One can tell by the movements of how someone thinks, feels, and somewhat their personality type. This man is intelligent, musical, sensitive, and creative. What a beautiful barre. I was awestruck.
@@fernandoduarte5164 You should,I will be waiting for your workshop !!! L O V E D you way of combining these b e a u t i f u l exercises... Greetings from Greece Fernando!
At the moment I am a Ballet Master in the National Ballet of Portugal. I will try to share as much as possible more of my classes. I feel very happy that many people enjoy it!
Fernando Duarte joined The Joffrey Ballet in 2011 as a Trainee in the Academy and was promoted to the Company in 2013.
Mr. Duarte grew up in Rio de Janeiro, Brazil, and received his training at the Escola Estadual de Danças Maria Olenewa. In 2008, he was awarded a full scholarship to train at The Harid Conservatory in Boca Raton, FL. With the guidance of the teachers at Harid, and Franco De Vita and Raymond Lukens at the Jacqueline Kennedy Onassis School in New York, he was offered a traineeship with the Joffrey Academy of Dance where he danced lead roles in ballets such as Cinderella, Coppélia and contemporary works by Academy Artistic Director Alexei Kremnev.
Since joining The Joffrey Ballet, Mr. Duarte has danced many roles in the Joffrey's extensive repertory such as Lar Lubovich’s Othello, Yuri Possokov’s Don Quixote, Krzysztof Pastor’s Romeo & Juliet, Val Caniparoli’s Incantations, and Justin Peck’s In Creases.
Mr. Duarte was received the Jeannot B. Cerrone Award for excellence in dance performance, an award given to the students who most improve during an academic year at The Harid Conservatory.
Sure, there are nice intermezzos to see but: is it still en vogue to place your heel on the ground in full after a tendu plié (beginning two hands on barre)? And: has there ever happen to be a correction like "support. Elbow when transit from 3rd (some say 5th) arm position to 2nd? Just a question...
Hello, thank you for your comment. I'm not aware of being simply 'en vogue' to place the heel on the ground in full after a tendu plié, it's just like plié should be done on any occasion. Regarding your other question, I also belive that the elbow must be supported in any position, in every ports de bras so I really don't understand your point... If you could be a bit more specific?
Fernando en qué parte del mundo te encuentras. Estoy experimentando con mi cuerpo en el ballet, tengo 36 años y éstoy muy bien. Voy a viajar para documentar mis experiencias te pido si no es molestia tu contacto.
You don't use the floor or your heels fully. You should be pushing into and through the floor, through each movement. And you would be steadier, with better balance if your arms were forward of your head. This is too contemporary. It also helps to not use the barre and do barre in the center only. That way you have to be perfectly balanced all the time. You can read about Nina Stroganova's class on facebook.
Thank you for your comments. Needless to say that I do not agree fully with most of your commentary but I appreciate the fact that you consider me too contemporary, because dancing classical ballet or any other kind of dance, I am a contemporary dancer, a dancer of my time, a comrade of this time. But please note, this small video does not pretend to teach ballet, it's just a simple combination of exercises I once proposed to share when dancers look for different classes to warm up or practice.
He dances so beautifully.
One can tell by the movements of how someone thinks, feels, and somewhat their personality type. This man is intelligent, musical, sensitive, and creative. What a beautiful barre. I was awestruck.
So gentle, inspiring !
in movements it shows a beautiful being !
Good technical.
Very nice. I just started adult ballet a few years ago and I would be happy just getting half as good as you at the barre.
Yes.
Thank you!
Very nice! And such beautiful music!
True.
Thank you!
Wonderful. Thanks for your! 🌟🌟🌟❤️
Combinations:
Warmup 0:11
Plies 1:56
Tendus 1 4:10
Tendus 2 5:25
Glisse 1 6:25
Glisse 2 7:09
RDJ a terre 7:50
Fondu 9:12
RDJ en l'air 10:08
Frappe 11:24
Adage 12:07
Gr Battements 13:14
Beautiful technique. Thanks for sharing
Thank you! My pleasure.
love your class! excellent, thank you!
Sounds awesome.
This is wonderful! I will be sharing this and directing everyone to this class.Thank you for sharing!
Thank you!
lovely class and execution. Thank you!
Thank you very much!
Such a good Master..
Cool.
He smiles so sweet.
Sounds great.
Your absolutely beautiful ❤️..I just started balletand I never have felt prettier or more alive in my life
Where did you study ballet?!
Such an interesting barre practice.
Please come to Greece for a workshop!!!
Thank you. I studied in Portugal. I would adore to go one day to Greece, who knows...
@@fernandoduarte5164 You should,I will be waiting for your workshop !!!
L O V E D you way of combining these b e a u t i f u l exercises...
Greetings from Greece Fernando!
@@artwarrior2718 thank you! Best wishes to you
Europe.
thank you for this class! beautiful 😍
Thank you!
Please post more classes! Where can we find more of your work? Are you with a company right now?
