Karl Taylor & Broncolor 'How To' shoot red wine
ฝัง
- เผยแพร่เมื่อ 16 ก.ค. 2024
- In this 'how to' video Karl Taylor & Urs Recher look at the techniques required for good bottle product photography. In this case a bottle of wine is photographed in a small set to add ambience and style to the product. Enjoy!
Get more photography tips using the links below:
Learn about photography kit here: www.karltaylorphotography.com/...
Beginner Photographer Tips: www.karltaylorphotography.com/...
Advanced Photographer Tips: www.karltaylorphotography.com/...
Pro-Photographer Tips: www.karltaylorphotography.com/...
See my commercial photography in more detail here: www.karltaylorportfolio.com
Facebook: h / karltaylorphotography
Twitter: / karltaylorphoto
*********************
Don't miss the next LIVE online photography workshop:
bit.ly/karl-taylor-online-work...
![[TH] Esports World Cup : Point Rush Stage](http://i.ytimg.com/vi/eLU-jnYp3Zs/mqdefault.jpg)
The sample courses and website are very good for personal work, hobby, or side business. Will check out other videos.
As usual, Karl providing evidence that most shots can be created in camera. Quality work, thanks for sharing.
Thank You for all your efforts... Putting all together for us.. Highly appreciated.
absolutely amazing demonstration of lighting the subject to building up to the final image!
what an amazing and simple way of explaining the lighting techniques, thanks Karl
Glad you liked it!
OUTSTANDING!!!!Thanks for sharing again and again
YOU ARE AMAZING, I LOVE YOUR WAY WITH LIGHTS
Mind officially blown. I'm definitely deep in "I-don't-know-what-I-don't-know" territory on product photography!
You are master of product photography. Thanks for sharing such beautiful tips..
Fantastic, thank you Karl for sharing!
Thank you Karl. Very nice job.
The effect of the scrim was awesome. Fantastic tutorial.
As always interesting and producing a beautiful looking product, that the client would be very happy with!
Great imagination, a fantastic photo with a befitting mood.
Excelente trabajo! muchas gracias!
wow, we really appreciate your detailed explanation and how you show us every step to make the perfect photo :)
Like always: Very well broken down to pieces and then told how it affects and why to do so. One thing hasn't changed, quality of theses "How To" videos over the years. Still very high quality, well told!
Love the picture! Great Job Karl!
+Finland Apollo thank you
Amazing as ever Karl! :)
I use the same configuration of the set, but usually I turn the softbox at 45° horizontally from the scrim, to create a soft gradient into bottle and glass :)
Very clever stuff. I shall have a go at this. Thanks Karl & team.
Fantastic tutorial The last light really brought the whole scene together. Thanks Karl!
+MuertoInc thank you
Awesome set up, thanks for sharing.
Fantastic!
Broncolor is the best, using some Impacts since 25 years ago and still working like new with the most exquisite light control.
i love that photo ! Karl Taylor the Master !!!!!!!!!
Very nice! Thank you for showing how this is done. I am an amateur photographer, shooting for about 2 years now but totally self taught and it's a little slow going but my 2 main issues are composition and artificial lighting. Natural light,I'm fine. When it is time to use my speedlight or my other lights...it is a harrowing experience! LOL 😂!! I will succeed but it just takes time. Thanks again!
Hi Karl. Definitely that's a great video . Thanks.
Excellent quick 'how to'..
Awesome work
awesome as always..
Fox god!! :)
I really like your 'how to' series with broncolor. I learn a lot from these videos! =) It's just all important facts concentrated. Thank you!
+Svæn Es Thanks, that's what we do with all our training, is get to the point in a matter of hours rather than days. Check out our website to see more.
Many thanks Karl for another great video and beautiful end result.
It is over 10 years since I retired from professional photography - but there was a standard dodge for these shots. The bottle sat on card covered with a diffused foil type surface - like the non-shiny side of a roll of kitchen foil. The card was angled back at 45 degrees and cut out in the shape of the bottle .
