Thank you for posting this Quimby Sensei. Your videos are certainly helping me with my training. I'm currently learning Kanshu, and having this video with you breaking down the various sequences definitely is helping me work things out between my sessions with my own sensei.
Quick question sensei, when I compare Uechi-Ryu katas with katas from other styles (let's say Goju-Ryu- for instance), it seems that the blocks are very often the same (circular block or mawashi uke). Therefore it seems there's less diversity in technique than in other styles. It seems that Uechi-Ryu kata all look alike. Would it be correct? I'd love having your input on that. Thank you in advance! PS: I love your kata by the way!
Hello Jean-Loic! Thank you for your questions and the kind words. I really appreciate them both. I would say the short answer to your question regarding the circle block and its diversity compared to other systems is, yes. If one were to view the entire syllabus of Uechi-ryu kata, I think it’s fair to say that one would walk away feeling as though the circle block (mawashi-uke) is by far the most common and important defensive technique in the system. Under deeper examination, however, when we analyze the original three kata that were first taught to the founder and then brought back to Okinawa (sanchin, seisan, sanseiryu), we see a more diverse set of techniques, and in my opinion, a far more accurate representation of the style. It might have been the case that the circle block proved to be such a challenging technique to learn, that the creators of the “secondary” kata (Kanshiwa, Kanshu, Seichin, Seiryu, Kanchin), chose to place a heavy emphasis on it and include it throughout the system. I often joke with my students and tell them that there’s a lot more to Uechi-ryu that just the circle block, but in the beginning, it certainly doesn’t feel that way. I would recommend watching Sanseiryu kata to see a more accurate picture of the style and what a more experience practitioner will be taught as they progress in the system. Hope this is helpful sir.
@@AuthenticKarateTCWestPeabody It was very helpful! Incredibly helpful even :) Thanks again! If I may ask another question, have you practiced Goju-Ryu? I have practiced Wado-Ryu for longtime before. I can't quite decide if I should study Goju-Ryu or Uechi-Ryu, I know I need to try both but it's not possible right now given the current pandemic situation. Could you please tell me your views on Goju-Ryu compared to Uechi-Ryu? Goju-Ryu kata seems to have more variety and changes in the kata rythm (looks a bit cooler if I may put it this way lol). Do you practice Kakie (sticky hands) in Uechi-Ryu as well?
I have actually never formally trained in Goju-ryu, although I have many close friends and colleagues who do, and have developed a deep affection for the system. Having said that, I think there are more similarities than difference between the two, and if it were up to me to chose, I would always side with the more gifted teacher (rather than system in this case) since their knowledge, teaching and influence will most certainly transcend styles. Of course both Goju and Uechi originated in the same place are also both seen as Naha-based systems, so I see tremendous congruency between the two. Moreover, I'd rather train with a great teacher in a different style than my own, rather than a mediocre teacher in my own style. That might do more harm than it would good to a diligent practitioner. Just my two cents sir.
@@AuthenticKarateTCWestPeabody thanks! It makes a lot of sense. Thanks again for that detailed response. It surely helps a lot. I just need to try a couple of classes when it will be possible. Also regarding Kakie, do you practice it?
Oh sorry I forgot that part. Yes, I do practice teach and practice various form of kakie but elements like this will vary from one Uechi dojo to the next. I'd say Goju certainly places greater emphasis on this as a rule, although personally I really value the training so I incorporate various types.
Hi Jim - just to be clear, I don't starch my uniforms. Iron, yes, but starch...no. I got a good laugh from that. I think the uniform I'm wearing in this video is the KC-10 by Shureido.
Thank you for your support James. I'm actually in the process now of producing a series of instructional videos, so please stay turned. Thanks again for your comment.
