of broadcasts he told Tertis that he, especially as dedicatee, should be playing it. He did and it became a repertoire work until his hearing failed unusually early. By this time William Primrose had become the go-to soloist for viola works. He had studied with Ysaye and was tutored by Tertis. Viola techniques at top level are evidently different from those of the violin and many violinists have recorded the Walton viola concerto with some unfortunate results, e.g. Menuhin and Kennedy. Antoine Tamestit shows here (1961 rev version) what is so special about a viola being the solo instrument but Berlioz's semi-concerto 'Harold in Italy' had made use of his still relevant treatise on orchestration, which Walton studied and often re-visited into late life. Walton was 27 when the viola concerto was premiered and eminent conductors wanted more but the composer was always meticulous about orchestration and actual sounds so was slow and got 'writers block' in 1934 during the composition of his 1st symphony. It was given by Harty in the three completed movements and Walton completed it the following year and is a mighty work never out of the repertoire. Interestingly, the slow movement (which is sad but lyrical) centres on the register of the viola section. His 1939 violin concerto was popular but less deep than the viola concerto but, again, the orchestra's viola section is unusually prominent. Walton just liked what violas sound like and did not accept that the instrument was just for support. The performance here is so well judged and the orchestra has a sense of ensemble which such a work requires that it should be on CD.
I think a strong case could be made for that view. Such a shame that few outside the viola world know this piece! As a violinist and violist, I prefer Walton's viola concerto to his violin concerto. It's very challenging for the soloist and interesting to play for both the soloist and orchestra, with good interplay between the solo and orchestral parts, but is consistently fun to listen to and very accessible. A good mixture of neo-Romanticism and modernity, and of energetic and melancholy moments. Every movement is strong and has memorable themes. It's a well-structured, cohesive work, in my opinion. Most other 20th-century concertos I love have more glaring weaknesses. Walton clearly had both respect for and a good understanding of the viola.
I understand that this a German channel but I think this video's title and/or description should have "viola" in it, since most people don't actually know what "bratsche" means; I came across this video by chance!Things like "violon" and "klarinett" are more obvious and wouldn't need to be translated, but doing this would get more views and bring this great concerto, soloist, and composer to a wider audience.
Considering Walton is an English composer, what you have said is quite reasonable. Otherwise the title should be Bratschenkonzert in accordance with the basic language of this channel.
Was für einen Blödsinn. Es handelt sich um ein Video eines deutschen Orchesters. Sie haben jedes Recht, das Video in ihrer Landessprache zu beschreiben.
At 17 I tried to play this concerto. It was a little too much for me I'm afraid. This was just a wonderful performance. The violist was terrific as was the orchestra. I am also curious if the viola was a Strad....
Goddamn. Very few [dare to] play that harmonic in the second movement, in the studio much less live... It's long been the case (for better or worse) that the tighter and more convincing recordings of this concerto have been at the hands of moonlighting violinists who have the chops to manage its impossibly awkward writing - see, e.g. Kennedy, and more recently, Ehnes. This fellow may have just redefined the standard.
I think there were some parts in the last movement where his interpretation kinda got lost on me but the third movement is by far the most difficult in terms of musicality and I would never be able to play it as well as he does here, the rest was perfect, especially the last bit of the third movement.
What a fabulous viola player. Wow, that incredibly controlled vibrato and perfect intonation, apart from the wonderful expression and projection is quite remarkable. One of the great viola players of this century. And a superb performance by the orchestra. FIVE STARS!
Viola owns it, also Viola & Clarinet is a fantastic combination
Indeed. Bruch did write so devestatingly beautiful music for that combination.
This guy is a true violist, he has the vibrato of a violist. Not like so many viola players who played the violin professionally and whiched to the viola! Bravo!!!
What is the difference in vibrato?
@@RodrigoFernandez-td9uk Viola vibrato is wider and slower. As a violist, anytime I pick up a violin my vibrato sounds more like glissando.
