Schumann - Symphonies No.1,2,3,4 + Presentation (reference recording : Wolfgang Sawallisch)
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Robert Schumann (1810-1856) - The Four Symphonies / Overture Op.52
Click to activate the English subtitles for the presentation (00:00-03:52)
Symphony No.1 in B flat, Op.38 « Spring / Frühlings / Printemps »
I.Andante poco maestoso - Allegro molto vivace (00:00)
II.Larghetto (11:30)
III.Scherzo - Molto Vivace (18:33)
IV.Allegro animato e grazioso (23:58)
Overture, Scherzo and Finale, Op.52
I.Ouvertüre ; Andante con molto - allegro (32:15)
II.Scherzo - Vivo (38:50)
III.Finale - Allegro molto vivace (42:42)
Symphony No.2 in C, Op.61
I.Sostenuto assai - Allegro ma non troppo (49:18)
II.Scherzo - Allegro vivace (1:01:47)
III.Adagio espressivo (1:08:31)
IV.Allegro molto vivace (1:18:51)
Symphony No.3 in E flat, Op.97 « Rhenish / Rheinische / Rhénane »
I.Lebhaft (1:27:02)
II.Scherzo - Sehr mäßig (1:35:59)
III.Nicht schnell (1:42:41)
IV.Feierlich (1:48:11)
V.Lebhaft (1:55:04)
Symphony No.4 in D minor, Op.120
I.Ziemlich langsam - Lebhaft (2:00:36)
II.Romanze - Ziemlich langsam (2:10:55)
III.Scherzo - Lebhaft (2:15:05)
IV.Langsam - Lebhaft (2:21:55)
Staatskapelle Dresden
Wolfgang Sawallisch
Recorded in 1972
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
Le mariage de Schumann avec Clara Wieck en 1840 eut pour effet de changer radicalement la nature de sa production créative. Avant 1840, il n’avait composé presque que pour le piano, pourtant, après son mariage, par comparaison, il n’écrivit guère pour son propre instrument. Clara écrivit dans son journal (1839) que son plus ‘grand désir’ était que Robert composât pour l’orchestre. Deux ans après (1841), les Schumann enfin installés dans un bonheur familial, la Symphonie « Le Printemps/Spring » était née. La première execution eut lieu à Leipzig le 31 mars 1841 sous la direction de Mendelssohn. Son exubérance, sa poésie et son originalité firent bonne impression. C’est pourquoi Schumann se lança immédiatement dans une autre oeuvre symphonique.
La Symphonie No.2 en en Ut Majeur a toujours été un peu comme la Cendrillon des symphonies de Schumann, moins jouée que les trois autres. Mais bien qu’elle dévoile sans doute ses beautés plus lentement que ses compagnes, c’est un ouvrage d’une puissance irrésistible, dont la conception classique s’avère la plus imposante parmi les symphonies de Schumann. Peut-être l’apport le plus original et le plus important de Schumann à la forme symphonique fut-il sa technique de relation entre les thèmes et de métamorphose d’un mouvement à l’autre. Mais, plus révélateur encore, est l’art dont Schumann traite la mélodie de l’Adagio : poignante, troublante, elle est développée de manière approfondie dans des étoffes musicales d’une grave beauté puis, dans une transformation inspirée, elle réapparaît comme le second sujet du finale.
En 1850, les Schumann quitte Dresde pour Düsseldorf où Robert est nommé directeur musicale de l’orchestre de la ville. Il aimait la Rhénanie depuis longtemps; aussi s’enflamma-t-il à l'idée de composer une symphonie qui célébrât cette région riche en associations légendaires et historiques. On peut dire que la Rhénane est la plus belle, sans doute la plus joyeuse et la plus spontanée des dernières oeuvres symphoniques de Schumann. Sa volonté descriptive initiale s’est élargie à cette correspondance essentielle entre la nature et l’âme romantique et c’est cette capacité poétique qui la fait si touchante.
