finger speed is essential to many improvisations and reading. Trying to improve your speed leads to inevitable error. Better stated, the scales need to practiced both at the speed where you can do it without error, and then at the limit of your speed, where mistakes are inevitable. Then you drop back, try again, and keep plugging along, improving slowly but surely.
Dr. Wally, your dry sense of humor is absolutely hilarious. Your teaching is excellent! I'm so glad I found you. I'm an accomplished pianist, and have played tenor for a hobby through the years. Now at an advances stage of youth, I am getting serious about it. Thanks!
A great fundamentals video that I haven't seen anyone else really touch on. Once again, well done Dr. Wally. Plus excellent nerd joke and rip on trumpet players!
A comment on metronomes. I've had a lot of metronomes from an electronic kit I built myself to my current Dr Beat. Over the years I've found they keep improving metronomes. Each time I get a new one it plays with me more closely than the previous one.
Dr. Wally, you look way straight, talk fast, but you're correct on all of it.... wish I'd had your advice in my teens, 76 now, still practicing scales for smoothness and articulation. Getting Paul Desmond's gorgeous tone is a bit harder. Peace from TX.
Thanks, Jim. Appreciate you reaching out from the Lonestar State! I have a philosophy: If you could sound like Desmond, why would you try to sound like anything else?! I'm always chasing that sound too my friend. Happy practicing!
How timely. Just a few days ago I ordered A Daily Dose of Scales for Improvisation by Craig Fraedrich. Thanks Dr Wally for another excellent teaching vid.
I highly recommend Jackie Mclean's "Daily Warmup Exercises for Saxophone". It shows the best way to practice scales and arpeggios - Major, harmonic minor, augmented, and diminished. But the augmented exercises are only arpeggios. And the only spot diminished scales are shown is in the "Grand Exercise" at the end of the book.
Great advice on scales for any instrument! I initially tried practicing scales on flute with a (at least that's what I thought I was doing at the time) "swing feel". Now I understand why I intuitively gave up and started practicing them in a straighter and slurred way: It really felt like it was too far away from swing and closer to (as I now understand thanks to you) French overture. I'm not sure though, whether it was due to geographically being closer to France, playing the flute or just plain ignorance :D Thanks!
Ha! Your proximity to France is to blame! (Greece, right?). We’ll cover jazz articulation very soon with some free etudes I’m putting together, but keep those scales straight!
If you don’t have a high F# key, if you press down (with octave key) front F (the key above 1, or the B key) with 2 (middle saxophone C) and the side Bb key it works perfectly fine. High E can be played with the front F key, 2 and 3 (the G key). You can even play it without the front F key by fingering, with the octave key, an F with the side Bb key.
I sure am enjoying your videos. I am relearning the sax after 30+ years of not touching it. I look forward to how to add the swing technique (something I never understood), realizing I have a long way to get the basics really solid again first. But here is what I really like about what you do: you talk about and show mistakes and how to correct them. There are tons of instructional videos out there, but yours is the first one I have found that mentions the types of mistakes beginners make. Yes I make those mistakes! In so many ways I am starting over. Thanks for covering common mistakes.
Hi Paul, this makes my heart happy, thanks! We’re going to be working on this stuff together in the fundamentals course (it will be free), I do hope you join us! I’m looking forward to sharpening my skills as well. Hit me up with questions! Happy Monday!
I love your tone. If that is you playing in the background, it sounds like Desmond tone which is my favorite tone for also. Your videos are great. Thanks Dr Wallace
Unfamiliar... Funny how just a word is enough to change your perspective about things. Suddenly I feel like I wanna practice high notes lol your videos are greats! Such an educated source of sax wisdom!
Hi Dr Jason Wally Wallace. First up...a compliment to you....I'm a huge fan of yours. Love your TH-cam channel and Podcast. You make me laugh and entertain me greatly. You have a gift....... Now that I have your attention by stroking your ego alittle..... My name happens to be Jared, I play the Oboe and I am an Asthmatic. 🤪 (Your Podcast fans will understand why I mentioned that 😁) Keep up your amazing work. You are worth squillions in my book.