That's the kind of vibrato I aspire to have one day. I'm 19 now, and two years ago, I decided that I would learn a stringed instrument. I ended up choosing the viola because I didn't want to deal with a cello's size and because I actually prefer the tone of a viola over that of a violin. I did buy a cheap violin several months ago, but I much prefer playing my viola to it. I've heard that many violists started out as violinists, so I'm glad that I'm playing viola to begin with.
I read this comment several times and just now I realised "switched" is written "whiched". So there you go useful information for you about my fascinating life
@@masantonio8790 By that reasoning, cellists should vibrate even slower. So, nonsense. All players, of all 3 instruments, do, or should, vary the speeds of their vibratos according to desired expression. You might even find a few notes that Heifetz played with a rather slow vibrato. But virtuosi of all 3 instruments have fast vibrati at their disposal. There is no such thing as a "viola" vibrato. If you can't play a violin with an appropriate vibrato, then your vibrato could use some work.
Out of all the recordings of that I’ve heard of the Walton, this is truly the best recording I’ve heard. The man Antoine Tamestit
Have you heard the c1960 Walton/Menuhin recording,?
Just cannot understand why this great work by Walton is not performed more often. The repertoire for viola and orchestra is very limited and it makes a nice change from the proverbial violin concertos.
YESSSSS!😂
Cause a few viola players can really play,that’s why…
@@robert-cristianpetracheno, The orquestra usually prefer play violin or piano concertos because It is The most popular instruments. So It is easier to bring people to watch
@@Guilhermedetiuki. I guess it’s the old problem with audiences, - I know what I like and I like what I know. So boring and unadventurous. 😩
Because it is fairly uninteresting
This is a fine, festive concerto with a strong final movement. It's good to hear occasionally, and this performance was a treat! Violist Tamestit is new to me; he is very impressive, with a great tone.
@@hiriaith Yes, I think festive is somewhat appropriate, especially for the 2nd movement.
What a piece!! And what a player. This is stupendous!
Amazing, amazing playing. He's really good. My only complaint about this video: during some of the most gnarly, technical viola passages-- when you really want to watch the soloist in action-- the camera is on the woodwind and brass players, who are just sitting there, sustaining long accompanying notes. Zzzzzzzzz. C'mon, really??
Because Viola
thats what happens, the camera crew isnt always musician... or better said, they are never musicians....
so they dont understand whats happening, and they often dont have anybody helping this matter..... so until theres no one to help this will happen again always!!! Sad but True
Agree, and it is a shame. This is hr-Sinfonieorchester, one of Europe finest. It's not the camera men job to decide what is finally presented to the video audience. That's the job of the video director. There is no excuse for sloppy work.
monmelendezsie差さrra8241
A concerto I studied many years ago, still love it, so rarely performed.
It's rarely performed because it's a viola concerto, but among viola concertos I am willing to say it is the most performed
@@charlietian4023 either this or the Bartók
@@charlietian4023 Well in nearly 40 years of concert going I’ve never come across a performance. Absolutely brilliant work by a genuinely great composer.
Such a beautiful, vibrant work, by turns feisty and tender. Wonderful Tamestit, Maestro Honeck, and of course the Hessischer Rundfunk S.O. plays with its usual brilliance... What a gift this orchestra and its broadcasts are to the world!
One thing I've noticed is how good Antoine Tamestit can project. It's amazing considering he's playing on a viola. For example 4:35 when the music briefly moves through the cycle of fifths, you can hear him so clearly whereas if you listen to any other version on Spotify you can hear the soloists (even the likes of Maxim Vengerov) getting drowned out by the orchestra during that part. Tamestit is an absolutely amazing violist.
(And this is coming from a violinist 😅)
Antoine Tamestit is a fantastic violist with a great sound. Some of the credit for the balance and for the viola being heard above the orchestra must also go to Maestro Honeck and the orchestra for playing so well without drowning out the violist. It's always such a delicate balance.
Tamestits*s viola ~16,5 insh
@@evgeniybelov1112 damn, I thought it looked large even for a viola. Mine is a 16 inch
It helps that it's a Stradivarius....