« Ma prochaine symphonie symphonie s’appellera ‘’Clara’’ et j’y peindrai son portrait au moyen de flûtes, de hautbois et de harpes ». Clara reçu en effet la partition de cette Symphonie en Ré mineur le 13 septembre 1841 pour son 22e anniversaire. Toutefois, Schumann la révisera et la réorchestrera quelque années plus tard et ce n’est qu’en 1851 qu’elle prendra sa forme définitive. Cette symphonie pour laquelle Schumann indiqua que les mouvements devaient être joué sans pause, est plus intense, plus troublante. Elle est d’une originalité révolutionnaire; presque tout le matériel s’y développe à partir des motifs annoncés dans la lente introduction.
De toutes les intégrales parues jusqu’ici, celle de Sawallisch reste l’une des plus homogène, dynamique, fine, réussie et convaincante. Pas de pages mortes ou languissantes dans ce monument où l’orchestre de Dresde s’affirme comme un des meilleurs du monde. Il y a dans cette orchestre un scintillement naturel de la sonorité que Sawallisch sait utilisé pour donner un élan et une légèreté constante à cette intégrale.
Robert Schumann PLAYLIST (reference recordings) • Robert Schumann (1810-...
Mendelssohn - Complete Symphonies No.1,2,3,4,5 (recording of the Century : Wolfgang Sawallisch) • Mendelssohn - Symphoni... - เพลง
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Robert Schumann (1810-1856) - The Four Symphonies / Overture Op.52
*Click to activate the English subtitles for the presentation* (00:00-03:52)
Symphony No.1 in B flat, Op.38 « Spring / Frühlings / Printemps »
I.Andante poco maestoso - Allegro molto vivace (00:00)
II.Larghetto (11:30)
III.Scherzo - Molto Vivace (18:33)
IV.Allegro animato e grazioso (23:58)
Overture, Scherzo and Finale, Op.52
I.Ouvertüre ; Andante con molto - allegro (32:15)
II.Scherzo - Vivo (38:50)
III.Finale - Allegro molto vivace (42:42)
Symphony No.2 in C, Op.61
I.Sostenuto assai - Allegro ma non troppo (49:18)
II.Scherzo - Allegro vivace (1:01:47)
III.Adagio espressivo (1:08:31)
IV.Allegro molto vivace (1:18:51)
Symphony No.3 in E flat, Op.97 « Rhenish / Rheinische / Rhénane »
I.Lebhaft (1:27:02)
II.Scherzo - Sehr mäßig (1:35:59)
III.Nicht schnell (1:42:41)
IV.Feierlich (1:48:11)
V.Lebhaft (1:55:04)
Symphony No.4 in D minor, Op.120
I.Ziemlich langsam - Lebhaft (2:00:36)
II.Romanze - Ziemlich langsam (2:10:55)
III.Scherzo - Lebhaft (2:15:05)
IV.Langsam - Lebhaft (2:21:55)
Staatskapelle Dresden
Wolfgang Sawallisch
Recorded in 1972
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
Le mariage de Schumann avec Clara Wieck en 1840 eut pour effet de changer radicalement la nature de sa production créative. Avant 1840, il n’avait composé presque que pour le piano, pourtant, après son mariage, par comparaison, il n’écrivit guère pour son propre instrument. Clara écrivit dans son journal (1839) que son plus ‘grand désir’ était que Robert composât pour l’orchestre. Deux ans après (1841), les Schumann enfin installés dans un bonheur familial, la Symphonie « Le Printemps/Spring » était née. La première execution eut lieu à Leipzig le 31 mars 1841 sous la direction de Mendelssohn. Son exubérance, sa poésie et son originalité firent bonne impression. C’est pourquoi Schumann se lança immédiatement dans une autre oeuvre symphonique.
