Ah, such a nice call and response technique! Great video, as ever! Yes, this is technically 'counterpoint'; specifically "4th species", which uses offset notes that overlap chord tones (here they would be C-Eb-G, simplified) and nonchord tones at the same time creating suspensions, or rubs (in this case, via the delays). I didn't do an analysis of the notes you played, but this is the gist of the idea. Always love the tones you come up with, so warm and lush!
@benasaro1043 He he he. Counterpoints. Style of Lukes explanations. I thought: "Hmm Bach". Googled "Bach Counterpoints" got a Link named "Bach, badass of Counterpoints". Bach would have been the "Overlord of Synthesizers" creating voices that talk and repeat each other. Music is awsome.
I missed the later part of your explanation as I just could not unsee the ZERO SHAME scene ha ha ha. Wonderful stuff. Oh and the music wasn't half bad either ;-)
No Classic , Fux , Counterpoint . Rhythm on different time slots resembles a sort of contrapuntal . Bravo . Actually here the root is C but the scale itself is F Dorian , built 0on Eb Major . Next all the best
Hi! I hope someone sees my question and can help. I've been learning about chord progressions and using notes OUTSIDE of the key, like with "secondary dominant" chords. How would I use that knowledge in this context? I mean, if I'm creating multiple melodic voices, how do I melodically write these temporary key changes? I don't know if I'm making sense ha 🤷🏻♂️
It isn’t really that different, just more complicated to see using multiple voices. The combination of your voices can imply a chord, and you choose what each voices is playing. So if you are moving through a progression by splitting the chords up across three voices (or two, or more) you can choose the notes that make up the chord. Hmmm…I’ll see if I can do a video about it. :)
It does sound that way...and I no longer remember for sure, but in watching it sounds like the purple track is dotted-eight and the green is quarter notes. So I think you are correct. :)
I'll try to bring J.S. Bach back onto our world, the real one. He would love all these possibilities! PS: I'm not sure he would love the dog, but no shame is a good thing, even when having hallucinations and probably a personality - on dog level - disorder.
![🎤 ไปกันต่อออ! จับฉลากร้องเพลง x P’ #XXSIVK [EP.2] (1/2) เพลงของใครจึ้งสุดน้าา 💓🎤 #MXFRUIT](http://i.ytimg.com/vi/mLI_K0sAS4o/mqdefault.jpg)
Your videos are some of the best I've seen on practical composition, and in a style of music I enjoy! Thanks for doing this.
Happy to help. If the things I do while making my music are useful to others, mores the better!
I don't know of any other TH-cam channel that breaks down concepts in Berlin School music so clearly. Thank you so much for sharing your knowledge.
Thanks man! I don’t know if any other genre with as cool people making music! :)
★★★★★ you’re a natural teacher, Luke. Explained very well and your dog was clearly punishing you for your delay time faux pas ☺️
My family never honors the “recording in progress” light. ;)
Ah, such a nice call and response technique! Great video, as ever! Yes, this is technically 'counterpoint'; specifically "4th species", which uses offset notes that overlap chord tones (here they would be C-Eb-G, simplified) and nonchord tones at the same time creating suspensions, or rubs (in this case, via the delays). I didn't do an analysis of the notes you played, but this is the gist of the idea. Always love the tones you come up with, so warm and lush!
Thanks been! You always give me thing to look up. ;)
@benasaro1043 He he he. Counterpoints. Style of Lukes explanations. I thought: "Hmm Bach".
Googled "Bach Counterpoints" got a Link named "Bach, badass of Counterpoints".
Bach would have been the "Overlord of Synthesizers" creating voices that talk and repeat each other.
Music is awsome.
Fantastic ideas in here!
Take them and use them!
Awesome track! And as always super insightful.
Thank you sir. I need to work on longer formats like yours.
@@synthseeker I love your short educational clips. They super insightful and always so funny.
great instructive video.
Thanks! Glad it was useful!
I missed the later part of your explanation as I just could not unsee the ZERO SHAME scene ha ha ha. Wonderful stuff. Oh and the music wasn't half bad either ;-)
Haha, perhaps my career as a dog-based comedian is just getting started!
Thanks man!!!!Realy helpfull!!
Glad it helped!
No Classic , Fux , Counterpoint . Rhythm on different time slots resembles a sort of contrapuntal . Bravo . Actually here the root is C but the scale itself is F Dorian , built 0on Eb Major . Next all the best
I learn a little more each time I try new things. :)
@@synthseeker yes . i'm hiding myself from the community because ( ) - Anyways if you are interested write me . Bye .
@@indigonature4408 Well, we are here if you want to explore outside. :) No pressure!
Hi! I hope someone sees my question and can help. I've been learning about chord progressions and using notes OUTSIDE of the key, like with "secondary dominant" chords. How would I use that knowledge in this context? I mean, if I'm creating multiple melodic voices, how do I melodically write these temporary key changes? I don't know if I'm making sense ha 🤷🏻♂️
It isn’t really that different, just more complicated to see using multiple voices. The combination of your voices can imply a chord, and you choose what each voices is playing. So if you are moving through a progression by splitting the chords up across three voices (or two, or more) you can choose the notes that make up the chord. Hmmm…I’ll see if I can do a video about it. :)
Hi Luke, just to make clear:
in the first phrase there is a
dotted 8th note delay.
In the second phrase there is a
1/4 note delay.
Right? 😄😉
It does sound that way...and I no longer remember for sure, but in watching it sounds like the purple track is dotted-eight and the green is quarter notes. So I think you are correct. :)
I'll try to bring J.S. Bach back onto our world, the real one. He would love all these possibilities! PS: I'm not sure he would love the dog, but no shame is a good thing, even when having hallucinations and probably a personality - on dog level - disorder.
I like to stay optimistic regarding dogs. :) Thanks!
@@synthseeker We have a dog AND a cat ;)
My cat has passed oh…20 years ago but she was a good beast.