The only other violists I know of who can do that are David Aaron Carpenter and Yuri Bashmet.
Absolutely fantastic! The soloist is truly extraordinary. Both the conductor and the orchestra provided a wonderful accompaniment. Bravo!
Walton! I adore the cello concerto, and look forward to getting to know viola concerto!
This Strad Viola has finally found its master and is very happy with her host! And we are all enjoying every moment of this wonderful symbiosis!! 💕
Outstanding. Outstanding player, outstanding orchestra and an outstanding concerto by Walton; what character brought out by Antoine Tamestit.
So hard to get the viola to carry over the orchestra, and carry the musical narrative all through: Violist Tamestit does it so well! Great phrasing, love it.
Tamestit is another superb master of this oft neglected instrument.
Beautiful playing! Such a storyteller!
Da kommt ein richtiges Programm! Der süße Ton der Solobratsche klingt außergewöhnlich schön. Die zurückgehaltene Begleitung von diesem ausgezeichneten Orchester unter der künstlerischen Leitung von diesem genialen Dirigenten ist auch bemerkenswert.
A masterpiece. Outstanding performance of Antoine Tamestit.
My favourite part: 22:32 after the brief silence
The whole buildup from 21:28 to this phrase is so amazing and well composed.
Wow, this is a really great performance-- very original the way he bows and phrases things. And he's awesome with the portamento. Great playing.
Absolutely amazing. This is one of the great works of the 20th century. The performance by both the soloist and orchestra are fantastic. Thanks to all for presenting such a memorable concert.
Fun to see the viola get showcased for once! This instrument is so overlooked that I had never heard one solo before. Perhaps it is more than just a comically large violin! ;)
I played this piece in my high school orchestra, at that time I FEEL the magical moment of every single note (even when we played it poorly...) this music is incredibly fascinating.. beyond the words..
너무 너무 훌륭한 연주입니다 ❤️
멋진 연주 감사합니다 😊
Am flabbergasted with the brilliance of this performer, the work, the orchestra, conductor....FABULOUS! BRAVISSIMO!!!
최고의 월튼 100번도 더 본거같아요 연주들을때마다 감동❤
0:00- mvnt 1, andante comodo
9:26- mvnt 2, vivo con molto preciso
14:16- mvnt 3, allegro moderato
The musical choice to play up an octave at 12:04 was magical! Unique :)
A very Primrose move, if you ask me
@@hyrumkohler Yes, a nice observation. Up the octave where possible and without embarrassing oneself, (and given the right musical context) I say why not? Tamestit gave a refreshing blast during this bar!
there are several editions of the solo viola part, with lots of diferences, I think the soloist chose one of them, it was not his personal initiative.
@@sergioazevedo7390 But in the end Walton preferred it and was meant to publish it in the revised version by F Riddle. Too bad it was incorrectly printed and now we have a debate on which score to honor (the original or the revised version)
-- Une merveille, Antoine Tamestit sublime ce concerto pour Alto. --
Thank you for this spectacular viola interpretation.
An absolutely brilliant and beauiful composition!
You can hear some influence from traditional English folk song, kinda a medieval vibe to it, I love it, and I’m learning this right now:) excited!
Great playing! I've remember this violist's name... TAMESTIT!
Es ist unglaublielich dieses Koncert Ich habe in der letzen Jahr der Hochschule geheimnies gespielt So dieses Koncert hat mir so Gut gefalen Danke Immer Erfolgt Danke noch eimal
Best performance ever!
18:57 Stunningly Beautiful!
What an amazing soloist....I knew the piece but not Antoine Tamesit. Absolutely beautiful.
Lovely, splendidly done.thank you all so very much.
Is this the “Gustav Mahler” Strad? Such a well-rounded tone; it’s a beauty as is Antoine’s playing!
Yes, probably. At 1:14 , 29:01 or 30:04 you can have a glimpse of its very specific wood pattern on the back
tarisio.com/cozio-archive/property/?ID=41367
Yes, Gustav Mahler - Stradivari. Beautiful...