La Symphonie No.2 en en Ut Majeur a toujours été un peu comme la Cendrillon des symphonies de Schumann, moins jouée que les trois autres. Mais bien qu’elle dévoile sans doute ses beautés plus lentement que ses compagnes, c’est un ouvrage d’une puissance irrésistible, dont la conception classique s’avère la plus imposante parmi les symphonies de Schumann. Peut-être l’apport le plus original et le plus important de Schumann à la forme symphonique fut-il sa technique de relation entre les thèmes et de métamorphose d’un mouvement à l’autre. Mais, plus révélateur encore, est l’art dont Schumann traite la mélodie de l’Adagio : poignante, troublante, elle est développée de manière approfondie dans des étoffes musicales d’une grave beauté puis, dans une transformation inspirée, elle réapparaît comme le second sujet du finale.
En 1850, les Schumann quitte Dresde pour Düsseldorf où Robert est nommé directeur musicale de l’orchestre de la ville. Il aimait la Rhénanie depuis longtemps; aussi s’enflamma-t-il à l'idée de composer une symphonie qui célébrât cette région riche en associations légendaires et historiques. On peut dire que la Rhénane est la plus belle, sans doute la plus joyeuse et la plus spontanée des dernières oeuvres symphoniques de Schumann. Sa volonté descriptive initiale s’est élargie à cette correspondance essentielle entre la nature et l’âme romantique et c’est cette capacité poétique qui la fait si touchante.
« Ma prochaine symphonie symphonie s’appellera ‘’Clara’’ et j’y peindrai son portrait au moyen de flûtes, de hautbois et de harpes ». Clara reçu en effet la partition de cette Symphonie en Ré mineur le 13 septembre 1841 pour son 22e anniversaire. Toutefois, Schumann la révisera et la réorchestrera quelque années plus tard et ce n’est qu’en 1851 qu’elle prendra sa forme définitive. Cette symphonie pour laquelle Schumann indiqua que les mouvements devaient être joué sans pause, est plus intense, plus troublante. Elle est d’une originalité révolutionnaire; presque tout le matériel s’y développe à partir des motifs annoncés dans la lente introduction.
De toutes les intégrales parues jusqu’ici, celle de Sawallisch reste l’une des plus homogène, dynamique, fine, réussie et convaincante. Pas de pages mortes ou languissantes dans ce monument où l’orchestre de Dresde s’affirme comme un des meilleurs du monde. Il y a dans cette orchestre un scintillement naturel de la sonorité que Sawallisch sait utilisé pour donner un élan et une légèreté constante à cette intégrale.
Mendelssohn - Complete Symphonies No.1,2,3,4,5 (recording of the Century : Wolfgang Sawallisch) th-cam.com/video/mo_1CdiehDI/w-d-xo.html&list=PL3UZpQL9LIxNEOECwK4VjfNazYgWVbApx
Robert Schumann PLAYLIST (reference recordings) th-cam.com/video/bO3xM__qNTA/w-d-xo.html
Certainement l'intégrale la plus équilibrée, la plus inspirée, la plus merveilleuse entre toutes des symphonies de Schumann que j'adore, merci Dresde, Sawalisch et surtout l'immense Schumann, mon Robert Schumann
It was my great good fortune to have met and worked with Maestro Sawallisch at EMI. Invariably courteous and smiling, he was a gentleman, unassuming and, despite his international stature and reputation, a man without attitude. A man to respect. This shines through the remarkable recordings he made, of which the Schumann set is simply a delight, illustrating the musicality and understanding he brought to the podium. With many thanks for sharing this.
How lucky you were to meet such a great man. I admire his Mendelssohn symphony cycle and he has ruined all other versions of Mendelssohn's symphonies for me, because they are the gold standard!
Don't I know you?
@@peteklat I thought you did? You appear to have no knowledge of me since I left the SABC.
hello? This is Jeongmin Lee. Thank you for uploading good music. This one seems to have a slightly higher frequency than the 440, but it feels a bit more flashy, so I really like it!