Thanks for your advice on practicing the scale straight, I notice quite a few teachers online tell you to practice with a kind of lilt rhythm, is the to make you sound jazzy, I would love to play like a bebop player but dont know how to practice that way. I will keep tuning in thanks Dr Wally.
Stick with me, Ronald! I promise we'll cover it soon. But, the BIG secret: listening! There are no hard and fast rules (though some generalities can help), but listening constantly, and repeatedly will be the biggest determining factor in your success and fun. I never really sounded like a bop player until I started transcribing (not writing down, but learning by ear and playing along) my favorite players. You got dis.
"Always practice to the metronome" ... is good BUT: What you want is good *internal pulse*. If you just put the metronome on every quarter and adjust your play to that, you can fall into the trap of *externalising the pulse*. To learn *internal pulse* you can use gap clicks where the click only appears every x measures, or you can put the metronome on just the off beats (which is suuper helpful for getting swing feel), or -if you wanna get really fancy- feel the pulse a 16th before the metronome click. Since I practice this way it made a huge impact on my timing and confidence!
Whoa! I've been missing out on months of your great TH-cam posts. The holiday break will be an ideal time to catch up. Where have you been all of my (playing) life? (That's rhetorical since I started playing in '63.) Your wit and communication skills are as accomplished as your playing. You're a pleasure to listen to and learn from, even for ol' boogers, like me. :o)
That's very kind, Debukochi, thanks! You're not that much older than me, we're just "well seasoned" boogers my friend. Hope you and your family have a wonderful holdiay!
Love your reiterating of playing scales full range. Music doesn't exist in a two octave box so your scales and patterns shouldn't either. Trent Kynasstons daily study for saxophone has alot of great stuff for expanding range and such.
Dottor Wally le faccio i miei complimenti per la facilità di insegnamento e spiegazioni. Esiste qualche libro di queste scale con relative basi di accompagnamento, grazie.
Full range melodic minor. It's not the scale, but yelling of profanities navigating the turn-arounds that keep the neighbors up. Good luck, and no mercy!
Dr. Wally, thanks to remind me I have to practice scales.. I have a question: which minor scale you suggest to practice? ... (still have troubles with minor scales..)
Hey Paolo, great question! You need to "know" all the minor scales - but for technical practice I recommend doing Harmonic Minor full range and in intervals. Natural minors are tucked away inside the major (so no need for a ton of practice) and melodic minors are such a pain in the turn-around - going natural minor on descent. I want my students to KNOW the other forms, but spend their time practicing harmonic minor. The Saxophone Academy workbook coming early next year will have the full range harmonic minor scales and intervals (3rds - 7ths). happy practicing my friend!
Wally, reading the Pentatonic scales (and other scales) I notice accidents like F sharp on the G scale are often skipped while flats appear within the bars. How can one memorize these array of issues? There must be a practical answer. Thank you.
@@drwallysax I’ve been doing my scales this way for the past month, 4-5 times a week, alternating on sax and clarinet. At first I was Struggling with the palm keys at top and the left pinky table at bottom, and with pinky keys in middle and bottom on clarinet, it took me forever to do all 12scales Right. Now I can do all 12 at about 66bpm, sixteenth notes, on both sax and clarinet. I feel Happy and Confident - I used to leave those high and low notes out of the regimen! Pinkies gettin a workout, Thanks Dr. Wally!
Thanks for another great video! I'm just wondering: would you be able to speak about the bis key? Is there a one-fits-all method when to use use what type of Bb? Thanks!
Absolutely - we'll cover optimal fingerings in the scales section of the fundamentals course next year. but in general - Bis for most things, except when A# to B (or vice versa). Then use side Bb. for arpeggios and all flat scales - I recommend Bis! make sense?
@@drwallysax thanks Dr Wally ...I wondered about that as well ...as I noticed you used side Bb on the January Blues...which is seriously far more smoother (and more eleganter too.. as well ) "...when you can take the pebble.. grasshopper "
My first teacher (back in 1970 something) was all about scales. One day I was upstairs practicing when mom came to the bottom of the stairs and hollered, “ can you play something other than scales!” ps. haven’t met a trombone player yet who can keep up with a sax player on scales.