@@AuthenticKarateTCWestPeabody إذا كانت حركات الكاتا ليست مسموحة في ال ام ام ايه فمن باب أولى إنها أشد تحريما في الشارع .... إذا السؤال: لماذا تتعلمون هذه الحركات ؟ إن كان الجواب للدفاع عن النفس فيكفي أن تحمل سكينا معك فالنتيجة واحدة .... في تعليقي الأول لم أكن أقصد الكاتا كنت أقصد اتباع هذا الفن القتالي .... لا يوجد لهم أثر في القتال الحقيقي و في البطولات العالمية ؟ تماما مثل بروس لي .... شهرة واستعراضات بدون أي واقعية ملموسة .... ننتظركم في ال ام ام ايه يا أصحاب اوكيناوا ....
The wauke blocks are too high, reaching well over your head. The fingertips should not be higher than your eyes. When they exceed this height you lose all the leverage from you elbow position and it becomes a strength contest. If you want to block higher than your head use a high block. And stop pushing your strikes let the hand pulll the arm like a rocket.
Thanks for your comment sir, but I think the camera angle is a bit deceptive. Maybe you can share a video to better illustrate your points? Wishing you the best in your training.
@@AuthenticKarateTCWestPeabody When your elbow or hip moves before your hand you are pushing your strikes. In retracting your hand to your body imagine it as a reward elbow strike. Blocking should never be done ( unless there is no other way ) from a stationary position. Hands and feet stop and start together. Never use the secondary hand in a wauke to simply slap the punch away ( unless there is no other way ). Cling to the opponent and destabilize the opponent. Arm rubbing done properly creates arms like antenae. If you release the attacker by slapping the punch the punch will only be redirected to you. This can get you killed if the opponent is armed. Remove yourself from the trajectory of the weapon , stabilize the weapon, destabilize the attacker, then the finishing blow. Hope you find this helpful. It's all in Sanchin.
@@menachembenyakov Thanks for further clarifying your points. Are you saying you prefer to use the mawashi-uke with one arm, versus two, whenever possible? I'b be interested to hear more about that. I'm a subscriber to the theory of always using both arm, unless it's tactically unnecessary and prohibits one from capitalizing on a situation. In regards to force production, are you a proponent of using hip rotation as it relates to delivering linear attacks with the arms. Other forces, like pressure, are very effective in aiding this goal, although they often go unseen to the eye. Philosophically, I find it interesting your use of the word "never," as if the human body is unable to move in different ways and create unique solutions to each possible situation. I find limiting the use of this thinking to be a powerful tool in continuing to grow. And sanchin, I would agree, is a very powerful tool and construct, but I can't credit it with being the source and answer to everything. This thinking is far too limited, as I see it, for one who continues to seek truth and improvement. A powerful philosophy - yes. An explanation and justification for everything - no.
@@AuthenticKarateTCWestPeabody Sanchin is indeed the source for all Uechi. I don't block at all. I evade, make contact, sustain contact, disrupt and then finish the opponent. The arms do not move independently, they move with the body. Leverage defeats strength and you should always react as if your opponent is armed with a knife. Slap away a knife and you are toast. Remove yourself from the trajectory of the weapon, control the weapon, unbalance the openent, finish the opponent. Never give the guy a second chance to stab. Teach Sanchin in a traditional manner but also try Sanchin as a fighting kata. Hands like antennae feeling the area, hands like lightning stabbing for the throat, legs alive, rooted yet supple. Even try moving and striking off the forward foot. Play with the Kata and see for yourself. When they say its all in Sanchin they are right.
I am glad new katas are being posted! Thank you, this is great instruction!
Thank you for posting this Quimby Sensei. Your videos are certainly helping me with my training. I'm currently learning Kanshu, and having this video with you breaking down the various sequences definitely is helping me work things out between my sessions with my own sensei.
So glad to hear that. Keep up the great work. Wishing you the best in your training.
Your videos instructions are awesome. Thanks Sensei
Thank sir!!!
We practice the circular block every time we drive a car.
Great technique good speed and power
Thank you Reece!
love your instruction been a great help. Thank you
Thank you for the comment Robb! I really appreciate it.
thank you i take karate i need to remember this kata for my purpul belt
Thank you for the message Destiny! Good luck on your upcoming test. Hope to see you back again.