This is a Schumann set of remarkable consistency. A reference set if there ever was one. This is conducting and playing of the highest level. An astonishing achievement.
Yes YOU have good ears. I am fortunate enough to own this set of CD, a most powerful, scintillating, thoroughly convincing, compelling authoritative interpretation of Robert Schumann's great 4 Symphonies, nothing comes this close. This historical recording have set a shining, if not everlasting highest standard for Schumann Symphonies. Every pieces are breathtakingly conducted to a perfection, an imaging of the scores are just so wonderful. Great milestone in the interpretation of Schumann's score which dwarfed all other maestros of his time. Listen to the majestic finale of Symphony No.2 when trumpets shout out triumphantly pointing towards the heaven accompanied by most grand beatings of the timpani, it is a tear-jerker. Bravo Maestro thank you so much for your great Music, may you rest in Heaven.
Perfection! Best version ever! I never knew what a genius Robert Schumann was until I heard the Sawallisch versions. This man was a genius, as was Robert Schumann. Thanks to both geniuses for allowing me to enjoy your music for a brief period on this little planet.
well and high presumably even more in his potential , ...,
The wonderfulness and greatness of Wolfgang Sawallisch‘s Schmann are unrivaled , indescribable and outclassing .
His wonderful performance knows no borders
The greatest! Sawallisch and Schumann together is like Solti and Gotterdammerung, the best of the best.
Great symphonies, fantastically beautiful, highly romantic, great combinations of epic and lyric phrases, absolutely addictive!!! I believe Schumann's symphonies are way too much underrated though he is indeed top class of classical musicians.
i think at least in "context of "certain "circumstances and "politically aspects here and there "there "sofar very sure
I’ve never heard Schumann, with his huge enthusiasm and over-abundance of orchestral ideas, so finely executed by any orchestra. Sawallisch interprets Schumann in Schumann’s way, adhering strictly to the interestingly scrupulous dynamic markings for different parts in the symphonies, creating a sonically masterful experience!!
Yes, this is one of the best integrals. There is, however, an extra-terrestrial who performed a miracle in a single take in 1953: th-cam.com/video/LbyEiplksn0/w-d-xo.html
Quite so.
This 72 cycle is one of the best symphony cycle performances.
Yes it is. Superb. Excellent upload too.
Wow! I never have heard these symphonies played this way. I think it's a combination of slightly brighter tempos and "live", well-balanced recording, and, of course, the conductor and players. Thanks for making this available.
Your uploading of Mendelssohn's complete symphonies conducted by Sawallish was a pure beauty. And I think this is even better.
The slow opening of the 2nd symfony is mesmerizing. A great performance.
I thought I knew Schumann's symphonies, and then I heard these. A fantastic, well-oiled machine of a performance. Bravo.
Klare und wunderschöne Interpretation dieser gesamten Sinfonien von Schumann mit gut harmonisierten und perfekt synchronisierten Tönen aller Instrumente. Der intelligente Maestro dirigiert das ausgezeichnete und gut balancierte Orchester im inspirierenden Tempo und mit möglichst effektiver Dynamik. Einfach wunderbar!
These are fantastic, so nuanced.Still, much to be said too for the majesty and accent, shape of Szell's Cleveland version. How fortunate we are to have both!
I've heard all of the symphonies many times over the years, but I really like being able to listen ad seriatim. Thanks, as always for posting these superb performances.
Thank you I so appreciate your using the Latin “ad seriatim”...my new word for the day”
@@maryannruprecht2200 Any time, Ma'mselle!
Exelente colección,las bellas sinfonías del genial Rschumann, gracias 👌❤🎉
this channel always brings out definitive versions 🤩
Sawallisch conducting Schumann is an excellent marriage
Schumann had FIRES in his heart but wanted to express differently from Beethoven and Schubert. And for that, Sawallisch expressed all with abundant, powerful, beautiful, and very weighted ways..