Hi Dr. Wally, I was wondering if you have any online courses or subscription for lessons where I could join for a more detailed and structured lessons. Thanks
@@drwallysax I use push bicycle tubes. I cut them and use them as we do not have a shop that Carrie's anything for saxophones. They are ok but, in the beginning they tend to slip. They last a real long time though. Thank you for your reply.
I am very curious about 1 thing regarding scales practice. When practicing scales, do you focus on intonation? Do you practice with a tuner as well as the metronome on and try and make sure that you are in tune? If not, then what is the main focus when practicing?
When I practice slow scales for tone, I do them with drones. Tuners train your eyes, not your ears. The main focus for scales (once you've internalized the key signature) is building technique: effortless, efficient, rhythmically rigorous technique. Speed, then, becomes a happy bi-product. Great question!
Once again a stellar video Dr WW! I learned my scales decades ago by doing visualization on the bus and train on my commute to music school for bass. Of course I also practiced a lot of scales, especially using the bow on DB. I use the principle of the smallest repeatable section when practicing parts. When learning bass parts for tricky songs for a rock cover band I’d lift the original bass part and sequence it in cubase. Looping the smallest section got me the most bang for my buck time wise. The things I’m curious about are using alternate fingerings. I tend to try out multiple ways and then do what is most natural (and best sounding). Actually I don’t have scales as part of my saxophone practice routine. I guess I am evil 😂🤣 I will add at least a few minutes of metronome scale practice to my routine. I did at first, and would stick with one key for for ages (like a month) until it was under my fingers really well playing by ear.
Very cool way to go about it, Cragie! We'll be covering alternate fingerings in the context of scales during the fundamentals course next year - stay tuned, promise I'll get them I promise!
Great content, loved the information and knowledge you dropped! Question, what would you recommend to be the next step once a student has fully grasped playing major scales full range? Go on to modes? Or would you recommend a more intervallic approach, like playing scales in thirds, fourths, etc? Looking forward to that transcription video!
Many thanks, very useful ! Recording my exercises, the „noise“ of the flaps is pretty annoying. Here, I didn‘t hear anything. I have to work on it, or it‘s „just the mic“ ?!
It’s an old M1 neck that I had the lacquer removed (when I had my horn lacquer removed as well). It’s been sitting in a drawer, pulled it out for kicks. The logo fell off a while back, so I need something fun to replace it!
Thank you, for the video! Question, do you need to practice the altered scales ? I mean the sharps one and the diminued (#/b) . I think the answer is yes but if so, does it's better knowing the major and minor scales first and then, learning the augmented,diminued one? Thanks again for your work and passion, and greeting from Switzerland !
Can we please reveal the true conversation with the trumpet player who taught at Juilliard?: Trumpet player: Wally, I think of everyth... Shortround: Hey, Mister! You call him Dr.Wallace!
Releasing a full course in January! Or did you mean for money? What about the orphans, Kris. Think of the ORPHANS!!! Thanks for the push - hope you have an excellent new years!
Absolutely! We'll cover chromatic scale exercises in the fundamentals course next year. But the chromatic alterations (enclosure notes,etc) I like to teach IN CONTEXT of actual great music.
Hi Felix, depending on your budget, @bettersax is releasing a new alto with Conn/Selmer - looks to be an outstanding value for the price. Pre-orders should be online very soon.
“Correct is way better than fast” Love this Message!!! 🙏
Have an awesome week, Lucas, and happy practices!
@@drwallysax you too! Keep killing it🙏
FAB!!
A wise man once said, “Practice at the speed of no mistakes.”
Very wise. that's pretty slow for me!
I love this statement
finger speed is essential to many improvisations and reading. Trying to improve your speed leads to inevitable error. Better stated, the scales need to practiced both at the speed where you can do it without error, and then at the limit of your speed, where mistakes are inevitable. Then you drop back, try again, and keep plugging along, improving slowly but surely.
Damn, I’m going to steal that!
"Tempo de Learn-o"
Dr.Wally prescribed just what I needed, 1000mgs of scale practice
Side effects may include: Heavenly tone
Take two harmonic minors and call me in the morning Wids.