My favourite viola concerto, absolutely first class :) and Walton....such a small, calm and fragile man in posture....but listen to his music! so energetic and full of love and big, yet so little performed....such a shame
Wow!! What a wonderful performance by all the musicians involved. Thank you so much for making this available. Bravo to all, including the absolutely excellent videography!
Потрясающая музыка и прекрасное исполнение!!! Браво!!!
Оставлю свой коммент на память)
1 часть играл на 3 курсе консы, 2 и 3 буду готовить на выпуск! )
SUperb....Marvelous.....BRAVO from Acapulco!
Walton had Lionel Tertis in mind for the first performance but Tertis wasn't initially interested and so Paul Hindemith, no less, premiered it. Later Tertis had a radical enough change of mind to give the work its first US performance.
What a perfect play... wow...
Perfection. Thank you for sharing this!
Excellent composition!
The minutes from ca 23:15 when it’s leading again to beginning theme over the eternal E-pedal point…everytime when I played this even with only piano accompaniment it gave me goosebumps. Once I had the privilege to play it with orchestra in a conductor student rehearsal I was too nervous to really feel it 🎻🎶 But this performance with Tamestid and hr is way the best I heard so far.
Everything has to be perfect: the soloist but also performing the big youthful orchestration in a careful way. Here it just rocks.
Viola at its best.
Currently learning this piece abs I just can’t wait till it all comes together!!! Such a beautiful concerto 🎉
21:49 that gives me goosebumps every time
Какой чувственный получился Уолтон)) Сейчас спустя 5 лет думается, было бы что то в другой манере. Но все супер. Спасибо за артикуляцию❤
my blood cousin! very talented :)
For real?!! Awesome!! :))
Molto bello Complimenti !!!! Grazie
Walton was often degraded by ignorant music critics within his lifetime because he wasn´t avant-garde enough. Well those people are gone and forgotten now but Walton´s music lives on and is played more often in a more enlightened time even though this wonderful concerto doesn´t get the hearing it deserves probably because it´s for viola rather than violin
He is the Lingling from the viola gang.
he has to practice 80 hours a day to sound that good
See below but I must add that I have never heard such ravishing playing from a viola!!
Beautiful!!!👏👏👏🎻
Wonderful Violist Very Musical
Me encanto, saludos!!!!
This is a great performance of the tricky and elusive viola concerto of 1929, revised in 1961 to thin the orchestration slightly. Paul Hindemith (great composer and fine violist) had apparently suggested the precise thinning which the composer made two years before Hindemith's death. The men were close friends for life and Walton frequently used the German composer's 'block chord' foundations in several works.
The concerto had been written for Lionel Tertis but he found it too odd, writing later that he had been mistaken to pass on it and there was a delay in the projected premiere until Hindemith said that he would do it given enough full rehearsal time. He knew that he himself was not expert enough for some of the technical demands but his composer side recognized a great concerto when he saw one. When Hindemith had given the premiere and a couple of broadcasts he told Tertis that he, especially as dedicatee, should be playing it. He did and it became a repertoire work until his hearing failed unusually early.
By this time William Primrose had become the go-to soloist for viola works. He had studied with Ysaye and was tutored by Tertis. Viola techniques at top level are evidently different from those of the violin and many violinists have recorded the Walton viola concerto with some unfortunate results, e.g. Menuhin and Kennedy.
Antoine Tamestit shows here (1961 rev version) what is so special about a viola being the solo instrument but Berlioz's semi-concerto 'Harold in Italy' had made use of his still relevant treatise on orchestration, which Walton studied and often re-visited into late life.
Walton was 27 when the viola concerto was premiered and eminent conductors wanted more but the composer was always meticulous about orchestration and actual sounds so was slow and got 'writers block' in 1934 during the composition of his 1st symphony. It was given by Harty in the three completed movements and Walton completed it the following year and is a mighty work never out of the repertoire. Interestingly, the slow movement (which is sad but lyrical) centres on the register of the viola section.