It's easy to forget today that what we're hearing here is a revolution in sound--new music of the early Romantic era. This is the shock of the new, not the dust of the old.
amazing and beautiful. I'm so glad you got these back ; )
yes, this version is essential for this channel :-)
It's very wonderful to listen to all the symphonies In one place without any hassle
Thanks for posting these seminal recordings in such good sound.
This is so beautiful. Amazing recording. So luscious.
Schumann was also a noted writer and critic. His stuff still makes good reading.
This is very good, Schumann's symphonies are beautiful. A very good channel... I was especially amazed to find Stockmeier's organ recordings of Bach's works because I thought I was the only one who thought of them as reference recordings
Thanks ! We hope to publish soon its integral (Stockmeier) :-)
The same. Schumans symphonies are a world of their own.
Great recording ! Excellent sound and interpretation! Amazing!
Fantastic music presented by amazing orchestral musicians!
1:48:11 "Feierlich" of the 3d Symphony: gigantic, extraordinary rendition.
Philips recordings.Beautiful symphonies and great Conductor.Thank you so much!!!
I correct myself!these are EMI recordings!
UN.GENIO.SCHUMANN.GRACIAS.POR.COMPARTIRLO.LA.ORQUESTA.Y.ELDIRECTOR.IMPECABLES!!!!!!!
It's so beautiful. Thank you
:-)
Thank you for this... so beautiful
Like Brahms' 1/2/3/4, Schumann's 1/2/3/4 all have great value of musical impressions. Schumann and Schubert musics are good for approach and enjoy with dignity and beauties of classical music.
Schumann...in the great tradition of german music...That now belongs to the entire world...A God send contribution to humankind ...God bless his tortured soul..
Golden standard. Thank you.
Sawallisch nous offre une vision dépoussiérée et légère de Schumann. Il faut reconnaître que c'est engageant : mes oreilles apprécient ! Ces interprétations nous changes de la vision traditionaliste que l'on a l'habitude d'écouter ( George Szell par exemple ). Merci d'avoir mis en ligne ces Symphonies de grandes qualités.
:-)
Wolfgang Sawallisch, the last Kapellmeister.
I have a tradition of listening to Schumann's symphonies every spring....and griefs holberg suite every winter
Great Schumann Symphonies .Enjoyed 1_4 Thank You ⭐️🎶🎶@ Classical Music /Reference ⭐️✨✨10.40pm
Merci beaucoup
Schuman , profundamente inspirador, que enseña desde el fondo de las nobles almas
Gran interpretacio'n,principalmente en la Obertura Schezo y Finale!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!.-
Muchas gracias classical music y saludos cordiales desde Mallorca para vosotros
Gracias por tu lealtad :-)
Incroyable ! 🙆
ECCELLENTE S A W A L L I S C H PER GRANDISSIMO S C H U M A N N !
Hello! Thank you ~~ as always. You make me having a high hope, what's the next gonna be.Again, you've given me a lot of help to taste a variety of clasic musics. And I love THE BETH enough to get a pic of him on. And I'd like to ask you a favor, if i may, among your all uploads , there's no piano concert at all composed by THE BETH. You know what i mean. I just want to download yours. I LIKE YOUR STYE.Thank you for excellent uploads.
Thank you my little brother Beethoven. There is already the Emperor concerto in this documentary about Arrau (time 42:14)
(th-cam.com/video/lqFGXwomwOw/w-d-xo.html). Yes it's true, the complete concertos are missing; soon, soon .. Thank you :-)
@@classicalmusicreference Looking forward to them 😍🌷🧚♂️👏💖🌻,brother
Gran integral de esta musica con los Dresde, sobre todo la 4 con una ejecucion unica , esta version de la 4 jumto con la de Furtwangler con los berliner las mejores para mi gusto.Los Dresde hacen un papel impresionante con jnz grabacion insuperable y un sawallisch sublime muy recomendable
Obrigado!!!