Dr. Wally, your dry sense of humor is absolutely hilarious. Your teaching is excellent! I'm so glad I found you. I'm an accomplished pianist, and have played tenor for a hobby through the years. Now at an advances stage of youth, I am getting serious about it. Thanks!
Man, I wish I had found this channel in high school rather than as a freshman in college studying saxophone.
literally same !!!
A great fundamentals video that I haven't seen anyone else really touch on. Once again, well done Dr. Wally.
Plus excellent nerd joke and rip on trumpet players!
Thanks David! Hope you have a great week my friend!
A comment on metronomes. I've had a lot of metronomes from an electronic kit I built myself to my current Dr Beat. Over the years I've found they keep improving metronomes. Each time I get a new one it plays with me more closely than the previous one.
Wally baby, you are great.. The best teacher around... (mike in NZ)
Your humor works perfectly for a teacher my friend I’m happy to learn from you
Thanks, Jacob! Happy practicing !
This was a great video. Thanks. I'm getting back into my Alto Sax at the age of 37. Last time I played it was 12 years ago
Ooooooh! The hidden articulation patterns are AWESOME!!! 🤓🥳
Dr. Wally, you look way straight, talk fast, but you're correct on all of it.... wish I'd had your advice in my teens, 76 now, still practicing scales for smoothness and articulation. Getting Paul Desmond's gorgeous tone is a bit harder. Peace from TX.
Thanks, Jim. Appreciate you reaching out from the Lonestar State! I have a philosophy: If you could sound like Desmond, why would you try to sound like anything else?! I'm always chasing that sound too my friend. Happy practicing!
Sometimes I just watch the vids for this guy's humour hahaha! one of my fav Sax channel!!
Much appreciated, have a great week my friend.
I hope the money YT is giving is enough for our payment. Thank you for this.
How timely. Just a few days ago I ordered A Daily Dose of Scales for Improvisation by Craig Fraedrich. Thanks Dr Wally for another excellent teaching vid.
I'm not familiar with that - but I'll check it out! Happy practicing!
@@drwallysax It's a complete book of scales and modes for treble clef instruments. Mmmm modes.....
Been asleep all day with Covid, but when I got the notification for the new video I hopped on so quickly! Thank you Dr. Wally!
Oh no, you doing ok Bob?!? Take care of yourself man!
Bob, just checking in. You feeling better?
@@drwallysaxhey Dr. Wally! I’m feeling a lot better Covid free! Sorry for the late reply i don’t know why I don’t get notifications lol
@@drwallysax I think he means wuhan (the age old musical question..)
I highly recommend Jackie Mclean's "Daily Warmup Exercises for Saxophone". It shows the best way to practice scales and arpeggios - Major, harmonic minor, augmented, and diminished. But the augmented exercises are only arpeggios. And the only spot diminished scales are shown is in the "Grand Exercise" at the end of the book.
Finally getting back to saxophoning and am so glad I came across this video
Great advice on scales for any instrument! I initially tried practicing scales on flute with a (at least that's what I thought I was doing at the time) "swing feel". Now I understand why I intuitively gave up and started practicing them in a straighter and slurred way: It really felt like it was too far away from swing and closer to (as I now understand thanks to you) French overture. I'm not sure though, whether it was due to geographically being closer to France, playing the flute or just plain ignorance :D Thanks!
Ha! Your proximity to France is to blame! (Greece, right?). We’ll cover jazz articulation very soon with some free etudes I’m putting together, but keep those scales straight!
@@drwallysax Yes, Greece. Can't wait to watch the jazz articulation videos. Thanks!
Can't be your proximity to France - it would have sounded like an accordion.
Thanks Doc! I'm going to stay tuned in for what's to come!
Thanks LJ! More good stuff coming soon!
If you don’t have a high F# key, if you press down (with octave key) front F (the key above 1, or the B key) with 2 (middle saxophone C) and the side Bb key it works perfectly fine. High E can be played with the front F key, 2 and 3 (the G key).
You can even play it without the front F key by fingering, with the octave key, an F with the side Bb key.