Quick question sensei, when I compare Uechi-Ryu katas with katas from other styles (let's say Goju-Ryu- for instance), it seems that the blocks are very often the same (circular block or mawashi uke). Therefore it seems there's less diversity in technique than in other styles.
It seems that Uechi-Ryu kata all look alike.
Would it be correct?
I'd love having your input on that.
Thank you in advance!
PS: I love your kata by the way!
Hello Jean-Loic! Thank you for your questions and the kind words. I really appreciate them both.
I would say the short answer to your question regarding the circle block and its diversity compared to other systems is, yes. If one were to view the entire syllabus of Uechi-ryu kata, I think it’s fair to say that one would walk away feeling as though the circle block (mawashi-uke) is by far the most common and important defensive technique in the system.
Under deeper examination, however, when we analyze the original three kata that were first taught to the founder and then brought back to Okinawa (sanchin, seisan, sanseiryu), we see a more diverse set of techniques, and in my opinion, a far more accurate representation of the style.
It might have been the case that the circle block proved to be such a challenging technique to learn, that the creators of the “secondary” kata (Kanshiwa, Kanshu, Seichin, Seiryu, Kanchin), chose to place a heavy emphasis on it and include it throughout the system.
I often joke with my students and tell them that there’s a lot more to Uechi-ryu that just the circle block, but in the beginning, it certainly doesn’t feel that way. I would recommend watching Sanseiryu kata to see a more accurate picture of the style and what a more experience practitioner will be taught as they progress in the system.
Hope this is helpful sir.
@@AuthenticKarateTCWestPeabody It was very helpful! Incredibly helpful even :)
Thanks again!
If I may ask another question, have you practiced Goju-Ryu?
I have practiced Wado-Ryu for longtime before.
I can't quite decide if I should study Goju-Ryu or Uechi-Ryu, I know I need to try both but it's not possible right now given the current pandemic situation.
Could you please tell me your views on Goju-Ryu compared to Uechi-Ryu?
Goju-Ryu kata seems to have more variety and changes in the kata rythm (looks a bit cooler if I may put it this way lol).
Do you practice Kakie (sticky hands) in Uechi-Ryu as well?
I have actually never formally trained in Goju-ryu, although I have many close friends and colleagues who do, and have developed a deep affection for the system. Having said that, I think there are more similarities than difference between the two, and if it were up to me to chose, I would always side with the more gifted teacher (rather than system in this case) since their knowledge, teaching and influence will most certainly transcend styles. Of course both Goju and Uechi originated in the same place are also both seen as Naha-based systems, so I see tremendous congruency between the two. Moreover, I'd rather train with a great teacher in a different style than my own, rather than a mediocre teacher in my own style. That might do more harm than it would good to a diligent practitioner. Just my two cents sir.
@@AuthenticKarateTCWestPeabody thanks! It makes a lot of sense.
Thanks again for that detailed response.
It surely helps a lot.
I just need to try a couple of classes when it will be possible.
Also regarding Kakie, do you practice it?
Oh sorry I forgot that part. Yes, I do practice teach and practice various form of kakie but elements like this will vary from one Uechi dojo to the next. I'd say Goju certainly places greater emphasis on this as a rule, although personally I really value the training so I incorporate various types.
Manteb..alhamdulillaah.
great video sensei .... it's visually powerful
Thank you for your support! I appreciate it.
That was powerful
Chip, any chance of another video, without any starch in your gi, just as a comparison.
Hi Jim - just to be clear, I don't starch my uniforms. Iron, yes, but starch...no. I got a good laugh from that. I think the uniform I'm wearing in this video is the KC-10 by Shureido.
Please lost a Kanchin video. It's the only one I'm missing. And Ryuko if you have it. Thanks
Hi where is your school located?
Hi Tenrail, we're located in Peabody, Massachusetts. 👍
Hi do you have a dvd for sale please?
Thank you for your support James. I'm actually in the process now of producing a series of instructional videos, so please stay turned. Thanks again for your comment.
+Authentic Karate Training Center, I am a karate practitioner Uechi ryu in Brazil ...
Please, answer my question. How can totally callous my legs ?