Schumann no. 3 has amazing opening bars, the same can be said about Beethoven no. 5, Brahms no. 3 and 4 or Elgar no. 1. I don't think Schumann is as good as Brahms, but symphonies no. 3 and no. 2 are still very good and these are superb renditions. No. 3 is actually the best I have ever heard. It's phenomenal how it's balanced and the crescendos here and there are just perfectly judged.
I've tried searching all over but could never find the complete Symphonies with Fürtwangler. Missing the Rhenish symphony, my favorite. I like the sets with Klemperer and Szell and Karajan.
Yes the Karajan is a classic set. It divides opinion though. He is pretty much persona non grata these days. His conducting style & aesthetic approach to music being irrelevant. It's astonishing. And deeply ignorant. He was indulged & over recorded - but there are amongst his 200 or so a significant number of high quality recordings which have stood the test of time. And some that are definitive.
1:33:47 I wonder if conductors might sometimes deliberately play this so that it would sound as much like the ending of Die Walküre as possible
Am I hearing an unpleasant tapping sound caused by the unpadded sticks used on the timpanies?
I will make the audience an offer they can not refuse.
I really think that Sawallisch's cycle is maybe the best in Schumann( at the same level very few others versions)
I agree.
Obviously, Schumann had add-on musical ideas from the accumulations of Beethoven and Schubert and expressed different and add-on beauties of musical soul. I hope I will have chance to conduct all 4 Symphonies in the near future.
Ohhh you are a conductor, great ! Where do you practice?
Where do you work? For what orchestra?
bless you!
Please,
It is possible for you to separate this recording
from 02:28:23 on the two CDs of the album.??
1 - 11 traks
2 - 08 traks
Sorry excuse and thank you very much.!
If you can, fine and if you can not,
all OK and no problem.!!
Symphony No.1 in B flat, Op.38 « Spring / Frühlings / Printemps »
I.Andante poco maestoso - Allegro molto vivace (00:00)
II.Larghetto (11:30)
III.Scherzo - Molto Vivace (18:33)
IV.Allegro animato e grazioso (23:58)
Overture, Scherzo and Finale, Op.52
I.Ouvertüre ; Andante con molto - allegro (32:15)
II.Scherzo - Vivo (38:50)
III.Finale - Allegro molto vivace (42:42)
Symphony No.2 in C, Op.61
I.Sostenuto assai - Allegro ma non troppo (49:18)
II.Scherzo - Allegro vivace (1:01:47)
III.Adagio espressivo (1:08:31)
IV.Allegro molto vivace (1:18:51)
Symphony No.3 in E flat, Op.97 « Rhenish / Rheinische / Rhénane »
I.Lebhaft (1:27:02)
II.Scherzo - Sehr mäßig (1:35:59)
III.Nicht schnell (1:42:41)
IV.Feierlich (1:48:11)
V.Lebhaft (1:55:04)
Symphony No.4 in D minor, Op.120
I.Ziemlich langsam - Lebhaft (2:00:36)
II.Romanze - Ziemlich langsam (2:10:55)
III.Scherzo - Lebhaft (2:15:05)
IV.Langsam - Lebhaft (2:21:55)
Thank you very much for your kind answer.
It is also in the "posted message" of 2 months ago.
But I want to pass the video (converter) to mp3 CD-R
and it is very long, like my years (66) and I do not
understand well. Thanks again and. . .
Greetings from Buenos Aires.!
www.onlinevideoconverter.com/es/youtube-converter
1/2/3/4 are equally superior as like Brahms 1/2/3/4 and are very beautifully romantic. Swellfish's recordings of 1/2/3/4 may be the first class for several centuries till end of Classical music (?) because of clarities, straight forward interpretations, abundant romanticism inside, and passion for Spirits of Rhine.
Schumann is Beethoven's symphonist heir.