I sure am enjoying your videos. I am relearning the sax after 30+ years of not touching it. I look forward to how to add the swing technique (something I never understood), realizing I have a long way to get the basics really solid again first. But here is what I really like about what you do: you talk about and show mistakes and how to correct them. There are tons of instructional videos out there, but yours is the first one I have found that mentions the types of mistakes beginners make. Yes I make those mistakes! In so many ways I am starting over. Thanks for covering common mistakes.
Hi Paul, this makes my heart happy, thanks! We’re going to be working on this stuff together in the fundamentals course (it will be free), I do hope you join us! I’m looking forward to sharpening my skills as well. Hit me up with questions!
Happy Monday!
Me too, 30 years absent from it :(
@@drwallysax I'n ot far enough along to even make t h o s e kind of mistakes! (but having fun).
I love your tone. If that is you playing in the background, it sounds like Desmond tone which is my favorite tone for also. Your videos are great. Thanks Dr Wallace
Thanks my friend! The theme song is my band: The Sononauts! It's a tune I wrote called "Your Love is a Gamma Ray." Happy practicing my friend!
Dr. Wally's fortune cookie message of the week.
Play scales everyday and you become better saxophone player.
Confucius say: many scales make for good technique
This is the perfect mix of content and education. Thanks for taking the time!
Hey, thanks Nic, that's very kind!
"Mail me your lunch money" LOL.....seriously, good advice in this vid Dr Wally!
Thanks Bob! Happy Monday my friend!
Dr. Wally should have been the 7th Grade Band Teacher we all needed... would end up with a sense of unique Sax Humor an throw puns around like crazy.
@@sitarnut I taught middle school band for a few years! Those kids didn't really get me...
Unfamiliar... Funny how just a word is enough to change your perspective about things. Suddenly I feel like I wanna practice high notes lol your videos are greats! Such an educated source of sax wisdom!
Thanks Nostalgia! Wish I could take credit, but I can't remember which of my mentors used the term. Had a similar effect on me!
Hi Dr Jason Wally Wallace. First up...a compliment to you....I'm a huge fan of yours. Love your TH-cam channel and Podcast. You make me laugh and entertain me greatly. You have a gift....... Now that I have your attention by stroking your ego alittle..... My name happens to be Jared, I play the Oboe and I am an Asthmatic. 🤪 (Your Podcast fans will understand why I mentioned that 😁) Keep up your amazing work. You are worth squillions in my book.
Thanks for your advice on practicing the scale straight, I notice quite a few teachers online tell you to practice with a kind of lilt rhythm, is the to make you sound jazzy, I would love to play like a bebop player but dont know how to practice that way.
I will keep tuning in thanks Dr Wally.
Stick with me, Ronald! I promise we'll cover it soon. But, the BIG secret: listening!
There are no hard and fast rules (though some generalities can help), but listening constantly, and repeatedly will be the biggest determining factor in your success and fun. I never really sounded like a bop player until I started transcribing (not writing down, but learning by ear and playing along) my favorite players. You got dis.
"Always practice to the metronome" ... is good BUT: What you want is good *internal pulse*. If you just put the metronome on every quarter and adjust your play to that, you can fall into the trap of *externalising the pulse*.
To learn *internal pulse* you can use gap clicks where the click only appears every x measures, or you can put the metronome on just the off beats (which is suuper helpful for getting swing feel), or -if you wanna get really fancy- feel the pulse a 16th before the metronome click.
Since I practice this way it made a huge impact on my timing and confidence!
thank u for giving us your best learning
Thank you! Hit me up with any questions you have!
Muito bom, professor! Obrigado pelas suas dicas. Be happy!
Brilliant video with some extremely great advice for musicians looking make the most of their practise time - and its funny too.
That's very kind, thank Bill!
Glad I found this channel. GREAT lesson.
This is exactly how Lou Marini Sr. Taught me to play all of the scales.
Is that Blue Lou? From the Blues Brothers?
So glad I found you!
Thank you doctor. Enjoyed the lesson. I appreciate it.