The the overhead light shone down on the card, then into the camera. Difficult to get right but it would usually give a genuine dark red appearance to the wine.
+48snapper Thank you for your comments. I use a similar technique to the one you mentioned on my whisky shots as you can see in this video th-cam.com/video/IIm-SZHKOW4/w-d-xo.html
Espectacular, muchísimas gracias por tu aporte a personas que no tenemos la palida idea de estas técnicas. Saludos desde el norte argentino.
+Julio Benitez your welcome :)
Outstanding video, the light by light method reminds me of photo school :-)
EXCELENTE!!!!
fantastic
You re a genius!
Nice video Karl
Great walkthrough/breakdown, best on the internets
super bro....
very nice work. Are you using continuous light or strobe. please respond
wow...
Karl you should come to Swindon and do a photoshoot along the Ridgeway
what software and setup are you using so that your images are going straight on to your screen as you take them ?
could you share with us what lee (?) filter you were (or were not) using on the lens, and which lens you were using? thanks in advance, and thanks for sharing this tutorial with us, you really are a great teacher.
+Tom Brooks Looks like it has the 105mm polariser holder on the front - and this is the only filter that would make sense in this context tbh. You could use a polariser to cut out reflection of certain light (as long as it got polarized on the opposite axis way when it bounced off the bottle/glass etc). Don't think Karl's using it here though - the reflections on the bottle are all deliberate, from the various light sources and reflectors. Something to have a play around with though :)
So using the scrim to make the softbox...softer? :) It almost seems as if it wouldnt work, but the results speak for themselves.
+The Post Color Blog (Dave's Tuts) Softboxes are soft on textured objects. On gloss objects you have a perfect reflection of a soft box and therefore see the 'hard' edge where the light transitions from bright light to black, the diffuser simply softens the edge lines that you see reflected in gloss surfaces but it doesn't really make the light much softer otherwise. A soft box gives a solid panel of light a scrim gives a gradient of light.
fantastic explanation Karl. Thank you.
@@VisualEducationStudio I noticed how there was an abrupt stop of light from the large soft box on the wine glass...where you can see where the table and the soft box meet. So the highlight doesn't cover the entire side of the glass. Is that something that would typically be worked around, or is that not an issue? Looks great...just jumped out at me. It's something I deal with on bigger tables...the light stopping where the surface hides it.
no comment dude!
I have a similar series of photo's on my website. Love your stuff Taylor, thanks for sharing these great techniques!
Ehy Karl...is that roll of paper translucent. Do you suggest any brand?
The lights are so expensive...haha Another great shot. Is there more of budget light to get graduated backlight?
It's what he has on hand though since this is being done in his studio. It's possible to do this lighting setup I have noticed so far with speedlights. Although with adequate modifiers like diffusers and grids on them.
Neopulse00 Yeah I get that. Well for the main lights I have a way of doing them. I have done this sort of backlight too but it is much more effort, I would like to find a budget one just for that light. You can see I did it here with the nail polish shot I did. I am just getting into product.
www.flickr.com/photos/99793533@N07/ No hate please haha
+skatertwig26 Should be able to replicate this with speedlights.
+nemac23 You can probably build a house with an axe and a stone club but it takes much longer and the results won't be as good. If you were a builder making your living you would probably just buy the best tools you can to get the job done quickly and get on with making more money. If you are not trying to make a living from it and you have lots of time on your hands then I understand why you would try to replicate this with speedlites, but in my experience when they lack the power, the accessories don't stay on properly or lack finesse, or are hard to sync and control the power or you have to spend more money on triggers, then there comes a point where even a budget studio light is going to serve you much better.
*****
Good point :-S
You forgot to put the focused light on the ropes
+Samuel Charpentier The one with the projection attachement
+Samuel Charpentier No I didn't it's in the final photo, the cameraman unfortunately didn't film that light getting switched on and shot so we couldn't edit in to the video, but we guessed most people got the idea.
Damn Karl make it looks soooo easy but it isnt :d
Fantástico