Beethoven/Schubert -> Schumann -> Brahms
Schubert; hold my Austrian beer
💋
1:48:11 💜💙💚💛🧡❤👍👍👍☮
A personal view: I would rather hear a symphony by Schumann than his contemporaries on account of the pure joy of music making, the startling originality, and the spontaneous warmth of feeling that shines out. I admire and love the Brahms symphonies, but you are always aware of the work that went into them. Their impeccable good taste can become tiresome. Not so with Schumann.
Nothing that a good conductor cannot cure.
The commercial interruptions render this useless. Go with Sir Jon Eliot Gardner -- no interruptions on that presentation.
Dumb recommendation on this great upload. You should stop complaining and just install an adblocker.
@@kennethdower7425 The critique is valid and important for those expecting a proper (and respectful) presentation of significant art.
@@pacz8114 Wrong. Did you ever consider the fact you're simply a pretentious idiot? Look into it. Good Luck!
@@pacz8114 In that case why would you choose to listen to the squashed dynamics of music on TH-cam?
@@henrik5284 TH-cam is merely a convenience when I'm away from my stereo.
Effettivamente la musica proposta da sawallisch e` la piu`originale ancora oggi delle sinfonie di Schumann. Finora le avevo sempre paragonate a Beethoven e Brahms... Questa volta sono riuscito a ciogliere il loro aspetto originale senza alcun rapporto con i predecessori o successori del compositore.... Lo so`che probabilmente dico solo schiocchezze ma mi sembra di aver capito in questa versione quello che ci voleva dire il Maestro Schumann..... La forsa di espressione die questa versione e`diversa da quelle che avevo udito finora.....
Grazie per il tuo commento. Sebbene fosse difficile per i compositori del tempo comporre dopo Beethoven, Schumann riuscì a decelerare la propria identità :-)
Beethoven e` il musicista che ha iniziato la rivoluzione musicale che portera`alla musica moderna, per cui non ha una nazionalita`... diciamo che era "Europeo" e non solo tedesco. E`chiaro che la Rivoluzione Francese e soprattutto Napoleone hanno cambiato il modo di pernsare di tutti gli europei, fino in Russia, le persone si sentivano piu`liberi ed indipendenti (almeno ideologicamente....).
Gli Italiani ed i Francesi hanno "cominciato" la storia della musica in Europa, soprattutto nel Rinascimento, i Tedeschi/Asutriaci/Ungheresi (o Germani....) l`hanno portata ai livelli piu`alti di espressione.... pero`Beethoven ha scritto nelle sue ultime opere (penso soprattutto alla la nona sinfonia....) una musica che deve ancora essere scritta..., che non e`mai piu`stata sviliuppata dopo di lui, ma da cui sono "partiti" tutti i suoi successori.
In Schumann si sente anche la voglia di liberta`, la forza romantica di chi vuole cambiare qualcosa con la sua musica
@@classicalmusicreference
Schumann's symphonies may not be as good as those of Brahms, but I think his themes are more fetching and charismatic. There is a joyous flair to them we don't hear in Brahms.
Not as good? Overall, they are much better.
Musicians I have spoken to prefer Schumann.
The liner notes are nauseating. Rock-solid performances though.
Deslike, there are too many ads.
Good but too fast.. Tempo by Furtwängler and VPO is unmatched..
Too fast connoisseurs: I love Otto Klemperer's version of Beethoven's fifth symphony with the Philharmonia orchestra. So slow, but absolutely majestic and unforgettable. Every other interpretation of this symphony to me now sounds comically fast.
Ads between movements I can live with. Ads in the middle of a movement is unacceptable......... no subscription for me; I'll go elsewhere.
You couldn't afford a free adblocker? Too bad for you, so long!
I like Szell better.
Useless "comment". Bravo 👏
@@kennethdower7425 are you trying to find the perfect comment in YT? Because there is not, and this is something your almost 300 subscribers should tell you by now.
@@DanielLopez-zt4ig Another useless "comment" from you. Obviously, you're an arrogant angry nitwit who possesses all the intelligence and grace of a garden slug.