Most welcome, Charles, happy practicing!
damn this video is so clean and precise, good advice!!
Thanks, MagicalMew, much appreciated! Happiest of holidays to you - and happy practicing!
Whoa! I've been missing out on months of your great TH-cam posts. The holiday break will be an ideal time to catch up.
Where have you been all of my (playing) life? (That's rhetorical since I started playing in '63.) Your wit and communication skills are as accomplished as your playing. You're a pleasure to listen to and learn from, even for ol' boogers, like me. :o)
That's very kind, Debukochi, thanks! You're not that much older than me, we're just "well seasoned" boogers my friend. Hope you and your family have a wonderful holdiay!
Thanks for the school band references. I’m coming back to music, and this is giving me a lot of context
Glad it helped! I was a band director for a number of years, was a very rewarding job (but man, a tough one)!
Looking forward to the video on articulation👍🏻This was great too, Doctor! Thanks 😊
Thanks Alex, I'm working on it!
That was very helpful! Thank you for sharing this with us!
Glad it’s helpful, Rav! Hit me up with questions and happy practicing!
very good video and so I have studied all my life thank you and health
Thanks, and same to youJavier!
Hey Dr Wallace good to see you again.
I hope all is well.
Love your reiterating of playing scales full range. Music doesn't exist in a two octave box so your scales and patterns shouldn't either. Trent Kynasstons daily study for saxophone has alot of great stuff for expanding range and such.
Your channel is excellent!!! Just discovered it and it’s the perfect blend of educational and pretty darn funny. Thanks for the great content
Thank you Dr. Wally!!!!!!
Dottor Wally le faccio i miei complimenti per la facilità di insegnamento e spiegazioni. Esiste qualche libro di queste scale con relative basi di accompagnamento, grazie.
Oh wow this is simply amazing. !!!! Subscribed and waiting to watch more of your videos.
Wonderful, thanks Ashwanth!
Love this guy's style!
What a great tone!
Thanks Michael, hope you have a great new year!
Dr Wally - can you please tell me which scale, or scales, annoy the neighbours the most? ;-)
Full range melodic minor. It's not the scale, but yelling of profanities navigating the turn-arounds that keep the neighbors up. Good luck, and no mercy!
😂 😂
Great and entertaining video. Lunch money in the mail.
Send to:
Wally is a huge nerd too
P.O. Box 3218
Nerdville, NC 27889
(and thanks for the kind words)!
I always like taking my A major up to Altissimo A. Same with E, B, F#, C#; all full octaves. The other scales I'm content to stop at F.
Thats a sharp man right there. Subbed
Awwww, thanks!
Dr. Wally, thanks to remind me I have to practice scales.. I have a question: which minor scale you suggest to practice? ... (still have troubles with minor scales..)
Hey Paolo, great question! You need to "know" all the minor scales - but for technical practice I recommend doing Harmonic Minor full range and in intervals. Natural minors are tucked away inside the major (so no need for a ton of practice) and melodic minors are such a pain in the turn-around - going natural minor on descent. I want my students to KNOW the other forms, but spend their time practicing harmonic minor. The Saxophone Academy workbook coming early next year will have the full range harmonic minor scales and intervals (3rds - 7ths). happy practicing my friend!
@@drwallysax thanks a lot, that is exactly what I wanted to know..
Dr Wally, look forward to your next video,, just cant get metronome
Thanks Paul, Happy practicing!
Great vidéo. Very entertaining
Another excellent video! Thanks!
Glad you enjoyed it!
Great Video!
Big thank you for this video!!
Thanks for watching, hit me up with questions!
Very useful advice. Thank you 👍
Thank you, Filippo, hit me up with questions!
Great video Dr Wally! Maybe I'm a huge nerd but I actually like practising scales 🤓
I do too - NERDS UNITE!!!
Wally, reading the Pentatonic scales (and other scales) I notice accidents like F sharp on the G scale are often skipped while flats appear within the bars. How can one memorize these array of issues? There must be a practical answer. Thank you.
Very nice. But take a look at Martin Schmidt-Hahn clarinet !!
hi~~ thank you for your lesson !!