At the moment I am a Ballet Master in the National Ballet of Portugal. I will try to share as much as possible more of my classes. I feel very happy that many people enjoy it!
Fernando Duarte joined The Joffrey Ballet in 2011 as a Trainee in the Academy and was promoted to the Company in 2013.
Mr. Duarte grew up in Rio de Janeiro, Brazil, and received his training at the Escola Estadual de Danças Maria Olenewa. In 2008, he was awarded a full scholarship to train at The Harid Conservatory in Boca Raton, FL. With the guidance of the teachers at Harid, and Franco De Vita and Raymond Lukens at the Jacqueline Kennedy Onassis School in New York, he was offered a traineeship with the Joffrey Academy of Dance where he danced lead roles in ballets such as Cinderella, Coppélia and contemporary works by Academy Artistic Director Alexei Kremnev.
Since joining The Joffrey Ballet, Mr. Duarte has danced many roles in the Joffrey's extensive repertory such as Lar Lubovich’s Othello, Yuri Possokov’s Don Quixote, Krzysztof Pastor’s Romeo & Juliet, Val Caniparoli’s Incantations, and Justin Peck’s In Creases.
Mr. Duarte was received the Jeannot B. Cerrone Award for excellence in dance performance, an award given to the students who most improve during an academic year at The Harid Conservatory.
@@AUGUSTABALLET i don´t think is the same Eduardo Duarte
very nice! i do my class alone to and try to coach myself....
Yes.
Best ballerino.
Cool dance.
Muito bom valeu a aula ótima muito obrigado pel
He looks so handsome.
Sounds good, I like his ballet.
Sounds sweet.
You are so elegant, great physical conditions and technique. Thank you for sharing it 🌹By the way, you have wonderful feet and turn-out.
Thank you very much! Glad you enjoyed the class.
A good hope.
Good dancer.
Que numero de cd de choucroun es la musica, porfi ?
Sure, there are nice intermezzos to see but: is it still en vogue to place your heel on the ground in full after a tendu plié (beginning two hands on barre)? And: has there ever happen to be a correction like "support. Elbow when transit from 3rd (some say 5th) arm position to 2nd? Just a question...
Hello, thank you for your comment. I'm not aware of being simply 'en vogue' to place the heel on the ground in full after a tendu plié, it's just like plié should be done on any occasion. Regarding your other question, I also belive that the elbow must be supported in any position, in every ports de bras so I really don't understand your point... If you could be a bit more specific?
True.
CNBportugal, right? Just found the channel here. Very cool. I look forward to following the company!
Yes, that's it. Thank you for your comments and enjoy CNB channel!
Awesome.
Cool pose.
Fernando en qué parte del mundo te encuentras. Estoy experimentando con mi cuerpo en el ballet, tengo 36 años y éstoy muy bien. Voy a viajar para documentar mis experiencias te pido si no es molestia tu contacto.
well done!
Yes.
Thank you!
Best regards.
Which CD is this? 😍
Cool ballet.
Laurent choukroun Opera de Paris
tanz Sophie e laurent choukroun Opera de paris
Good.
Cool.
Nice and easy.
I like it.
I never saw a better class than those of Nina Stroganova and Vladimir Dokoudovsky, pupils of Preobrajenska.
Yes.
True.
Great time.
He is so handsome.
is there a center practice that we can follow along?☺☺ @fernando duarte
True.
He is a handsome ballerino.
Sweet.
Great.
👏👏👏👏👏👏
Good luck. Good morning.
Cool.
Amaze!
You don't use the floor or your heels fully. You should be pushing into and through the floor, through each movement. And you would be steadier, with better balance if your arms were forward of your head. This is too contemporary. It also helps to not use the barre and do barre in the center only. That way you have to be perfectly balanced all the time. You can read about Nina Stroganova's class on facebook.
Dance.
Thank you for your comments. Needless to say that I do not agree fully with most of your commentary but I appreciate the fact that you consider me too contemporary, because dancing classical ballet or any other kind of dance, I am a contemporary dancer, a dancer of my time, a comrade of this time. But please note, this small video does not pretend to teach ballet, it's just a simple combination of exercises I once proposed to share when dancers look for different classes to warm up or practice.
Ballet is a good experience.
Good.
100% approve of every Steve Lee comment
Awesome. Thanks.
@@stevelee2527 😂
@@stevelee2527 You seem to really like him. You have a crush on him?
Dancer is him.
Diet.
Fun.
Actor is good.
Xtra good news for him.
Xtra good news for me.
Dancer!
Dancer.
Dance.
Laurent Chouckroun
Я нещадно критикую самодеятельность, но профессионализм...даже в мельчайших деталях!
Sounds sweet.
Awesome.
Cool.
He is a handsome ballerino.
Fun.
He is so handsome.
Dance.
Awesome.
He is so handsome.
Cool.
Fun.
Dance.
Awesome.
He is so handsome.
Cool.
Fun.
Dance.
Cool.
Dance.
Dance.
Dance.
Dance.