His 1939 violin concerto was popular but less deep than the viola concerto but, again, the orchestra's viola section is unusually prominent. Walton just liked what violas sound like and did not accept that the instrument was just for support.
The performance here is so well judged and the orchestra has a sense of ensemble which such a work requires that it should be on CD.
Undoubtedly a controversial view, but to me this is the greatest concerto of the 20th century.
I think a strong case could be made for that view. Such a shame that few outside the viola world know this piece! As a violinist and violist, I prefer Walton's viola concerto to his violin concerto.
It's very challenging for the soloist and interesting to play for both the soloist and orchestra, with good interplay between the solo and orchestral parts, but is consistently fun to listen to and very accessible. A good mixture of neo-Romanticism and modernity, and of energetic and melancholy moments. Every movement is strong and has memorable themes. It's a well-structured, cohesive work, in my opinion. Most other 20th-century concertos I love have more glaring weaknesses. Walton clearly had both respect for and a good understanding of the viola.
11:47 listen to how his viola beautifully rings on that c!!
This is so beautiful.
9:25 2nd Movement begins. Energetic and wonderful.
Love the power in the playing
15:40 is so beautiful
I understand that this a German channel but I think this video's title and/or description should have "viola" in it, since most people don't actually know what "bratsche" means; I came across this video by chance!Things like "violon" and "klarinett" are more obvious and wouldn't need to be translated, but doing this would get more views and bring this great concerto, soloist, and composer to a wider audience.
Considering Walton is an English composer, what you have said is quite reasonable. Otherwise the title should be Bratschenkonzert in accordance with the basic language of this channel.
Was für einen Blödsinn. Es handelt sich um ein Video eines deutschen Orchesters. Sie haben jedes Recht, das Video in ihrer Landessprache zu beschreiben.
I got here just fine by searching "viola concerto Walton."
BRAVO!!!
Hermoso!!!! Bravo!!!
Totally amazed!!
Absolutely beautiful...!!
Love that sound, carries superbly. Do I hear him stomping his foot? Original.
This is my heavy metal.
Haha!
Ah Antoine Tamestit et son stradivarius la grande classe
3:00 wow. 5:02 🔥🔥
excellent ear
wow what a sound and musicality!!
Incredible!
I was amazed!
LOVE 9:28 so good, great job
great melodie
Heifetz of the VIOLA!
A very fine redition
2nd is really cool 😭😭😭
Love his double stops
At 17 I tried to play this concerto. It was a little too much for me I'm afraid. This was just a wonderful performance. The violist was terrific as was the orchestra. I am also curious if the viola was a Strad....
17 ??? All movment ? You are from wich academy ?
que hermoso bravo :) :) :) :) :) :) :)
The one place you can never find a twosetter
Too late....this guy definitely practices 40 hours! 🤣🤣🤣🤣
What happened about last movement !! It was very beautiful play.
Interprétation virile de ce Concerto fantasque Joue -t-il ici sur son Stradivarius ? je le pense !
ESPLENDIDO
We love Antoine Tamestit!
Is this the same guy from the scream and sword bow?
yeah same guy and orchestra
Great playing but why is he wearing a bellhop uniform?
This guy definitely practices 40 hours a day!
TwoSet REPRESENT!
Oh no, the violin gang's taking over 😂
18:40 Awesome , ABSOLUTELY beautiful...
we are not born equal at all 😞
Antoine Tamestit is fucken amazing🙌
18:57 - 19:35
Goddamn. Very few [dare to] play that harmonic in the second movement, in the studio much less live... It's long been the case (for better or worse) that the tighter and more convincing recordings of this concerto have been at the hands of moonlighting violinists who have the chops to manage its impossibly awkward writing - see, e.g. Kennedy, and more recently, Ehnes. This fellow may have just redefined the standard.
좋습니다.
I think there were some parts in the last movement where his interpretation kinda got lost on me but the third movement is by far the most difficult in terms of musicality and I would never be able to play it as well as he does here, the rest was perfect, especially the last bit of the third movement.
mvt I 0:00 mvt II 9:25