Mail me your lunchmoney :-D This one came unexpected, good chuckle and as always good stuff!
Thanks Marc, happy practicing my friend!
@@drwallysax And the same to you!
Thank you Doctor
Absolutely welcome. Hit me up with questions my friend!
This makes just so much sense, Yet I’ve never done scales across the whole range, only 2 octaves. I’ve got a Seiko on the way too Professor!
Hey! Keep it clickin' my friend! Happy practicing and hit me up with questions!
@@drwallysax I’ve been doing my scales this way for the past month, 4-5 times a week, alternating on sax and clarinet. At first I was Struggling with the palm keys at top and the left pinky table at bottom, and with pinky keys in middle and bottom on clarinet, it took me forever to do all 12scales Right. Now I can do all 12 at about 66bpm, sixteenth notes, on both sax and clarinet. I feel Happy and Confident - I used to leave those high and low notes out of the regimen! Pinkies gettin a workout, Thanks Dr. Wally!
New neck on the alto? Finally going fully unlacquered? What model and why?
Just an old M1 neck I had lying in a drawer. No big difference, just popped it on for fun. Happy Monday, Owen.
Great pointers
Thanks Juan, hope you have a great week. Happy practicing my friend!
Thanks for another great video! I'm just wondering: would you be able to speak about the bis key? Is there a one-fits-all method when to use use what type of Bb? Thanks!
Absolutely - we'll cover optimal fingerings in the scales section of the fundamentals course next year. but in general - Bis for most things, except when A# to B (or vice versa). Then use side Bb. for arpeggios and all flat scales - I recommend Bis! make sense?
@@drwallysax Makes total sense, thank you! I was taught to ignore Bis and have been struggling to catch up. Much appreciated.
@@drwallysax thanks Dr Wally ...I wondered about that as well ...as I noticed you used side Bb on the January Blues...which is seriously far more smoother (and more eleganter too.. as well ) "...when you can take the pebble.. grasshopper "
Correction side A#
Hey! Great video! One question: What kind of mic do you use?
Thanks 😃
My first teacher (back in 1970 something) was all about scales. One day I was upstairs practicing when mom came to the bottom of the stairs and hollered, “ can you play something other than scales!”
ps. haven’t met a trombone player yet who can keep up with a sax player on scales.
Trombone players can't keep up their own socks, let alone scales. Happy Monday, Craig!
Saxophone Academy 🤣🤣🤣
Hi Dr. Wally, I was wondering if you have any online courses or subscription for lessons where I could join for a more detailed and structured lessons. Thanks
Man. I need to practice.
I need a shirt. Metronome on!
Sonho!! Good to see you! We’ll get matching shirts.
@@drwallysax metronome has to always remind me how bad my time is. why metronome? why???
@@sonholee5769 😂
@@drwallysax I started practicing again and I started on a C scale and turned on my Korg tuner/metronome, bc I remembered this video. Thanks
thank you for these
Great teaching sir 👍
Thanks Manochara!
I have been known to use all 850 scales in one solo!
God giveth 12 tones, Jazzagent found 9 more.
Hi, just wanted t find out if you know what to use to prevent my teeth from slipping off the mouth patches. Happy new year and stay safe doc
Get thinner patches...
@@clementineb8352 will try. Thanks
Good recommendation, I also use softer ones - teeth dig in a bit, but very stable. Good luck and keep my updated!
@@drwallysax I use push bicycle tubes. I cut them and use them as we do not have a shop that Carrie's anything for saxophones. They are ok but, in the beginning they tend to slip. They last a real long time though. Thank you for your reply.
I always like your posts, very good stuff
I always like your comments, Ponch, they make my day. Happy practicing my friend!
I am very curious about 1 thing regarding scales practice.
When practicing scales, do you focus on intonation? Do you practice with a tuner as well as the metronome on and try and make sure that you are in tune?
If not, then what is the main focus when practicing?
When I practice slow scales for tone, I do them with drones. Tuners train your eyes, not your ears. The main focus for scales (once you've internalized the key signature) is building technique: effortless, efficient, rhythmically rigorous technique. Speed, then, becomes a happy bi-product.
Great question!