Matheus Coimbra where do you training?
Arte Marcial cruda y auténtica de Okinawa Oss
No one: ...
This guy: AHHHP
Show us your kata in MMA ....
Kata is not designed for MMA (or consensual violence), but rather self-defense or non-consensual violence. Unless eye strikes are now legal in MMA?
@@AuthenticKarateTCWestPeabody
إذا كانت حركات الكاتا ليست مسموحة في ال ام ام ايه فمن باب أولى إنها أشد تحريما في الشارع .... إذا السؤال: لماذا تتعلمون هذه الحركات ؟ إن كان الجواب للدفاع عن النفس فيكفي أن تحمل سكينا معك فالنتيجة واحدة ....
في تعليقي الأول لم أكن أقصد الكاتا كنت أقصد اتباع هذا الفن القتالي .... لا يوجد لهم أثر في القتال الحقيقي و في البطولات العالمية ؟
تماما مثل بروس لي .... شهرة واستعراضات بدون أي واقعية ملموسة ....
ننتظركم في ال ام ام ايه يا أصحاب اوكيناوا ....
kiai????
Charlse earl
Excuse my vulgarity - Bad Ass.
Thank you sir - much appreciated.
The wauke blocks are too high, reaching well over your head. The fingertips should not be higher than your eyes. When they exceed this height you lose all the leverage from you elbow position and it becomes a strength contest. If you want to block higher than your head use a high block. And stop pushing your strikes let the hand pulll the arm like a rocket.
Thanks for your comment sir, but I think the camera angle is a bit deceptive. Maybe you can share a video to better illustrate your points?
Wishing you the best in your training.
@@AuthenticKarateTCWestPeabody When your elbow or hip moves before your hand you are pushing your strikes. In retracting your hand to your body imagine it as a reward elbow strike. Blocking should never be done ( unless there is no other way ) from a stationary position. Hands and feet stop and start together. Never use the secondary hand in a wauke to simply slap the punch away ( unless there is no other way ). Cling to the opponent and destabilize the opponent. Arm rubbing done properly creates arms like antenae. If you release the attacker by slapping the punch the punch will only be redirected to you. This can get you killed if the opponent is armed. Remove yourself from the trajectory of the weapon , stabilize the weapon, destabilize the attacker, then the finishing blow. Hope you find this helpful. It's all in Sanchin.
@@menachembenyakov Thanks for further clarifying your points. Are you saying you prefer to use the mawashi-uke with one arm, versus two, whenever possible? I'b be interested to hear more about that. I'm a subscriber to the theory of always using both arm, unless it's tactically unnecessary and prohibits one from capitalizing on a situation. In regards to force production, are you a proponent of using hip rotation as it relates to delivering linear attacks with the arms. Other forces, like pressure, are very effective in aiding this goal, although they often go unseen to the eye. Philosophically, I find it interesting your use of the word "never," as if the human body is unable to move in different ways and create unique solutions to each possible situation. I find limiting the use of this thinking to be a powerful tool in continuing to grow. And sanchin, I would agree, is a very powerful tool and construct, but I can't credit it with being the source and answer to everything. This thinking is far too limited, as I see it, for one who continues to seek truth and improvement. A powerful philosophy - yes. An explanation and justification for everything - no.
@@AuthenticKarateTCWestPeabody Sanchin is indeed the source for all Uechi. I don't block at all. I evade, make contact, sustain contact, disrupt and then finish the opponent. The arms do not move independently, they move with the body.
Leverage defeats strength and you should always react as if your opponent is armed with a knife. Slap away a knife and you are toast. Remove yourself from the trajectory of the weapon, control the weapon, unbalance the openent, finish the opponent. Never give the guy a second chance to stab.
Teach Sanchin in a traditional manner but also try Sanchin as a fighting kata. Hands like antennae feeling the area, hands like lightning stabbing for the throat, legs alive, rooted yet supple. Even try moving and striking off the forward foot. Play with the Kata and see for yourself. When they say its all in Sanchin they are right.
This shit don’t work bud.
It don't work for you bud