@@drwallysax Thank you so much for replying. Now I understand.
This should spice up my scale practice some
Keep it spicy, my friend!
I love this video
Hi Doc, is it poss for you to do a vid on alternate fingering, I am interested in the C# fingering (vintage) well I am an old dog ruff ruff
thanks
Once again a stellar video Dr WW!
I learned my scales decades ago by doing visualization on the bus and train on my commute to music school for bass. Of course I also practiced a lot of scales, especially using the bow on DB.
I use the principle of the smallest repeatable section when practicing parts. When learning bass parts for tricky songs for a rock cover band I’d lift the original bass part and sequence it in cubase. Looping the smallest section got me the most bang for my buck time wise.
The things I’m curious about are using alternate fingerings. I tend to try out multiple ways and then do what is most natural (and best sounding).
Actually I don’t have scales as part of my saxophone practice routine. I guess I am evil 😂🤣 I will add at least a few minutes of metronome scale practice to my routine.
I did at first, and would stick with one key for for ages (like a month) until it was under my fingers really well playing by ear.
Very cool way to go about it, Cragie! We'll be covering alternate fingerings in the context of scales during the fundamentals course next year - stay tuned, promise I'll get them I promise!
Thank you
Most welcome, Sam! Happy weekend!
Thank you sir
Absolutely Welcome!
Damn, the French overture burn cut me deep haha 😂
Les Burn!! We've all been there, Ben. Now start listening to great recordings - all the answers are in there!
Great content, loved the information and knowledge you dropped! Question, what would you recommend to be the next step once a student has fully grasped playing major scales full range? Go on to modes? Or would you recommend a more intervallic approach, like playing scales in thirds, fourths, etc? Looking forward to that transcription video!
Intervals are great - check out my new course (latest video). Free workbook is filled with em
Great. Gotta grow in the love of the horn.
I make lovey eyes at my alto daily. Happy New year, Dennis!
Many thanks, very useful !
Recording my exercises, the „noise“ of the flaps is pretty annoying. Here, I didn‘t hear anything. I have to work on it, or it‘s „just the mic“ ?!
Close up mic will definitely pick up things the audience may not hear - good observation ! Happy new year, Ivan!
did you get a new neck? For some of the vid I saw a neck without the bright lacquer and Yamaha logo
It’s an old M1 neck that I had the lacquer removed (when I had my horn lacquer removed as well). It’s been sitting in a drawer, pulled it out for kicks. The logo fell off a while back, so I need something fun to replace it!
@@drwallysax ok
Thank you, for the video!
Question, do you need to practice the altered scales ? I mean the sharps one and the diminued (#/b) . I think the answer is yes but if so, does it's better knowing the major and minor scales first and then, learning the augmented,diminued one?
Thanks again for your work and passion, and greeting from Switzerland !
I do, but not strictly or often. I create the altered sound by altering the major/minor scale (in my simple brain). Great question.
Can we please reveal the true conversation with the trumpet player who taught at Juilliard?:
Trumpet player: Wally, I think of everyth...
Shortround: Hey, Mister! You call him Dr.Wallace!
Wally was silent, and just listened. He's an amazing improviser, I learned a TON in an hour.
Shortround! That made me actually laugh out loud.
You should do some training course packages. Just sayn
Releasing a full course in January! Or did you mean for money? What about the orphans, Kris. Think of the ORPHANS!!!
Thanks for the push - hope you have an excellent new years!
@@drwallysax yes...for money! Toto XIV, “Orphan”...great song!
Would it be good to begin practice with the chromatic scale? Just playing all possible notes from low to high and Bach again?
Absolutely! We'll cover chromatic scale exercises in the fundamentals course next year. But the chromatic alterations (enclosure notes,etc) I like to teach IN CONTEXT of actual great music.
Ah very good tank you!!
Most welcome, hit me up with questions!
Hi, I am just starting with the saxophone, do you have any suggestion of which good saxophone I can buy to start? Thanks
Hi Felix, depending on your budget, @bettersax is releasing a new alto with Conn/Selmer - looks to be an outstanding value for the price. Pre-orders should be online very soon.